Award-winning Peruvian multi-hyphenate Joanna Lombardi, formerly in charge of heading Movistar’s original content slate for Latin America, dives into documentary with her latest feature “Stay Still” (“Quédate Quieto”), selected to screen in competition at the upcoming Málaga Festival, running Mar. 1-10.
Produced by Lombardi alongside Hernán Musaluppi co-headed Cimarrón Cine (“El Motoarrebatador”) and Enid “Pinky” Campos (“Dioses”), the film – selected for San Sebastian’s Co-Production Forum in 2021 – centers on a gravedigger and two young women vying for security and a place to settle down.
“At first, I approached this story because I wanted to relay what it was like moment by moment to invade a piece of land. Find the place, demarcate the space and have to stay there, without moving, so that they don’t take it away from you. In order to tell this story, I spent time walking through encampments, looking for a woman who’d...
Produced by Lombardi alongside Hernán Musaluppi co-headed Cimarrón Cine (“El Motoarrebatador”) and Enid “Pinky” Campos (“Dioses”), the film – selected for San Sebastian’s Co-Production Forum in 2021 – centers on a gravedigger and two young women vying for security and a place to settle down.
“At first, I approached this story because I wanted to relay what it was like moment by moment to invade a piece of land. Find the place, demarcate the space and have to stay there, without moving, so that they don’t take it away from you. In order to tell this story, I spent time walking through encampments, looking for a woman who’d...
- 2/14/2024
- by Holly Jones
- Variety Film + TV
San Sebastian — In a first big deal to be announced during this year’s San Sebastian Festival, Madrid-based The Mediapro Studio, one of Europe’s biggest independent and international creation-production-distribution powerhouses, has acquired Cimarrón, the Uruguay, Argentina and Mexico-based production house and services company.
Of “highly significant value,” Tms said Friday, the deal looks set to consolidate Tms’ presence in Latin America and beyond. In the region, in its earliest talent deal, Tms acquired Argentina’s Oficina Burman in 2018, headed by filmmaker Daniel Burman who plays a further double role at Tms as head of content U.S. and as one of Tms’s leading creators, show running Amazon’s Prime Video title “Iosi, the Regretful Spy,” a major hit at 2022’s Berlinale Series.
Cimarrón’s integration in The Mediapro Studio follows on that of Spanish comedy powerhouse El Terrat and production alliances with Penelope Cruz’s Moonlyon, Mexico’s ViX,...
Of “highly significant value,” Tms said Friday, the deal looks set to consolidate Tms’ presence in Latin America and beyond. In the region, in its earliest talent deal, Tms acquired Argentina’s Oficina Burman in 2018, headed by filmmaker Daniel Burman who plays a further double role at Tms as head of content U.S. and as one of Tms’s leading creators, show running Amazon’s Prime Video title “Iosi, the Regretful Spy,” a major hit at 2022’s Berlinale Series.
Cimarrón’s integration in The Mediapro Studio follows on that of Spanish comedy powerhouse El Terrat and production alliances with Penelope Cruz’s Moonlyon, Mexico’s ViX,...
- 9/22/2023
- by John Hopewell
- Variety Film + TV
Paula Hernández’s “A Ravaging Wind” (“El viento que arrasa”) has debuted a poster and trailer ahead of its premieres at Toronto and San Sebastian.
Based on the novel by Selva Almada – and written by Hernández and Leonel D’Agostino – “A Ravishing Wind” will play Toronto’s Centrepiece program, before opening San Sebastian’s Horizontes Latinos, a showcase of many of the best Latin American movies of the last year. It sees Alfredo Castro as Reverend Pearson, an evangelical pastor who travels Argentina by car in the 1990s with his daughter Leni. When it breaks down, they end up at the auto repair shop run by Gringo (Sergi López) and his son (Joaquín Acebo).
Hernán Musaluppi, Santiago López Rodríguez, Diego Robino, Lilia Scenna, Natacha Cervi and Sandino Saravia Vinay produce for Cimarron, Rizoma and Cinevinay, while Film Factory Entertainment handles sales.
“When I was offered to adapt Selva Almada’s book,...
Based on the novel by Selva Almada – and written by Hernández and Leonel D’Agostino – “A Ravishing Wind” will play Toronto’s Centrepiece program, before opening San Sebastian’s Horizontes Latinos, a showcase of many of the best Latin American movies of the last year. It sees Alfredo Castro as Reverend Pearson, an evangelical pastor who travels Argentina by car in the 1990s with his daughter Leni. When it breaks down, they end up at the auto repair shop run by Gringo (Sergi López) and his son (Joaquín Acebo).
Hernán Musaluppi, Santiago López Rodríguez, Diego Robino, Lilia Scenna, Natacha Cervi and Sandino Saravia Vinay produce for Cimarron, Rizoma and Cinevinay, while Film Factory Entertainment handles sales.
“When I was offered to adapt Selva Almada’s book,...
- 8/28/2023
- by Marta Balaga
- Variety Film + TV
Spurred by modest state funds, growing TV support and co-production pacts, filmmaking in Peru is on the rise and with it, a rousing presence on the international stage.
Peruvian pics snagged six awards at March’s Malaga Film Festival and industry component Mafiz, an unprecedented haul for the event’s country guest of honor.
Plaudits went to Mauricio Frey’s “Estados generales,” Francesca Canepa’s “La otra orilla,” Ximena Valdivia’s “4eber,” documentary “Hatun Phaqcha” by Delia Ackerman and Leonardo Barbuy’s “Diogenes.”
“This is the first time that Peru has brought back so many awards from a single event,” notes Erika Chavez, head of the culture ministry’s audiovisual directorate, Dafo, who points out both national and regional films funds have ticked up since launching alongside Peru’s 2019 Film Law.
“More of us have been actively participating in markets, development labs and co-production forums,” says Enid “Pinky” Campos of Chullachaki Cine,...
Peruvian pics snagged six awards at March’s Malaga Film Festival and industry component Mafiz, an unprecedented haul for the event’s country guest of honor.
Plaudits went to Mauricio Frey’s “Estados generales,” Francesca Canepa’s “La otra orilla,” Ximena Valdivia’s “4eber,” documentary “Hatun Phaqcha” by Delia Ackerman and Leonardo Barbuy’s “Diogenes.”
“This is the first time that Peru has brought back so many awards from a single event,” notes Erika Chavez, head of the culture ministry’s audiovisual directorate, Dafo, who points out both national and regional films funds have ticked up since launching alongside Peru’s 2019 Film Law.
“More of us have been actively participating in markets, development labs and co-production forums,” says Enid “Pinky” Campos of Chullachaki Cine,...
- 5/20/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Buenos Aires — “Wild Tales” and “The Clan” sales agent Film Factory Ent has swooped on “The Blue Star” (“La Estrella Azul“), a fiction film inspired by the life of Spanish musician Mauricio Aznar, a fundamental and endearing figure on Spain’s 1990s rock scene.
The film also marks one of the most anticipated feature debuts of the year in Spain, Javier Macipe having carved out a reputation through his shorts, two of which – 2014’s “Children of the River” and 2019’s “Gastos incluídos” – scored Spanish Academy Goya nominations. Macipe was chosen last year as one of Variety’s 10 Spanish talents to track.
“I am very happy to once more board a project from Mod Producciones and Cimarrón,” said Film Factory head Vicente Canales. “Javier Macipe is one of Spanish cinema’s new talents. We are convinced that this musical journey turning on the recognised artist Mauricio Aznar will captivate the international market.
The film also marks one of the most anticipated feature debuts of the year in Spain, Javier Macipe having carved out a reputation through his shorts, two of which – 2014’s “Children of the River” and 2019’s “Gastos incluídos” – scored Spanish Academy Goya nominations. Macipe was chosen last year as one of Variety’s 10 Spanish talents to track.
“I am very happy to once more board a project from Mod Producciones and Cimarrón,” said Film Factory head Vicente Canales. “Javier Macipe is one of Spanish cinema’s new talents. We are convinced that this musical journey turning on the recognised artist Mauricio Aznar will captivate the international market.
- 11/29/2022
- by John Hopewell
- Variety Film + TV
Miami-based sales and distribution company FiGa Films has snagged world sales rights to Bolivian filmmaker Martin Boulocq’s fourth pic, “The Visitor.”
Described as a “somber meditation on family relations, class, and the increasing power of evangelism in Latin America,” “The Visitor” world premieres in June at the 2022 Tribeca Festival where it competes in the festival’s international narrative section.
One of the prominent talents in Bolivia’s burgeoning filmmaking industry, Martín Boulocq is best known for his feature debut “The Most Beautiful and My Best Years,” hailed by Bolivian critics as one of the twelve most notable films in Bolivian film history.
Set in the city of Cochabamba in central Bolivia, “The Visitor” follows Humberto (newcomer Enrique Aráoz), an ex-convict who earns a decent living by singing at wakes. He’s anxious to repair his relationship with his estranged daughter but his in-laws, powerful Evangelical pastors, refuse to give...
Described as a “somber meditation on family relations, class, and the increasing power of evangelism in Latin America,” “The Visitor” world premieres in June at the 2022 Tribeca Festival where it competes in the festival’s international narrative section.
One of the prominent talents in Bolivia’s burgeoning filmmaking industry, Martín Boulocq is best known for his feature debut “The Most Beautiful and My Best Years,” hailed by Bolivian critics as one of the twelve most notable films in Bolivian film history.
Set in the city of Cochabamba in central Bolivia, “The Visitor” follows Humberto (newcomer Enrique Aráoz), an ex-convict who earns a decent living by singing at wakes. He’s anxious to repair his relationship with his estranged daughter but his in-laws, powerful Evangelical pastors, refuse to give...
- 5/24/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Paula Hernández’s “El Viento Que Arrasa,”Cristian Leighton’s “El Porvenir de la Mirada” and Johnny Ma’s “Chin-Gone” feature among 14 projects selected for San Sebastian’s 9th Europe-Latin America Co-Production Forum, the Spanish festival’s industry centerpiece.
Many projects come with high-caliber Latin American arthouse backing.
“El Viento Que Arrasa” was talked up by producer Hernán Musaluppi at Cannes; “El Porvenir de la Mirada” is associate produced by Academy Award winner Sebastián Lelio, (“A Fantastic Woman”); Ma’s “Chin Gone” is produced by Rachel Daisy Ellis’ Desvia Produçoes in Brazil, whose credits include “Divine Love,” “Rojo” and “Prayers for the Stolen.”
Of two feature debuts, “Alemania” is backed by Tarea Fina (“The Sleepwalkers”), and “La Sucesión” by Pasto, which had “The Employer and the Employee” at Cannes’ Directors’ Fortnight, and Gema Films (“Soldado”). New Argentine Cinema icon Diego Dubcovsky produces Romina Paula’s “People by Night.” Multi-prized Spanish...
Many projects come with high-caliber Latin American arthouse backing.
“El Viento Que Arrasa” was talked up by producer Hernán Musaluppi at Cannes; “El Porvenir de la Mirada” is associate produced by Academy Award winner Sebastián Lelio, (“A Fantastic Woman”); Ma’s “Chin Gone” is produced by Rachel Daisy Ellis’ Desvia Produçoes in Brazil, whose credits include “Divine Love,” “Rojo” and “Prayers for the Stolen.”
Of two feature debuts, “Alemania” is backed by Tarea Fina (“The Sleepwalkers”), and “La Sucesión” by Pasto, which had “The Employer and the Employee” at Cannes’ Directors’ Fortnight, and Gema Films (“Soldado”). New Argentine Cinema icon Diego Dubcovsky produces Romina Paula’s “People by Night.” Multi-prized Spanish...
- 8/12/2021
- by John Hopewell
- Variety Film + TV
Uruguay-based Cimarrón is in development on Argentine Paula Hernandez’s new feature “El Viento Que Arrasa” and Brazilian Marco Dutra’s series “Las Moscas,” as it aims to become an Ott-age South American powerhouse.
The new productions come on top of Cimarron’s thriving business as a service company. It services more than 10 series from global platforms a year. This allows it to develop an adventurous line in feature film production while creating premium series with movie auteurs such as Dutra.
“El Viento Que Arrasa” is produced by Cimarrón and Argentina’s Rizoma and Tarea Fina (“Incident Light”).
Based on the novella by young Argentine writer Selva Almada, it turns on Reverend Pearson, who travels across the desert of north Argentina with reluctant adolescent daughter Leni in tow. When Pearson’s car breaks down, he seeks a repair at a remote car workshop and sets out to save its owner...
The new productions come on top of Cimarron’s thriving business as a service company. It services more than 10 series from global platforms a year. This allows it to develop an adventurous line in feature film production while creating premium series with movie auteurs such as Dutra.
“El Viento Que Arrasa” is produced by Cimarrón and Argentina’s Rizoma and Tarea Fina (“Incident Light”).
Based on the novella by young Argentine writer Selva Almada, it turns on Reverend Pearson, who travels across the desert of north Argentina with reluctant adolescent daughter Leni in tow. When Pearson’s car breaks down, he seeks a repair at a remote car workshop and sets out to save its owner...
- 7/9/2021
- by John Hopewell and Jamie Lang
- Variety Film + TV
International sales agency M-Appeal has closed two deals at Cannes Marché du Film for Marcela Lordy’s feature “The Book of Delights,” licensing to Film Movement in North America and At Entertainment in Japan.
Adapted from Clarice Lispector’s Brazilian novel “Uma Aprendizagem ou Livro dos Prazeres,” “The Book of Delights” is the erotic story of Lóri, a woman on the lookout for sexual satisfaction without sacrificing any of her own self-determination. Described by the film’s literature as a “free spirited, independent and attractive teacher,” Lóri engages in a string of love affairs catering to her desires and needs while purposefully avoiding emotional attachments.
Eventually, she crosses paths with renowned philosophy teacher, Ulisses, famous in the field of philosophy to a degree which has over-inflated his ego. The encounter causes Lóri to re-evaluate her own decisions and kickstarts a journey of self-discovery, realization and human contact.
“The Book of...
Adapted from Clarice Lispector’s Brazilian novel “Uma Aprendizagem ou Livro dos Prazeres,” “The Book of Delights” is the erotic story of Lóri, a woman on the lookout for sexual satisfaction without sacrificing any of her own self-determination. Described by the film’s literature as a “free spirited, independent and attractive teacher,” Lóri engages in a string of love affairs catering to her desires and needs while purposefully avoiding emotional attachments.
Eventually, she crosses paths with renowned philosophy teacher, Ulisses, famous in the field of philosophy to a degree which has over-inflated his ego. The encounter causes Lóri to re-evaluate her own decisions and kickstarts a journey of self-discovery, realization and human contact.
“The Book of...
- 7/8/2021
- by Jamie Lang
- Variety Film + TV
On May 11, Uruguay became the first country in Latin America to resume shooting following shutdowns. Several international productions relocated to the country where revenues from commercial shoots have already surpassed 2019’s, says Roberto Blatt, director of Uruguay’s Institute of Cinema and Audiovisual.
Hernán Musaluppi, producer at Cimarrón, confirms its first production service begins Sept. 21. A month later, the company will roll on two new original shows and initiate production services on an unnamed project for a major international platform.
Shooting has also resumed in the Dominican Republic, with the first international production kicking off Aug. 17 and two more scheduled in September. Local producer-director Jose Maria Cabral (“Woodpeckers”) pointed out that with a 25% transferable tax credit for international shoots and no caps on cast fees, the country’s financial appeal for international shoots is “second to none.”
In Colombia, shooting has resumed regionally, with local governments establishing health and safety protocols.
Hernán Musaluppi, producer at Cimarrón, confirms its first production service begins Sept. 21. A month later, the company will roll on two new original shows and initiate production services on an unnamed project for a major international platform.
Shooting has also resumed in the Dominican Republic, with the first international production kicking off Aug. 17 and two more scheduled in September. Local producer-director Jose Maria Cabral (“Woodpeckers”) pointed out that with a 25% transferable tax credit for international shoots and no caps on cast fees, the country’s financial appeal for international shoots is “second to none.”
In Colombia, shooting has resumed regionally, with local governments establishing health and safety protocols.
- 9/9/2020
- by Jamie Lang
- Variety Film + TV
Uruguay’s already expanding industry still has plenty of room to grow and looks primed to do so with its new financing pilot program about to be extended until 2025 and a host of companies who cut their teeth in international co-production.
Below, Variety highlights twelve Uruguayan companies with outstanding resumes in both domestic and international production likely to usher in a new era of film and TV prominence.
Cimarrón –
Cimarrón is a pan Latin-American alliance between established producers Hernán Musaluppi, Diego Robino and Santiago López. From their offices in Montevideo, Buenos Aires and São Paulo, the company has backed six films since 2017, including Argentine Academy Award and San Sebastian Horizons-winner “The Snatch Thief” and Miguel Cohan’s Netflix Original feature “Blood Will Tell.” Currently Cimarrón has two films in post-production, Martín Boulocq’s “El visitante” and Rafa Russo’s “El año de la furia.”
Coral Cine –
Coral Cine focuses on...
Below, Variety highlights twelve Uruguayan companies with outstanding resumes in both domestic and international production likely to usher in a new era of film and TV prominence.
Cimarrón –
Cimarrón is a pan Latin-American alliance between established producers Hernán Musaluppi, Diego Robino and Santiago López. From their offices in Montevideo, Buenos Aires and São Paulo, the company has backed six films since 2017, including Argentine Academy Award and San Sebastian Horizons-winner “The Snatch Thief” and Miguel Cohan’s Netflix Original feature “Blood Will Tell.” Currently Cimarrón has two films in post-production, Martín Boulocq’s “El visitante” and Rafa Russo’s “El año de la furia.”
Coral Cine –
Coral Cine focuses on...
- 9/4/2020
- by Jamie Lang
- Variety Film + TV
Few countries in Latin America, and indeed the world, can boast such positive results from health and safety decisions made in the wake of the global Covid-19 pandemic. In total, Uruguay has seen only 1,611 confirmed cases, plateauing at 200 active cases for several weeks now. As a result, travel restrictions are close to none.
In practical terms, that allowed Uruguay to be the first country in Latin America to resume shooting following Covid-19 shutdowns on May 11. Since then, productions both domestic and international, have resumed shooting.
“We’ve succeeded in finding the golden balance between economic activity and sanitary prudence,” Roberto Blatt, director of Uruguay’s Institute of Cinema and Audiovisual explained to Variety. “This is vital because very few countries, if any, have achieved that balance.”
“This makes traveling and applying shooting system protocols we’ve developed over the last few months much easier,” Cimarrón’s Hernán Musaluppi explained, adding...
In practical terms, that allowed Uruguay to be the first country in Latin America to resume shooting following Covid-19 shutdowns on May 11. Since then, productions both domestic and international, have resumed shooting.
“We’ve succeeded in finding the golden balance between economic activity and sanitary prudence,” Roberto Blatt, director of Uruguay’s Institute of Cinema and Audiovisual explained to Variety. “This is vital because very few countries, if any, have achieved that balance.”
“This makes traveling and applying shooting system protocols we’ve developed over the last few months much easier,” Cimarrón’s Hernán Musaluppi explained, adding...
- 9/2/2020
- by Jamie Lang
- Variety Film + TV
Cimarrón, an ambitious pan-Latin American production shingle, is readying new high-profile features by Cannes-prized Agustín Toscano and Sundance best director winner Lucía Garibaldi as it gears up to shoot its first drama series in Mexico and Brazil, backed by two global platforms.
Cimarrón, headquartered in Uruguay’s Montevideo and with offices in Brazil and Argentina and service company operations in Mexico, is working on four international productions to be shot over the next few months.
Apart from Toscano and Garibaldi, the company has projects in development – movies or series – with Israel Adrián Caetano, Anahí Berneri, Marina Meliande, Gustavo Taretto and Manuel Abramovich – some of the most courted of South American directors.
Toscano’s “Perro Feroz,” scheduled to shoot in May 2021 and produced by Argentina’s Rizoma and Cimarrón in co-production with France’s Gloria Films, is set in rural Argentina in 1974 and turns on Sergio, an illiterate rural laborer who...
Cimarrón, headquartered in Uruguay’s Montevideo and with offices in Brazil and Argentina and service company operations in Mexico, is working on four international productions to be shot over the next few months.
Apart from Toscano and Garibaldi, the company has projects in development – movies or series – with Israel Adrián Caetano, Anahí Berneri, Marina Meliande, Gustavo Taretto and Manuel Abramovich – some of the most courted of South American directors.
Toscano’s “Perro Feroz,” scheduled to shoot in May 2021 and produced by Argentina’s Rizoma and Cimarrón in co-production with France’s Gloria Films, is set in rural Argentina in 1974 and turns on Sergio, an illiterate rural laborer who...
- 6/23/2020
- by John Hopewell
- Variety Film + TV
Pablo Stoll’s “Summer Hit,” Matías Lucchessi’s “Las rojas,” Joaquín Peñagaricano and Pablo Abdala’s “Mateína” are some of the Uruguayan projects at different stages participating in a spotlight at Cannes’ Producers Network on the Marché du Film’s digital platform on Tuesday 23.
Five Uruguayan companies, Tarkiofilm, Cimarrón, Montelona, Nadador and Salado, have been selected by the country’s national film body Icau to pitch their production slates at the new format French market.
Recently appointed general director at Icau, Uruguay’s film-tv agency, Roberto Blatt told Variety that Uruguay shows a “maturity in its cinema, backed by a great diversity of formats, genres and styles, and the high creative and technical levels of our professionals.” He went on to say, “That was made evident by the success of titles made free through Vera TV [Uruguayan broadcaster Antel’s digital platform] during the pandemic.”
Blatt pointed out that the Uruguayan public...
Five Uruguayan companies, Tarkiofilm, Cimarrón, Montelona, Nadador and Salado, have been selected by the country’s national film body Icau to pitch their production slates at the new format French market.
Recently appointed general director at Icau, Uruguay’s film-tv agency, Roberto Blatt told Variety that Uruguay shows a “maturity in its cinema, backed by a great diversity of formats, genres and styles, and the high creative and technical levels of our professionals.” He went on to say, “That was made evident by the success of titles made free through Vera TV [Uruguayan broadcaster Antel’s digital platform] during the pandemic.”
Blatt pointed out that the Uruguayan public...
- 6/22/2020
- by Emilio Mayorga
- Variety Film + TV
Madrid — Film Factory Entertainment, a premiere sales agent of Spanish-language films, has acquired sales rights to the U.S., Europe and Asia on Federico Veiroj’s “Asi habló el cambista” (“The Moneychanger”) which has just been announced as one of the 12 titles playing Toronto’s prestigious Platform program.
Buena Vista Intl. will release “The Moneychanger” in Latin America. World premiering at Toronto, “The Moneychanger” will also play the New York and San Sebastian festivals, featuring in the latter’s Horizontes Latinos section.
Veiroj’s fifth feature – after “Acne,” “A Useful Life,” “The Apostate” and “Belmonte” – “The Moneychanger” most certainly marks a step-up in scale and move towards the mainstream while retaining his hallmark sense of humor in a buoyantly withering chronicle.
Written by Veiroj, Arauco Hernandez, a writer on “A Useful Life” and cinematographer on “The Moneychanger,” and Martín Mauregui, co-scribe on Pablo Trapero’s “Lion’s Den,” “Carancho” and “The White Elephant,...
Buena Vista Intl. will release “The Moneychanger” in Latin America. World premiering at Toronto, “The Moneychanger” will also play the New York and San Sebastian festivals, featuring in the latter’s Horizontes Latinos section.
Veiroj’s fifth feature – after “Acne,” “A Useful Life,” “The Apostate” and “Belmonte” – “The Moneychanger” most certainly marks a step-up in scale and move towards the mainstream while retaining his hallmark sense of humor in a buoyantly withering chronicle.
Written by Veiroj, Arauco Hernandez, a writer on “A Useful Life” and cinematographer on “The Moneychanger,” and Martín Mauregui, co-scribe on Pablo Trapero’s “Lion’s Den,” “Carancho” and “The White Elephant,...
- 8/7/2019
- by John Hopewell
- Variety Film + TV
Mexico City — Launched in 2012, now in its seventh year, and under new directors Alejandra Paulín and Maru Garzón, Los Cabos caters to one of the world’s most exciting two-way streets: the Mexico-u.S. film-tv axis. Add Canada, the third country to supply films, projects, talent and delegates to Los Cabos and the mix is even richer. 10 takes on this year’s edition, which bows Wednesday Nov. 7, running through Nov. 11:
1.Mexico
Five years ago, as Eugenio Derbez’s “Instructions Not Included” finally cracked the U.S. Latino market, grossing $44.5 million plus another $46.1 million in Mexico, companies hauled into Los Cabos to look for new Derbezs. Now there’s another reason: TV. Barring the one-off “Lilyhammer,” Netflix first foreign-language series release anywhere in the world was Mexico’s “Club of Crows,” in August 2015. Amazon is making its first four Latin American series out of Mexico. Multiple other companies – Turner, Mediapro,...
1.Mexico
Five years ago, as Eugenio Derbez’s “Instructions Not Included” finally cracked the U.S. Latino market, grossing $44.5 million plus another $46.1 million in Mexico, companies hauled into Los Cabos to look for new Derbezs. Now there’s another reason: TV. Barring the one-off “Lilyhammer,” Netflix first foreign-language series release anywhere in the world was Mexico’s “Club of Crows,” in August 2015. Amazon is making its first four Latin American series out of Mexico. Multiple other companies – Turner, Mediapro,...
- 11/7/2018
- by John Hopewell
- Variety Film + TV
Neil Armfield.s Holding the Man, Simon Stone.s The Daughter, Jeremy Sims. Last Cab to Darwin and Jen Peedom.s feature doc Sherpa will have their world premieres at the Sydney Film Festival.
The festival program unveiled today includes 33 world premieres (including 22 shorts) and 135 Australian premieres (with 18 shorts) among 251 titles from 68 countries.
Among the other premieres will be Daina Reid.s The Secret River, Ruby Entertainment's. ABC-tv miniseries starring Oliver Jackson Cohen and Sarah Snook, and three Oz docs, Marc Eberle.s The Cambodian Space Project — Not Easy Rock .n. Roll, Steve Thomas. Freedom Stories and Lisa Nicol.s Wide Open Sky.
Festival director Nashen Moodley boasted. this year.s event will be far larger than 2014's when 183 films from 47 countries were screened, including 15 world premieres. The expansion is possible in part due to the addition of two new screening venues in Newtown and Liverpool.
As previously announced, Brendan Cowell...
The festival program unveiled today includes 33 world premieres (including 22 shorts) and 135 Australian premieres (with 18 shorts) among 251 titles from 68 countries.
Among the other premieres will be Daina Reid.s The Secret River, Ruby Entertainment's. ABC-tv miniseries starring Oliver Jackson Cohen and Sarah Snook, and three Oz docs, Marc Eberle.s The Cambodian Space Project — Not Easy Rock .n. Roll, Steve Thomas. Freedom Stories and Lisa Nicol.s Wide Open Sky.
Festival director Nashen Moodley boasted. this year.s event will be far larger than 2014's when 183 films from 47 countries were screened, including 15 world premieres. The expansion is possible in part due to the addition of two new screening venues in Newtown and Liverpool.
As previously announced, Brendan Cowell...
- 5/6/2015
- by Don Groves
- IF.com.au
Nancy Buirski [pictured], Valeria Golino and Hernán Musaluppi to decide on the Best First Feature Award; 18 films are in contention.
Berlinale has unveiled the three-person jury for its Best First Feature Award.
Us director and producer Nancy Buirski, Italian actress and director Valeria Golino and Argentinian producer Hernán Musaluppi will decide the award, with the winner announced at the official award ceremony in the Berlinale Palast on Feb 15.
The award comes with a €50,000 prize, donated by the Gwff, and will be split between the producer and director of the winning film, while the director will also be awarded with a high-quality viewfinder.
A total of 18 directorial debuts have been nominated by the heads of the Competition, Panorama, Forum, Generation and Perspektive Deutsches Kino section.
They are:
Competition
´71 - United Kingdom
By Yann Demange
With Jack O’Connell, Sean Harris, Richard Dormer
Historia del miedo (History of Fear) – Argentina / Uruguay / Germany / France
By Benjamin Naishtat
With Jonathan Da Rosa, [link...
Berlinale has unveiled the three-person jury for its Best First Feature Award.
Us director and producer Nancy Buirski, Italian actress and director Valeria Golino and Argentinian producer Hernán Musaluppi will decide the award, with the winner announced at the official award ceremony in the Berlinale Palast on Feb 15.
The award comes with a €50,000 prize, donated by the Gwff, and will be split between the producer and director of the winning film, while the director will also be awarded with a high-quality viewfinder.
A total of 18 directorial debuts have been nominated by the heads of the Competition, Panorama, Forum, Generation and Perspektive Deutsches Kino section.
They are:
Competition
´71 - United Kingdom
By Yann Demange
With Jack O’Connell, Sean Harris, Richard Dormer
Historia del miedo (History of Fear) – Argentina / Uruguay / Germany / France
By Benjamin Naishtat
With Jonathan Da Rosa, [link...
- 1/23/2014
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
The Los Angeles Film Festival has announced the world premiere of Richard Linklater's Bernie as the opening night film for the 2011 festival.
The film will kick off the festival on June 16 at Regal Cinemas Stadium 14 at L.A. Live. It is written by Skip Hollandsworth and director Linklater and stars Jack Black, Shirley MacLaine, and Matthew McConaughey.
The film follows a beloved mortician (Black) from a small Texas town, even winning over the town's richest, meanest widow (MacLaine). Even after Bernie commits a horrible crime, people still will not utter a bad word against him.
"We're thrilled to be opening the Festival with the world premiere of this delicious black comedy - a treat from one of the most original and exciting voices in independent film, Richard Linklater," said Festival director Rebecca Yeldham. "With its fabulous all-star cast, Bernie is a perfect stage setter for the incredible line-up of...
The film will kick off the festival on June 16 at Regal Cinemas Stadium 14 at L.A. Live. It is written by Skip Hollandsworth and director Linklater and stars Jack Black, Shirley MacLaine, and Matthew McConaughey.
The film follows a beloved mortician (Black) from a small Texas town, even winning over the town's richest, meanest widow (MacLaine). Even after Bernie commits a horrible crime, people still will not utter a bad word against him.
"We're thrilled to be opening the Festival with the world premiere of this delicious black comedy - a treat from one of the most original and exciting voices in independent film, Richard Linklater," said Festival director Rebecca Yeldham. "With its fabulous all-star cast, Bernie is a perfect stage setter for the incredible line-up of...
- 5/30/2011
- by alyssa@mediavine.com (Alyssa Caverley)
- Reel Movie News
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