Chilean producer Tomas Gerlach Mora of A Simple Vista has struck a deal in the Cannes Marché for Colombia’s Rhayuela Films to join as co-producer on the upcoming genre film Dog Legs (Patas De Perro) starring Chilean A-lister Alfredo Castro.
Matías Rojas Valencia will direct and established his reputation with San Sebastián Horizontes Latinos 2013 selection Root and Tallinn 2021 entry A Place Called Dignity.
Based on the 1960 novel by Chilean literary giant Carlos Droguett, Dog Legs follows a lonely man who adopts a child born with the legs of a dog and is met with escalating violence when he tries...
Matías Rojas Valencia will direct and established his reputation with San Sebastián Horizontes Latinos 2013 selection Root and Tallinn 2021 entry A Place Called Dignity.
Based on the 1960 novel by Chilean literary giant Carlos Droguett, Dog Legs follows a lonely man who adopts a child born with the legs of a dog and is met with escalating violence when he tries...
- 5/21/2024
- ScreenDaily
Titles include Kah Wai Lim’s Japanese feature ‘Everything, Everywhere’.
Eight features will have world premieres in the Rebels With A Cause strand of Tallinn Black Nights Film Festival (Poff), including new films from Kah Wai Lim and Matias Rojas Valencia.
The competitive section includes 11 features, with two further films playing out of competition.
Scroll down for the full Rebels With A Cause selection
Japanese director Lim presents Everything, Everywhere, a semi-improvised road movie set in the Balkans where Lim typically films, in which Japanese star Shogen plays a fictionalized version of the director.
Lim’s previous films include 2022 comedy-drama...
Eight features will have world premieres in the Rebels With A Cause strand of Tallinn Black Nights Film Festival (Poff), including new films from Kah Wai Lim and Matias Rojas Valencia.
The competitive section includes 11 features, with two further films playing out of competition.
Scroll down for the full Rebels With A Cause selection
Japanese director Lim presents Everything, Everywhere, a semi-improvised road movie set in the Balkans where Lim typically films, in which Japanese star Shogen plays a fictionalized version of the director.
Lim’s previous films include 2022 comedy-drama...
- 10/20/2023
- by Ben Dalton
- ScreenDaily
Rojas Valencia’s third film following ‘Roots’ and ‘A Place Called Dignity’ is based on the 1960 novel by Chilean writer Carlos Droguett
Chilean star Alfredo Castro will play the lead role in the third film by Rojas Valencia, Patas de Perro (which translates to ‘dogs legs’)
The project is a co-production between Chile’s Horamágica and A Simple Vista Producciones and Brazil’s Centauro. Horamágica’s Úrsula Budnik also produced Sebastian Lelio’s early works The Sacred Family (2005) and Christmas (2009).
The film is an adaptation of the 1960 novel by prominent Chilean writer Carlos Droguett. Droguett was a member of the...
Chilean star Alfredo Castro will play the lead role in the third film by Rojas Valencia, Patas de Perro (which translates to ‘dogs legs’)
The project is a co-production between Chile’s Horamágica and A Simple Vista Producciones and Brazil’s Centauro. Horamágica’s Úrsula Budnik also produced Sebastian Lelio’s early works The Sacred Family (2005) and Christmas (2009).
The film is an adaptation of the 1960 novel by prominent Chilean writer Carlos Droguett. Droguett was a member of the...
- 9/27/2023
- by Emilio Mayorga
- ScreenDaily
The 48th edition of the Huelva Ibero-American Film Festival will honor Spanish actress Nathalie Poza with a City of Huelva Award, an acknowledgment whose previous recipients included filmmaker Oscar-winning director Fernando Trueba (“Belle Epoque”) and actors Dario Grandinetti, Eduard Fernández and Edward James Olmos.
Running Nov. 11-18, Huelva 2022 will also homage young thesp Greta Fernández, a best actress winner at San Sebastian for Belén Funes’ “A Thief’s Daughter,” and Andalusian writer-director Juan Miguel del Castillo (“Food and Shelter”) with two Light Awards.
Meanwhile, Seville-born director Santi Amodeo will receive a Rtva Award for best Andalusian filmmaker.
Launched 48 years ago, Huelva represents Europe’s oldest confab dedicated exclusively to movies from Ibero-America: Spain, Latin America and Portugal, and a traditional launchpad for Latino filmmakers in Spain and Europe.
Over the years other festivals have been adding parallel sections of Latin American cinema, a symptom of its growing international relevance.
“Our...
Running Nov. 11-18, Huelva 2022 will also homage young thesp Greta Fernández, a best actress winner at San Sebastian for Belén Funes’ “A Thief’s Daughter,” and Andalusian writer-director Juan Miguel del Castillo (“Food and Shelter”) with two Light Awards.
Meanwhile, Seville-born director Santi Amodeo will receive a Rtva Award for best Andalusian filmmaker.
Launched 48 years ago, Huelva represents Europe’s oldest confab dedicated exclusively to movies from Ibero-America: Spain, Latin America and Portugal, and a traditional launchpad for Latino filmmakers in Spain and Europe.
Over the years other festivals have been adding parallel sections of Latin American cinema, a symptom of its growing international relevance.
“Our...
- 11/11/2022
- by Emiliano De Pablos
- Variety Film + TV
Following, some potential Chilean highlights at Cannes:
“Beautiful Yet Mortal” (“Bella Cosa Mortal”), Nicolás Postiglione
An Oro Films-Whisky Content co-production about star-crossed lovers in an ultra-traditional German community in Southern Chile, from the director of the acclaimed “Immersion.” To shoot in late 2022.
Breaking and Entering” (“Allanamiento”), Tomás Gonzalez Matos
From Sanfic Industry Goes to Cannes, a police procedural where the deputy commissioner of the investigative police unit asks the commissioner to enter the prosecutor’s office and dispose of recordings implicating them in drug trafficking, torture and corruption. In post.
“Conditional,” Alvaro Diaz
A youth comedy from Juntos Films following Esteban who, in order to impact the girl he fancies, runs for president of his school’s student union. To his chagrin, he’s elected.
“Land of Savages” (“Salvajes”) Fernando Guzzoni
Produced by Pablo Larrain’s Fabula, a thriller set in 1830 Chile centering on a slave owner haunted by nightmares and his dark past.
“Beautiful Yet Mortal” (“Bella Cosa Mortal”), Nicolás Postiglione
An Oro Films-Whisky Content co-production about star-crossed lovers in an ultra-traditional German community in Southern Chile, from the director of the acclaimed “Immersion.” To shoot in late 2022.
Breaking and Entering” (“Allanamiento”), Tomás Gonzalez Matos
From Sanfic Industry Goes to Cannes, a police procedural where the deputy commissioner of the investigative police unit asks the commissioner to enter the prosecutor’s office and dispose of recordings implicating them in drug trafficking, torture and corruption. In post.
“Conditional,” Alvaro Diaz
A youth comedy from Juntos Films following Esteban who, in order to impact the girl he fancies, runs for president of his school’s student union. To his chagrin, he’s elected.
“Land of Savages” (“Salvajes”) Fernando Guzzoni
Produced by Pablo Larrain’s Fabula, a thriller set in 1830 Chile centering on a slave owner haunted by nightmares and his dark past.
- 5/17/2022
- by Anna Marie de la Fuente
- Variety Film + TV
New Europe Film Sales, handling international sales for Matías Rojas Valencia’s “A Place Called Dignity,” “Un lugar llamado dignidad” in Spanish, which is currently playing in competition at this year’s Tallinn Black Nights Film Festival, have given Variety exclusive access to the film’s international trailer.
The film presents a dramatized look at events surrounding Paul Schaefer, a former Nazi soldier who fled to rural Chile after WWII. There, he established the German-speaking Colonia Dignidad (Dignity Colony) and reigned over a generations-long culture of torture, child abuse and murder, thanks to the protection of Chile’s former dictator Augusto Pinochet’s dictatorship. Under Schaefer’s leadership the community entrenched itself, becoming indispensable to the locals and providing schooling and medical services in an area where there would otherwise be none.
Rojas’ film is a dramatized look at real-life events surrounding Schaefer’s time in Chile from the perspective of Pablo,...
The film presents a dramatized look at events surrounding Paul Schaefer, a former Nazi soldier who fled to rural Chile after WWII. There, he established the German-speaking Colonia Dignidad (Dignity Colony) and reigned over a generations-long culture of torture, child abuse and murder, thanks to the protection of Chile’s former dictator Augusto Pinochet’s dictatorship. Under Schaefer’s leadership the community entrenched itself, becoming indispensable to the locals and providing schooling and medical services in an area where there would otherwise be none.
Rojas’ film is a dramatized look at real-life events surrounding Schaefer’s time in Chile from the perspective of Pablo,...
- 11/22/2021
- by Jamie Lang
- Variety Film + TV
Paulina García, who won the Berlinale’s 2013 best actress Silver Bear for her role in Sebastián Lelio’s Chilean drama “Gloria,” is starring in and executive producing Matías Rojas Valencia’s “Our Memory” (“Nuestra Memoria”).
The documentary-hybrid is based on Rojas’ research into a powerful enclave in southern Chile and the influence it continues to have on the country — subject matter that he also explores in his latest feature, “A Place Called Dignity.”
“Our Memory” is a film “that defies cinematic genres,” producer Clara Larraín of Santiago-based Clara Films told Variety. It was written and directed by Rojas and is produced by Larraín and Tomas Gerlach of A Simple Vista.
In the fiction part of “Our Memory,” García plays a woman who is suffering from Alzheimer illness, who needs for some reason to enter a forest to unearth a secret and ask for forgiveness for something that has weighed in her all her life.
The documentary-hybrid is based on Rojas’ research into a powerful enclave in southern Chile and the influence it continues to have on the country — subject matter that he also explores in his latest feature, “A Place Called Dignity.”
“Our Memory” is a film “that defies cinematic genres,” producer Clara Larraín of Santiago-based Clara Films told Variety. It was written and directed by Rojas and is produced by Larraín and Tomas Gerlach of A Simple Vista.
In the fiction part of “Our Memory,” García plays a woman who is suffering from Alzheimer illness, who needs for some reason to enter a forest to unearth a secret and ask for forgiveness for something that has weighed in her all her life.
- 11/2/2021
- by Ed Meza
- Variety Film + TV
The sixth edition of the Venice Gap-Financing Market (August 30 – September 1), which takes place during the Venice Film Festival, will feature 51 projects in the final stages of development and funding.
Of those, 23 projects from Europe and beyond are narrative features with 70% funding in place. Five projects are documentaries.
Among highlights are Czech feature Sarlatan by Oscar-nominated Polish director Agnieszka Holland (Mr. Jones) about a man gifted with exceptional abilities set against the background of the events of the totalitarian ’50s; Russian film Air by Dovlatov director Alexey German Jr; Grbavica director Jasmila Zbanic’s Euro co-pro Quo Vadis Aida (working title); and Canadian pic Saint-Narcisse by Bruce La Bruce.
Here’s a full list of projects taking part in the market:
28 Selected Fiction And Documentary Projects
Air (Russia) by Alexey German Jr., SAGa, Metrafilms Alam (France, Lebanon, Belgium) by Firas Khoury, Mpm Film A la sombra de los árboles (Chile) by Matías Rojas Valencia,...
Of those, 23 projects from Europe and beyond are narrative features with 70% funding in place. Five projects are documentaries.
Among highlights are Czech feature Sarlatan by Oscar-nominated Polish director Agnieszka Holland (Mr. Jones) about a man gifted with exceptional abilities set against the background of the events of the totalitarian ’50s; Russian film Air by Dovlatov director Alexey German Jr; Grbavica director Jasmila Zbanic’s Euro co-pro Quo Vadis Aida (working title); and Canadian pic Saint-Narcisse by Bruce La Bruce.
Here’s a full list of projects taking part in the market:
28 Selected Fiction And Documentary Projects
Air (Russia) by Alexey German Jr., SAGa, Metrafilms Alam (France, Lebanon, Belgium) by Firas Khoury, Mpm Film A la sombra de los árboles (Chile) by Matías Rojas Valencia,...
- 7/2/2019
- by Andreas Wiseman
- Deadline Film + TV
Chilean authorities and representatives participate once more in one of the most important film festivals in the world and CinemaChile’s Executive Director, Constanza Arena, will again coordinate the mission. Among the authorities traveling with the delegation are:ProChile’s Roberto Paiva, the Europe Department coordinator,Patricia Matta, ProChile’s representatives in France,Pedro Durán andCamille Perón, representing the Cnca the Arts and Audiovisual Industry Council’s Executive Secretary,Martin Rodríguez, and the Strategic Programs and International Affairs Director, Tatiana Emden, also present, Joyce Zylberberg, Film Commission Chile general Coordinator.
CinemaChile’s Executive Director, Constanza Arena, noted the ongoing presence of the Chilean delegation abroad, which accounts for the powerful Chilean audiovisual industry development and stated regarding the Cannes Film Festival, “This is simply the most important yearly mission for our country and we are fully prepared”.
Culture Minister till last week, Claudia Barattini, claims that Chilean cinematography has obtained incredible international acknowledgments in recent years, this being the result of several factors: A state that invested in audiovisual production and filmmakers that have created quality works. Films are the most potent instruments for the country’s image today, as others were in other times. At some point, Chile was known for the dictatorship, sadly, Chile was known by its political aspects, but today people talk about Chilean films around the world and they know about Chile via its cinematography”, states Barattini.
Chilean Films at Marche du Film
This year Chile participates with a 45-person delegation integrated by filmmakers, producers, directors and authorities that attend the festival’s industry market with 40 projects in different stages of production, including several titles that have already been awarded in other film festivals.
According to ProChile’s Director, Roberto Paiva, who reassures the support of the agency to the national audiovisual industry: “Creative industries in its cultural and economic dimension, contribute to the establishment a powerful country image abroad. That is why we support the audiovisual sector in a joint effort with the private sector, with CinemaChile’s sector trademark and our Creative Industries sector plan. Both projects’ objectives are to diversify the sectors and markets that national artists and entrepreneurs aim for."
ProChile France- Commercial Director, Pedro Durán, “Our presence at the Cannes Film Festival with the highest quality films and production abilities, convey the culture and creativity that are the essential basis for our country’s development. It also fosters Chile’s image placing it at the highest level in France, where education and culture are the building blocks that portray our new generation’s projections for the Xxi century”.
The task will be completed with the help of the Arts and Audiovisual Industry Council (Caia) of the Cnca. Martín Rodríguez, Caia’s Executive Secretary states, “It has been 45 years since the last screening of a Chilean film at the Director’s Fortnight and powerful political and social content is the common denominator of the films that reach Cannes. 45 years ago the new Chilean Cinema showed a strong connection with the political-social accounts of what happened in our country. This year the Chile Factory film, as well as, 'Allende, mi Abuelo Allende,' are marked by the 70’s heritage, which was branded in our souls and memory”.
Precisely due to the support and funding from the Arts and Audiovisual Industry Council of the Cnca, via its program to support International Market and Festival attendance, 8 production houses, their delegates and their projects will be in attendance.
The official delegation includes Errante Productions, represented by the producer Paola Castillo, who takes the projects: "El último lugar," "Cielo," "La Frontera," "La directiva" and "Allende, mi abuelo Allende;" ChileDoc, represented by Flor Rubina and the documentaries: "Escapes de Gas," "Habeas Corpus," "Surire," "Chicago Boys," "Sin Alma," "Al final del día," "Aquí nos quedamos," "Estadio en el Desierto" and "Temporeras."
Fábula, represented by Juan de Dios Larraín, with: "La Princesita," "Neruda" and "Una mujer fantástica;" Invercine, represented by Esteban Larraín, with the films: "Mary & Mike" and "El fotógrafo de Dios." Also part of the delegation, Josephine Schroeder of Cinestación, with "1976," "Tarde para morir joven," "Mar," "San Cristóbal," "Lo que queda," "La última Tierra;" Producer Karina Yuri –representing Miguel Littin and his production house, Miguel Littin Eirl, who will attend with "Allende en su laberinto;" StoryBoard, represented by Gabriela Sandoval, with "La mujer de Barro," "El Paraíso" and "Forastero," represented by Gregorio González with: "No soy Lorena," "Aurora," "Tierra Yerma," "Mucha ex poco Sex" and "Invumche."
The rest of the delegation is comprised by 21 directors and producers, among these, Marcia Tambutti, director of "Allende, mi abuelo Allende," the only national feature in the official selection of the Director’s Fortnight; Mariana Tejos (producer) and Ignacio Juricic (director), with the short film, "Locas perdidas," competing in Cinéfondation along with school films from all over the world. Also attending, Manuela Martelli, Ignacio Rodríguez, Matías Rojas Valencia and Teresita Ugarte, selected directors of the Chile Factory program, produced in alliance with the Cannes Director’s Fortnight, CinemaChile, The Culture and Arts National Council and Quijote Films.
In regards to new talents, Rodrigo Espinosa, director of Dirac (Cultural Affairs Department of the Ministry of Foreign Affairs), confirms their support, “Chilean filmmaking has shown undeniable growth, which translates into ongoing presence on International festivals, receiving awards and extending widely within distribution circuits. For Dirac, it’s fundamental to contribute to the visibility of a new generation of creators, who reflect in their works the different realities and problems of our current Chilean society. We proudly present, via these new talents, our sponsorship to national cinema."
Chile Factory
Within the Chile Factory project, The four Chilean filmmakers were selected: Manuela Martelli, Ignacio Rodríguez, Matías Rojas Valencia and Teresita Ugarte, they each co-directed a short film with a foreign director. Their premieres will take place at the Cannes Director’s Fortnight. The Taipei Factory and the Nordic Factory preceded this initiative unheard of in Chile; these are milestones that highlight the trajectory of these four productions that will represent our country. The Factory aims to reveal new talents through a selective workshop that concludes with a feature film made collectively by all four national directors and four international directors. Each pair creates a 15-minute short film that gives way to the Chile Factory feature, which will have its international premiere at the Directors’ Fortnight opening.
“The Cannes Film Festival is the most important showcase and gathering point for the international audiovisual industry in the world. The Chile Film Commission is part of these efforts to foster the promotion done by the national audiovisual industry, reinforcing Chile’s positive image, which is not only seen as privileged with spectacular filming locations, but also relying on a powerful and united filming community that meets international standards, ready to take on the most demanding international productions on Chilean soil," said Joyce Zylberberg, Chilean Film Commission General Manager.
CinemaChile’s Executive Director, Constanza Arena, noted the ongoing presence of the Chilean delegation abroad, which accounts for the powerful Chilean audiovisual industry development and stated regarding the Cannes Film Festival, “This is simply the most important yearly mission for our country and we are fully prepared”.
Culture Minister till last week, Claudia Barattini, claims that Chilean cinematography has obtained incredible international acknowledgments in recent years, this being the result of several factors: A state that invested in audiovisual production and filmmakers that have created quality works. Films are the most potent instruments for the country’s image today, as others were in other times. At some point, Chile was known for the dictatorship, sadly, Chile was known by its political aspects, but today people talk about Chilean films around the world and they know about Chile via its cinematography”, states Barattini.
Chilean Films at Marche du Film
This year Chile participates with a 45-person delegation integrated by filmmakers, producers, directors and authorities that attend the festival’s industry market with 40 projects in different stages of production, including several titles that have already been awarded in other film festivals.
According to ProChile’s Director, Roberto Paiva, who reassures the support of the agency to the national audiovisual industry: “Creative industries in its cultural and economic dimension, contribute to the establishment a powerful country image abroad. That is why we support the audiovisual sector in a joint effort with the private sector, with CinemaChile’s sector trademark and our Creative Industries sector plan. Both projects’ objectives are to diversify the sectors and markets that national artists and entrepreneurs aim for."
ProChile France- Commercial Director, Pedro Durán, “Our presence at the Cannes Film Festival with the highest quality films and production abilities, convey the culture and creativity that are the essential basis for our country’s development. It also fosters Chile’s image placing it at the highest level in France, where education and culture are the building blocks that portray our new generation’s projections for the Xxi century”.
The task will be completed with the help of the Arts and Audiovisual Industry Council (Caia) of the Cnca. Martín Rodríguez, Caia’s Executive Secretary states, “It has been 45 years since the last screening of a Chilean film at the Director’s Fortnight and powerful political and social content is the common denominator of the films that reach Cannes. 45 years ago the new Chilean Cinema showed a strong connection with the political-social accounts of what happened in our country. This year the Chile Factory film, as well as, 'Allende, mi Abuelo Allende,' are marked by the 70’s heritage, which was branded in our souls and memory”.
Precisely due to the support and funding from the Arts and Audiovisual Industry Council of the Cnca, via its program to support International Market and Festival attendance, 8 production houses, their delegates and their projects will be in attendance.
The official delegation includes Errante Productions, represented by the producer Paola Castillo, who takes the projects: "El último lugar," "Cielo," "La Frontera," "La directiva" and "Allende, mi abuelo Allende;" ChileDoc, represented by Flor Rubina and the documentaries: "Escapes de Gas," "Habeas Corpus," "Surire," "Chicago Boys," "Sin Alma," "Al final del día," "Aquí nos quedamos," "Estadio en el Desierto" and "Temporeras."
Fábula, represented by Juan de Dios Larraín, with: "La Princesita," "Neruda" and "Una mujer fantástica;" Invercine, represented by Esteban Larraín, with the films: "Mary & Mike" and "El fotógrafo de Dios." Also part of the delegation, Josephine Schroeder of Cinestación, with "1976," "Tarde para morir joven," "Mar," "San Cristóbal," "Lo que queda," "La última Tierra;" Producer Karina Yuri –representing Miguel Littin and his production house, Miguel Littin Eirl, who will attend with "Allende en su laberinto;" StoryBoard, represented by Gabriela Sandoval, with "La mujer de Barro," "El Paraíso" and "Forastero," represented by Gregorio González with: "No soy Lorena," "Aurora," "Tierra Yerma," "Mucha ex poco Sex" and "Invumche."
The rest of the delegation is comprised by 21 directors and producers, among these, Marcia Tambutti, director of "Allende, mi abuelo Allende," the only national feature in the official selection of the Director’s Fortnight; Mariana Tejos (producer) and Ignacio Juricic (director), with the short film, "Locas perdidas," competing in Cinéfondation along with school films from all over the world. Also attending, Manuela Martelli, Ignacio Rodríguez, Matías Rojas Valencia and Teresita Ugarte, selected directors of the Chile Factory program, produced in alliance with the Cannes Director’s Fortnight, CinemaChile, The Culture and Arts National Council and Quijote Films.
In regards to new talents, Rodrigo Espinosa, director of Dirac (Cultural Affairs Department of the Ministry of Foreign Affairs), confirms their support, “Chilean filmmaking has shown undeniable growth, which translates into ongoing presence on International festivals, receiving awards and extending widely within distribution circuits. For Dirac, it’s fundamental to contribute to the visibility of a new generation of creators, who reflect in their works the different realities and problems of our current Chilean society. We proudly present, via these new talents, our sponsorship to national cinema."
Chile Factory
Within the Chile Factory project, The four Chilean filmmakers were selected: Manuela Martelli, Ignacio Rodríguez, Matías Rojas Valencia and Teresita Ugarte, they each co-directed a short film with a foreign director. Their premieres will take place at the Cannes Director’s Fortnight. The Taipei Factory and the Nordic Factory preceded this initiative unheard of in Chile; these are milestones that highlight the trajectory of these four productions that will represent our country. The Factory aims to reveal new talents through a selective workshop that concludes with a feature film made collectively by all four national directors and four international directors. Each pair creates a 15-minute short film that gives way to the Chile Factory feature, which will have its international premiere at the Directors’ Fortnight opening.
“The Cannes Film Festival is the most important showcase and gathering point for the international audiovisual industry in the world. The Chile Film Commission is part of these efforts to foster the promotion done by the national audiovisual industry, reinforcing Chile’s positive image, which is not only seen as privileged with spectacular filming locations, but also relying on a powerful and united filming community that meets international standards, ready to take on the most demanding international productions on Chilean soil," said Joyce Zylberberg, Chilean Film Commission General Manager.
- 5/17/2015
- by Sydney Levine
- Sydney's Buzz
In its first year, Cannes’ Cinéfondation’s Atelier invited projects from relative filmmaker unknowns such as Gerardo Naranjo (I’m Gonna Explode), Lisandro Alonso (Liverpool) and Aida Begic (Snow). Celebrating year number 10, this year’s group of fifteen that will benefit from Croisette meetings and future coin include the likes of Quebecer Guy Édoin (Marécages), Cannes Critics’ Week winner for Aquí y allá in filmmaker Antonio Méndez Esparza, and 2011 Camera d’Or winner Pablo Giorgelli (pictured above) who broke out with Las Acacias (review).
Invisible (Pablo Giorgelli, Argentina)
Territoria (Nora Martirosyan, Armenia)
Tabija (Igor Drljača, Bosnia)
Saudade (Antonio Méndez Esparza, Brazil)
Ville-Marie (Guy Édoin, Canada)
In the Shade of the Trees (Matías Rojas Valencia, Chile)
Ce sentiment de l’été (Mikhaël Hers, France)
Aliyushka (Adilkhan Yerzhanov, Kazakhstan)
The Darkness (Daniel Castro Zimbrón, Mexico)
White Sun (Deepak Rauniyar, Nepal)
To All Naked Men (Bassam Chekhes, Netherlands/Syria)
Oil on Water (Newton I. Aduaka,...
Invisible (Pablo Giorgelli, Argentina)
Territoria (Nora Martirosyan, Armenia)
Tabija (Igor Drljača, Bosnia)
Saudade (Antonio Méndez Esparza, Brazil)
Ville-Marie (Guy Édoin, Canada)
In the Shade of the Trees (Matías Rojas Valencia, Chile)
Ce sentiment de l’été (Mikhaël Hers, France)
Aliyushka (Adilkhan Yerzhanov, Kazakhstan)
The Darkness (Daniel Castro Zimbrón, Mexico)
White Sun (Deepak Rauniyar, Nepal)
To All Naked Men (Bassam Chekhes, Netherlands/Syria)
Oil on Water (Newton I. Aduaka,...
- 3/10/2014
- by Eric Lavallee
- IONCINEMA.com
The Cinéfondation’s Atelier is hosting its tenth edition this year and is set to invite 15 directors to Cannes whose projects have been considered particularly promising. Together with their producers, the selected directors will be able to meet potential partners, a necessary step to finish their project and start the making of their film. Created in 2005, the Cinéfondation’s l'Atelier goal is to encourage the emergence of a new generation of filmmakers. So far, out of 141 projects accompanied by l’Atelier, 85 have received theatrical distribution and 44 are currently in pre-production. For L’Atelier’s 10th edition, 15 projects from 15 countries were chosen:Invisible (Pablo Giorgelli, Argentina)Territoria (Nora Martirosyan, Armenia)Tabija (Igor Drljača, Bosnia)Saudade (Antonio Méndez Esparza, Brazil)Ville-Marie (Guy Édoin, Canada)In the Shade of the Trees (Matías Rojas Valencia, Chile)Ce sentiment de l'été (Mikhaël Hers, France)Aliyushka (Adilkhan Yerzhanov, Kazakhstan)The...
- 3/10/2014
- by Beth Hanna
- Thompson on Hollywood
The tenth edition of the co-production showcase at the Cannes Film Festival includes new projects from Brazil’s Antonio Méndez Esparza and Mexico’s Daniel Castro Zimbrón.
The Cinéfondation’s Atelier hosts its tenth edition this year and will invite 15 directors and their projects to the Cannes Film Festival.
Together with their producers, they will be given the opportunity to meet potential partners in a bid to finish their projects and start the making their films.
From May 16-22, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects.
The Project Book and the meeting request forms will be available online at the beginning of April at www.cinefondation.com.
The project line-up includes Saudade, Brazilian director Antonio Méndez Esparza’s follow up to Aqui y Alla, which won Cannes’ Critics Week in 2012. The new film, set in Spain, focusses on immigration through a mother-son story.
Argentina’s [link...
The Cinéfondation’s Atelier hosts its tenth edition this year and will invite 15 directors and their projects to the Cannes Film Festival.
Together with their producers, they will be given the opportunity to meet potential partners in a bid to finish their projects and start the making their films.
From May 16-22, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects.
The Project Book and the meeting request forms will be available online at the beginning of April at www.cinefondation.com.
The project line-up includes Saudade, Brazilian director Antonio Méndez Esparza’s follow up to Aqui y Alla, which won Cannes’ Critics Week in 2012. The new film, set in Spain, focusses on immigration through a mother-son story.
Argentina’s [link...
- 3/10/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The tenth edition of the co-production showcase at the Cannes Film Festival includes new projects from Brazil’s Antonio Méndez Esparza and Mexico’s Daniel Castro Zimbrón.
The Cinéfondation’s Atelier hosts its tenth edition this year and will invite 15 directors and their projects to the Cannes Film Festival.
Together with their producers, they will be given the opportunity to meet potential partners in a bid to finish their projects and start the making their films.
From May 16-22, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects.
The Project Book and the meeting request forms will be available online at the beginning of April at www.cinefondation.com.
The project line-up includes Saudade, Brazilian director Antonio Méndez Esparza’s follow up to Aqui y Alla, which won Cannes’ Critics Week in 2012. The new film, set in Spain, focusses on immigration through a mother-son story.
Argentina’s [link...
The Cinéfondation’s Atelier hosts its tenth edition this year and will invite 15 directors and their projects to the Cannes Film Festival.
Together with their producers, they will be given the opportunity to meet potential partners in a bid to finish their projects and start the making their films.
From May 16-22, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects.
The Project Book and the meeting request forms will be available online at the beginning of April at www.cinefondation.com.
The project line-up includes Saudade, Brazilian director Antonio Méndez Esparza’s follow up to Aqui y Alla, which won Cannes’ Critics Week in 2012. The new film, set in Spain, focusses on immigration through a mother-son story.
Argentina’s [link...
- 3/10/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The tenth edition of the talent showcase includes new projects from Brazil’s Antonio Méndez Esparza and Mexico’s Daniel Castro Zimbrón.
The Cinéfondation’s Atelier hosts its tenth edition this year and will invite 15 directors and their projects to the Cannes Film Festival.
Together with their producers, they will be given the opportunity to meet potential partners in a bid to finish their projects and start the making their films.
From May 16-22, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects.
The Project Book and the meeting request forms will be available online at the beginning of April at www.cinefondation.com.
The project line-up includes Saudade, Brazilian director Antonio Méndez Esparza’s follow up to Aqui y Alla, which won Cannes’ Critics Week in 2012. The new film, set in Spain, focusses on immigration through a mother-son story.
Argentina’s Pablo Giorgelli will bring Invisible, his second...
The Cinéfondation’s Atelier hosts its tenth edition this year and will invite 15 directors and their projects to the Cannes Film Festival.
Together with their producers, they will be given the opportunity to meet potential partners in a bid to finish their projects and start the making their films.
From May 16-22, L’Atelier will arrange meetings with the directors for film industry professionals interested in investing in their projects.
The Project Book and the meeting request forms will be available online at the beginning of April at www.cinefondation.com.
The project line-up includes Saudade, Brazilian director Antonio Méndez Esparza’s follow up to Aqui y Alla, which won Cannes’ Critics Week in 2012. The new film, set in Spain, focusses on immigration through a mother-son story.
Argentina’s Pablo Giorgelli will bring Invisible, his second...
- 3/10/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The 54th International Film Festival of Cartagena de Indias in Colombia has invited me to attend March 13 - 19, 2014.
One of Ficci's main goals is supporting the development of Colombian cinema. With that in mind, the festival will open with the world premiere of Ciudad Delirio, inviting the audience to get to know Cali, the only city in Latin America that loves all Latin American music, a center of creative development for Colombia's cinema, splendidly and authentically presented through the passion and flavor of salsa. Ficci is once again betting on the kind of cinema that speaks locally and globally, cinema that invites, seduces and embraces all kinds of audiences.
Starring Carolina Ramírez , Cauca Valley dancer and actress renown for her performance in soap operas such as La hija del mariachiand La Pola and Spaniard Julián Villagrán, winner of a Goya for his performance in Grupo 7, Ciudad Delirio also features Colombian actors of such caliber as Vicky Hernández Jorge Herrera , Margarita Ortega and John Alex Castillo. Thanks to a world-class team lead by Spanish dancer, choreographer and filmmaker Blanca Li, who has worked for The Berlin State Ballet, Kylie Minogue, Beyoncé and Daft Punk, and by multiple time Salsa World Champion Viviana Vargas, Cartagena will get to experience the madness of one of the most sensual dances on earth.
Ciudad Delirio was produced by Diego F. Ramírez, head of 64-a Films in Colombia, which has produced such films as Perro come perro,Todos tus muertos, Dr. Alemán, En coma, and180 segundos and Spaniard Elena Manrique, founder of Film Fatal and renown for her production of movies such asEl laberinto del fauno (Pan's Labyrinth), El orfanato and Transsiberiano, to name just a few.
For seven weeks during the making of Ciudad delirio, 45 locations in Cali, Colombia and Madrid, Spain were overrun by salsa. More than 3,200 extras from Cauca Valley helped to tell this love story that revolves around the show Delirio, a long-standing cultural tradition in Sultana del Valle.
In Ciudad Delirio, Javier, a shy, reserved Spanish doctor, attends a medical conference in Cali, Colombia. There, through a chance meeting, he shares a magical night with Angie, a dancer and choreographer who dreams of being part of the world's most famous salsa show, Delirio, if only she can pass the audition. Javier and Angie begin an impossible romance full of obstacles, surrounded by salsa, and accompanied by a cast of characters that are as authentic as they are hilarious.
The festival's guest of honor will be the prolific British actor Clive Owen, who is known for his diverse roles in films like Closer Children of Men, and The International . The Latin American premier of his latest film, Guillaume Canet's Blood Ties (2013), will be a highlight of the Friday, March 14th event, taking place at 6:00 pm in the Adolfo Mejía Theater, where, after being presented with the India Catalina prize, the actor will be interviewed by Ficci's director, Monika Wagenberg.
Another special honoree will be Mexican director Alejando Gonazlez Iñárritu, who has garnered international acclaim throughout the years with films such as Amores Perros , 21 Grams , Babel, and Biutiful . Established within the film industry as one of Latin America's most important directors of the new century, Iñárritu is currently in-production for Birdman (2014), a film he wrote and directed starring Emma Stone and Edward Norton . Participants of the 54th Ficci will have the opportunity to attend the Tribute honoring this Academy Award-nominated filmmaker on Sunday, March 16th, as well as his Master class the following day during Salón Ficci – the festival's academic program.
In regards to the festival's line-up, it is interesting to note that several of the filmmakers that will take part in the Dramatic Competition are directors who have participated at Ficci with their previous films and have established themselves in the international festival circuit winning prestigious awards. Others will arrive to Cartagena for the first time with their operas primas.
"2014 promises to be a good year for Iberoamerican cinema and we are proud to feature several of the most recent films of the region in our Official Dramatic Competition, in which half of the chosen movies are Latin American Premieres (movies that come directly to Cartagena after their world premieres at Sundance and Berlin Festivals). Eight of the twelve films in the Colombian Official Competition (known before as Colombia al 100%) are World Premieres. This way, we have managed to achieve the goal we set four years ago: becoming the main national and international launching platform of local films", stated Ficci's Director Monika Wagenberg.
Wagenberg also addressed some chances in the festival's rules that will allow for more experience filmmakers to partake in the event.
"One of the big news of Ficci 54 is that this time we have not limited the Official Dramatic Competition to first, second and third time Ibero-American films. Ending this restriction will make possible for those directors from this region who are producing feature films at a fast pace not, to be excluded from the competition" Wagenberg added.
The Official Dramatic Competition will feature the Latin American premieres The Lock Charmer (El Cerrajero) by Natalia Smirnoff (Argentina), Natural Sciences (Ciencias Naturales) by Matías Lucchesi(Argentina), The Way He Looks (Hoje Eu Quero Voltar Sozinho) by Daniel Ribeiro(Brazil), Celina Murga's Berlin Official Competition, The Three Sides of the River (La tercera orilla) (Argentina), recent Sundance and Rotterdam winner, To Kill a Man (Matar a un hombre) by Alejandro Fernández Almendras (Chile), Mateo, first film by Maria Gamboa (Colombia), and the world premiere of Dust on the Tongue (Tierra en la lengua) by Ruben Mendoza (Colombia).
This section also includes other outstanding films such as Bad Hair (Pelo malo), written and directed by Mariana Rondón (Venezuela) which comes to Ficci after its triumph at the San Sebastián Film Festival; The Mute (El Mudo), directed by brothers Daniel and Diego Vega (Perú), which had its world premiere at the Locarno Film Festival and are coming back to Ficci after competing winning Best Director award in 2010; premiering at the Toronto International Film Festival and awarded the Concha de Plata for Best Director in San Sebastián, comes Club Sándwich by Fernando Eimbcke(México), and the 12th film in this section is Root (Raíz) by Matías Rojas Valencia (Chile), the winner of Best Chilean Film winner at the Valdivia Film Festival.
The Official Documentary Competition will showcase the world premieres of El color que cayó del cielo by Sergio Wolf (Argentina) and Heaven or Hell (Infierno o paraíso) de German Piffano(Colombia); as well as the Latin American premiere of The Silence of the Flies (El silencio de las moscas) by Eliezer Arias (Venezuela), Marmato by Mark Grieco (Colombia, USA), and Apples, Chickens and Chimeras (Manzanas, pollos y quimeras) de Inés París (España). The rest of the program includes Argentine Street Years (Años de calle) by Alejandra Grinschpun, I Feel Much Better Now (E-agora? Lembra me) by Joaquim Pinto(Portugal), Naomi Campbel by icolas Videla and Camila José Donoso (Chile), Cesar's Grill (El Grill de Cesar) by Dario Aguirre, I Will Be Murdered (Seré asesinado) by Justin Webster (Spain), Mexican documentary, Elevator (Elevador) by Adrián Ortizl and the most recent work by talented Brazilian documentary film director Maria Ramos , Hills of Pleasures (Morro dos Prazeres).
Lastly, in the Colombian Official Competition we will present the world premieres of Banished (Desterrada) by Diego Guerra, Manos sucias by Joseph Wladyka, Memorias del calavero and Tierra en la lengua by Rubén Mendoza, Monte adentro by Nicolás Macario Alonso, Parador Húngaro by Aseneth Suarez and Patrick Alexander, Infierno o paraíso by Germán Piffano; as well as the Latin American premieres of Inés, memorias de una vida by Luisa Sossa; Gente de papel, con el alma en la selva by Andrés Felipe Vásquez, Mateo by Maria Gamboa, Marmato by Mark Grieco and the Colombian premiere of Mambo Cool by Chris Gude.
One of Ficci's main goals is supporting the development of Colombian cinema. With that in mind, the festival will open with the world premiere of Ciudad Delirio, inviting the audience to get to know Cali, the only city in Latin America that loves all Latin American music, a center of creative development for Colombia's cinema, splendidly and authentically presented through the passion and flavor of salsa. Ficci is once again betting on the kind of cinema that speaks locally and globally, cinema that invites, seduces and embraces all kinds of audiences.
Starring Carolina Ramírez , Cauca Valley dancer and actress renown for her performance in soap operas such as La hija del mariachiand La Pola and Spaniard Julián Villagrán, winner of a Goya for his performance in Grupo 7, Ciudad Delirio also features Colombian actors of such caliber as Vicky Hernández Jorge Herrera , Margarita Ortega and John Alex Castillo. Thanks to a world-class team lead by Spanish dancer, choreographer and filmmaker Blanca Li, who has worked for The Berlin State Ballet, Kylie Minogue, Beyoncé and Daft Punk, and by multiple time Salsa World Champion Viviana Vargas, Cartagena will get to experience the madness of one of the most sensual dances on earth.
Ciudad Delirio was produced by Diego F. Ramírez, head of 64-a Films in Colombia, which has produced such films as Perro come perro,Todos tus muertos, Dr. Alemán, En coma, and180 segundos and Spaniard Elena Manrique, founder of Film Fatal and renown for her production of movies such asEl laberinto del fauno (Pan's Labyrinth), El orfanato and Transsiberiano, to name just a few.
For seven weeks during the making of Ciudad delirio, 45 locations in Cali, Colombia and Madrid, Spain were overrun by salsa. More than 3,200 extras from Cauca Valley helped to tell this love story that revolves around the show Delirio, a long-standing cultural tradition in Sultana del Valle.
In Ciudad Delirio, Javier, a shy, reserved Spanish doctor, attends a medical conference in Cali, Colombia. There, through a chance meeting, he shares a magical night with Angie, a dancer and choreographer who dreams of being part of the world's most famous salsa show, Delirio, if only she can pass the audition. Javier and Angie begin an impossible romance full of obstacles, surrounded by salsa, and accompanied by a cast of characters that are as authentic as they are hilarious.
The festival's guest of honor will be the prolific British actor Clive Owen, who is known for his diverse roles in films like Closer Children of Men, and The International . The Latin American premier of his latest film, Guillaume Canet's Blood Ties (2013), will be a highlight of the Friday, March 14th event, taking place at 6:00 pm in the Adolfo Mejía Theater, where, after being presented with the India Catalina prize, the actor will be interviewed by Ficci's director, Monika Wagenberg.
Another special honoree will be Mexican director Alejando Gonazlez Iñárritu, who has garnered international acclaim throughout the years with films such as Amores Perros , 21 Grams , Babel, and Biutiful . Established within the film industry as one of Latin America's most important directors of the new century, Iñárritu is currently in-production for Birdman (2014), a film he wrote and directed starring Emma Stone and Edward Norton . Participants of the 54th Ficci will have the opportunity to attend the Tribute honoring this Academy Award-nominated filmmaker on Sunday, March 16th, as well as his Master class the following day during Salón Ficci – the festival's academic program.
In regards to the festival's line-up, it is interesting to note that several of the filmmakers that will take part in the Dramatic Competition are directors who have participated at Ficci with their previous films and have established themselves in the international festival circuit winning prestigious awards. Others will arrive to Cartagena for the first time with their operas primas.
"2014 promises to be a good year for Iberoamerican cinema and we are proud to feature several of the most recent films of the region in our Official Dramatic Competition, in which half of the chosen movies are Latin American Premieres (movies that come directly to Cartagena after their world premieres at Sundance and Berlin Festivals). Eight of the twelve films in the Colombian Official Competition (known before as Colombia al 100%) are World Premieres. This way, we have managed to achieve the goal we set four years ago: becoming the main national and international launching platform of local films", stated Ficci's Director Monika Wagenberg.
Wagenberg also addressed some chances in the festival's rules that will allow for more experience filmmakers to partake in the event.
"One of the big news of Ficci 54 is that this time we have not limited the Official Dramatic Competition to first, second and third time Ibero-American films. Ending this restriction will make possible for those directors from this region who are producing feature films at a fast pace not, to be excluded from the competition" Wagenberg added.
The Official Dramatic Competition will feature the Latin American premieres The Lock Charmer (El Cerrajero) by Natalia Smirnoff (Argentina), Natural Sciences (Ciencias Naturales) by Matías Lucchesi(Argentina), The Way He Looks (Hoje Eu Quero Voltar Sozinho) by Daniel Ribeiro(Brazil), Celina Murga's Berlin Official Competition, The Three Sides of the River (La tercera orilla) (Argentina), recent Sundance and Rotterdam winner, To Kill a Man (Matar a un hombre) by Alejandro Fernández Almendras (Chile), Mateo, first film by Maria Gamboa (Colombia), and the world premiere of Dust on the Tongue (Tierra en la lengua) by Ruben Mendoza (Colombia).
This section also includes other outstanding films such as Bad Hair (Pelo malo), written and directed by Mariana Rondón (Venezuela) which comes to Ficci after its triumph at the San Sebastián Film Festival; The Mute (El Mudo), directed by brothers Daniel and Diego Vega (Perú), which had its world premiere at the Locarno Film Festival and are coming back to Ficci after competing winning Best Director award in 2010; premiering at the Toronto International Film Festival and awarded the Concha de Plata for Best Director in San Sebastián, comes Club Sándwich by Fernando Eimbcke(México), and the 12th film in this section is Root (Raíz) by Matías Rojas Valencia (Chile), the winner of Best Chilean Film winner at the Valdivia Film Festival.
The Official Documentary Competition will showcase the world premieres of El color que cayó del cielo by Sergio Wolf (Argentina) and Heaven or Hell (Infierno o paraíso) de German Piffano(Colombia); as well as the Latin American premiere of The Silence of the Flies (El silencio de las moscas) by Eliezer Arias (Venezuela), Marmato by Mark Grieco (Colombia, USA), and Apples, Chickens and Chimeras (Manzanas, pollos y quimeras) de Inés París (España). The rest of the program includes Argentine Street Years (Años de calle) by Alejandra Grinschpun, I Feel Much Better Now (E-agora? Lembra me) by Joaquim Pinto(Portugal), Naomi Campbel by icolas Videla and Camila José Donoso (Chile), Cesar's Grill (El Grill de Cesar) by Dario Aguirre, I Will Be Murdered (Seré asesinado) by Justin Webster (Spain), Mexican documentary, Elevator (Elevador) by Adrián Ortizl and the most recent work by talented Brazilian documentary film director Maria Ramos , Hills of Pleasures (Morro dos Prazeres).
Lastly, in the Colombian Official Competition we will present the world premieres of Banished (Desterrada) by Diego Guerra, Manos sucias by Joseph Wladyka, Memorias del calavero and Tierra en la lengua by Rubén Mendoza, Monte adentro by Nicolás Macario Alonso, Parador Húngaro by Aseneth Suarez and Patrick Alexander, Infierno o paraíso by Germán Piffano; as well as the Latin American premieres of Inés, memorias de una vida by Luisa Sossa; Gente de papel, con el alma en la selva by Andrés Felipe Vásquez, Mateo by Maria Gamboa, Marmato by Mark Grieco and the Colombian premiere of Mambo Cool by Chris Gude.
- 2/27/2014
- by Sydney Levine
- Sydney's Buzz
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