The nominations for the 2020 Grammy Awards are in, with Lizzo (eight nominations), Billie Eilish (six), and Lil Nas X (six) leading the pack.
Bebe Rexha, Alicia Keys, Gayle King, Recording Academy President and CEO Deborah Dugan, and Chair of the Board of Trustees Harvey Mason Jr. all pitched in to read off the names Wednesday morning via a live stream and on “CBS This Morning.”
Keys will return to host next year’s Grammys, her second turn as emcee of “Music’s Biggest Night.”
The nominees are below.
Also Read: Alicia Keys to Return as Grammys Host
Record Of The Year:
“Hey, Ma” — Bon Iver
“Bad Guy” — Billie Eilish
“7 Rings” — Ariana Grande
“Hard Place” — H.E.R.
“Talk” — Khalid
“Old Town Road” — Lil Nas X Featuring Billy Ray Cyrus
“Truth Hurts” — Lizzo
“Sunflower” — Post Malone & Swae Lee
Album Of The Year:
i,i — Bon Iver
Norman F***ing Rockwell! — Lana Del Rey
When We All Fall Asleep,...
Bebe Rexha, Alicia Keys, Gayle King, Recording Academy President and CEO Deborah Dugan, and Chair of the Board of Trustees Harvey Mason Jr. all pitched in to read off the names Wednesday morning via a live stream and on “CBS This Morning.”
Keys will return to host next year’s Grammys, her second turn as emcee of “Music’s Biggest Night.”
The nominees are below.
Also Read: Alicia Keys to Return as Grammys Host
Record Of The Year:
“Hey, Ma” — Bon Iver
“Bad Guy” — Billie Eilish
“7 Rings” — Ariana Grande
“Hard Place” — H.E.R.
“Talk” — Khalid
“Old Town Road” — Lil Nas X Featuring Billy Ray Cyrus
“Truth Hurts” — Lizzo
“Sunflower” — Post Malone & Swae Lee
Album Of The Year:
i,i — Bon Iver
Norman F***ing Rockwell! — Lana Del Rey
When We All Fall Asleep,...
- 11/20/2019
- by Tony Maglio
- The Wrap
Nick Aldwinckle Oct 30, 2017
This month's round up of genre DVDs and Blu-rays features Ray Harryhausen, Willard, rats on the rampage and more...
The underappreciated ‘nature gone wild’ porn horror movie subgenre has a somewhat patchy history, with a viewer’s search more likely to end up in some SyFy channel Megapterranoshark Versus Crocosaur cul-de-sac than something of the calibre of a Jaws or Arachnophobia. Sharks, spiders and gators are all well served, though (alongside the glaring lack of a movie adaptation of Guy N. Smith’s glorious Night Of The Crabs books) rodents have had something of a raw deal.
See related 26 new TV shows to watch in 2017
Fear not, though, faithful readers: we’re not going to drift off into Stuart Little territory just yet (that’ll be next month’s Stuart Little IV: The Rattening), as this month brings with it not one but two seventies rat-themed monster movie classics (well,...
This month's round up of genre DVDs and Blu-rays features Ray Harryhausen, Willard, rats on the rampage and more...
The underappreciated ‘nature gone wild’ porn horror movie subgenre has a somewhat patchy history, with a viewer’s search more likely to end up in some SyFy channel Megapterranoshark Versus Crocosaur cul-de-sac than something of the calibre of a Jaws or Arachnophobia. Sharks, spiders and gators are all well served, though (alongside the glaring lack of a movie adaptation of Guy N. Smith’s glorious Night Of The Crabs books) rodents have had something of a raw deal.
See related 26 new TV shows to watch in 2017
Fear not, though, faithful readers: we’re not going to drift off into Stuart Little territory just yet (that’ll be next month’s Stuart Little IV: The Rattening), as this month brings with it not one but two seventies rat-themed monster movie classics (well,...
- 10/24/2017
- Den of Geek
Streaming might represent the future of film, but that future doesn’t have to come at the expense of its past. Netflix, however, doesn’t seem to care. A platform so monolithic that it’s become synonymous with streaming itself, Netflix may offer a seemingly bottomless library of content, but their “classic movies” section contains a whopping 42 titles, and one of them is “The Parent Trap.” No disrespect to “The Parent Trap” — a movie so good that it was rendered obsolete by a remake starring Lindsay Lohan — but it’s not exactly “Citizen Kane.” Hell, it’s not even “Citizen Ruth.” It feels like these films were left here by accident, like someone came by to clear out space for a new season of “Fuller House” and this random selection of stuff is just what fell through the cracks.
Physical media and repertory screenings are still the best options for cinephiles,...
Physical media and repertory screenings are still the best options for cinephiles,...
- 10/11/2017
- by David Ehrlich
- Indiewire
Brooklyn's own Nitehawk Cinema has announced their programming guide for October and it includes Mario Bava's Kill Baby, Kill, Black Sabbath, and so much more. Also: check out a clip from Red Christmas before its home media release on October 17th, and we also have details on the Blu-ray release of Web of the Spider.
Nitehawk Cinema's October Programming Revealed: To learn about the October programming at Brooklyn's Nitehawk Cinema, read the details below or visit them online.
“New Horror
We are in the midst of a horror film resurgence. A significant group of contemporary horror films made in the past couple of years is reminiscent of the socio-political classics of the 1960s and 1970s in that they are boldly confronting the terrifying undercurrent of life today. Like their predecessors, these films tackle class, gender identity, and race in a way that shows us both where we are and how far we,...
Nitehawk Cinema's October Programming Revealed: To learn about the October programming at Brooklyn's Nitehawk Cinema, read the details below or visit them online.
“New Horror
We are in the midst of a horror film resurgence. A significant group of contemporary horror films made in the past couple of years is reminiscent of the socio-political classics of the 1960s and 1970s in that they are boldly confronting the terrifying undercurrent of life today. Like their predecessors, these films tackle class, gender identity, and race in a way that shows us both where we are and how far we,...
- 9/26/2017
- by Tamika Jones
- DailyDead
Dislocation is something that everyone has experienced in their life, or at least can relate to; be it from friends, family, or co-workers. Sometimes we feel alone, or conversely wish that we were left that way. No horror film captures a sustained sense of isolation and dread better than Carnival of Souls (1962), Herk Harvey’s only narrative film and a low budget miracle.
Released by Herts-Lion International Corporation stateside in September as part of a double feature with The Devil’s Messenger (1961), Carnival of Souls was lucky to have any distribution at all on a budget of $30,000 (!) and it came and went with nary a notice. Until 1989, that is; a critical reappraisal was in order and the film was rereleased for a new generation to discover it through home video, where it rightly holds a place as one of the finest and influential horror films of the ‘60s. Not a...
Released by Herts-Lion International Corporation stateside in September as part of a double feature with The Devil’s Messenger (1961), Carnival of Souls was lucky to have any distribution at all on a budget of $30,000 (!) and it came and went with nary a notice. Until 1989, that is; a critical reappraisal was in order and the film was rereleased for a new generation to discover it through home video, where it rightly holds a place as one of the finest and influential horror films of the ‘60s. Not a...
- 5/6/2017
- by Scott Drebit
- DailyDead
By Raymond Benson
“We’Re Not In Kansas Anymore”
By Raymond Benson
The Criterion Collection released Herk Harvey’s 1962 cult film classic, Carnival of Souls, sixteen years ago as a two-disk DVD set, but that edition has long been out of print. Now, a new Blu-ray restoration is available from the company, and it is worth upgrading even if you happen to own the original. Note that Carnival of Souls is a public domain film, so it is available on DVD from many inferior manufacturers in bad-to-okay quality versions, but the Criterion’s releases are the ones to grab.
Carnival is indeed an oddity. Harvey worked at Centron Corporation, a maker of educational and industrial short films based in Lawrence, Kansas. It was much like Calvin Films in Kansas City, where Robert Altman cut his teeth making shorts in the 1950s. Needless to say, Lawrence, Kansas is not Hollywood, and...
“We’Re Not In Kansas Anymore”
By Raymond Benson
The Criterion Collection released Herk Harvey’s 1962 cult film classic, Carnival of Souls, sixteen years ago as a two-disk DVD set, but that edition has long been out of print. Now, a new Blu-ray restoration is available from the company, and it is worth upgrading even if you happen to own the original. Note that Carnival of Souls is a public domain film, so it is available on DVD from many inferior manufacturers in bad-to-okay quality versions, but the Criterion’s releases are the ones to grab.
Carnival is indeed an oddity. Harvey worked at Centron Corporation, a maker of educational and industrial short films based in Lawrence, Kansas. It was much like Calvin Films in Kansas City, where Robert Altman cut his teeth making shorts in the 1950s. Needless to say, Lawrence, Kansas is not Hollywood, and...
- 7/14/2016
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Cinema Art from Lawrence, Kansas? Industrial filmmaker Herk Harvey comes through with a classic horror gem for the ages. A haunted church organist begins to suspect that her hallucinations are more than just nerves. And who is that ghoulish man who keeps appearing in reflections, or popping up out of nowhere? Carnival of Souls Blu-ray The Criterion Collection 63 1962 / B&W / 1:37 flat Academy / 78 min. / available through The Criterion Collection / Street Date July 12, 2016 / 39.95 Starring Candace Hilligoss, Frances Feist, Sidney Berger, Art Ellison, Stan Levitt, Herk Harvey. Cinematography Maurice Prather Film Editor Dan Palmquist, Bill de Jarnette Original Music Gene Moore Assistant Director Raza (Reza) Badiyi Written by John Clifford Produced and Directed by Herk Harvey
Reviewed by Glenn Erickson
Herk Harvey's marvelous Carnival of Souls is an anomaly in screen horror, a regional effort that transcends its production limitations to deliver a tingling encounter with the uncanny. Harvey was a prolific producer of industrial films,...
Reviewed by Glenn Erickson
Herk Harvey's marvelous Carnival of Souls is an anomaly in screen horror, a regional effort that transcends its production limitations to deliver a tingling encounter with the uncanny. Harvey was a prolific producer of industrial films,...
- 7/8/2016
- by Glenn Erickson
- Trailers from Hell
A film that’s as influential as it is frightening, Herk Harvey’s Carnival of Souls (1962) is coming to Blu-ray and DVD on July 12th from Criterion. Poor Mary Henry and the ghouls who haunt her will appear more clearly than ever before, as the Blu-ray features a new 4K restoration as well as a lengthy list of extras that should please fans of the horror classic:
From Criterion: “A young woman in a small Kansas town survives a drag race accident, then agrees to take a job as a church organist in Salt Lake City. En route, she becomes haunted by a bizarre apparition that compels her toward an abandoned lakeside pavilion. Made by industrial filmmakers on a modest budget, the eerily effective B-movie classic Carnival of Souls was intended to have “the look of a Bergman and the feel of a Cocteau”—and, with its strikingly used locations and spooky organ score,...
From Criterion: “A young woman in a small Kansas town survives a drag race accident, then agrees to take a job as a church organist in Salt Lake City. En route, she becomes haunted by a bizarre apparition that compels her toward an abandoned lakeside pavilion. Made by industrial filmmakers on a modest budget, the eerily effective B-movie classic Carnival of Souls was intended to have “the look of a Bergman and the feel of a Cocteau”—and, with its strikingly used locations and spooky organ score,...
- 4/28/2016
- by Derek Anderson
- DailyDead
Special Mention: The Last Wave
Directed by Peter Weir
Written by Tony Morphett and Peter Weir
Australia, 1977
Genre: Psychological Thriller
The tagline reads, “The Occult Forces. The Ritual Murder. The Sinister Storms. The Prophetic Dreams. The Last Wave.”
Peter Weir follows up on his critically acclaimed masterpiece Picnic at Hanging Rock with this visually striking and totally engrossing surrealist psychological thriller. Much like Picnic, The Last Wave is built around a mystery that may have a supernatural explanation. And like many Peter Weir movies, The Last Wave explores the conflict between two radically different cultures- in this case, that of Aboriginal Australians and the white Europeans.
It is about a white lawyer, David Burton (Richard Chamberlain), whose seemingly normal life is rattled after he takes on a pro bono legal aid case to defend a group of Aborigines from a murder charge in Sydney. The mystery within the mystery surrounding...
Directed by Peter Weir
Written by Tony Morphett and Peter Weir
Australia, 1977
Genre: Psychological Thriller
The tagline reads, “The Occult Forces. The Ritual Murder. The Sinister Storms. The Prophetic Dreams. The Last Wave.”
Peter Weir follows up on his critically acclaimed masterpiece Picnic at Hanging Rock with this visually striking and totally engrossing surrealist psychological thriller. Much like Picnic, The Last Wave is built around a mystery that may have a supernatural explanation. And like many Peter Weir movies, The Last Wave explores the conflict between two radically different cultures- in this case, that of Aboriginal Australians and the white Europeans.
It is about a white lawyer, David Burton (Richard Chamberlain), whose seemingly normal life is rattled after he takes on a pro bono legal aid case to defend a group of Aborigines from a murder charge in Sydney. The mystery within the mystery surrounding...
- 10/27/2015
- by Ricky Fernandes
- SoundOnSight
Every year, we here at Sound On Sight celebrate the month of October with 31 Days of Horror; and every year, I update the list of my favourite horror films ever made. Last year, I released a list that included 150 picks. This year, I’ll be upgrading the list, making minor alterations, changing the rankings, adding new entries, and possibly removing a few titles. I’ve also decided to publish each post backwards this time for one reason: the new additions appear lower on my list, whereas my top 50 haven’t changed much, except for maybe in ranking. I am including documentaries, short films and mini series, only as special mentions – along with a few features that can qualify as horror, but barely do.
****
Special Mention:
Häxan
Directed by Benjamin Christensen
Denmark / Sweden, 1922
Häxan (a.k.a The Witches or Witchcraft Through The Ages) is a 1922 silent documentary about the history of witchcraft,...
****
Special Mention:
Häxan
Directed by Benjamin Christensen
Denmark / Sweden, 1922
Häxan (a.k.a The Witches or Witchcraft Through The Ages) is a 1922 silent documentary about the history of witchcraft,...
- 10/30/2013
- by Ricky
- SoundOnSight
A face appears in the night. Amid the darkness emerge two sunken-in eyes surrounded by pale white skin. It’s hard to tell whether the ghastly expression is that of someone living or dead. This face initially appears to Mary while driving to her new job in Salt Lake City as she passes the Saltair Pavilion. It’s a simple and yet creepy face that repeatedly haunts the main heroine of Carnival of Souls throughout the duration of the movie and will no doubt leave a lasting impression on the viewer as well.
Carnival of Souls, a mostly forgotten film from 1962, stands as the only feature film directed by Herk Harvey. The film’s original intention was to have the “the look of Bergman” and the “feel of Cocteau” that would eventually appeal to arthouse filmgoers. After a long and frustrating battle between Harvey and the distributors, Carnival was eventually...
Carnival of Souls, a mostly forgotten film from 1962, stands as the only feature film directed by Herk Harvey. The film’s original intention was to have the “the look of Bergman” and the “feel of Cocteau” that would eventually appeal to arthouse filmgoers. After a long and frustrating battle between Harvey and the distributors, Carnival was eventually...
- 12/3/2012
- by Michael Haffner
- Destroy the Brain
Throughout the month of October, Editor-in-Chief and resident Horror expert Ricky D, will be posting a list of his favorite Horror films of all time. The list will be posted in six parts. Click here to see every entry.
As with all lists, this is personal and nobody will agree with every choice – and if you do, that would be incredibly disturbing. It was almost impossible for me to rank them in order, but I tried and eventually gave up.
****
Special Mention: Gremlins
Directed by Joe Dante
Written by Chris Columbus
1984, USA
Gremlins gets a special mention because I’ve always considered it more of a comedy and a wholesome Christmas flick than an actual horror film. This tribute the 1950s matinee genre stands the test of time from a time when parents would take their children to family films that pushed the boundaries of the MPAA. Joe Dante is...
As with all lists, this is personal and nobody will agree with every choice – and if you do, that would be incredibly disturbing. It was almost impossible for me to rank them in order, but I tried and eventually gave up.
****
Special Mention: Gremlins
Directed by Joe Dante
Written by Chris Columbus
1984, USA
Gremlins gets a special mention because I’ve always considered it more of a comedy and a wholesome Christmas flick than an actual horror film. This tribute the 1950s matinee genre stands the test of time from a time when parents would take their children to family films that pushed the boundaries of the MPAA. Joe Dante is...
- 10/15/2012
- by Ricky
- SoundOnSight
Choosing my favourite horror films of all time is like choosing between my children – not that I have children, but if I did, I am sure I would categorize them quite like my DVD collection. As with all lists, this is personal and nobody will agree with every choice – and if you do, that would be incredibly disturbing. Also, it was almost impossible for me to rank them in order, but I tried. I based my list taking into consideration three points:
1- Technical accomplishments / artistry and their influence on the genre.
2- How many times I’ve revisited the films and how easily it makes for a repeated viewings.
3- Its story, atmosphere and how much it affected me when I first watched them.
Finally, there are many great films such as The Witchfinder General, The Wickerman and even Hour Of The Wolf that won’t appear here. I...
1- Technical accomplishments / artistry and their influence on the genre.
2- How many times I’ve revisited the films and how easily it makes for a repeated viewings.
3- Its story, atmosphere and how much it affected me when I first watched them.
Finally, there are many great films such as The Witchfinder General, The Wickerman and even Hour Of The Wolf that won’t appear here. I...
- 10/29/2011
- by Ricky
- SoundOnSight
Herk Harvey's $30,000 dollar horror film Carnival of Souls (1962) is a cult-film, a low-budget, black and white shocker that spent years on cable access and in the public domain but still elicits both scares and confused looks. Whenever I mention the film at a cocktail party, I tend to get one of two responses. "Hell yes! I grew up in Lawrence, Kansas (where the flick was lensed). We watched that one all the time!" Or "Never heard of it, sorry!" The film isn't a particularly well-constructed or well-acted yarn. Harvey and John Clifford, who began their careers making industrial films for Centron Films, didn't have the time or resources to iron out the kinks. Yet, Carnival of Souls is a in a different league than Plan 9 from Outer Space (1958). Harvey's film, unlike Ed Wood's, is actually quite chilling and he is able to squeeze aesthetic blood from his low-budget turnip.
- 10/15/2010
- by Drew Morton
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.