The Tribeca Film Festival 2024, presented by Okx, today announced its full lineup of feature narrative, documentary, and animated films. This year’s Festival, which takes place June 5-16 in New York City showcases the best emerging talent from across the globe alongside established names.
Of particular note to horror fans, Tribeca Midnight is the “surprising, shocking, frightening, and thrilling” destination for the best in horror and more for late night audiences. Look for buzzy titles like The Devil’s Bath, from filmmakers Veronika Franz and Severin Fiala. But the horror extends beyond the Midnight section, including the premiere of Amfad: All My Friends Are Dead.
Read on for the genre titles scheduled to premiere at Tribeca:
Spotlight Narrative
A launching pad for the most buzzworthy new films, Tribeca’s Spotlight section brings audiences anticipated premieres from acclaimed filmmakers and star performers.
The Damned, – World Premiere. When a ship sinks near her isolated fishing post,...
Of particular note to horror fans, Tribeca Midnight is the “surprising, shocking, frightening, and thrilling” destination for the best in horror and more for late night audiences. Look for buzzy titles like The Devil’s Bath, from filmmakers Veronika Franz and Severin Fiala. But the horror extends beyond the Midnight section, including the premiere of Amfad: All My Friends Are Dead.
Read on for the genre titles scheduled to premiere at Tribeca:
Spotlight Narrative
A launching pad for the most buzzworthy new films, Tribeca’s Spotlight section brings audiences anticipated premieres from acclaimed filmmakers and star performers.
The Damned, – World Premiere. When a ship sinks near her isolated fishing post,...
- 4/17/2024
- by Meagan Navarro
- bloody-disgusting.com
Reminiscent of the Quentin Tarantino / Robert Rodriguez collaboration Grindhouse with its throwback features and faux trailers for non-existent movies, filmmaker and artist Pat Tremblay’s new book Terror in the Ailien Realms: Transdimensional Horror Movie Posters & Their Film Reviews consists of posters for and reviews of movies that have never existed!
An explanation of what this book is all about was provided in a press release (via Variety), “Drawn by the deep nostalgia of roaming video rental stores to find cool movies to watch by judging what its VHS box’s artwork would entice or beguile, filmmaker & artist Pat Tremblay has created a series of horror movie posters with the assistance of AI. He then proposed to talented individuals within the horror movie scene to write imaginary reviews for them. The result is a captivating mixture of styles, ranging from the enigmatic and alluring to the outrageously hilarious. The dimensional...
An explanation of what this book is all about was provided in a press release (via Variety), “Drawn by the deep nostalgia of roaming video rental stores to find cool movies to watch by judging what its VHS box’s artwork would entice or beguile, filmmaker & artist Pat Tremblay has created a series of horror movie posters with the assistance of AI. He then proposed to talented individuals within the horror movie scene to write imaginary reviews for them. The result is a captivating mixture of styles, ranging from the enigmatic and alluring to the outrageously hilarious. The dimensional...
- 7/20/2023
- by Cody Hamman
- JoBlo.com
Alongside programming celebrating hip-hop, actress Kay Frances, Roger Corman’s Poe adaptations and “eurothrillers,” this August’s streaming selections on the Criterion Channel heavily feature filmmakers who’ve appeared in this publication, including in our recent Summer 2023 print issue. First up, Juan Pablo González’s highly-recommended Dos Estaciones will have its exclusive streaming premiere on the platform. González made our 25 New Faces of Film list back in 2015, and Dos Estaciones is the director’s sophomore feature. Described by Criterion as blending a “fictional character study and documentary-like observation,” the film follows tequila ranch owner María (Teresa Sánchez, winner of a Special Jury […]
The post Dos Estaciones, Charm Circle, a New Joel Potrykus Short and More to Debut on the Criterion Channel in August first appeared on Filmmaker Magazine.
The post Dos Estaciones, Charm Circle, a New Joel Potrykus Short and More to Debut on the Criterion Channel in August first appeared on Filmmaker Magazine.
- 7/19/2023
- by Natalia Keogan
- Filmmaker Magazine - Blog
Alongside programming celebrating hip-hop, actress Kay Frances, Roger Corman’s Poe adaptations and “eurothrillers,” this August’s streaming selections on the Criterion Channel heavily feature filmmakers who’ve appeared in this publication, including in our recent Summer 2023 print issue. First up, Juan Pablo González’s highly-recommended Dos Estaciones will have its exclusive streaming premiere on the platform. González made our 25 New Faces of Film list back in 2015, and Dos Estaciones is the director’s sophomore feature. Described by Criterion as blending a “fictional character study and documentary-like observation,” the film follows tequila ranch owner María (Teresa Sánchez, winner of a Special Jury […]
The post Dos Estaciones, Charm Circle, a New Joel Potrykus Short and More to Debut on the Criterion Channel in August first appeared on Filmmaker Magazine.
The post Dos Estaciones, Charm Circle, a New Joel Potrykus Short and More to Debut on the Criterion Channel in August first appeared on Filmmaker Magazine.
- 7/19/2023
- by Natalia Keogan
- Filmmaker Magazine-Director Interviews
It was more than a little heartening to see Roger Corman paid tribute by Quentin Tarantino at Cannes’ closing night. By now the director-producer-mogul’s imprint on cinema is understood to eclipse, rough estimate, 99.5% of anybody who’s touched the medium, but on a night for celebrating what’s new, trend-following, and manicured it could’ve hardly been more necessary. Thus I’m further heartened seeing the Criterion Channel will host a retrospective of Corman’s Edgar Allan Poe adaptations running eight films and aptly titled “Grindhouse Gothic,” though I might save the selections for October.
Centerpiece, though, is a hip hop series including Bill Duke’s superb Deep Cover, Ghost Dog, and numerous documentaries––among them Beats, Rhymes & Life: The Travels of a Tribe Called Quest, making Michael Rapaport a Criterion-approved auteur. Ten films starring Kay Francis and 21 Eurothrillers round out series; streaming premieres include the Dardenne brothers’ Tori and Lokita,...
Centerpiece, though, is a hip hop series including Bill Duke’s superb Deep Cover, Ghost Dog, and numerous documentaries––among them Beats, Rhymes & Life: The Travels of a Tribe Called Quest, making Michael Rapaport a Criterion-approved auteur. Ten films starring Kay Francis and 21 Eurothrillers round out series; streaming premieres include the Dardenne brothers’ Tori and Lokita,...
- 7/19/2023
- by Nick Newman
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Beau Is Afraid (Joaquin Phoenix)
Ari Aster’s brazenly original three-hour odyssey Beau Is Afraid is, refreshingly, the kind of film where it seems no notes were given––or at least the director had the creative control to reject them. Jumping from some of the most brilliant dark comedy in cinema as of late to a boldly conceived existential journey to an emotionally rife reckoning with mother issues, this Charlie Kaufman-esque journey of the mind packs in quite a lot. Even at its most unwieldy, Aster’s film is continued proof that Joaquin Phoenix––brilliant here, at the center of every scene––is the rare breed of actor seeking new challenges with each performance. – Jordan R.
Where to Stream: VOD
Chevalier...
Beau Is Afraid (Joaquin Phoenix)
Ari Aster’s brazenly original three-hour odyssey Beau Is Afraid is, refreshingly, the kind of film where it seems no notes were given––or at least the director had the creative control to reject them. Jumping from some of the most brilliant dark comedy in cinema as of late to a boldly conceived existential journey to an emotionally rife reckoning with mother issues, this Charlie Kaufman-esque journey of the mind packs in quite a lot. Even at its most unwieldy, Aster’s film is continued proof that Joaquin Phoenix––brilliant here, at the center of every scene––is the rare breed of actor seeking new challenges with each performance. – Jordan R.
Where to Stream: VOD
Chevalier...
- 6/16/2023
- by Jordan Raup
- The Film Stage
If you are familiar with the anarchically grungy films of Joel Potrykus, then you’ve certainly seen the talents of Joshua Burge. His latest lead performance is in Alex Andre’s feature directorial debut Pratfall, in which Burge plays Eli, a troubled insomniac who encounters Joelle (Chloé Groussard), an enigmatic French tourist in Central Park. The two set off on a sleepless New York adventure as the city casts a shadow over them. Ahead of a world premiere at Brooklyn Film Festival 2023 this Saturday, June 3 featuring a Q&a, we’re pleased to exclusively premiere the first trailer.
Here’s an expanded synopsis: “Pratfall centers around Eli, a deeply troubled New Yorker grappling with devastating loss. Reeling from the death of his mother and girlfriend Tina, who tragically succumbed to a drug addiction fueled by the city’s underworld, Eli suffers from insomnia. His life becomes an unending cycle of sleepless nights,...
Here’s an expanded synopsis: “Pratfall centers around Eli, a deeply troubled New Yorker grappling with devastating loss. Reeling from the death of his mother and girlfriend Tina, who tragically succumbed to a drug addiction fueled by the city’s underworld, Eli suffers from insomnia. His life becomes an unending cycle of sleepless nights,...
- 5/31/2023
- by Jordan Raup
- The Film Stage
Dweck Productions has joined Joel Potrykus’ upcoming dark comedy feature “Vulcanizadora” which will star Joshua Burge.
“Vulcanizadora” will be written and directed by Potrykus, marking his fifth feature and fourth collaboration with Burge following “Ape,” “Buzzard” and “Relaxer.” Plot details for the feature have been kept under wraps with production commencing this summer in Michigan. Dweck joins the project as both producer and financier.
“‘Vulcanizadora’ is a mind bending ride of comedy, suspense and utter devastation, and we are thrilled to be producing the bold and daring fifth feature of the great Joel Potrykus,” said Dweck founder Hannah Dweck. “This is the exact type of boundary pushing, genre bending film we love to help bring to the screen. We can’t wait to watch this with an audience.”
Matt Grady, founder of independent film production and distribution company Factory 25, will produce “Vulcanizadora” alongside Ashley Potrykus and Dan Berger.
“I...
“Vulcanizadora” will be written and directed by Potrykus, marking his fifth feature and fourth collaboration with Burge following “Ape,” “Buzzard” and “Relaxer.” Plot details for the feature have been kept under wraps with production commencing this summer in Michigan. Dweck joins the project as both producer and financier.
“‘Vulcanizadora’ is a mind bending ride of comedy, suspense and utter devastation, and we are thrilled to be producing the bold and daring fifth feature of the great Joel Potrykus,” said Dweck founder Hannah Dweck. “This is the exact type of boundary pushing, genre bending film we love to help bring to the screen. We can’t wait to watch this with an audience.”
Matt Grady, founder of independent film production and distribution company Factory 25, will produce “Vulcanizadora” alongside Ashley Potrykus and Dan Berger.
“I...
- 5/22/2023
- by McKinley Franklin
- Variety Film + TV
After a major bidding war, Zach Cregger’s Barbarian follow-up Weapons landed at New Line and now we have a few major updates. With a shoot set to kick off this July, Production Weekly reports Rooney Mara will star in the project and they’ve revealed a logline: “A multi and inter-related story horror epic centered around witchcraft and missing children.” The film was previously described as being tonally in the vein of Paul Thomas Anderson’s 1999 epic Magnolia, so expect many more cast members to join the ensemble.
After Netflix announced August Wilson’s Broadway play The Piano Lesson is getting the big-screen treatment a few years back, we’ve now gleaned more about the players involved. Production Weekly reports that Malcolm Washington, Denzel Washington’s son, will direct the adaptation, while John David Washington and Samuel L. Jackson will reprise their roles. Here’s the official synopsis:
At...
After Netflix announced August Wilson’s Broadway play The Piano Lesson is getting the big-screen treatment a few years back, we’ve now gleaned more about the players involved. Production Weekly reports that Malcolm Washington, Denzel Washington’s son, will direct the adaptation, while John David Washington and Samuel L. Jackson will reprise their roles. Here’s the official synopsis:
At...
- 3/9/2023
- by Leonard Pearce
- The Film Stage
New Release Wall
“Bodies Bodies Bodies” (Lionsgate): A band of post-adolescent rich kids turn on each other, with violent consequences, in this wildly comic murder mystery. What’s perhaps most wickedly delightful about Halina Reijn’s satire with a body count is the way it plays out like a Gen Z Twitter fights, in real time, with weapons, proving that you can poke at internet culture even in a house where a thunderstorm has knocked out the WiFi.
Also available:
“Bullet Train” (Sony) Assassin Brad Pitt meets many, many other assassins and ne’er-do-wells on a bullet train, and they try to kill each other quickly.
“Beast” (Universal): Man-vs-Nature thriller with Idris Elba trying to protect his daughters from a very large lion intent on protecting his own territory.
“Breaking” (Decal/Bleeker) John Boyega resurrects the spirit of “Dog Day Afternoon” in this true-life bank-robbery drama from Abi Damaris Corbin and Kwame Kwei-Armah.
“Bodies Bodies Bodies” (Lionsgate): A band of post-adolescent rich kids turn on each other, with violent consequences, in this wildly comic murder mystery. What’s perhaps most wickedly delightful about Halina Reijn’s satire with a body count is the way it plays out like a Gen Z Twitter fights, in real time, with weapons, proving that you can poke at internet culture even in a house where a thunderstorm has knocked out the WiFi.
Also available:
“Bullet Train” (Sony) Assassin Brad Pitt meets many, many other assassins and ne’er-do-wells on a bullet train, and they try to kill each other quickly.
“Beast” (Universal): Man-vs-Nature thriller with Idris Elba trying to protect his daughters from a very large lion intent on protecting his own territory.
“Breaking” (Decal/Bleeker) John Boyega resurrects the spirit of “Dog Day Afternoon” in this true-life bank-robbery drama from Abi Damaris Corbin and Kwame Kwei-Armah.
- 10/20/2022
- by Alonso Duralde
- The Wrap
May on the Criterion Channel will be good to the auteurs. In fact they’re giving Richard Linklater better treatment than the distributor of his last film, with a 13-title retrospective mixing usual suspects—the Before trilogy, Boyhood, Slacker—with some truly off the beaten track. There’s a few shorts I haven’t seen but most intriguing is Heads I Win/Tails You Lose, the only available description of which calls it a four-hour (!) piece “edited together by Richard Linklater in 1991 from film countdowns and tail leaders from films submitted to the Austin Film Society in Austin, Texas from 1987 to 1990. It is Linklater’s tribute to the film countdown, used by many projectionists over the years to cue one reel of film after another when switching to another reel on another projector during projection.” Pair that with 2008’s Inning by Inning: A Portrait of a Coach and your completionism will be on-track.
- 4/21/2022
- by Leonard Pearce
- The Film Stage
Oscilloscope Laboratories has acquired U.S. rights to “Stanleyville,” starring “Goodnight Mommy’s” Susanne Wuest, ahead of the film’s world premiere at this month’s Fantasia Film Festival.
One of the high-profile Fantasia deal announcements, the pick-up, brokered with Yellow Veil Pictures, will see Oscilloscope open “Stanleyville” in U.S. theaters this Winter.
“Stanleyville” marks the feature film debut of Canadian actor-turned-director Maxwell McCabe-Lokos, who has appeared in a slew of movies and TV series, including “Antibirth,” “Lars and the Real Girl,” “The Incredible Hulk” and “Tin Star.”
Directed by Bruce McDonald, McCabe-Lokos’ first feature screenplay, “The Husband,” which he starred in, premiered at Toronto 2013. His directorial debut, 2016 short “Ape Sodom,” and 2017 short “Midnight Confession” were also both selected for Toronto.
Written by McCabe-Lokos and Rob Benvie, who also took a co-scribe credit on “Midnight Confession,” “Stanleyville” brings McCabe-Lokos’ satirical vision of the state of the modern world to...
One of the high-profile Fantasia deal announcements, the pick-up, brokered with Yellow Veil Pictures, will see Oscilloscope open “Stanleyville” in U.S. theaters this Winter.
“Stanleyville” marks the feature film debut of Canadian actor-turned-director Maxwell McCabe-Lokos, who has appeared in a slew of movies and TV series, including “Antibirth,” “Lars and the Real Girl,” “The Incredible Hulk” and “Tin Star.”
Directed by Bruce McDonald, McCabe-Lokos’ first feature screenplay, “The Husband,” which he starred in, premiered at Toronto 2013. His directorial debut, 2016 short “Ape Sodom,” and 2017 short “Midnight Confession” were also both selected for Toronto.
Written by McCabe-Lokos and Rob Benvie, who also took a co-scribe credit on “Midnight Confession,” “Stanleyville” brings McCabe-Lokos’ satirical vision of the state of the modern world to...
- 8/2/2021
- by John Hopewell
- Variety Film + TV
One of George A. Romero's earliest films (regarded as a PSA about the horrors of ageism), The Amusement Park was previously thought to be lost to the passage of time, but following its recent discovery and new 4K restoration, the movie's worldwide sales rights have been acquired by Yellow Veil Pictures, bringing it one step closer to public consumption.
According to The Hollywood Reporter, Yellow Veil Pictures is bringing The Amusement Park to the Cannes Virtual Market, so we might not have to wait long to see who will team up with the company to distribute the film to the masses.
In the meantime, we have the official press release with more information below:
Press Release: Los Angeles, CA - June 25th, 2020 - NY/LA-based arthouse/genre sales company Yellow Veil Pictures have acquired the worldwide sales rights for The Amusement Park, the formerly lost film from iconic filmmaker George A.
According to The Hollywood Reporter, Yellow Veil Pictures is bringing The Amusement Park to the Cannes Virtual Market, so we might not have to wait long to see who will team up with the company to distribute the film to the masses.
In the meantime, we have the official press release with more information below:
Press Release: Los Angeles, CA - June 25th, 2020 - NY/LA-based arthouse/genre sales company Yellow Veil Pictures have acquired the worldwide sales rights for The Amusement Park, the formerly lost film from iconic filmmaker George A.
- 6/25/2020
- by Derek Anderson
- DailyDead
Writer/director Joel Potrykus, who broke down the anxieties of the filmmaking process recently for Filmmaker, is doing what a lot of us are doing in this time of quarantine: checking in to see how our friends are doing. Here, in a video by Ashley Young, he lets us eavesdrop as he finds out how folks like director Dustin Guy Defa, Oscilloscope’s Dan Berger, Neon Indian’s Alan Palomo, Indiewire’s Eric Kohn and the harder-to-get writer/director Alex Ross Perry are handling the isolation.
- 3/23/2020
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Writer/director Joel Potrykus, who broke down the anxieties of the filmmaking process recently for Filmmaker, is doing what a lot of us are doing in this time of quarantine: checking in to see how our friends are doing. Here, in a video by Ashley Young, he lets us eavesdrop as he finds out how folks like director Dustin Guy Defa, Oscilloscope’s Dan Berger, Neon Indian’s Alan Palomo, Indiewire’s Eric Kohn and the harder-to-get writer/director Alex Ross Perry are handling the isolation.
- 3/23/2020
- by Scott Macaulay
- Filmmaker Magazine - Blog
In the opening minutes of Tapeworm, a man (Adam Brooks) pulls into a gas station to use their restroom, only to find it occupied. Unable to hold it in, he runs into the woods where he empties his bowels on the ground. We’re then treated to a long close-up of his shit, which is covered in blood. The man, despondent at the sight of his bloody stool, continues walking into the woods. He comes upon a lake, where a young couple (Stephanie Berrington and Sam Singer) are having sex on a dirty mattress, where he startles them by taking a seat on an unused corner of the mattress. He tells them to continue, and they do.
Shot on 16mm, Milos Mitrovic and Fabian Velasco’s Tapeworm sets a tone where numbing mundanity rules over everything. It’s set in Winnipeg, and it follows the three aforementioned characters along with...
Shot on 16mm, Milos Mitrovic and Fabian Velasco’s Tapeworm sets a tone where numbing mundanity rules over everything. It’s set in Winnipeg, and it follows the three aforementioned characters along with...
- 1/29/2020
- by C.J. Prince
- The Film Stage
“Chained for Life” opens with a long quotation from Pauline Kael, the point of which is difficult to disagree with: actors and actresses tend to be more beautiful than the rest of us. Though the reason for this phenomenon is simple enough — people enjoy looking at pretty things, including and especially other people — its effects tend to be more complicated.
One case in point is writer-director Aaron Schimberg’s film, which makes good on its epigraph by exploring our conception of beauty (among many other things) with unexpected tenderness — unexpected because, at first glance, it looks like an ill-advised riff on “Freaks” that could easily turn exploitative.
Alongside Jess Weixler (“It Chapter Two”), who’s one of countless thespians to demonstrate Kael’s point, the film stars Adam Pearson, a performer familiar both for his scene-stealing turn in “Under the Skin” and for a condition called neurofibromatosis, which covers his face in tumors.
One case in point is writer-director Aaron Schimberg’s film, which makes good on its epigraph by exploring our conception of beauty (among many other things) with unexpected tenderness — unexpected because, at first glance, it looks like an ill-advised riff on “Freaks” that could easily turn exploitative.
Alongside Jess Weixler (“It Chapter Two”), who’s one of countless thespians to demonstrate Kael’s point, the film stars Adam Pearson, a performer familiar both for his scene-stealing turn in “Under the Skin” and for a condition called neurofibromatosis, which covers his face in tumors.
- 9/10/2019
- by Michael Nordine
- The Wrap
If a certain trend has emerged within the past half-decade of indie films, it’s the cinema of the grifter; very small-scale titles like Joel Potrykus’ Buzzard or Adrian Murray’s Withdrawn charting millennial malaise manifesting into economic malpractice. These films seem like a true meeting of form and content, as the desperate measures that come from living in a late-capitalist hellhole and the emaciated filmic settings of many low budgets perfectly complement each other. And White Lie, a film predominantly taking place in septic waiting rooms and halls with life-changing decisions depending on convenience store Atm machines, convincingly depicts a world in which one would take drastic measures. If anything, it’s a film deserving of serious praise for capturing how truly depressing Ontario can be in the wintertime–Hamilton’s landscapes haven’t been so vividly rendered since Olivier Assayas’ Clean.
Occupying this dead setting is Katie (Kacey Rohl...
Occupying this dead setting is Katie (Kacey Rohl...
- 9/7/2019
- by Ethan Vestby
- The Film Stage
A modern-day reimagining of Mary Shelley's Frankenstein from one of the most influential and innovative voices in independent horror, Larry Fessenden’s Depraved has been acquired by IFC Midnight for Us distribution.
As shared by The Hollywood Reporter, Depraved is expected to receive a release in the Us this fall from IFC Midnight (following its screening at the upcoming Overlook Film Festival in New Orleans).
Check out the full press release with more details below, and in case you missed it, read our recent interview with Fessenden, who discussed the making of Depraved.
Press Release: Cannes - May 14, 2019 – IFC Midnight announced today that it is acquiring U.S. rights to Larry Fessenden’s Depraved, his modern Brooklyn-set Frankenstein adaptation. The film stars David Call (The Sinner), Joshua Leonard (The Blair Witch Project), Alex Breaux (Bushwick), Ana Kayne (Another Earth), Chloë Levine, and Addison Timlin (The Town That Dreaded Sundown...
As shared by The Hollywood Reporter, Depraved is expected to receive a release in the Us this fall from IFC Midnight (following its screening at the upcoming Overlook Film Festival in New Orleans).
Check out the full press release with more details below, and in case you missed it, read our recent interview with Fessenden, who discussed the making of Depraved.
Press Release: Cannes - May 14, 2019 – IFC Midnight announced today that it is acquiring U.S. rights to Larry Fessenden’s Depraved, his modern Brooklyn-set Frankenstein adaptation. The film stars David Call (The Sinner), Joshua Leonard (The Blair Witch Project), Alex Breaux (Bushwick), Ana Kayne (Another Earth), Chloë Levine, and Addison Timlin (The Town That Dreaded Sundown...
- 5/14/2019
- by Derek Anderson
- DailyDead
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe Cannes Film Festival has announced its official poster, a tribute to the late Agnès Varda. The poster depicts Varda on the set of her very first feature, La pointe courte (1955). We are saddened by the news that the brilliant Swedish actress Bibi Andersson died at the age of 83. Best known for her remarkable turns in The Seventh Seal, Wild Strawberries, and Persona, Ronald Bergan provides a thorough obituary of the timeless artist for The Guardian.Recommended VIEWINGThe first teaser for J.J. Abrams conclusion to the new Star Wars trilogy, Episode IX: The Rise Of Skywalker. We published an extensive 5-part dialogue conducted last year that wrestles with George Lucas's much contested prequels.Kino Lorber's trailer for the re-release of Frank Simon's The Queen (1968), a documentary about the Miss All-America Camp Beauty Contest,...
- 4/17/2019
- MUBI
RelaxerThere is no clear, direct film comparison to provide for Joel Potrykus’s Relaxer. It can feel like a blender of one director’s proclivities and tastes. That speaks well for Potrykus’s imagination, one who alchemizes and is inspired by polar opposite film sensibilities, as there are times Relaxer looks and goes in directions uncharted by current American independent cinema. In its play-like staging, gross-out humor, and signifiers of the end of the century that tease an alternative reality, Relaxer is a gnarly, minimalist tour de force, Sartre’s No Exit for the Y2K period slacker. Slackerdom is hardly the new exploration in American indies. Richard Linklater built his career on such character types. His slackers, however, carried an air of pretension to occupy themselves, like reading the classics or deep-diving into conspiracy theories. Even with Linklater’s Rohmerian style of centering philosophical conversations, his works had an...
- 4/17/2019
- MUBI
When it comes to indie filmmaking, few directors get as much mileage out of their limited budget than Joel Potrykus. Rooted in an often humorous, dark perspective, his work puts character first and his latest film, Relaxer, is perhaps the most ideal example of his inventive eye. Arriving in theaters in the director’s hometown of Grand Rapids today (and expanding to NYC and beyond starting next week), the film follows a couch-bound challenge taken to the extreme as Y2K approaches. We’re pleased to present an exclusive clip from the film, which features Joshua Burge getting a visit from Andre Hyland (who also steals the show in the Sundance hit The Death of Dick Long) as they discuss Jerry Maguire and present a challenge within a challenge.
John Fink said in our review, “While many indie filmmakers like Andrew Bujalski started making films in apartments with their friends...
John Fink said in our review, “While many indie filmmakers like Andrew Bujalski started making films in apartments with their friends...
- 3/22/2019
- by Jordan Raup
- The Film Stage
Two historic dramas headline a comparatively slow weekend for new Specialty roll outs vs. last weekend’s heavy roster. Bleecker Street/ShivHans Pictures’ Hotel Mumbai with Oscar-nominee Dev Patel and Golden Globe-nominee Armie Hammer will have a minimal start in New York and Los Angeles ahead of a fairly wide release in the coming weeks. The film recounts the true events in 2008 when terrorists laid siege of the Taj Hotel in Mumbai. Sony Pictures Classics is opening Budapest-set Sunset by László Nemes, whose previous feature, Son Of Saul won the Oscar for Best Foreign Language film. Sunset is a fictional drama set amid the tense days leading up to World War I. The film will have a slow roll out, beginning in New York and L.A. Grand Rapids, Michigan, however, will have the theatrical bow for Oscilloscope’s Relaxer by Joel Potrykus. The company is opening the title...
- 3/21/2019
- by Brian Brooks
- Deadline Film + TV
Opening and closing to the thunderous sounds of Prokofiev, Relaxer by Joel Potrykus is a grungy meditation on the fine art of relaxation. Relaxer is dark and disturbing. Relaxer is also very funny. The year is 1999. The world is caught in the grip of Y2K fever and fears of the apocalypse. A shut-in named Abbie (Joshua Burge) and his mean brother Cam (David Dastmalchian) live in a squalid apartment lined with graffiti, punk rock flyers and trash. The brothers engage in various dumb "challenges" in order to test each other's will. After Abbie fails a particularly sickening challenge, Cam, who seems to have modeled his life after Lee Ving, lays down the gauntlet: Abbie can't leave the couch until he beats the "glitch" level...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 3/21/2019
- Screen Anarchy
It’s been over a week since we shared the trailer and release information for Joel Potrykus’ latest “slacker horror” movie, Relaxer. Steeped with 90s-era nostalgia and Y2K paranoia, it looks both extremely entertaining and vastly gross. Relaxer was a smash at SXSW in 2018 and will enjoy a limited theatrical release beginning this Friday, March […] The post Exclusive Clip from Slacker Horror Relaxer Accepts an Outlandish Challenge appeared first on Dread Central.
- 3/20/2019
- by Josh Millican
- DreadCentral.com
Sitting on a couch playing video games can be a ton of fun. The experience, whether alone or with friends, has been a staple of adolescent and adult entertainment for over a generation now. Some look at it like the lark that it can be. Others, they see it as a detriment to society and part of humanity’s downfall. To some degree, that’s explored in Relaxer, an independent comedy hitting theaters this week. However, what’s more fully on display is a bizarre exercise in discomfort. It’s going to prove divisive for those who see it. This humble critic did not care for it one bit. In fact, it was an actively unpleasant experience. The movie is supposedly a comedy, set in the year 1999. With the impending potential Y2K apocalypse fast approaching, Abbie (Joshua Burge) is stuck on a couch, undergoing abuse from his older brother...
- 3/18/2019
- by Joey Magidson
- Hollywoodnews.com
NEWSCarolee Schneemann by Lynne SachsThe great Carolee Schneemann has died, gifting us with an inimitable legacy as a trailblazing avant-garde feminist filmmaker, painter, cat lover, performance artist, and much more. Lynne Sachs's 2017 documentary, Carolee, Barbara and Gunvor, previously screened on Mubi in partnership with the International Short Film Festival Oberhausen. Read Sachs's introduction of the short film, and recollection of a life's friendship with Schneemann, here.The master film editor Thelma Schoonmaker has announced plans to publish the diaries of her late husband, filmmaker Michael Powell (The Red Shoes). "I want people to be able to read about all the great movies we lost," she states. "The ones he had hoped to make.” Recommended VIEWINGOlivier Assayas's satirical comedy on book publishing, the changing media landscape, and, of course, romantic coupling get a U.S. trailer.In the event of its new restoration, the controversial British dancehall cult-classic Babylon has a shining new trailer.
- 3/14/2019
- MUBI
The twisted mind behind The Alchemist Cookbook is back with another entry in the slacker horror subgenre. Joel Potrykus’ latest, Relaxer, looks like a hysterical (and gag-inducing) blend of 1990s-era nostalgia and the apocalyptic paranoia surrounding Y2K and fears of a technological glitch that threatening to end all life as we know it. The film […] The post Slacker Horror Relaxer Mixes 90s Nostalgia and Apocalyptic Y2K Paranoia appeared first on Dread Central.
- 3/9/2019
- by Josh Millican
- DreadCentral.com
The writer-director behind the upcoming film “Relaxer,” Joel Potrykus, is able to sum up his incredibly unique film best when he says, “All I’ve ever dreamed about is living on a couch, playing video games with no one bugging me. ‘Relaxer’ is the nightmare version of my fantasy.”
As seen in the first trailer for “Relaxer,” the nightmare aspect of the statement is shown to its fullest extent.
Continue reading ‘Relaxer’ Trailer: Filmmaker Joel Potrykus’ Video Game Nightmare Is Disturbing & Hilarious at The Playlist.
As seen in the first trailer for “Relaxer,” the nightmare aspect of the statement is shown to its fullest extent.
Continue reading ‘Relaxer’ Trailer: Filmmaker Joel Potrykus’ Video Game Nightmare Is Disturbing & Hilarious at The Playlist.
- 3/8/2019
- by Charles Barfield
- The Playlist
“All I’ve ever dreamed about is living on a couch, playing video games with no one bugging me. Relaxer is the nightmare version of my fantasy,” so says Joel Potrykus when it comes to his latest unsettling, yet riveting film. A fitting companion with his brilliant Buzzard, the Y2K-set feature stars Joshua Burge as he undertakes a challenge with grave consequences. Oscilloscope Pictures has now released the first trailer, which grabs a quote from our SXSW review.
John Fink said in our review, “While many indie filmmakers like Andrew Bujalski started making films in apartments with their friends and scaled up to larger projects, Michigan-based madman Joel Potrykus has gleefully and unapologetically scaled down as his career has progressed. His fourth outing, Relaxer, barely even takes place in an apartment, but rather in the corner of a living room where Abbie (Joshua Burge) is stuck on a couch for nearly six months.
John Fink said in our review, “While many indie filmmakers like Andrew Bujalski started making films in apartments with their friends and scaled up to larger projects, Michigan-based madman Joel Potrykus has gleefully and unapologetically scaled down as his career has progressed. His fourth outing, Relaxer, barely even takes place in an apartment, but rather in the corner of a living room where Abbie (Joshua Burge) is stuck on a couch for nearly six months.
- 3/8/2019
- by Jordan Raup
- The Film Stage
"You do not leave this couch until the challenge is completed!" Oscilloscope Labs has debuted the trailer for a demented, wacky indie film titled Relaxer, which premiered at the SXSW Film Festival last year. Relaxer is the latest work from American filmmaker Joel Potrykus, who has been making some super funky little films including Ape, Buzzard, and The Alchemist Cookbook. This one is just as funky as all of those: With the impending Y2K apocalypse fast approaching, Abbie is faced with the ultimate challenge - the unbeatable level 256 on Pac-Man - and he can't get off the couch until he conquers it. A survival story in a living room. Starring Joshua Burge, David Dastmalchian, Andre Hyland, Madi Bachman, & Amari Cheatom. This looks totally gross and ridiculous, but apparently "an unforgettable experience" according to one critic. Here's the first official trailer (+ crazy poster) for Joel Potrykus' Relaxer, direct from YouTube...
- 3/7/2019
- by Alex Billington
- firstshowing.net
I've been playing a lot of Red Dead Redemption 2 lately. A Lot. I make sure I get my work done, but at a certain hour, this wild west video game calls to me, and my cat snuggles on my lap while I immerse myself to the point of not even turning my head when my boyfriend comes home. So I understand what writer/director Joel Potrykus means when he says of his new film, "All I’ve ever dreamed about is living on a couch, playing video games with no one bugging me. Relaxer is the nightmare version of my fantasy." Doom and gloom are on the way. The Y2K apocalypse can't be stopped. Abbie's older brother issues him the ultimate challenge before it goes down:...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 3/7/2019
- Screen Anarchy
With the elongated awards season behind us, it’s time to turn our attention to the 2019 cinematic offerings and this month is a doozy. Featuring some of the greatest films we saw on the festival circuit in the last year as well as a few hugely promising new releases, it’s a varied, impressive slate. There’s also one film that I full-heartedly despised and couldn’t bear to mention, but other writers here feel on the other end of the spectrum, so it should at least provoke some heated discussion this month.
Matinees to See: Greta (3/1), The Hole in the Ground (3/1), Woman at War (3/1), The Boy Who Harnessed the Wind (3/1), Leaving Neverland (3/3 & 3/4), Triple Frontier (3/6), Gloria Bell (3/8) Two Plains & a Fancy (3/8), The Mustang (3/15), The Eyes of Orson Welles (3/15), The Aftermath (3/15), The Hummingbird Project (3/15), Ramen Shop (3/22), Hotel Mumbai (3/22), The Highwaymen (3/29)
15. Giant Little Ones (Keith Behrman; March 1)
Considering the breadth of films...
Matinees to See: Greta (3/1), The Hole in the Ground (3/1), Woman at War (3/1), The Boy Who Harnessed the Wind (3/1), Leaving Neverland (3/3 & 3/4), Triple Frontier (3/6), Gloria Bell (3/8) Two Plains & a Fancy (3/8), The Mustang (3/15), The Eyes of Orson Welles (3/15), The Aftermath (3/15), The Hummingbird Project (3/15), Ramen Shop (3/22), Hotel Mumbai (3/22), The Highwaymen (3/29)
15. Giant Little Ones (Keith Behrman; March 1)
Considering the breadth of films...
- 2/27/2019
- by Jordan Raup
- The Film Stage
The post-apocalypse can be a lonely place, especially when you think you might be the only human left alive. Following its world premiere at Fantastic Fest last year (read Heather Wixson's interview with writer/director A.T. White here), Starfish (starring Virginia Gardner from 2018's Halloween) will be released in select theaters this March and April ahead of its Digital and VOD release on May 28th from Yellow Veil Pictures and The Orchard, and you can now watch the cosmic horror film's mind-bending trailer.
Press Release: Yellow Veil Pictures and 1091 Media's The Orchard have released the first trailer for upcoming cosmic horror Starfish, featuring a dazzling lead performance from Virginia Gardner. The film begins it’s theatrical roadshow tour starting in NYC on March 13 with a rollout in other cities through late April, followed by the Digital/VOD release May 28. Full list of theatrical dates can be found below.
Press Release: Yellow Veil Pictures and 1091 Media's The Orchard have released the first trailer for upcoming cosmic horror Starfish, featuring a dazzling lead performance from Virginia Gardner. The film begins it’s theatrical roadshow tour starting in NYC on March 13 with a rollout in other cities through late April, followed by the Digital/VOD release May 28. Full list of theatrical dates can be found below.
- 2/14/2019
- by Derek Anderson
- DailyDead
Genre festival will screen the Nordic premiere of Stivaletti’s ‘Rabbia Furiosa’.
Genre festival Night Visions has revealed the line-up for this year’s event which will run from Nov 21-25 in the Finnish capital of Helsinki.
The screenings will include Luca Guadagnino’s Suspiria, Gaspar Noe’s Climax, Yann Gonzalez’s Knife + Heart, Jim Hosking’s An Evening With Beverly Luff Linn, Quentin Dupieux’s Keep An Eye Out, Leigh Whannell’s Upgrade, Joel Potrykus’ Relaxer, Emma Tammi’s The Wind, Jimmy Henderson’s The Prey, Jonas Akerlund’s Lords of Chaos, and omnibus The Field Guide to Evil.
Genre festival Night Visions has revealed the line-up for this year’s event which will run from Nov 21-25 in the Finnish capital of Helsinki.
The screenings will include Luca Guadagnino’s Suspiria, Gaspar Noe’s Climax, Yann Gonzalez’s Knife + Heart, Jim Hosking’s An Evening With Beverly Luff Linn, Quentin Dupieux’s Keep An Eye Out, Leigh Whannell’s Upgrade, Joel Potrykus’ Relaxer, Emma Tammi’s The Wind, Jimmy Henderson’s The Prey, Jonas Akerlund’s Lords of Chaos, and omnibus The Field Guide to Evil.
- 10/31/2018
- by Screen staff
- ScreenDaily
I first caught wind of writer/director Joel Potrykus with his feature debut Ape (trailer) which, at the time of its release in 2012, won him a number of accolades including Best New Director at Locarno. He's made a few other movies in the intervening years but his latest is the first that has caught my attention enough to warrant me making an effort to see it.
Relaxer unfolds over the last few months of 1999, just as the impending Y2K fever is hitting its peak. Potrykus regular Joshua Burge stars as Abbie, a guy obsessed with challenges; reading about them, watching them and doing his own. Problem is, he's never finished an issued challenge.
The movie opens mid-challeng...
Relaxer unfolds over the last few months of 1999, just as the impending Y2K fever is hitting its peak. Potrykus regular Joshua Burge stars as Abbie, a guy obsessed with challenges; reading about them, watching them and doing his own. Problem is, he's never finished an issued challenge.
The movie opens mid-challeng...
- 10/19/2018
- QuietEarth.us
If any Canadian festival is worthy of having its name spoken alongside the behemoth that is Tiff, the Fantasia International Film Festival and its eclectic bunch of genre fare is it. Currently in its 22nd year, the excitement surrounding its line-up has never been better with its fair share of world, international, and Canadian premieres from artists as far-ranging as festival favorite Satoshi Miki to innovator Josephine Decker (Madeline’s Madeline) to retro screenings from the likes of Mario Bava (Blood and Black Lace) and Joe Dante (Gremlins and The Howling).
Things kick off with Daniel Roby’s Olga Kurylenko and Romain Duris starring Dans la brume on July 12th and continue until August 1st drops the world premiere of Kam Ka-Wai’s Big Brother and the Canadian premiere of Panos Cosmatos’ Mandy.
In between comes world premieres of the John Sayles-produced The Man Who Killed Hitler and Then the Bigfoot...
Things kick off with Daniel Roby’s Olga Kurylenko and Romain Duris starring Dans la brume on July 12th and continue until August 1st drops the world premiere of Kam Ka-Wai’s Big Brother and the Canadian premiere of Panos Cosmatos’ Mandy.
In between comes world premieres of the John Sayles-produced The Man Who Killed Hitler and Then the Bigfoot...
- 7/10/2018
- by Jared Mobarak
- The Film Stage
The Traverse City Film Festival is celebrating its 14th year in 2018 by bringing together some of the year’s best indies and documentaries, plus classics from Jonathan Demme, Hal Ashby, and more. The Michigan-set festival, backed by Michael Moore, is being run in 2018 by directors Susan Fisher and Meg Weichman, who have worked on the festival for nearly a decade and have been at the helm since December.
Tickets for this year’s edition will go on sale to the public on Saturday, July 21 (click here for the official festival website). Friends of the Film Festival will be able to get early access to tickets with advance sales starting Sunday, July 15.
The full lineup for the 2018 Traverse City Film Festival is below.
Opening Night: “Rbg”
Centerpiece: “Hearts Beat Loud”
Closing Night: “Burden”
Open Space
“Stop Making Sense,” Jonathan Demme
“Jumanji: Welcome to the Jungle,” Jake Kasdan
“Coco,” Lee Unkrich
“Black Panther,...
Tickets for this year’s edition will go on sale to the public on Saturday, July 21 (click here for the official festival website). Friends of the Film Festival will be able to get early access to tickets with advance sales starting Sunday, July 15.
The full lineup for the 2018 Traverse City Film Festival is below.
Opening Night: “Rbg”
Centerpiece: “Hearts Beat Loud”
Closing Night: “Burden”
Open Space
“Stop Making Sense,” Jonathan Demme
“Jumanji: Welcome to the Jungle,” Jake Kasdan
“Coco,” Lee Unkrich
“Black Panther,...
- 6/29/2018
- by Zack Sharf
- Indiewire
Top brass unveil full line-up.
The 22nd edition of the Fantasia International Film Festival in Montreal will close with the world premiere of Donnie Yen martial arts film Big Brother and the Canadian premiere of Nicolas Cage action thriller Mandy.
On Thursday (June 28) the festival released its complete line-up of more than 125 features and 220 shorts, including more than 100 premieres. It runs from July 12-August 1.
Five of the features on the roster originated through Fantasia’s film production market, Frontieres. These are Chained For Life, The Dark, Knuckleball, The Night Eats The World, and The Ranger.
Other Canadian premieres include Demian Rugna’s Terrified,...
The 22nd edition of the Fantasia International Film Festival in Montreal will close with the world premiere of Donnie Yen martial arts film Big Brother and the Canadian premiere of Nicolas Cage action thriller Mandy.
On Thursday (June 28) the festival released its complete line-up of more than 125 features and 220 shorts, including more than 100 premieres. It runs from July 12-August 1.
Five of the features on the roster originated through Fantasia’s film production market, Frontieres. These are Chained For Life, The Dark, Knuckleball, The Night Eats The World, and The Ranger.
Other Canadian premieres include Demian Rugna’s Terrified,...
- 6/28/2018
- by Jenn Sherman
- ScreenDaily
It’s hard to pinpoint the exact moment where Joel Potrykus decided to blow off the Hollywood studio projects sent his way and instead make wacky movies like “Relaxer,” which takes place in a living room and revolves around a guy playing “Pacman” on the brink of Y2K. But it might have been around the time that time someone suggested he direct a sequel to the found footage party movie “Project X.” He’d reached a breaking point.
“I was offered all these scripts for, like, sequels to mid-level successful movies, and I was like, ‘Why?’” Potrykus said in an interview with IndieWire at the SXSW Film Festival in March. “It’s like painting something and then handing off to someone so they can paint over it. Why spend all that time? I have a job that pays well, so I’m not making movies for money.”
Potrykus teaches...
“I was offered all these scripts for, like, sequels to mid-level successful movies, and I was like, ‘Why?’” Potrykus said in an interview with IndieWire at the SXSW Film Festival in March. “It’s like painting something and then handing off to someone so they can paint over it. Why spend all that time? I have a job that pays well, so I’m not making movies for money.”
Potrykus teaches...
- 6/27/2018
- by Eric Kohn
- Indiewire
While many indie filmmakers like Andrew Bujalski started making films in apartments with their friends and scaled up to larger projects, Michigan-based madman Joel Potrykus has gleefully and unapologetically scaled down as his career has progressed. His fourth outing, Relaxer, barely even takes place in an apartment, but rather in the corner of a living room where Abbie (Joshua Burge) is stuck on a couch for nearly six months. While staying there, his cruel (or tough love) brother Cam, (David Dastmalchian), gives him a series of challenges. For the first one, he needs to drink a gallon of curdled milk out of nine baby bottles. Under the watchful eye of a Sony handicam, he’s not permitted to leave the couch under any circumstances until he’s finished.
It’s these type of scenarios that are all over Relaxer, an unsettling and unapologetic comedy of untold horrors. A borderline masterpiece of “what the fuck” insanity,...
It’s these type of scenarios that are all over Relaxer, an unsettling and unapologetic comedy of untold horrors. A borderline masterpiece of “what the fuck” insanity,...
- 3/20/2018
- by John Fink
- The Film Stage
Opening and closing to the thunderous sounds of Prokofiev, Relaxer by Joel Potrykus is a grungy meditation on the fine art of relaxation. Relaxer is dark and disturbing. Relaxer is also very funny. The year is 1999. The world is caught in the grip of Y2K fever and fears of the apocalypse. A shut-in named Abbie (Joshua Burge) and his mean brother Cam (David Dastmalchian) live in a squalid apartment lined with graffiti, punk rock flyers and trash. The brothers engage in various dumb "challenges" in order to test each other's will. After Abbie fails a particularly sickening challenge, Cam, who seems to have modeled his life after Lee Ving, lays down the gauntlet: Abbie can't leave the couch until he beats the "glitch" level...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 3/13/2018
- Screen Anarchy
Great cinema is sometimes grand themes, dramatic camerawork, and sophisticated montage; or, it’s a guy playing “Pac Man” for 90 minutes. Joel Potrykus’ “Relaxer,” the latest wacky gambit from the Michigan-based provocateur, finds the “Buzzard” director reteaming with his perennial star Joshua Burge, again taking a cartoonish lowbrow approach to acerbic social critique. Set on the eve of Y2K, “Relaxer” exclusively takes place in the confines of a living room, where Burge’s character endures prolonged attempts to reach an impossible high score on the the aforementioned video game, while enduring hardships that include milk vomit, fecal matter, overheated cartridges, and rat poison. It’s a grotesque downward spiral, both hilarious and mesmerizing, but above all elevated by its insights into the depraved final gasp of the analog age.
Media scholar Neil Postman diagnosed the ills of entertainment media in his aptly titled 1985 tome “Amusing Ourselves to Death;” that...
Media scholar Neil Postman diagnosed the ills of entertainment media in his aptly titled 1985 tome “Amusing Ourselves to Death;” that...
- 3/10/2018
- by Eric Kohn
- Indiewire
Sibling sadism turns absurdist in Joel Potrykus' Relaxer, in which a passive man-child endures baffling deprivation for no reason other than that his big brother dared him to. The follow-up to the Michigan filmmaker's The Alchemist Cookbook and Buzzard, both of which featured outcasts with trouble in mind, the claustrophobic, one-set film clearly invites metaphorical readings — but its allegories will play best to viewers who can stomach the idea of spending eternity on a couch playing Nintendo.
That's pretty much what Joshua Burge's Abbie does here, while his tiny world crumbles around him. We meet the shirtless dweeb in the...
That's pretty much what Joshua Burge's Abbie does here, while his tiny world crumbles around him. We meet the shirtless dweeb in the...
- 3/10/2018
- by John DeFore
- The Hollywood Reporter - Movie News
SXSW 2018 is upon us. Here are 10 films, without Tomatometers to guide us comfortably, premiering at this year's fest that you can bet on.
Relaxer - Joel Potrykus
Dogged to deteriorate ‘til he clobbers the unclobberable, Abby can’t flee his dent in the couch til he bests his brother’s bet to beat level 256 of Pac-Man. The stakes are, in that Potrykus way, only as strong as the disillusioned hero can envisage. Sleepless, stagnating, running on processed dairy, Abby’s obstacle might be Potrykus’s most menacing yet.
Screenings.
Don’t Leave Home - Michael Tully
Michael Tully’s first feature since the low-dose nostalgia trip Ping Pong Summer leaves comfort for myth and mystery, a curiosity and obsession that leads an artist away from the hearth.
Screenings.
Field Guide To Evil - Anthology
This ”Global dark folklore anthology” features shorts from The Lure director Agniezka Smoczynska, Goodnight Mommy’s...
Relaxer - Joel Potrykus
Dogged to deteriorate ‘til he clobbers the unclobberable, Abby can’t flee his dent in the couch til he bests his brother’s bet to beat level 256 of Pac-Man. The stakes are, in that Potrykus way, only as strong as the disillusioned hero can envisage. Sleepless, stagnating, running on processed dairy, Abby’s obstacle might be Potrykus’s most menacing yet.
Screenings.
Don’t Leave Home - Michael Tully
Michael Tully’s first feature since the low-dose nostalgia trip Ping Pong Summer leaves comfort for myth and mystery, a curiosity and obsession that leads an artist away from the hearth.
Screenings.
Field Guide To Evil - Anthology
This ”Global dark folklore anthology” features shorts from The Lure director Agniezka Smoczynska, Goodnight Mommy’s...
- 3/8/2018
- by feeds@cinelinx.com (Aaron Hunt)
- Cinelinx
The annual multi-pronged South By Southwest Conferences and Festivals — SXSW, of course — is hitting Austin, Texas later this week for days and days of fresh film offerings (plus music, interactive, and a litany of exciting panels and conversations). With it comes the promise of a brand new festival-going season, along with a slew of films to get excited about finally checking out (and, because it’s Austin, lots of tasty barbecue).
From SXSW regulars like Mark Duplass and Joel Potrykus to rising stars like Carole Brandt and Suzi Yoonessi to marquee names like Wes Anderson and John Krasinski, this year’s SXSW Film Festival is offering up a robust new slate. We’ve picked out a dozen worthy new features to add to your SXSW schedule.
Check out 12 new films from this year’s SXSW that you’re going to want to see Asap.
“A Quiet Place”
The last thing...
From SXSW regulars like Mark Duplass and Joel Potrykus to rising stars like Carole Brandt and Suzi Yoonessi to marquee names like Wes Anderson and John Krasinski, this year’s SXSW Film Festival is offering up a robust new slate. We’ve picked out a dozen worthy new features to add to your SXSW schedule.
Check out 12 new films from this year’s SXSW that you’re going to want to see Asap.
“A Quiet Place”
The last thing...
- 3/7/2018
- by Kate Erbland, Eric Kohn, Jenna Marotta, Jude Dry, David Ehrlich and Steve Greene
- Indiewire
The 2018 SXSW Film and TV lineups have landed, and Austin’s programming of new films and TV shows looks like nothing else out there. As the film section enters its 25th anniversary and the festival’s top programmer Janet Pierson enters her 10th, SXSW remains a distinctive presence on the festival circuit, one that speaks to an ever-changing media landscape and the variability of filmmaking outside of Hollywood. Here are some of the standouts from the announcement.
See More:sxsw Film and TV 2018 Lineup: Jordan Peele, Female Directors, and More Lead Latest Announcement
Daryl Hannah Made an Experimental Western With Willie Nelson
As calls for supporting women filmmakers continue to dominate the industry, SXSW’s program provides a compelling response. Its 10-movie narrative competition is dominated by eight women directors, varying wildly in age and experience. These include first-time director Hannah Marks, who co-directed the drama “Shotgun” with Joey Power. Marks...
See More:sxsw Film and TV 2018 Lineup: Jordan Peele, Female Directors, and More Lead Latest Announcement
Daryl Hannah Made an Experimental Western With Willie Nelson
As calls for supporting women filmmakers continue to dominate the industry, SXSW’s program provides a compelling response. Its 10-movie narrative competition is dominated by eight women directors, varying wildly in age and experience. These include first-time director Hannah Marks, who co-directed the drama “Shotgun” with Joey Power. Marks...
- 1/31/2018
- by Eric Kohn
- Indiewire
Below is a strictly personal, unapologetically idiosyncratic list of the twenty films I'm most looking forward to in 2018 and which have so far yet to be seen by any paying audiences. Among those seriously considered but ultimately excluded on the basis that they're more likely to be ready next year are Ad Astra (James Gray), Blessed Virgin (Paul Verhoeven), The Fire Next Time (Mati Diop), Late Spring (Michelangelo Frammartino), the particularly-dynamite-on-paper Martin Eden (Pietro Marcello), Mektoub, My Love: Canto Due (Abdellatif Kechiche) and Motorboats (Yuri Ancarani). I also reluctantly discarded a couple of highly tantalising projects whose status, at the time of writing, was frustratingly unclear, namely Tijuana Bible (Jean-Charles Hue) and the worryingly long-in-gestation You Can't Win (Robinson Devor). Omitted because they're made primarily for TV rather than cinemas: Martin Scorsese's The Irishman (Netflix) and Bruno Dumont's Coincoin and the Extra-Humans (Arté). Finally, Joanna Hogg's The Souvenir: Part I...
- 1/16/2018
- MUBI
“It’s a job.” –Arthur Martinez I had two features as a cinematographer under my belt by late June of 2015, both close and comfortable collaborations with a single director: Joel Potrykus (Buzzard, The Alchemist Cookbook). It seems fitting that he made the phone call I received only a week and a half before Actor Martinez began principal photography. Joel eagerly informed me that two directors, Nathan Silver (Stinking Heaven, Uncertain Terms) and Mike Ott (Lake Los Angeles, Littlerock), had contacted him asking about my nearly immediate availability. I didn’t know them personally, but I certainly had been aware of their […]...
- 3/28/2017
- by Adam J. Minnick
- Filmmaker Magazine - Blog
It came as no surprise in October that Michael Moore’s secret documentary “Michael Moore in Trumpland” was a pro-Hillary Clinton film urging Americans to vote for the democratic presidential nominee on November 8. Moore has been one of the most vocal and politically active filmmakers of his generation, if not the most active, and he felt that too much of the election conversation was dominated by negativity.
Read More: Michael Moore’s Plan to Show ‘TrumpLand’ to ‘Millions of People’ Before the Election
“I just thought, I’m going to do something here and give people positive reasons to think about voting for her,” Moore said at the film’s premiere in New York on October 18. “What the country doesn’t need is to be told that Trump is crazy, dangerous, a psychopath and sociopath. He has written and produced that movie, and it appears daily.”
While most filmmakers...
Read More: Michael Moore’s Plan to Show ‘TrumpLand’ to ‘Millions of People’ Before the Election
“I just thought, I’m going to do something here and give people positive reasons to think about voting for her,” Moore said at the film’s premiere in New York on October 18. “What the country doesn’t need is to be told that Trump is crazy, dangerous, a psychopath and sociopath. He has written and produced that movie, and it appears daily.”
While most filmmakers...
- 11/4/2016
- by Graham Winfrey
- Indiewire
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