Rarely one finds a friend on the Criterion Channel—discounting the parasitic relationship we form with filmmakers, I mean—but it’s great seeing their March lineup give light to Sophy Romvari, the <bias>exceptionally talented</bias> filmmaker and curator whose work has perhaps earned comparisons to Agnès Varda and Chantal Akerman but charts its own path of history and reflection. It’s a good way to lead into an exceptionally strong month, featuring as it does numerous films by Pier Paolo Pasolini, the great Japanese documentarian Kazuo Hara, newfound cult classic Arrebato, and a number of Criterion editions.
On the last front we have The Age of Innocence, Bull Durham, A Raisin in the Sun, The Celebration, Merrily We Go to Hell, and Design for Living. There’s always something lingering on the watchlist, but it might have to wait a second longer—March is an opened floodgate.
See the full...
On the last front we have The Age of Innocence, Bull Durham, A Raisin in the Sun, The Celebration, Merrily We Go to Hell, and Design for Living. There’s always something lingering on the watchlist, but it might have to wait a second longer—March is an opened floodgate.
See the full...
- 2/21/2022
- by Nick Newman
- The Film Stage
Wes Anderson selected Suzie Templeton’s Oscar-winning Peter & The Wolf to screen in the Animation First Festival in New York
Suzie Templeton’s 2008 Oscar-winning Animated Short Peter & The Wolf is a timeless masterpiece. Selected by Wes Anderson, the first American Special Guest at the French Institute Alliance Française fourth annual Animation First Festival in New York it screens along with three other animated films that inspired him: David Hand’s Bambi, and two shorts, Martin Rosen’s The Plague Dogs (1982) and Garry Trudeau’s A Doonesbury Special (1977), co-directed by Faith Hubley and John Hubley. Templeton’s short Dog won Best New British Animation at the Edinburgh...
Suzie Templeton’s 2008 Oscar-winning Animated Short Peter & The Wolf is a timeless masterpiece. Selected by Wes Anderson, the first American Special Guest at the French Institute Alliance Française fourth annual Animation First Festival in New York it screens along with three other animated films that inspired him: David Hand’s Bambi, and two shorts, Martin Rosen’s The Plague Dogs (1982) and Garry Trudeau’s A Doonesbury Special (1977), co-directed by Faith Hubley and John Hubley. Templeton’s short Dog won Best New British Animation at the Edinburgh...
- 2/12/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Doug Crane, whose animation skills graced cartoons ranging from Hanna-Barbera family fare to MTV’s Beavis & Butt-head, died on Dec. 17 from cancer. The death was confirmed by his daughter, Rose-Ellen, in a Facebook post.
Crane was an animator for Terrytoons, Hanna-Barbera, MTV, Filmation, Oriolo Films, Zander Animation Parlour, as well as a former Professor of Animation at Sva.
Born in Bronxville, New York, he attended Eastchester High School and graduated from the Cartoonist and Illustrators School (now called The School of Visual Arts in New York City).
Crane began working for Terrytoons in 1956. His first day at Terrytoons would change his life. Not only did he begin a career that would span 65 years, but he met his wife, Maureen Hurley whom he would marry and go on to start their family of 8 children.
Crane took a break from the New York animation industry briefly when he went into the Army...
Crane was an animator for Terrytoons, Hanna-Barbera, MTV, Filmation, Oriolo Films, Zander Animation Parlour, as well as a former Professor of Animation at Sva.
Born in Bronxville, New York, he attended Eastchester High School and graduated from the Cartoonist and Illustrators School (now called The School of Visual Arts in New York City).
Crane began working for Terrytoons in 1956. His first day at Terrytoons would change his life. Not only did he begin a career that would span 65 years, but he met his wife, Maureen Hurley whom he would marry and go on to start their family of 8 children.
Crane took a break from the New York animation industry briefly when he went into the Army...
- 12/20/2020
- by Bruce Haring
- Deadline Film + TV
The Criterion Channel’s stellar offerings are continuing next month with a selection of new releases, retrospective, series, and more. Leading the pack is, of course, a horror lineup perfectly timed for Halloween, featuring ’70s classics and underseen gems, including Abel Ferrara’s The Driller Killer (pictured above), Tobe Hopper’s The Texas Chain Saw Massacre, early films by David Cronenberg, Wes Craven, and Brian De Palma, Bill Gunn’s Ganja & Hess, and more.
Also of note is a New Korean Cinema retrospective, featuring a new introduction by critic Grady Hendrix and a conversation between directors Bong Joon Ho and Park Chan-wook, whose Barking Dogs Never Bite, The Host, Mother, Sympathy for Mr. Vengeance, and Lady Vengeance are part of the lineup, as well as Lee Myung-se’s Nowhere to Hide, and more titles to be announced. Bong’s short Influenza will also arrive, paired with Michael Haneke’s Caché.
Also of note is a New Korean Cinema retrospective, featuring a new introduction by critic Grady Hendrix and a conversation between directors Bong Joon Ho and Park Chan-wook, whose Barking Dogs Never Bite, The Host, Mother, Sympathy for Mr. Vengeance, and Lady Vengeance are part of the lineup, as well as Lee Myung-se’s Nowhere to Hide, and more titles to be announced. Bong’s short Influenza will also arrive, paired with Michael Haneke’s Caché.
- 9/29/2020
- by Jordan Raup
- The Film Stage
A friend of mine was complaining about how there aren’t any more Saturday morning cartoons on teevee. I wasn’t the only one who thought, “damn, bro, through the miracle of cable teevee we’ve got cartoons everywhere, all the time.”
Then I started to think about it from a historical perspective. Saturday morning cartoons started when local teevee programmers started turning their lights on early sometime around 1950, recognizing that small children were attracted to the boob tube like babes to teat. Somebody in the advertising community realized that kids have enormous influence over their parents’ breakfast cereal purchasing decisions. Not coincidentally, Kellogg’s came out with Frosted Flakes and Sugar Pops in 1951 and Sugar Smacks in 1953. Also not coincidentally, the incubation period for diabetes is about 30 years, which is why this particular plague has been devastating the Baby Boomers for over 15 years now.
In the world of commercial broadcasting,...
Then I started to think about it from a historical perspective. Saturday morning cartoons started when local teevee programmers started turning their lights on early sometime around 1950, recognizing that small children were attracted to the boob tube like babes to teat. Somebody in the advertising community realized that kids have enormous influence over their parents’ breakfast cereal purchasing decisions. Not coincidentally, Kellogg’s came out with Frosted Flakes and Sugar Pops in 1951 and Sugar Smacks in 1953. Also not coincidentally, the incubation period for diabetes is about 30 years, which is why this particular plague has been devastating the Baby Boomers for over 15 years now.
In the world of commercial broadcasting,...
- 10/8/2014
- by Mike Gold
- Comicmix.com
This year marks 100 years since animator John Hubley's birth. To celebrate the work of this man and his wife/collaborator Faith Hubley, Austin Film Society will be hosting an afternoon of shorts by the team as part of the Hubley Centennial.
Their daughter Emily Hubley, an animator and creative force in her own right, will introduce the screening and then participate in an Afs Moviemaker Dialogue afterwards (a separate ticket).
You may not think you've seen any of the Hubleys' work before, but given that they worked on TV ads and public television programs such as Sesame Street and The Electric Company -- along with their singular short films -- you most likely have. The shorts included in the Centennial programming are new 35mm prints from the Hubleys' oeuvre between 1956-1970. Their Oscar-winning Moonbird will be screened, as well as Windy Day (still above, includes voices of daughters Emily...
Their daughter Emily Hubley, an animator and creative force in her own right, will introduce the screening and then participate in an Afs Moviemaker Dialogue afterwards (a separate ticket).
You may not think you've seen any of the Hubleys' work before, but given that they worked on TV ads and public television programs such as Sesame Street and The Electric Company -- along with their singular short films -- you most likely have. The shorts included in the Centennial programming are new 35mm prints from the Hubleys' oeuvre between 1956-1970. Their Oscar-winning Moonbird will be screened, as well as Windy Day (still above, includes voices of daughters Emily...
- 5/5/2014
- by Elizabeth Stoddard
- Slackerwood
In the 1950s, when Senator Joseph McCarthy was nodding his head in demagogic agreement with himself, animation pioneer and Hollywood blacklist member John Hubley was tapping his toes to the rhythm of jazz. His experimental animation seemed uncontainable— wildly singular visions that owed more to Hans Hoffman than Max Fleischer. Hubley (whose films are currently touring the country to celebrate his 100th birthday) gave audiences intimate glimpses into the lives of those who were often ignored by major animation studios, and tackled topics such as nuclear war, agnosticism, and social justice. While children hunkered down in front of big, boxy televisions to watch Silly Symphonies, John Hubley was recording his children's voices and using them to create socially-conscious animated films. Hubley started his career painting backgrounds and layouts for Walt Disney Studios in 1935, when he was 22-years-old. He worked on the first classic Disney film "Snow White and the Seven Dwarfs,...
- 4/7/2014
- by Greg Cwik
- Indiewire
Cinema St. Louis introduces Sliff/Kids, the First Annual St. Louis International Children’s Film Festival, presented by Pnc Arts Alive. With a half-dozen presenting partners, Csl will offer film programs, camps, and a workshop as part of Sliff/Kids, which is held from July 26-Aug. 4, 2013. A total of 14 film programs will be screened on the fest’s two weekends (July 26-28 and Aug. 2-4) at Webster University, the St. Louis Public Library, the Missouri History Museum, Washington University, Lindenwood University, and the Wildey Theatre. With the participation of both Lindenwood and Webster universities, filmmaking camps on live action and animation will be held at the St. Louis Public Library’s Creative Experience on the fest’s weekdays (July 29-Aug. 2). And on Aug. 3, a full-day animation workshop will be held at the Saint Louis Art Museum. The Sliff/Kids film programs and camps will be offered free of charge; a...
- 7/23/2013
- by Tom Stockman
- WeAreMovieGeeks.com
In celebration of its recent film preservation efforts, the Academy of Motion Picture Arts and Sciences will launch the first-ever .Film-to-Film. Festival, which will run September 27 through September 29, in the Academy.s Samuel Goldwyn Theater in Beverly Hills and the Linwood Dunn Theater in Hollywood. A year ago the Academy Film Archive launched an ambitious effort called .Project Film-to-Film,. aimed at preserving as many films on film as possible over a two-year period. The initiative.s main goal is to take advantage of the current, but threatened, availability of film stock to create new prints of a diverse range of motion pictures, encompassing the whole history of the art form.
More than 390 new prints have already been created from the best available film elements, covering significant narrative features and documentaries, as well as experimental, animated and short film titles. The wide variety of titles range from .Navajo,. the only film...
More than 390 new prints have already been created from the best available film elements, covering significant narrative features and documentaries, as well as experimental, animated and short film titles. The wide variety of titles range from .Navajo,. the only film...
- 9/19/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Courtesy of The Hubley Studio, I
The husband-and-wife team of John and Faith Hubley, who brought a humanistic perspective and a distinctly modern style to postwar American animation, will be honored by the Academy of Motion Picture Arts and Sciences on Friday, September 14, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills. Oscar®-winning animator and renowned animation historian John Canemaker will host this in-depth look at these two iconoclastic artists.
The films the Hubleys made, together and independently, earned seven Academy Award® nominations and two Oscars®. The Hubleys took home Oscars for “The Hole” (Cartoon Short Subject, 1962) and “Herb Alpert and the Tijuana Brass Double Feature” (Cartoon Short Subject, 1966) and were nominated for “Windy Day” (Cartoon Short Subject, 1968), “Of Men and Demons” (Cartoon Short Subject, 1969), “Voyage to Next” (Animated Short Film, 1974) and “The Doonesbury Special” (Animated Short Film, 1977, with Garry Trudeau). John Hubley also earned an...
The husband-and-wife team of John and Faith Hubley, who brought a humanistic perspective and a distinctly modern style to postwar American animation, will be honored by the Academy of Motion Picture Arts and Sciences on Friday, September 14, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills. Oscar®-winning animator and renowned animation historian John Canemaker will host this in-depth look at these two iconoclastic artists.
The films the Hubleys made, together and independently, earned seven Academy Award® nominations and two Oscars®. The Hubleys took home Oscars for “The Hole” (Cartoon Short Subject, 1962) and “Herb Alpert and the Tijuana Brass Double Feature” (Cartoon Short Subject, 1966) and were nominated for “Windy Day” (Cartoon Short Subject, 1968), “Of Men and Demons” (Cartoon Short Subject, 1969), “Voyage to Next” (Animated Short Film, 1974) and “The Doonesbury Special” (Animated Short Film, 1977, with Garry Trudeau). John Hubley also earned an...
- 8/2/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Faith Hubley, Olivia de Havilland, John Hubley, Michael Goldman, Oscar 1967 "An Academy Salute to John Hubley" to be held as part of the Academy of Motion Picture Arts and Sciences’ Monday Nights with Oscar screening series in New York City. Hubley is considered one of animation’s most innovative and influential designer-directors. (Right: Hubley's Oscar-winning animated short The Hole [1962].) The Hubley celebration will take place on Monday, October 10, at 7 p.m. at the Academy Theater at Lighthouse International. Pictured above are Hubley's wife, Faith Hubley, two-time Best Actress Academy Award winner Olivia de Havilland (To Each His Own, The Heiress), John Hubley, and Michael Goldman while backstage at the 1967 Academy Awards ceremony. The Hubleys shared the Oscar that year for their animated short A Herb Alpert & the Tijuana Brass Double Feature. Photo: Courtesy of ©AMPAS...
- 10/6/2011
- by Anna Robinson
- Alt Film Guide
Faith Hubley, Olivia de Havilland, John Hubley, Oscar 1966 The Academy of Motion Picture Arts and Sciences’ Monday Nights with Oscar screening series will celebrate the life and career of animator John Hubley, considered one of the most innovative and influential designer-directors in the animation field. The Hubley evening will feature rarely seen films, and a conversation with Hubley's daughter and others. The event will be held on Monday, October 10, at 7 p.m. at the Academy Theater at Lighthouse International in New York City. Pictured above are John Hubley's wife and some-time collaborator Faith Hubley, two-time Best Actress Oscar winner Olivia de Havilland, and Hubley while backstage at the 1967 Academy Awards ceremony. That year, the Hubleys won an Oscar in the Best Short Subject, Cartoons category for A Herb Alpert & the Tijuana Brass Double Feature. Photo: Courtesy of ©AMPAS...
- 10/6/2011
- by Anna Robinson
- Alt Film Guide
Carl Reiner, John Hubley, Hope Lange, Oscar 1959 John Hubley, considered one of animation’s most innovative and influential designer-directors, will have his life and art celebrated by the Academy of Motion Picture Arts and Sciences’ Monday Nights with Oscar screening series. A special evening featuring rarely seen John Hubley movies will be held on Monday, October 10, at 7 p.m. at the Academy Theater at Lighthouse International in New York City. The event will be hosted by Academy Award-winning animator John Canemaker (The Moon and the Son: An Imagined Conversation). He'll be joined onstage by one of Hubley's daughters, filmmaker Emily Hubley, and animator Michael Sporn. From the Academy's press release: Hubley (1914 – 1977) is known primarily for two decades of film collaborations with his wife, Faith Elliott Hubley. The couple, who opened their studio in 1955, focused a number of their animated films on such subjects as the creative process, the Cold War and overpopulation.
- 10/6/2011
- Alt Film Guide
Pictured: The Hole, 1962. Courtesy of AMPAS
Beverly Hills, CA . The Academy of Motion Picture Arts and Sciences. Monday Nights with Oscar®screening series will celebrate the life and art of John Hubley, one of animation.s most innovative and influential designer-directors, with a special evening featuring rarely seen films, on Monday, October 10, at 7 p.m. at the Academy Theater at Lighthouse International in New York City. The event will be hosted by Academy Award®-winning animator John Canemaker (“The Moon and the Son: An Imagined Conversation”), who will be joined onstage by one of Hubley’s daughters, filmmaker Emily Hubley, and animator Michael Sporn.
Hubley (1914 . 1977) is known primarily for two decades of film collaborations with his wife, Faith Elliott Hubley. The couple, who opened their studio in 1955, focused a number of their animated films on such subjects as the creative process, the Cold War and overpopulation. The resulting innovative work garnered many awards,...
Beverly Hills, CA . The Academy of Motion Picture Arts and Sciences. Monday Nights with Oscar®screening series will celebrate the life and art of John Hubley, one of animation.s most innovative and influential designer-directors, with a special evening featuring rarely seen films, on Monday, October 10, at 7 p.m. at the Academy Theater at Lighthouse International in New York City. The event will be hosted by Academy Award®-winning animator John Canemaker (“The Moon and the Son: An Imagined Conversation”), who will be joined onstage by one of Hubley’s daughters, filmmaker Emily Hubley, and animator Michael Sporn.
Hubley (1914 . 1977) is known primarily for two decades of film collaborations with his wife, Faith Elliott Hubley. The couple, who opened their studio in 1955, focused a number of their animated films on such subjects as the creative process, the Cold War and overpopulation. The resulting innovative work garnered many awards,...
- 10/5/2011
- by Michelle McCue
- WeAreMovieGeeks.com
As far back in my life as I can remember, I was reading comics. Of course my tastes have evolved over the course of my life, but sometimes I wonder, what would I think today of the comics I loved when I was in early grade school or even kindergarten?
The new collection, The Toon Treasury of Classic Children’s Comics, selected and edited by Art Spiegelman and Francoise Mouly, and published by Harry N. Abrams’ ComicArts imprint, provides me with an opportunity to find out. It is a superb anthology of stories aimed at small children from comic books published in the period from the 1940s into the mid-1960s, including comics that Baby Boomers like myself grew up with. I intend to devote a number of “Comics in Context” columns to the work of various comics creators that appear in this book.
The first stories I turned to...
The new collection, The Toon Treasury of Classic Children’s Comics, selected and edited by Art Spiegelman and Francoise Mouly, and published by Harry N. Abrams’ ComicArts imprint, provides me with an opportunity to find out. It is a superb anthology of stories aimed at small children from comic books published in the period from the 1940s into the mid-1960s, including comics that Baby Boomers like myself grew up with. I intend to devote a number of “Comics in Context” columns to the work of various comics creators that appear in this book.
The first stories I turned to...
- 1/19/2010
- by Peter Sanderson
The Oscar-nominated screenwriter who co-created the cartoon character Mr. Magoo has passed away.
Millard Kaufman was 92 when he died of heart failure on Saturday in Los Angeles.
Kaufman first conceived the short-sighted, clumsy Mr. Magoo with animator John Hubley for their 1949 theatrical short Ragtime Bear.
That film was a box office success, and the co-creators subsequently handed over the series to director Pete Burness, who won two Oscars with the 1955 film When Magoo Flew and 1956's Magoo's Puddle Jumper.
Kaufman later went on to write the World War II boot camp drama Take The High Ground, which earned him a Best Original Screenplay Academy Award nomination in 1954; his second Oscar nod came for his Western film Bad Day At Black Rock two years later.
He also tried his hand at penning novels, publishing his first effort Bowl Of Cherries in 2007. His second novel Misadventure will be released posthumously this autumn.
Kaufman is survived by Lorraine, his wife of 66 years, two daughters, a son and seven grandchildren.
Millard Kaufman was 92 when he died of heart failure on Saturday in Los Angeles.
Kaufman first conceived the short-sighted, clumsy Mr. Magoo with animator John Hubley for their 1949 theatrical short Ragtime Bear.
That film was a box office success, and the co-creators subsequently handed over the series to director Pete Burness, who won two Oscars with the 1955 film When Magoo Flew and 1956's Magoo's Puddle Jumper.
Kaufman later went on to write the World War II boot camp drama Take The High Ground, which earned him a Best Original Screenplay Academy Award nomination in 1954; his second Oscar nod came for his Western film Bad Day At Black Rock two years later.
He also tried his hand at penning novels, publishing his first effort Bowl Of Cherries in 2007. His second novel Misadventure will be released posthumously this autumn.
Kaufman is survived by Lorraine, his wife of 66 years, two daughters, a son and seven grandchildren.
- 3/17/2009
- WENN
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