A young woman, after being lured into a false marriage, finds the chance for happiness on a friendly farm WAY DOWN EAST.
David Wark Griffith, the Father of American Cinema, had his last great financial blockbuster with this highly sentimentalized silent melodrama. Always anxious to promote decency & morality with his epic films, Griffith here exposes & castigates male brutality against the weaker female, making this a stark portrayal of Good versus Evil as he follows the fortunes and misfortunes of his long-suffering heroine.
Bird-like & fragile, Lillian Gish takes the brunt of the plot upon her young shoulders. To say that she performs magnificently is only to state the expected. The wealth of emotions stealing across her lovely face give expression to her every thought, as her character struggles to maintain her equilibrium against the onslaughts hurled against her.
Richard Barthelmess portrays the quietly heroic farm lad who becomes paladin for Miss Gish during her tribulations while abiding in his home. His stalwart decency is in strong contrast to the villainy of Lowell Sherman, the rich roué whose misdeeds nearly destroy Lillian.
Griffith's broad canvas allows for detailed portraits by a fine supporting cast: a pharisaical squire (Burr McIntosh), his saintly wife (Kate Bruce), a butterfly-chasing professor (Creighton Hale), a dour landlady (Emily Fitzroy), a lazy, good-natured constable (George Neville), a jolly, oafish farmhand (Edgar Nelson), and a gossiping spinster (Vivia Ogden).
The film climaxes with one of the most famous sequences in all of Silent Cinema: Barthelmess' rescue of Miss Gish as she lies unconscious on an ice floe, speeding towards a tremendous waterfall. Filmed on Long Island in the dead of Winter, the performers were in real peril. These scenes still pack a punch and are worthy testimony to Griffith's genius.
Special mention should be made of the cinematography of G. W. Bitzer, Griffith's invaluable cameraman. His beautiful photography softly illumines both the tender scenes and the bucolic vistas, giving them the quality of aged snapshots in a cherished family album.
David Wark Griffith, the Father of American Cinema, had his last great financial blockbuster with this highly sentimentalized silent melodrama. Always anxious to promote decency & morality with his epic films, Griffith here exposes & castigates male brutality against the weaker female, making this a stark portrayal of Good versus Evil as he follows the fortunes and misfortunes of his long-suffering heroine.
Bird-like & fragile, Lillian Gish takes the brunt of the plot upon her young shoulders. To say that she performs magnificently is only to state the expected. The wealth of emotions stealing across her lovely face give expression to her every thought, as her character struggles to maintain her equilibrium against the onslaughts hurled against her.
Richard Barthelmess portrays the quietly heroic farm lad who becomes paladin for Miss Gish during her tribulations while abiding in his home. His stalwart decency is in strong contrast to the villainy of Lowell Sherman, the rich roué whose misdeeds nearly destroy Lillian.
Griffith's broad canvas allows for detailed portraits by a fine supporting cast: a pharisaical squire (Burr McIntosh), his saintly wife (Kate Bruce), a butterfly-chasing professor (Creighton Hale), a dour landlady (Emily Fitzroy), a lazy, good-natured constable (George Neville), a jolly, oafish farmhand (Edgar Nelson), and a gossiping spinster (Vivia Ogden).
The film climaxes with one of the most famous sequences in all of Silent Cinema: Barthelmess' rescue of Miss Gish as she lies unconscious on an ice floe, speeding towards a tremendous waterfall. Filmed on Long Island in the dead of Winter, the performers were in real peril. These scenes still pack a punch and are worthy testimony to Griffith's genius.
Special mention should be made of the cinematography of G. W. Bitzer, Griffith's invaluable cameraman. His beautiful photography softly illumines both the tender scenes and the bucolic vistas, giving them the quality of aged snapshots in a cherished family album.