Exhilarating Start, Enervating Finish!
15 May 2002
"Going Hollywood" is one of countless 1930s musicals that Hollywood made about itself, or rather about its own myths. It begins with Marion Davies being so enchanted by Bing Crosby's voice on the radio that she rebels against the stuffy girls' school where she teaches French and goes looking for Der Bingel. The film has all the era's cliches, including Patsy Kelly's butch buddy with a heart of gold, Ned Sparks' caustic sidekick with a heart of bronze, and the usual compliment of corny songs and soft-shoe chorines, but there's no surprise about where this film is going. Marion Davies, enjoying perhaps a 2002 reappraisal because of Kirsten Dunst's fine portrayal of her in "The Cat's Meow," is not all that interesting here and, frankly, is upstaged by her rival Fifi D'Orsy, whom I'd rather spend a night with if I had the choice. Crosby is saddled with mostly forgettable songs (with the exception of "Temptation"), but at least his character shows a dark side behind his easy charm. But overall the flaccid story, Hollywood hokum and badly dated entertainment sink "Going Hollywood" like a stone.
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