J.A. Bayona’s Netflix epic Society of the Snow swept Saturday night’s Platino Awards, picking up a total of six trophies including the top award of the night for best Ibero-American fiction film.
Bayona’s film follows the tragic events that take place after Uruguayan Air Force flight 571, chartered to fly a rugby team to Chile, crashes on a glacier in the heart of the Andes in 1972. Only 16 of the 45 passengers ultimately made it out alive as a handful of others perished on the mountain during the 72 days from the time of the crash until rescuers arrived.
Bayona also made his way to the stage to accept a trophy for best director, and his film’s haul also included best male performance for star Enzo Vogrincic, best editing for Jaume Marti and Andres Gil, best cinematography for Pedro Luque, and best sound for Oriol Tarragó, Marc Orts and Jorge Adrados.
Bayona’s film follows the tragic events that take place after Uruguayan Air Force flight 571, chartered to fly a rugby team to Chile, crashes on a glacier in the heart of the Andes in 1972. Only 16 of the 45 passengers ultimately made it out alive as a handful of others perished on the mountain during the 72 days from the time of the crash until rescuers arrived.
Bayona also made his way to the stage to accept a trophy for best director, and his film’s haul also included best male performance for star Enzo Vogrincic, best editing for Jaume Marti and Andres Gil, best cinematography for Pedro Luque, and best sound for Oriol Tarragó, Marc Orts and Jorge Adrados.
- 4/23/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
20,000 Species Of Bees, the debut film by Basque filmmaker Estibaliz Urresola Solaguren, and Society Of The Snow, J. A. Bayona’s survival drama for Netflix, dominated the top honors at the eleventh Platino Awards Saturday evening.
The Mexican award show took place this year at the El Gran Tlachco theater in Xcaret Park, Riviera Maya. Bayona took best director on the night for Society Of The Snow. The film also won Best Feature while 20,000 Species Of Bees nabbed Best Screenplay and Best First Feature.
20,000 Species Of Bees debuted at the Berlin Film Festival, where lead actor Sofía Otero took the silver bear for best leading performance. The film is set during a summer in a village house linked to beekeeping and follows an eight-year-old and her mother experiencing revelations that will change their lives forever.
Bayona’s Society Of The Snow closed last year’s Venice Film Festival.
The Mexican award show took place this year at the El Gran Tlachco theater in Xcaret Park, Riviera Maya. Bayona took best director on the night for Society Of The Snow. The film also won Best Feature while 20,000 Species Of Bees nabbed Best Screenplay and Best First Feature.
20,000 Species Of Bees debuted at the Berlin Film Festival, where lead actor Sofía Otero took the silver bear for best leading performance. The film is set during a summer in a village house linked to beekeeping and follows an eight-year-old and her mother experiencing revelations that will change their lives forever.
Bayona’s Society Of The Snow closed last year’s Venice Film Festival.
- 4/21/2024
- by Zac Ntim
- Deadline Film + TV
In a triumphant night for Spain, J.A. Bayona’s Oscar-nominated “Society of the Snow” swept the top prizes at Platino Xcaret, named after the venue of the annual Platino Awards this year, which took place at the Xcaret Park, Riviera Maya, Mexico.
Argentina cinema’s plight, exacerbated by far-right president Javier Milei’s closure of its film institute, Incaa, was also on many people’s minds.
Citing veteran Argentine filmmaker Adolfo Aristarain as one of his inspirations, Bayona said upon receiving his best director award: “Argentina, we are here standing by your side, you’re not alone.”
Bayona’s harrowing account of the 1972 Uruguayan Air Force Flight 571 crash, from which only 16 people survived after 72 days stranded in the Andes, became Netflix’s second most-viewed non-English film of all time. “I wouldn’t be here without the book that Pablo Vierci wrote,” said Bayona, who also thanked his cast and crew,...
Argentina cinema’s plight, exacerbated by far-right president Javier Milei’s closure of its film institute, Incaa, was also on many people’s minds.
Citing veteran Argentine filmmaker Adolfo Aristarain as one of his inspirations, Bayona said upon receiving his best director award: “Argentina, we are here standing by your side, you’re not alone.”
Bayona’s harrowing account of the 1972 Uruguayan Air Force Flight 571 crash, from which only 16 people survived after 72 days stranded in the Andes, became Netflix’s second most-viewed non-English film of all time. “I wouldn’t be here without the book that Pablo Vierci wrote,” said Bayona, who also thanked his cast and crew,...
- 4/21/2024
- by Anna Marie de la Fuente
- Variety Film + TV
The Good Boss, Fernando León de Aranoa’s comedy-drama starring Javier Bardem, dominated Spain’s top film prizes this year, The Goyas, collecting six awards including Best Picture.
The film also nabbed Best Director and Best Screenplay for Aranoa, Best Actor for Javier Bardem, Best Original Score (Zeltia Montes) and Best Editing (Vanessa L. Marimbert). It had previously received a record-setting 20 nominations.
The ceremony saw Bardem continue his streak at the awards, collecting his sixth Goya in total, while filmmaker Aranoa is now up to seven across his career.
The Good Boss stars Bardem as a factory owner who deviously schemes his way to solving all of the problems within his business and his personal life, including his infidelities. It was produced by companies including The MediaPro Studio and MK2 Films. Cohen Media Group will handle the U.S. release.
Deadline sat down with Bardem and Aranoa at last year...
The film also nabbed Best Director and Best Screenplay for Aranoa, Best Actor for Javier Bardem, Best Original Score (Zeltia Montes) and Best Editing (Vanessa L. Marimbert). It had previously received a record-setting 20 nominations.
The ceremony saw Bardem continue his streak at the awards, collecting his sixth Goya in total, while filmmaker Aranoa is now up to seven across his career.
The Good Boss stars Bardem as a factory owner who deviously schemes his way to solving all of the problems within his business and his personal life, including his infidelities. It was produced by companies including The MediaPro Studio and MK2 Films. Cohen Media Group will handle the U.S. release.
Deadline sat down with Bardem and Aranoa at last year...
- 2/13/2022
- by Tom Grater
- Deadline Film + TV
Shortlisted for the Academy Awards in the international feature film category, Fernando León de Aranoa’s “The Good Boss” capped a record 20 Spanish Academy Goya nominations by scoring best picture and actor for Javier Bardem at Saturday’s Goya prize ceremony.
The prizes marked both Leon and Bardem’s seventh Goya wins. Produced by El Reposado and The Mediapro Studio, and a workplace dramedy skewering the abuse of power practised by a seemingly benign factory owner, “The Good Boss” also won best director and original screenplay for León, as well as best score and editing.
Blanca Portillo beat out “Parallel Mothers’” Oscar-nominated Penélope Cruz, thanks to Portillo’s powerful performance as Maixabel Lasa, the real life widow of former Basque Country governor Juan Mari Jauregui who agreed in 2011 to meet one of his Eta killers. Her forgiveness, and Portillo’s portrait, has touched a large nerve in Spain.
One highlight...
The prizes marked both Leon and Bardem’s seventh Goya wins. Produced by El Reposado and The Mediapro Studio, and a workplace dramedy skewering the abuse of power practised by a seemingly benign factory owner, “The Good Boss” also won best director and original screenplay for León, as well as best score and editing.
Blanca Portillo beat out “Parallel Mothers’” Oscar-nominated Penélope Cruz, thanks to Portillo’s powerful performance as Maixabel Lasa, the real life widow of former Basque Country governor Juan Mari Jauregui who agreed in 2011 to meet one of his Eta killers. Her forgiveness, and Portillo’s portrait, has touched a large nerve in Spain.
One highlight...
- 2/13/2022
- by John Hopewell and Emilio Mayorga
- Variety Film + TV
Ruben Östlund’s “The Square” dominated the European Film Awards ceremony in Berlin, winning six prizes: European Film, European Director, European Actor (Claes Bang), European Comedy, European Production Design, European Screenwriter. Östlund took to the stage several times, explaining how he wanted his film to tackle serious issues but still be “wild, entertaining and exciting.” He also thanked his breakout star Claes Bang for adding so much to the screenplay.
Read More:European Film Awards: ‘The Square’ Wins Big in Near-Sweep at the Continent’s Most Prestigious Awards Ceremony
The European Film Academy is often predictive of the eventual Foreign-Language Oscar: Recent winners include “Ida,” “The Great Beauty” and “Amour.” On the other hand, last year’s winner went to “Toni Erdmann” while Asghar Farhadi’s “The Salesman” took home the Oscar.
Andrey Zvyagintsev’s “Loveless” took home awards for European Composer and Cinematography.
Alexandra Borbely won European Actress for Hungarian...
Read More:European Film Awards: ‘The Square’ Wins Big in Near-Sweep at the Continent’s Most Prestigious Awards Ceremony
The European Film Academy is often predictive of the eventual Foreign-Language Oscar: Recent winners include “Ida,” “The Great Beauty” and “Amour.” On the other hand, last year’s winner went to “Toni Erdmann” while Asghar Farhadi’s “The Salesman” took home the Oscar.
Andrey Zvyagintsev’s “Loveless” took home awards for European Composer and Cinematography.
Alexandra Borbely won European Actress for Hungarian...
- 12/9/2017
- by Anne Thompson
- Indiewire
Ruben Östlund’s “The Square” dominated the European Film Awards ceremony in Berlin, winning six prizes: European Film, European Director, European Actor (Claes Bang), European Comedy, European Production Design, European Screenwriter. Östlund took to the stage several times, explaining how he wanted his film to tackle serious issues but still be “wild, entertaining and exciting.” He also thanked his breakout star Claes Bang for adding so much to the screenplay.
Read More:European Film Awards: ‘The Square’ Wins Big in Near-Sweep at the Continent’s Most Prestigious Awards Ceremony
The European Film Academy is often predictive of the eventual Foreign-Language Oscar: Recent winners include “Ida,” “The Great Beauty” and “Amour.” On the other hand, last year’s winner went to “Toni Erdmann” while Asghar Farhadi’s “The Salesman” took home the Oscar.
Andrey Zvyagintsev’s “Loveless” took home awards for European Composer and Cinematography.
Alexandra Borbely won European Actress for Hungarian...
Read More:European Film Awards: ‘The Square’ Wins Big in Near-Sweep at the Continent’s Most Prestigious Awards Ceremony
The European Film Academy is often predictive of the eventual Foreign-Language Oscar: Recent winners include “Ida,” “The Great Beauty” and “Amour.” On the other hand, last year’s winner went to “Toni Erdmann” while Asghar Farhadi’s “The Salesman” took home the Oscar.
Andrey Zvyagintsev’s “Loveless” took home awards for European Composer and Cinematography.
Alexandra Borbely won European Actress for Hungarian...
- 12/9/2017
- by Anne Thompson
- Thompson on Hollywood
Pedro Almodóvar named best director for Julieta; Sonia Braga wins best actress for Aquarius.
The Distinguished Citizen converted three of its four nominations at the Platino Awards in Madrid on Saturday honouring the best of Ibero-American cinema.
The feature won best film, best screenplay and best actor for Óscar Martínez, crowning almost a year of prizes and box office success for this acute comedy directed by Mariano Cohn and Gastón Duprat.
The film premiered last year at the Venice Film Festival, where Óscar Martínez won the prize for best actor, playing a Nobel prize-winning writer who returns to his hometown in Argentina after years away and discovers the dangers of revisiting the past.
Winners of the fourth edition of the Platinos also included prizes for Julieta and A Monster Calls.
Pedro Almodóvar was named best director of for Julieta. In tune with political statements on the night referring to the Venezuelan crisis and the need to build...
The Distinguished Citizen converted three of its four nominations at the Platino Awards in Madrid on Saturday honouring the best of Ibero-American cinema.
The feature won best film, best screenplay and best actor for Óscar Martínez, crowning almost a year of prizes and box office success for this acute comedy directed by Mariano Cohn and Gastón Duprat.
The film premiered last year at the Venice Film Festival, where Óscar Martínez won the prize for best actor, playing a Nobel prize-winning writer who returns to his hometown in Argentina after years away and discovers the dangers of revisiting the past.
Winners of the fourth edition of the Platinos also included prizes for Julieta and A Monster Calls.
Pedro Almodóvar was named best director of for Julieta. In tune with political statements on the night referring to the Venezuelan crisis and the need to build...
- 7/22/2017
- ScreenDaily
Keep up with the glitzy awards world with our weekly Awards Roundup column.
Awards
– The Spanish Film Academy’s annual Goyas — think Oscars, Spain style — fell in love with Juan Antonio Bayona’s “A Monster Calls,” which walked away from this week’s ceremony with a massive nine awards. Although it missed out on Best Film to “Fury of Patient Man,” Bayona picked up Best Director and the film was showered with a slew of below the line nods. Check out the full list of winners below.
Film
“Fury of a Patient Man”
Director
J.A. Bayona for “A Monster Calls”
New Director
Raul Arevalo for “Fury of a Patient Man”
Original Screenplay
David Pulido, Raul Arevalo for “Fury of a Patient Man”
Adapted Screenplay
Alberto Rodriguez, Rafael Cobos for “Smoke and Mirrors”
Original Score
Fernando Velazquez for “A Monster Calls”
Original Song
“Ai, Ai, Ai” by Silvia Perez Cruz for...
Awards
– The Spanish Film Academy’s annual Goyas — think Oscars, Spain style — fell in love with Juan Antonio Bayona’s “A Monster Calls,” which walked away from this week’s ceremony with a massive nine awards. Although it missed out on Best Film to “Fury of Patient Man,” Bayona picked up Best Director and the film was showered with a slew of below the line nods. Check out the full list of winners below.
Film
“Fury of a Patient Man”
Director
J.A. Bayona for “A Monster Calls”
New Director
Raul Arevalo for “Fury of a Patient Man”
Original Screenplay
David Pulido, Raul Arevalo for “Fury of a Patient Man”
Adapted Screenplay
Alberto Rodriguez, Rafael Cobos for “Smoke and Mirrors”
Original Score
Fernando Velazquez for “A Monster Calls”
Original Song
“Ai, Ai, Ai” by Silvia Perez Cruz for...
- 2/10/2017
- by Kate Erbland
- Indiewire
J.A. Bayona’s adaptation of Patrick Ness’ novel wins nine awards at the Spanish Goyas but Raúl Arévalo’s debut as a director takes best film.
A Monster Calls went into the Goya Awards on Saturday night (Feb 4) with 12 nominations and ended up taking home nine prizes from the Spanish Film Academy, including best director for Juan Antonio Bayona.
Scroll down for full list of winners
The director, just weeks away from starting shoot on a Jurassic World sequel, was visibly moved with the film’s performance, not only when he took to the stage to collect his Goya for best director, but also when his collaborators on the film did so for the film’s other eight wins of the night, including best cinematography, special effects, sound and production design.
With a box office of $28.6m (€26.5m), A Monster Calls was the biggest film in Spain last year.
The Fury Of A Patient Man director [link=nm...
A Monster Calls went into the Goya Awards on Saturday night (Feb 4) with 12 nominations and ended up taking home nine prizes from the Spanish Film Academy, including best director for Juan Antonio Bayona.
Scroll down for full list of winners
The director, just weeks away from starting shoot on a Jurassic World sequel, was visibly moved with the film’s performance, not only when he took to the stage to collect his Goya for best director, but also when his collaborators on the film did so for the film’s other eight wins of the night, including best cinematography, special effects, sound and production design.
With a box office of $28.6m (€26.5m), A Monster Calls was the biggest film in Spain last year.
The Fury Of A Patient Man director [link=nm...
- 2/5/2017
- ScreenDaily
The Impossible; Quartet; Midnight's Children
In Spain, Juan Antonio Bayona's visceral drama The Impossible (2012, EntertainmentOne, 12) broke box-office records, despite the fact that the real-life Belón Alvárez family, whose fate during the south-east Asian tsunami inspired the film, had been transformed on screen from Spanish to English speakers. Paradoxically, it was in English-speaking territories that this anglicisation caused the most problems, exacerbating the apparent disjunct between the miraculous fortunes of the privileged few and the overwhelming tragedy of the nameless many. While this thorny issue remains unresolved, it would be a shame if it caused the movie to be dismissed out of hand, for despite the expedient nationality shift, this remains a powerful drama about ordinary people caught in extraordinary circumstances that somehow manages to be both gruelling and uplifting.
Having proved himself a master of melancholic horror with spine-tingling ghost story The Orphanage, Bayona conjures a terrifying opening movement...
In Spain, Juan Antonio Bayona's visceral drama The Impossible (2012, EntertainmentOne, 12) broke box-office records, despite the fact that the real-life Belón Alvárez family, whose fate during the south-east Asian tsunami inspired the film, had been transformed on screen from Spanish to English speakers. Paradoxically, it was in English-speaking territories that this anglicisation caused the most problems, exacerbating the apparent disjunct between the miraculous fortunes of the privileged few and the overwhelming tragedy of the nameless many. While this thorny issue remains unresolved, it would be a shame if it caused the movie to be dismissed out of hand, for despite the expedient nationality shift, this remains a powerful drama about ordinary people caught in extraordinary circumstances that somehow manages to be both gruelling and uplifting.
Having proved himself a master of melancholic horror with spine-tingling ghost story The Orphanage, Bayona conjures a terrifying opening movement...
- 5/4/2013
- by Mark Kermode
- The Guardian - Film News
Elena Anaya, Antonio Banderas, The Skin I Live In No Rest For The Wicked Tops, Pedro Almodóvar Empty-Handed: Goyas 2012 Winners Best Film La Piel que habito / The Skin I Live In, Pedro Almodóvar * No habrá paz para los malvados / No Rest for the Wicked, Enrique Urbizu La Voz dormida / The Sleeping Voice, Benito Zambrano Blackthorn. Sin destino / Blackthorn, Mateo Gil Best Foreign Film in the Spanish Language Boleto al paraíso (Cuba), Gerardo Chijona Miss Bala (Mexico), Gerardo Naranjo * Un cuento chino / Chinese Take-Away (Argentina), Sebastián Borensztein Violeta se fue a los cielos (Chile), Andrés Wood Best European Film Jane Eyre (United Kingdom), Cary Fukunaga Melancholia (Germany / Denmark / France), Lars von Trier * The Artist (France), Michel Hazanavicius Carnage (France), Roman Polanski Best Director Pedro Almodóvar, The Skin I Live In Benito Zambrano, The Sleeping Voice * Enrique Urbizu, No Rest for the Wicked Mateo Gil, Blackthorn Best New Director Paula Ortiz, De tu ventana a la mía...
- 2/20/2012
- by Steve Montgomery
- Alt Film Guide
[Rec] 2, the sequel to last year’s record-breaking Spanish horror hit, starts filming next Monday, November 10 in Barcelona. The original raked in $27 million worldwide and picked up prizes at all the major European horror festivals, including Sitges, Fantasporto, Brussels and Amsterdam, and inspired the recent U.S. remake Quarantine.
Once again produced by Julio Fernández for Filmax and directed by Jaume Balagueró and Paco Plaza, [Rec 2] kicks off its story a few hours after the events portrayed in its predecessor. The shoot is scheduled to last six weeks, and returning crew members include art director Gemma Fauria, director of photography Pablo Rosso, editor David Gallart (Goya Award winner for the first film) and sound engineers Xavi Mas and Oriol Tarragó; the latter nabbed a Goya for his work on the year’s other Spanish genre blockbuster, The Orphanage. Special makeup FX will once more be handled by David Ambit (pictured, making up...
Once again produced by Julio Fernández for Filmax and directed by Jaume Balagueró and Paco Plaza, [Rec 2] kicks off its story a few hours after the events portrayed in its predecessor. The shoot is scheduled to last six weeks, and returning crew members include art director Gemma Fauria, director of photography Pablo Rosso, editor David Gallart (Goya Award winner for the first film) and sound engineers Xavi Mas and Oriol Tarragó; the latter nabbed a Goya for his work on the year’s other Spanish genre blockbuster, The Orphanage. Special makeup FX will once more be handled by David Ambit (pictured, making up...
- 11/7/2008
- Fangoria
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