MCU Directors & Their Works #46: Shawn Levy

by souzachristopher | created - 22 Feb 2021 | updated - 2 months ago | Public
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1. Address Unknown (1997)

PG | 92 min | Adventure, Family, Mystery

10 years after their fathers' deaths, two teenagers' tragic common bond leads to friendship and adventure. Determined to uncover what really happened to their fathers, Matt and Tarra must take on two officials who know the shocking truth.

Director: Shawn Levy | Stars: Kyle Howard, Johna Stewart-Bowden, Patrick Renna, Corbin Allred

Votes: 362

Composer: Arthur Kempel Composer (Add'l Music): James Stemple Costume Designer: Lawane Cole Film Editors: David G. Blangsted, Lori Peterson ACE Production Designer: Mark Hofeling Cinematographer: Brian Sullivan Associate Producers: Patrick Ewald, Stephen Patrick, Darryl M. Silver Co-Producer: Don Schain Producer: David Anderson Story Writers: Drew Daywalt, David Schneider Nicholas DiBella Stunt Coordinator: George Fisher Stunts: Dave Bartholomew 1st Assistant Director: Matias Alvarez 2nd Assistant Director: Miriam Epstein Footer Art Director: Ken Diamond Key Makeup Artist: Robin MP Stepp "B" Camera Operator: Michael Lund 2nd Assistant "B" Camera: Joey C. Watts Steadicam Operator: Mark Emery Moore SOC Steadicam 1st Assistant Camera: Todd Schlopy Steadicam 2nd Assistant Camera: Robert Price A-Camera Intern: Ronald Green Gaffer: J. Terry Hilton Electrician: Bill Bob Brussard Add'l Electrician: Alan Stoddard Additional Grip: Steve W. Olpin 2nd 2nd Assistant Director: Win Whittaker Prop Master: John Harrington Set Costumer: Rosemary Bengele Supervising Location Manager: Marshall D. Moore Key Ass't Location Manager: Wini Davis Assistant Location Manager: Mimi Davis Post-Production Supervisor: Shauna Miller 1st Assistant Editor: Kelly Edmunds 2nd Assistant Editor: M. Sean McBride Sound Designer: Clancy Troutman Re-Recording Mixer: David Yamamoto ADR Editor: Gonzo Cervantes ADR Mixer: Tom Ruff Title Designer: Victoria Vaus Color Timer: Mato Der Avanessian Optical FX Unit A-Cam Operator: Mindy Minkow Negative Format: 35mm Eastman EXR 500T 5298 AR: 1.33:1 (4-Perf 35mm Spherical)

2. Just in Time (1997)

95 min | Comedy, Drama, Family

Mark Moses is Michael, a husband who lost his wife in a car accident and now he has to take care of his daughter Lilly. After a lot of trouble with nannies, Michael hires a young and ... See full summary »

Director: Shawn Levy | Stars: Mark Moses, Rebecca Chambers, Jane Sibbett, Steven Eckholdt

Votes: 158

Costume Designer: Lawane Cole Producers/Film Editors: Lori Petersen ACE, David Blangsted Production Designer: Mark Hofeling Cinematographer: Matthew Williams Writer: Eric Tuchman Production Supervisor: Shauna Miller 1st Assistant A Camera: Zep Christensen Key Grip: Kevin Kennedy Best Boy Grip: Shawn Lacy Dolly Grip: Paul Meehan Makeup Artist: Valecia Sarmento On-Set Dresser: Lu S. Prickett Wardrobe Supervisor: Jennifer Breeden Set Costumer: Rosemary Bengele Sater 1st Assistant Editor: Kelly Edmunds Supervising Sound Editor: Barney Cabral ADR Supervisor: Kelly Cabral Score Engineer: Greg Townley Location Manager: Marshall D. Moore Cameras: Arriflex (35mm Eastman EXR 500T 5298) Lenses: Zeiss AR: 1.85:1 (Spherical)

3. Jett Jackson: The Movie (2001 TV Movie)

PG | 100 min | Action, Adventure, Comedy

Jett decides to quit Silverstone and lead a normal life. On the day of his last episode he is hit on the head with a prop and in his dream he is Silverstone. He is the only one who realizes that this is a dream.

Director: Shawn Levy | Stars: Lee Thompson Young, Lindy Booth, Nigel Shawn Williams, Ryan Sommers Baum

Votes: 1,332

Executive Producer: Shawn Levy Writer/Executive Producer: Bruce Kalish Producer: Kevin May Cinematographer: Yuri Yakubiw Film Editor: Stephen Winthrow Costume Designer: Morganne Newson Composer: Lawrence Shragge VFX Supervisor: Bret Culp Filming Dates: October 2000 - December 2000 Camera: Arriflex 535B (35mm Kodak Vision 500T 5279) AR: 1.33:1 (4-Perf Super 35mm) Distributed by: Disney Channel

4. Big Fat Liar (2002)

PG | 88 min | Adventure, Comedy, Family

36 Metascore

Fourteen-year-old Jason Shepherd has a reputation for stretching the truth. So, when big-time Hollywood producer Marty Wolf steals his class paper and turns it into a smash hit movie, no one believes Jason's latest tall tale.

Director: Shawn Levy | Stars: Frankie Muniz, Amanda Bynes, Paul Giamatti, Amanda Detmer

Votes: 39,589 | Gross: $48.36M

"Wolf Party Guest" Actor: Shawn Levy Screenplay / Story Writer/ Producer: Brian Robbins Screenplay Writers: John Hamburg, Karey Kirkpatrick Producer: Michael Tollin Executive Producer: Michael Goldman Director of Photography: Jonathan Brown ASC Director of Photography, Second Unit / A Camera / Steadicam Operator: Charles Papert SOC Director of Photography, Aerial Photography : Hans Bjerno ASC Production Designer: Nina Ruscio Film Editors: Stuart Pappé, Kimberly Ray Co-Producer/Unit Production Manager: Marie Cantin Casting Director: Michelle Morris Gertz CSA Composer: Christophe Beck Music Supervisors: Gary Jones, Dave Jordan Costume Designer: Sanja Milkovic Hays First Assistant Director: Joe Camp III Key Second Assistant Director: Ellie Smith Stunt Coordinator: Pat Romano Stunts: William Burton, Andy Gill, Cody Gill, Jack Gill, Katie Gill, Steve Picerni Production Supervisor: Kris Nielsen-Morris Art Director: Francis J. Pezza Set Decorator: Dena Roth SDSA Scenic Artist: Susan A. Burig Set Designer: Robert Goldstein Supervising Prop Master: David L. Glazer Assistant Prop Master: Ed Martin II Set Dec Leadman: R. Scott Doran Supervising Location Manager: Steve Mapel A First Assistant Camera: Art Martin A Second Assistant Camera: Michael Fuhr A Camera Loader: Kirsten Laube B Operators: Dale Myrand, Terence Nightingall B First Assistants: Rudy Harbon, Darcy Spires Second Assistant B Camera: Tracy Allen Davey Video Assist Operator: Stan Harrison Computer/Video Coordinator: Todd Aron marks Chief Lighting Technician: Dean F. Andolsek Asst. CLTs: Robert Ogden, O'Shana Walker Dimmer Board Operator: Pattie Stone Rigging Gaffer: David Gamerman Rigging Electric Best Boy: Michael A. Parsons Key Grip: John M. Hatchitt Grip / Best Boy: Danny Barfield Dolly grip: Thomas A.C. Ruffner Rigging Key Grip: Damon t. Doherty Rigging Grip / Best Boy: Rex T. Hiscocks On-Set Dresser: Scott Swank Production Special Effects Coordinator: John S. Baker Production Special Effects Foreman: Nick Karas Special Effects Assistants: Jared Baker, Craig Uszak Aerial Unit Coordinator / Pilot: Alan Purwin Aerial Unit Pilot: Ben Skorstad Aerial Unit Spacecam Techs: Gerry Ganger, Masahiro Onodera Camera Intern: Peter Rhoads Costume Supervisor: Camille Argus Costumer: Lyle Morse Makeup Department Head: Lydia Milars Hair Department Head: Claire Corsick Script Supervisor: Diane Hassinger Newman Asst. L.M.'s: Randy Flosi, Christian Krieger Production Location Scout: Lori A. Balton Production Coordinator: Nancy C. Honeycutt Asst. Production Coordinator: Larsen Jay Second Assistant Director: Matt Rebenkoff 2nd Second Asst. Director: Rick Kelly Still Photographer: Sam Urdank Casting Associate: Kelly O'Brien Production Assistant: J.J. Dalton Art Dept. Assistant: Matt Callahan Post Production Supervisor: Virginia Landis Albertson First Assistant Editor: R. Orlando Duenas Second Assistant Editor: Jan Wesley First Apprentice Editor: Angus Spottiswoode Editorial Production Assistant: Katie Flint PMP Production Effects Supervisor: Richard Malzahn Executive in Charge of Film Music: Kathy Nelson Supervising Music Editor: Terry Wilson Assistant Music Editor: Tanya Noel Hill Music Coordinator: JoJo Villenueva Score Orchestrator: Pete Anthony Music Scoring Mixer: Casey Stone Orchestra Contractor: Sandy DeCrescent Production Title Designer: Jimmy Zelinger Production Color Timer: Steve Sheridan Filming Dates: 28 March 2001 - June 2001 Cameras: Arriflex 35 III, 435, Bell & Howell Eyemo, Panaflex XL + Platinum (35mm Kodak Vision 500T 5279) Lenses: Panavision® Primo SL Primes, SLZ 17.5-75mm Zoom, SLZ11 24-275mm Zoom & SLZ3 Hubble 135-420mm Zoom AR: 1.85:1 (Spherical 4-Perf 35mm) Budget: 15 Million USD Budget AFI (2021): 21.8 Million USD Printed on: Kodak Vision 2383 Visual Effects, Titles & Opticals by: Perpetual Motion Pictures & Pacific Title Production Consideration Provided by: Universal Studios Hollywood Color Provided by: Deluxe Shot on: Kodak Motion Picture Film Attribute: Filmed in Panavision® (as Filmed with Panavision®)

5. Just Married (2003)

PG-13 | 95 min | Comedy, Romance

28 Metascore

A young newlywed couple honeymoon in Europe, where obstacles challenge their ability to sustain the marriage.

Director: Shawn Levy | Stars: Ashton Kutcher, Brittany Murphy, Christian Kane, David Moscow

Votes: 74,423 | Gross: $56.13M

Composer: Christophe Beck Cinematographer: Jonathan Brown ASC Film Editors: Don Zimmerman ACE, Scott Hill Production Designer: Nina Ruscio Costume Designer: Debra McGuire A-Camera/Steadicam Operator: Gregory Smith 2nd Unit DPs: Arthur Jafa, Malik Sayeed, Patrick Turley Assistant Film Editors: Dean Zimmerman ACE, Dan Zimmerman ACE HD Mastering Colorist: David Bernstein Filming Dates: 16 February 2002 - April 2002 Negative Format: 35mm Kodak Vision 500T 5279 AR: 1.85:1 (Spherical) Budget: 18 Million USD Budget AFI (2021): 25.5 Million USD Distributed by: Walt Disney Studios Motion Pictures

6. Cheaper by the Dozen (2003)

PG | 98 min | Comedy, Family

46 Metascore

With his wife on a book tour, Tom Baker finds his life turned upside down when he agrees to care for his twelve children while simultaneously also coaching his new football team.

Director: Shawn Levy | Stars: Steve Martin, Bonnie Hunt, Hilary Duff, Piper Perabo

Votes: 108,997 | Gross: $138.61M

Composer: Christophe Beck Music Supervisor: Dave Jordan Costume Designer: Sanja Milkovic Hays Co-Producer: Ira Shuman Film Editor: George Fosley Jr ACE Production Designer: Nina Ruscio Cinematographer: Jonathan Brown ASC Unit Production Manager: Dustin Bernard 1st Assistant Director: Marty Eli Schwartz 2nd Assistant Director: Brian F. Reylea Stunt Coordinator: Ernie Orsatti Art Director: Scott Meehan Set Designer: Jann Engel Graphic Designer: David E. Scott A-Camera Operator: Mark Jackson B-Camera/Steadicam Operator: Brian Nordheim Gaffer: Tony Nakonechnyj Production SFX Coordinator: Dave Kelsey Picture Vehicle Coordinator: Peter Schwietzer Senior VFX Supervisor/Producer: Cosmas Paul Bolger Jr Senior VFX Compositor: Marco Paolini Senior 3D VFX Animator: Edward Qwick Digital VFX Artist: Tommy Tran Supervising VFX Production Coordinator: Sharon Stetzel VFX Production Coordinator: Heather Ignarro 11:11 VFX Compositing Supervisor: Roger Nall 11:11 Lead 3D VFX Artist: Ken Locsmandi 11:11 Digital VFX Artists: Mike Walsh, Chris Hopkins, Leah Nall 11:11 VFX Production Assistants: Robert Nall, Jeff M. Sharar Sound FX Designer: Michael Payne Chicago 2nd Unit 2nd Ass't Director: Richard Lederer Aerial Unit DoP/Chicago 2nd Unit Camera Operator: Hans Bjerno ASC Filming Dates: 31 March 2003 - 15 June 2003 Cameras: Bell & Howell 2709 & Panaflex XL (35mm Kodak Vision2 500T 5218) Lenses: Panavision Primo Spherical Primes AR: 1.85:1 (Spherical) Budget: 40 Million USD Budget AFI (2021): 56.8 Million USD Distributed by: Walt Disney Studios Motion Pictures Special Visual Effects Provided by: Digital Filmworks Additional Visual Effects Provided by: 11:11 Mediaworks Attribute: Filmed with Panavision Cameras and Lenses

7. The Pink Panther (2006)

PG | 93 min | Adventure, Comedy, Crime

38 Metascore

Bumbling Inspector Clouseau must solve the murder of a famous soccer coach and find out who stole the infamous Pink Panther diamond.

Director: Shawn Levy | Stars: Steve Martin, Kevin Kline, Jean Reno, Emily Mortimer

Votes: 92,573 | Gross: $82.23M

Composer: Christophe Beck Cinematographer: Jonathan Brown ASC Film Editors: George Fosley Jr ACE, Brad Wilhite Production Designer: Lilly Kilvert Costume Designer: Joe Aulisi Stunt Unit/2nd Unit Director: Ernie F. Orsatti VFX Supervisor: Ray McIntyre Jr Camera Operator: Patrick Capone Paris Camera Operators: Berto Lecluyse, Christophe Legal B-Camera Operators: David M. Dunlap ASC BSC, Tom Weston Steadicam Operator: Kyle Rudolph Additional DP: Barbara Nitke DI Colorist: Scott Gregory Filming Dates: 10 May 2004 Camera: Panaflex XL2 (35mm Kodak Vision2 500T 5218) Lenses: Panavision Primo Spherical Primes AR: 1.85:1 (Spherical) Budget: 80 Million USD Budget AFI (2021): 103.8 Million USD Attribute: Filmed with Panavision Cameras and Lenses

8. Night at the Museum (2006)

PG | 108 min | Adventure, Comedy, Family

48 Metascore

A newly recruited night security guard at the Museum of Natural History discovers that an ancient curse causes the animals and exhibits on display to come to life and wreak havoc.

Director: Shawn Levy | Stars: Ben Stiller, Carla Gugino, Ricky Gervais, Dick Van Dyke

Votes: 377,626 | Gross: $250.86M

Script Revisionists: Ben Stiller, John Hamburg Composer/Conductor: Alan Silvestri Composer (Unused Music): John Ottman Costume Designer: Renée April Prod VFX Supervisor/Add'l 2nd Unit Director: Jim Rygiel Prod VFX Assoc. Producer/Add'l Supervisor: Ellen M. Somers Co-Producer/Key 1st Ass't Dir: Josh McLaglen Film Editor: Don Zimmerman ACE Production Designer: Claude Paré Cinematographer: Guillermo Navarro ASC Executive Producers/Unit Production Managers: Thomas Hammel, Ira Shuman Executive Producer: Mark Radcliffe Producers: Shawn Levy, Chris Columbus, Michael Barnathan Unit Production Manager: Anne Simonet 1st Assistant Director: Marty Eli Schwartz 2nd Assistant Director: Misha Bukowski 2nd Unit Director: Brian Smrz Stunt Coordinator: JJ Makaro Fight Choreographers: Dean Choe, Jeff Robinson Stage Coach Unit Stunt Coordinators: Cory Glass, John Branagan Supervising Art Director: Helen Jarvis Set Decorator: Lin MacDonald Set Designers: Glenn Bydwell, Peter Bodnarus, Chris Beach, Doug Girling Art Directors: Michael A. Diner, Bridget McGuire 2nd 2nd Ass't Director: Daniel Mansfield 3rd Assistant Director: Rhonda Taylor 4th Assistant Director: Allison Chretien A-Camera Operator: David Crone B-Camera Operator: Glen Dickson A-Camera Focus Puller: Timothy Kane B-Camera Focus Puller: Greg Beaton 2nd Assistant A-Camera: Rich Sinclair 2nd Assistant B-Camera: Amie Gibbons Camera Loader: Scott Cozens Video Playback Operator: Lance White Production Supervisor: Andrea Boorman Unit Manager: Michael Williams Associate Film Editor: Dean Zimmerman ACE Production VFX Editor: Miller Drake 1st Assistant Editor: H. Dwight Raymond IV 2nd Assistant Editor: Melody Gehrman-Cook VFX Ass't Editor: Linda Sundlin Production VFX Executive: John Kilkenny VFX Digital Producer: Serge Riou Production VFX Coordinator: Keith Hamakawa VFX On-Set Data Coordinators: Felix Pomeranz, Blaine Lougheed Sound Mixers: Paul Massey, David Giammarco Prop Master: Ellen Freund Ass't Set Decorator: Michael A. Billings Set Dec Coordinator/Buyer: Zoe Jirik Set Dec Foreman: Keith Burk Storyboard Artists: Marc Baird, Mike A. Jackson, Tracey Wilson Gaffer (US): David Lee Gaffer (Canada): Stephen Jackson Key Grip (US): Rick Stribling Key Grip (Canada): Matt Almas Ben Stiller Wardrobe Designer: Karen Patch Production Coordinator (Vancouver): Fawn McDonald Production Coordinator (LA): Sean Gowrie Production SFX Coordinator: William Orr Assistants to Shawn Levy: Judd Cherry, Regina Taufen, Kennedy Davey Sound Designer & Add'l Mixer: Craig Henighan Supervising Music Editor: Terry Wilson Score Music Editor: Ken Karmen DI Producer: Terra Bliss Supervising Digital Colorist: Michael Eaves DI Editor: Devon Miller 2nd Unit DoP: Larry Blanford ASC 2nd Unit Add'l DoP: David Geddes 2nd Unit 1st Ass't Directors: Matthew Dunne, Sam Harris 2nd Unit Art Director: Grant Van Der Slagt 2nd Unit A-Camera Operator: Norbert Kaluza 2nd Unit B-Camera Operator: Junichi Hosoi 2nd Unit 1st Ass't A-Camera: Taylor Matheson 2nd Unit Gaffer: Burton Kuchera 2nd Unit Key Grip: Tony Whiteside 2nd Unit Prop Master: John Watts Unit Production Manager (NY Unit): Raymond Quinlan NY Unit 2nd Ass't Director: Christo Munro NY Unit Art Director: John Wright Stevens NY Unit Set Decorator: Lydia Marks NY Unit A-Cam/Steadicam Op: Kyle Rudolph NY Unit 2nd Ass't A-Camera: Jamie Fitzpatrick NY Unit B-Cam/Steadicam Op: Michael Green NY Unit 2nd 2nd Ass't Dir: Deanna Leslie Kelly NY Unit Gaffer: Collin Quinlan NY Unit Rigging Gaffer: Thomas Dolan NY Unit Location Manager: Michael Kriaris NY Unit Ass't Loc Manager: Kris Schackman NY Unit SFX Coord: Michael Bird, Steve Kirshoff NY Unit SFX Foreman: Gilbert H. Gertson NY Unit Camera Scenic Op: Stephen Siersema NY Unit Prop Master: Robert Griffon NY Unit Ass't Prop Masters: John B. McDonnell, Brent Godek Ass't to Ben Stiller (NY): Edith Hagigi R&H Senior VFX Supervisor: Dan DeLeeuw R&H Senior VFX Producer: Julie D'Antoni R&H Digital VFX Producer: Bill Tlusty R&H DFX Supervisor: Will Telford R&H Look Dev Supervisors: Greg Steele, Josh Breyer R&H Prod Managers: Sue Brunell-Edwards, Karl Rumpf R&H Ass't Prod Manager: Stacey Shear-Riera R&H Senior Animation Supervisor: Craig Talmy R&H Art Director: Chris Consani R&H Sequence Supervisors: Edwin Rivera, Dave Lauer, Jubin Dave, Lisa Clarity R&H Production Assistant: Blake Nickle R&H Production Coordinators: Damien Carr, Tim Cunningham, Edu Black, Pete Jervis, Kim Koftis, Michael Miller, Matt Russell, Tiffany Schmitter, Mark Simone R&H Modeling Lead: Ann Sidenblad R&H Character Rigging Supervisor: Matt Derksen R&H Texture Supervisor: Marta Knudsen R&H Texture Lead: Michelle Deniaud R&H Animation Supervisors: Erik-Jan De Boer, Joe Ksander, Steve Ziolkowski R&H Animation Leads: Ryan Donahue, Chad Shattuck R&H Lighting Supervisors: Brian Bell, Matt Linder, Juck Somsaman R&H Lighting Leads: Simeon Bassett, Patricia Helene Frazier, Jack Fulmer, John Pazkiewicz R&H Comp Leads: Bill Georgiou, Josh Saeta, Jeff Wells, Serkan Zelzele R&H Inferno Supervisor: Timothy Miller R&H Inferno Artists: Ken Au, Tony Barraza R&H FX Supervisor: Dan Smiczek R&H Tech Animation Supervisor: Dante Quintana R&H Tech Animation Leads: Randy Bahnsen, Todd Hill R&H Animation Layout Lead: Derrick Auyoung R&H 2D Supervisor: Craig Seitz R&H BG Prep Lead: Bertha Garcia R&H Match Move Supervisor: Wilmer Lin R&H Match Move Lead: Jigesh Gaijar R&H Pipeline Leads: Pete Capelluto, Josh Tomlinson R&H Editor: Michael Backauskas R&H Ass't Editor: Kenton Hume R&H Color Timer: Anthony Harris R&H S/R Operator: Phillip Holland R&H Sr Prod Software Engineer: Hans Rijpkema R&H Render Coordinators: Jud Bumpas, Harrison Hays, Frederick Lemaster R&H Database Programmer: Steve Fong R&H Sr Systems Administrator: Steve Linn R&H Systems Operator: Vinicio Alvarez R&H MIS Programmer: Tad Johnston R&H Sr Software Engineer: Marty Ryan R&H Executive VFX Producer: Lee Berger Rainmaker VFX Supervisors: Bruce Woloshyn, Randall Rosa Rainmaker VFX Producer: Jinnie Pak Rainmaker Lead VFX Artist: Geoff Hancock Orphanage VFX Supervisor: Kevin Baillie Orphanage Digital Artists: Alex Wang, Corey Rosen, Renee Binkowski Orphanage Lead Animator: Salvador Ruiz Orphanage CG Supervisor: Jonathan Harman Orphanage Executive VFX Producer: Marc Sadeghi Orphanage Senior VFX Producer: Paul Hettler Orphanage Digital VFX Producer: Leslie Valentino Orphanage Head of VFX Production: Luke O' Byrne Lola VFX Inferno Artists: Edson Williams, Loeng Wong-Savun, Casey Allen Lola VFX Producer: Thomas Nittmann Lola VFX Coordinator: Ryan Zuttermeister Weta Senior VFX Supervisor: Joe Letteri Weta VFX Supervisor: Eric Saindon Weta Lead Animator: Ben Forster Weta VFX Texture Painter: Paul Campion Weta Creature Department Manager: Kristie Breslin MSFX Key Makeup FX Supervisor: Adrien Morot MSFX Lead Sculptor: Michel Bougie MSFX Makeup FX Artist: Francois Gauthier MSFX Lab Technician: Mark Unterberger Score Orchestrators: Conrad Pope, John Ashton Thomas, William Ross Score Contractors: Sandy DeCrescent, Peter Rotter Score Coordinator: Dave Bifano Score Mixer & Recordist: Dennis S. Sands Music Librarian: Mark Graham Filming Dates: 30 January 2006 - July 2006 Cameras: Arriflex 435 & Moviecam Compact (35mm Kodak Vision 250D 5246/Vision2 200T 5217/500T 5218) Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms AR: 1.85:1 (4-Perf Super 35mm) Budget: 110 Million USD Budget AFI (2021): 142.7 Million USD Printed on: Kodak Vision 2383 Distributed by: Walt Disney Studios Motion Pictures Pre-Visualization Provided by: Image Engine Design Miniatures Provided by: Cinema Production Services Visual Effects Provided by: Rhythm & Hues Studios, Rainmaker, The Orphanage + Lola VFX Additional Visual Effects Provided by: Weta Digital Makeup Effects Provided by: Maestro Studios FX Shot on: Kodak Motion Picture Film Attribute: Camera Equipment Provided by Clairmont

9. Night at the Museum: Battle of the Smithsonian (2009)

PG | 105 min | Adventure, Comedy, Family

42 Metascore

Security guard Larry Daley infiltrates the Smithsonian Institution in order to rescue Jedediah and Octavius, who have been shipped to the museum by mistake.

Director: Shawn Levy | Stars: Ben Stiller, Owen Wilson, Amy Adams, Hank Azaria

Votes: 212,905 | Gross: $177.24M

Producer: Shawn Levy Casting Director: Donna Isaacson Costume Designer: Marlene Stewart Composer & Score Conductor: Alan Silvestri Production Visual Effects Supervisor: Dan DeLeeuw Associate Producer/Production Visual Effects Producer: Ellen M. Somers Film Editors: Dean Zimmerman ACE, Don Zimmerman ACE Production Designer: Claude Paré Director of Photography: John Schwartzman ASC Director of Photography, Visual Effects Element Unit: J. Eric Camp Executive Producer & Unit Production Manager: Thomas M. Hammel Executive Producer & First Assistant Director: Josh McLaglen Executive Producer: Mark Radcliffe Producer: Chris Columbus Producer & Production Manager: Michael Barnathan Screenplay Writers: Thomas Lennon, Robert Ben Garant Screenwriters, Additional Material: Scott Frank, Nicholas Stoller, Simon Kinberg Unit Production Manager: Anne Simonet Second Assistant Director: Misha Bukowski Production Supervisor: Eric Heyadat Stunt Coordinators: JJ Makaro, Garrett Warren Fight Choreographer: Jeff Robinson Mr. Stiller's Stunt Double: Greg Fitzpatrick Mr. Williams's Stunt Double: Mike Mitchell Utility Stunts: Robert Alonzo, Irlam Choi, Adam Hart, Mark Ginther, J.J. Perry Second Unit Director: Gary Capo ASC Supervising Art Director: Helen Jarvis Production Set Decorator: Lin MacDonald Production Special Effects Coordinator: William 'Bill' Orr Supervising Prop Master: Dean Eilertson Assistant Prop Masters: Jason Landels, Michelle Hendriksen, Claudio Palavecino Art Directors: Grant Van Der Slagt, Michael Diner Art Department Coordinator: Sean Goojha 'A' Camera Operator/Second Unit Cinematographer: Ian Fox SOC 'B' Camera/Steadicam Operator: David Crone First Assistant 'A' Camera: Richard Mosier First Assistant 'B' Camera: Patrick Stepien 'A' Second Assistant Camera: Justin Bergler 'B' Second Assistant Camera: Tyler L. Woeste Main Unit Loader: Jean-Marc Saldini Video Assist Supervisor: Lance White Additional Video Assist Supervisor: Jeff Bjorgum Scorpio Head Technician: Cary Cooper Stills Photographer: Doane Gregory Production Sound Mixer: Rob Young CAS Boom Operator: Kelly Zombor Sound Utility Assistant: Darryl Marko Script Supervisor: Diane Durant First Assistant Editor: H. Dwight Raymond IV Production Visual Effects Editor: Jeff Beattie Supervising Music Editor: Terry Wilson Second Assistant Editor: Adriaan Van Zyl First Assistant Editor, Vancouver: Melody Gehrman-Cook Second Assistant Editor, Vancouver: Tyler Ruocco Production Assistants, Editorial Department: Matthew Carson, Brent O'Connor IMAX Overall DMR Editor: Drew Solodzuk IMAX First Assistant DMR Editor: Wendell Bruno IMAX Second Assistant DMR Editor : George Vajna Production Visual Effects Executive: John Kilkenny Head of Visual Effects: Clwyd Edwards Digital Producer, Visual Effects: Serge Riou On Set Data Coordinators, Visual Effects: Blaine Lougheed, Shandy Lashley Production Visual Effects Coordinators: Shad Davis, Stephen Parsey, James Baldanzi Visual Effects Assistant Coordinator: Kennedy Davey Visual Effects Production Assistants: Ximena Melendez, Jami Philbrick, Spencer Hon Lui Motion Control Technician, Visual Effects: Craig Shumard Motion Control Technical Assistant, Visual Effects: Kevin Fitzgerald Supervising Sound Editors: Craig Henighan, John A. Larsen Sound Mixing Supervisors: Paul Massey, David Giammarco Monkey Trainers: Tom Gunderson, Anthony Suffredini Production Prop Buyer: Laurie Dobbie First Assistant Set Decorator: Michael A. Billings Set Decorator / Coordinator: Zoe Jirik Set Dec Buyer: Audra Neil Set Decorator / Foreman: John Boe Lead Dressers, Set Dec: Denyse Nelson, Guy Roland On Set Dresser: Ross Wahl Lead Set Wireman: Keith Brookes Storyboard Artists: Joel Venti, Michael A. Jackson, Marc Baird Illustrators: Warren Flanagan, Milena Zdravkovic, Michele Moen Set Designers: Mira Caveno, Jay Mitchell, Bryan Sutton Graphic Illustrators: Kirsten Franson, Ray Lai Vancouver Casting Directors: Coreen Mayrs CSA, Heike Brandstatter CSA Canadian Casting Associate: Amy Nygaard Extras Casting Director: Andrea Brown Head Of Department, Makeup: Victoria Down Head Of Department, Hair: Sherry Gygli Gaffer: Drew Davidson Rigging Gaffers: Sean Oxenbury, Keith S. Woods Best Boy Electric: Shane Dobie Best Boy Rigging Electric: Phil Klapwyk Company Electricians: Todd Martin, Jay Anderson, John Dines, Craig Jones, Trevor Carabin, James Harvey, Dylan Paul, Roger Bailey, Randy Jablonka, Rob Brady, Pat Harris, Andy Guichon, Jim Wenting, Niall Fraser, Hugh Meikle Key Grip: Mike Kirilenko Key Rigging Grip: David McIntosh Best Boy Grip: David Cameron Rigging Best Boy Grip: Bippin Kumar Sammy Dolly Grips: Ryan Monro, Darin Wong Company Grips: Drew David, Kevin Lheritier, Gary Williams, James Williams, Lee Gibeau, Brian Bouma, Doug Parton, Don Quinn, Bob Wolinski, Shayne Gusdal, Peter Pacula, Sergio Petre, Stephen Arnott, Rod Tigler, Robin Say, Scott Bonner, George Carter, Robin Jobin Supertechno Crane Technician: Barry Wells Costume Set Supervisor: Susan O'Hara Costume Supervisor: John Casey Assistant Costume Designers: Courtney Daniel, Terry Anderson Costume Coordinator: Jana Rayne Macdonald Truck Costumer: Andre Brouwer Background Costume Coordinator: Rosalie Lee Set Costumers: Debi Weldon, Anne Burke, Nicola Ryall, Ann Russell Production Accountant: John Catron Production Executive: Tom McNulty Production Coordinator: Fawn McDonald Supervising Location Manager: Rino Pace Assistant Location Manager: Jason Collier Second Second Assistant Director: Daniel Mansfield Third Assistant Director (Cast): Rhonda Taylor Third Assistant Director (On Set): Ashley Bell TAD: Robert Rogers AD Production Assistants: Janice Yip, Tyra Atkins Assistants to Mr. Levy: Regina Taufen, Marco Leone, Mazen Hassan Assistant To Mr. McLaglen: Kim Sutton Assistants To Mr. Stiller: Jill Remis, Emma Day, Daniella Wells, Khali Wenaus Assistant To Mr. Stiller In NY: Edith Hagigi Assistant To Mr. Williams: Rebecca Erwin-Spencer First Assistant Production Coordinators: Tara Mews, Genevieve Bridges, Peter J. Lapres, Kimberly Buckham Second Assistant Production Coordinators: Jilene Dyck, Maya Toews Lead Production Assistants: Scott Mainwood, Simona Pandele Key Production Assistant: Sean Meade Production Special Effects Assistants: Stephen Hepworth, Graham S. Hollins, Andrew Sculthorpe, Phil Davis, Maurice Bouchard, Scott Treviling, John A. Wilkinson, Grant Smith, Lars Lenander, Dennis Briest, Dave Dunaway, Dave Alexander, Andy Verhoeven, Teresa Wilkinson, Kathy Fraser Supervising Construction Coordinator: Jan Kobylka Construction Coordinator: Johnny Dale Paint Coordinator: Mario Tomas Head Sculptor: Jack Gauvreau Construction Buyer: Michel Rheault Construction Foremen: Jacques Paradis, David "Pops" Fukakusa, Bob Nicholson, Bill Forster On Set Carpenter: John Kobylka On Set Painter: Derek Bobroff Foreman - Metal Fabrication: Eric Langstroth Key Accountant: Josée Brodeur-Melrose First Assistant Accountants: Andrew P. Brown, Nerissa McCormack Second Assistant Accountants: Jason Elsworth, Karen March Third Assistant Accountants: Jessica Gihon, Michele Lee Shellenberg Third Assistant Accountants: Shannon Harron, Brandon Hollyer Post-Production Accountant: John Fletcher Assistant Post-production Accountant: Charles Saldana Unit Publicist: Patricia Johnson Documentary Camera Operator: Chris Bedyk First Assistant Hair: Sandy Monesmith, Susan Boyd First Assistant Makeup: Christopher Pinney, Tanya Hudson Head Wrangler: John Scott Transportation Coordinator: Rob Vreugde Transportation Captain: Wayne Power Head Chef: Bob Bedard Craft Service/First Aid HOD: Nancy Kress Clearance & Product Placement Coordinator: Gina Mauro Costumer For Mr. Stiller: Michelle Baines Hair Stylist For Mr. Stiller: Kristin Berge Makeup Artist For Mr. Stiller: Kate Biscoe Hair & Makeup For Mr. Williams: Cheri Minns "Teddy" Bust Prosthetic Makeup Designer: Greg Cannom Maestro FX Prosthetic Makeup Effects Designer: Adrien Morot Sound Design And Additional Mixer: Craig Henighan Supervising ADR Editor: L.J. Kizer Supervising DIA Editor: Susan Dawes Production DIA Editors: Alison Fisher, Helen Luttrell Production ADR Editors: Laura Graham, Vanessa Lapato Production FX Editor: Coll Anderson Supervising Foley Editor: John Murray Production Foley Editors: Scott Curtis, Doug Jackson Digital Transfer Artist: Tim Maxwell Kona Cutting Negative Cutter: Gart Burritt Color Timers: Jim Passon, Chris Regan EFilm Digital Intermediate Producer: Eileen Godoy EFilm Supervising Digital Colorist: Steven J. Scott ASC EFilm Second Digital Colorist: Mitch Paulson ASC EFilm Assistant Digital Intermediate Producer: Matt Hull EFilm Digital Intermediate Editor: Devon Miller R&H Senior Visual Effects Supervisor: Raymond Chen R&H Senior Visual Effects Producer: Bill Tlusty R&H Senior Animation Supervisor: Craig Talmy R&H Digital Effects Supervisor: Jason Beyever R&H Senior Digital Effects Producer: David Robinson R&H VFX Production Manager: Whitney E. Kitchen R&H Senior Visual Effects Coordinator: Charise E. Angone R&H Visual Effects Art Director: Michael Meaker R&H Look Development Supervisor: Joshua Bryer R&H Digital Effects Producer: Patrick Kearney R&H CG Production Manager: Jeff Schaper R&H Digital FX Production Manager: William Murphy R&H Sequence Supervisors: Pauline Duvall, David Sweeney, Jonathan B. Robinson, Serkan Zelzele, Mark Rodahl, Joshua Saeta R&H Visual Effects Coordinators: Jennifer Avery, Erika Bach, Danielle Barto, Scott Berri, Shikha Bhatza, Stephen Carter, Samuel Clark, Benjamin Cunningham, Rizza Go, Trishna Gohel, Nicholas Hyman, Yasamin Ismaili, Lakshmi Subramanian Iyer, Deborah Nikkel, Josh Peters, Abbigail Ponek, Elizabeth Schafer, Misato Shinohara, Arpit Soni, Boban Varghese R&H Visual Effects Editor: Zeke Morales R&H VFX Production Assistant: Jonathan Jamison R&H Modeling Leads: Jonathan Chao, Jason Huang, Rishikesh Nandlaskar, Manoj Vangala R&H Modelers: Roger Chin Chao, Yeen-Shi Chen, Sandesh Chonkar, Mohammed Anuz, Kinny Huano, Mabel John, Danny Lei, Rajesh Nair, Chaitali Patel, Ryan Smith, Arati Ullal, Sagar Zadi R&H Rigging Supervisors: Ryan English, Alex Ko R&H Rigging Leads: Sean Comer, Matthew Derksin, Daniel Lindsey R&H Texture Leads: Serena Jui Wen Chang, Jennifer Stratton R&H Texture Paint Leads: Nathan Boyd, Jessi Chang, Ronald Cliland, Drew Harrison, Nicholas Cosmi, Andrew Lewis, Jenny Dias, Brik Halsey, Vishal Parikh, Vishal Pawar, Anna Silvey R&H Look Development Lead: Dante Quintana R&H Pre-Lighters: Shavika Bajpai, Alex Garcia, Jose L. Di Juan, Wed Franklin, Sarah Fuller, Walter Jones, James Huey, Amanda Johnstone, Mary Lynn Machado Killeen, Daniel Macarin, Shreya Shetty R&H Match Move Supervisor: Wilmer Lin R&H Match Move Leads: Margaret Morris, Sunil Rawat, Tejas Trivedi R&H Layout Supervisor: Colin Elliot R&H Layout Lead: Ellen Brenner R&H Layout Artists: Abhishek Bharadwaj, Hitesh Chikate, Hyun Joo Cho, Kenneth Mohamed, Brett Rutland R&H Animation Supervisors: Chad Shattuck, Ryan Donoghue, James Kinnings, Burke Roane, Benjamin Sanders, Adam Yaniv R&H Animation Leads: Ryan Bradley, Amanda Dague, Nirmal David, Joel Foster, Vinayak Pawar, John Vassallo R&H Technical Animation Supervisor: Matthew Brown R&H Technical Animation Leads: Christopher De St. Joer, Christopher Michael, Michela Rose, Richard Van Cleave Jr R&H Crowd Supervisor: Mark Welser R&H Crowd Leads: Kent Chan, Russell Lloyd II R&H Lighting Supervisor: Ryan Gillis R&H Lighting Leads: Imran Anmed, Daniel Gilbert, Vemulapalli Sast Kiran, Thomaskutty George, Yogesh Lakhani, Jonathan Meier, Christopher Rogers, Ai Saimoto R&H Matte Painters: Heather Abels, Allen Battino, Mannix Bennet, Mikael Genachte-Le Bail, He Jung Park, Alison Yerka R&H Concept Artist: Marcus Collins R&H FX Supervisor: Francisco Rodriguez R&H FX Lead: Jason Iversen R&H 2D Supervisor: Brian Tatosky R&H BG Prep/Roto Leads: Mukesh Kumar, Prabhakar Putta R&H Inferno Supervisor: John Heller R&H Inferno Leads: Justin Blaustein, Inid Dalkoff, Yukiko Ishiwata, Richard Shick R&H Compositing Leads: Payal Dani, Bernam Shafiebeik, Kamalakkannan Vairakkannu, Perry Bass, Sophia Lo, Elam Parithi, Sheila Woodford R&H Pipeline Supervisor: Joey Tobiska R&H Pipeline TDs: Judson Bumpas, Sijo Pappachan, Christopher Burel, Abhishek Pareek, Tharun Sanaka, Abhijeet Nawsagare, Kevin R. Olson R&H Color Grading Supervisor: Anthony Harris R&H President/ Film Division: Lee Berger R&H Executive Producer, Film Division: Erika Wangberg Burton R&H Head of Production: Julie D'Antoni Donovan R&H Director, Digital Production: Ken Roupenian R&H Director of Production Finance: Sue Brunell-Edwards R&H Managing Director: Prashant Buyyala R&H Executive Director: Saraswathi Balgam R&H Vice President, Technology: Mark A. Brown R&H Production Executive: Heather Jennings R&H Manager, Production Technology: Markus Kurtz Café FX Visual Effects Supervisor: Scott Gordon Café FX Visual Effects Producer: Cindy Jones Café FX CG Supervisor: Will Nicholson Café FX Compositing Supervisor: Theresa Ellis Rygiel Café FX Character Animation/Rigging Leads: George Wong, Thanh John Nguyen, Joseph Spadaro, Vincent R. Delay Café FX Effects Animation/Modeling Leads: Scott Palleiko, Andrew Honacker, Michael Fessenden, Frederique Schafer Café FX Matte Painting/Compositing Leads: Dan Knight, Andrew Mumford, Tatjana Bozinovski, Patrick Paul Mullane Café FX Visual Effects Editor: Wenden Baldwin Café FX Senior Visual Effects Coordinator: Brenda Finster Café FX Visual Effects Coordinator: Aaron D. Wright MPC VFX Supervisor: Jessica Norman MPC VFX Producer: Kristy Wilson MPC CG Supervisor: Guillaume Rocheron MPC VFX Editor: Crystal Hadcroft MPC Lead Character Modeler: Sam Rowan MPC Animation Supervisor: Gregory Fisher MPC Senior Technical Director: Haslina Dasley MPC Lead Character TD: Benjamin Jones MPC Lead/Senior Animator: Peta Bayley MPC Texture/Concept Lead: Arnaud Valette MPC Animator: Florent Limouzin MPC Layout Artist: Sandra Murta MPC Lead FX Technical Director: Harry Mukhopadhyay MPC Compositing Supervisor: Steve Sanchez MPC Lookdev/Lighting TD: Richard Clegg MPC Previz Animator/Asset Lead: Rhys Claringbull MPC Visual Effects Lead: Richard Little MPC VFX Coordinator: Craig Skerry MPC Senior Compositor: Hayley Collins MPC VFX Production Manager: Cabral Rock Digiscope Visual Effects Supervisor: Dion Hatch Digiscope Visual Effects Producer: Mary Stuart Digiscope Digital Effects Supervisor: Brennan Prevatt Digiscope Digital Effects Producer: Terron Pratt Digiscope Senior Compositor: Jesse Siglow Digiscope Compositors: Suzette Barnett, Jason Forster Digiscope Digital Compositor: Maggie Kraisamutr Digiscope Digital Effects Coordinator: Jared Higgins Digital Domain Visual Effects Compositor: Kevin Bouchez Digital Domain Visual Effects Executive: John Textor Illusion Arts Special Visual Effects Supervisors: Syd Dutton, Bill Taylor ASC NDS Visual Effects Supervisor: Ian Hunter NDS Visual Effects Producer: David Sanger Cinematographer, NDS: Timothy E. Angulo Gaffer, NDS: Victor Abbene NDS Motion Control Operator: Joshua Cushner NDS Model Crew Chief: Forest P. Fischer NDS Digital Effects Supervisor: Robert Chapin Soho VFX Producer: Michael Kowalski Unit Manager, Second Unit: Bonnie Benwick Second Unit First Assistant Director: Paul Berry Second Unit Stunt Coordinator: Dean Choe Second Unit A Camera Operator: Glen Dickson Second Unit B Camera Operator: Chris Banting Second Unit A First Assistant Camera: Sean Harding Second Unit B First Assistant Camera: George Majoros Second Unit Second Assistant Camera: Sean Esler Second Unit Video Assist Supervisor: Dave Joshi Second Unit Script Supervisor: Tracy Young Second Unit Gaffer: Ryan Bailey Second Unit Key Grip: Ron Macleay Second Unit Dolly Grip: Jamie Salberg Second Unit Assistant Property Master: Paul Mulder Second Unit Costume Supervisor: Patty Hunter Second Unit Set Costumer: Bilidh McAllister Second Unit Sound Mixer: Lars Ekstrom Unit Production Manager, DC Unit: Patricia Doherty Hess DC Unit Second Assistant Director: Alison Rosa DC Unit Production Coordinator: Drew Tidwell DC Unit Location Manager: Peggy Pridemore DC Unit Assistant Location Manager: Matt Noonan DC Unit Set Decorator: Carl Catanese DC Unit On Set Dresser: Rebecca Shpak DC Unit Sound Mixer: Bruce Litecky DC Unit Gaffer: Jay Kemp DC Unit Key Grip: George Patsos DC Unit Wardrobe Supervisor: Alexandra Krost Unit Production Manager, New York Unit: Raymond Quinlan New York Unit Second Assistant Director: Betsy Palmieri New York Unit Second Second Assistant Director: Jane Chase Wells New York Unit Production Coordinator: Kate Kelly New York Unit Location Manager: Michael Kriaris New York Unit Assistant Location Manager: Brian Barnes New York City Assistant Property Master: Robert Griffon New York Unit Leadman: Dave Weinman New York Unit Sound Mixer: Gary Alper New York Unit Gaffer: Michael Burke New York Unit Key Grip: Dennis Gamiello New York Unit Assistant Costume Designer: Patrick Chevillot New York Unit Wardrobe Supervisor: Arlynn Abseck New York Unit Transportation Captain: Gene O'Neil New York Unit Transportation Co-Captain: Billy McFadden New York Unit Head of Catering: Peter Anders Choir Conductor: Mark Graham Score Orchestrator: John Ashton Thomas, Conrad Pope, William Ross, David Metzger, Abraham Libbos Score Contractors: Sandy DeCrescent, Peter Rotter Score Coordinator: Dave Bifano Head of Score Preparations: JoAnn Kane Score Recordists and Mixers: Dennis S. Sands, Steve Kempster Digital Recordists: Adam Olmstead, Larry Mah Vocal Contractor: Rick Logan Newman Stage Recordist: Tim Lauber Newman Stage Engineer: Denis St. Amand Stage Managers: Tom Steel, Francisco Perlangeli Technicolor® Telecine Colorist: Mykel Thuncher Cameras: Arriflex 435, Panaflex XL2, Platinum & Red One (35mm Kodak Vision2 200T 5217/Expression 500T 5219 & 4K Redcode RAW) Lenses: Panavision® Primo Spherical Primes, SLZ 17.5-75 Zoom, SLZ11 24-275 Zoom & SLZ3 135-420 Zoom AR: 2.39:1 (4-Perf S35mm)(4K Redcode RAW: VFX Plates) Budget: 150 Million USD Budget AFI (2021): 182.8 Million USD Printed on: Kodak Vision Premier 2393 Made in Association with: Dune Entertainment Animals Provided By: Birds & Animals Unlimited Extras Casting Provided by: Andrea Brown Casting Inc. Catering Provided by: Cinema Scenes Prosthetic Makeup Effects Designed by: Maestro FX Negative Cutting Services by: Kona Cutting Main Titles and End Titles by: Picture Mill Digital Intermediate Facility Services by: EFilm Visual Effects by: Rhythm & Hues Studios, Café FX, Moving Picture Company, Digiscope, Digital Domain, Illusion Arts, CG Company, Wildfire Visual Effects + Pixel Playground Miniature Effects & Photography by: New Deal Studios Previsualization by: Image Engine, Persistence Of Vision Previs, Halon Entertainment & Soho VFX 3D Scanning Provided By: Gentle Giant Studios DC Unit Catering & Craft Service by: Black Diamond Catering Score Preparations By: JoAnn Kane Music Services Score Recorded At: The Newman Stage, Twentieth Century Fox Score Mixed At: .I Studio Santa Barbara Soundtrack Available On: Varése Sarabande Filmed At: Mammoth Studios Telecine Services by: Technicolor® NY & Vancouver Shot on: Kodak Motion Picture Film Distributed by: Walt Disney Studios Motion Pictures Attribute: Filmed in Panavision® (Cameras & Lenses)

10. Date Night (2010)

PG-13 | 88 min | Comedy, Crime, Romance

56 Metascore

In New York City, a case of mistaken identity turns a bored married couple's attempt at a glamorous and romantic evening into something more thrilling and dangerous.

Director: Shawn Levy | Stars: Steve Carell, Tina Fey, Mark Wahlberg, Taraji P. Henson

Votes: 172,229 | Gross: $98.71M

Producer: Shawn Levy Costume Designer: Marlene Stewart Composer: Christophe Beck Film Editor: Dean Zimmerman ACE Production Designer: David Gropman Cinematographer: Dean Semler ASC ACS Executive Producer/Unit Production Manager: Joseph M. Caracciolo Jr Executive Producer/1st Ass't Director: Josh McLaglen Executive Producer: Tom McNulty Unit Production Manager: Dana Robin Associate Producer: Billy Rosenberg Production Supervisor: Eric Heyadat Stunt Coordinator/2nd Unit Director: Jack Gill Stunt Coordinator: Andy Gill Art Director: Dan Webster Set Decorator: Jay Hart Set Designers: Nancy Deren, Lauren Polizzi, Al Hobbs Graphic Designer: Martin T. Charles A-Camera/Steadicam Operator: Andrew Rowlands SOC 1st Assistant A-Camera: Tony Rivetti B-Camera Operator: Richard Merryman ACS C-Camera Operator: Kris Krosskove Remote Camera Operator: Guillaume Renberg Aerial Unit DoP: Hans Bjerno ASC Production SFX Coordinator: Bruce Steinheimer Gaffer: James Gilson Ass't Costume Designer: Ann Foley On-Set SFX Supervisor: Barry L. McQueary Supervising Digital Colorist: Yvan Lucas DI Producer: Eileen Godoy 2nd Digital Colorist: Tom Reiser Music Preparation: Mark Graham NY Unit Art Director: Peter Rogness NY Unit Set Decorator: Carrie Stewart NY Unit B-Camera Operator: Thomas Lappin NY Unit Gaffer: John Velez NY Unit SFX Coordinator: JC Brotherhood 2nd Unit DoP: Paul Hughen ASC 2nd Unit 1st Ass't Director: Darin Rivetti 2nd Unit A-Camera Operator: Michael J. Walker SOC 2nd Unit B-Camera Operator: Jeff Muhlstock 2nd Unit Gaffer: Rick West Production VFX Supervisor: Cosmas Paul Bolger Jr Add'l VFX Supervisor: Mohummed Yusef Senior VFX Coordinator: Sharon Stetzel VFX Photographer/Production VFX Coordinator: Alden Anderson VFX Compositing Supervisor: John Bowers VFX Digital Compositor: Brian Conlon VFX CG Supervisor: Rif Dagher Lead VFX Artist: Enrique Torres VFX Artists: Nathan Evans, Evie Cook, Robert Geisler, Cameron Bolger VFX Matte Painter: Matt Conway Camera: Panavision Genesis (HD Video) Lenses: Panavision Primo Spherical Primes AR: 2.35:1 (3-Perf Super 35mm) Budget: 55 Million USD Budget AFI (2021): 65.9 Million USD Distributed by: Walt Disney Studios Motion Pictures Visual Effects Provided by: Cos FX Films Attribute: Filmed with Panavision Cameras and Lenses

11. Real Steel (2011)

PG-13 | 127 min | Action, Drama, Sci-Fi

56 Metascore

In the near future, robot boxing is a top sport. A struggling ex-boxer feels he's found a champion in a discarded robot.

Director: Shawn Levy | Stars: Hugh Jackman, Evangeline Lilly, Dakota Goyo, Anthony Mackie

Votes: 355,857 | Gross: $85.47M

Composer: Danny Elfman Additional Music: Fred Durst Cinematographer: Mauro Fiore ASC Film Editor: Dean Zimmerman ACE Production Designer: Tom Meyer Costume Designer: Marlene Stewart Unit Production Manager: Mary McLaglen 1st Assistant Director: Josh McLaglen Legacy Effects Studio Coordinators: Lindsay MacGowan, Shane Patrick Mahan, Alan Scott VFX Producer: Ron Ames Digital Domain On-Set Integration & Environment Supervisor: Geoffrey Baumann Digital Domain Digital Effects Supervisor: Swen Gillberg VFX Consultant: Kimberly Nelson VFX Supervisor: Eric Nash Camera Operator: Christos Moisedes 1st Assistant A-Camera: Larry Nielsen A-Camera/Steadicam Operator: David Emmerichs B-Camera Operator: Maurice Keith McGuire 1st Assistant B-Camera: Bill Coe Miniature Unit DP: Tony Cutrono Stunts Camera Operator: Matt Fore Aeriel DP: David B. Nowell ASC DI Colorist: Skip Kimball, Joe Aliberto Score Conductor: Pete Anthony Score Mixer: Dennis S. Sands Score Orchestrator: Steve Bartek Filming Dates: 14 June 2010 - 20 September 2010 Camera: Sony CineAlta F35 (HDCAM SR) Lenses: Cooke S4 Primes & Angenieux Optimo Zooms AR: 2.35:1 (Super 35mm) Budget: 110 Million USD Budget AFI (2021): 127.9 Million USD Printed on: Kodak Vision 2383 Distributed by: Walt Disney Studios Motion Pictures

12. The Internship (2013)

PG-13 | 119 min | Comedy

42 Metascore

Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment.

Director: Shawn Levy | Stars: Vince Vaughn, Owen Wilson, Rose Byrne, Aasif Mandvi

Votes: 215,198 | Gross: $44.67M

Producer: Shawn Levy Producer/Co-Writer: Vince Vaughn Executive Producer: Dan Levine Executive Producer & UPM: Mary McLaglen Executive Producer & Key 1st AD: Josh McLaglen EP & Head of Global Films: Scott Stuber Cinematographer: Jonathan Brown ASC Production Designer: Tom Meyer Film Editor: Dean Zimmerman ACE Co-Producer: Micah Mason Composer: Christophe Beck Music Supervisors: Dave Jordan, JoJo Villanueva Costume Designer: Leesa Evans 2nd Assistant Director: Maria Battle-Campbell Stunt Coordinator & 2nd Unit Director: Garrett Warren Associate Producer: Will Rack Art Director: Christa Munro Graphic Designer: Susan A. Burig A-Camera/Steadicam Operator: Dave Emmerichs SOC B-Camera Operator: Jerry M. Jacob SOC Add'l B-Camera Operator: Jeph Folkins 2nd Assistant B-Camera: Dwight Campbell C-Camera Operator: Pablo Cascio Production VFX Producer: Scott Puckett Gaffer: Jeremy Launais Key Grip: C. Alan Rawlins Production SFX Coordinator: David Fletcher Quidditch Consultant: Brennan Ross DI Colorist: Skip Kimball DI Editor/Add'l DI Colorist: Nicholas Hasson On-Set VFX Supervisor: Eric Christensen Factory VFX Producer: Christal Wolgamott Factory VFX DFX Supervisor: Juan Melgoza Production VFX Consultant: Adam Howard Technicolor VFX Supervisor: Eli Jarra Technicolor VFX Artist: Eroc Moralls Technicolor VFX Producers: Alex Knudsen, Tricia Pifer DI Ass't Producer: Laura G. Chirinos Head of Music Production & Preparation: Mark Graham Northern CA Unit Art Director: Dwane Platt Northern CA Unit Aerial DoP: Phil Pastuhov Northern CA Unit 1st Ass't B-Camera: Patrick McArdle Filming Dates: 9 July 2012 - 25 September 2012 Camera: Alexa Plus (2.8K ARRIRAW) AR: 2.35:1 (Super 35mm) Budget: 58 Million USD Printed on: Fuji Eterna-CP 3523XD Distributed by: Walt Disney Studios Motion Pictures Visual Effects Provided by: Factory VFX & Technicolor VFX Attribute: Arri Alexa Cameras Provided by West Coast Camera Rentals

13. This Is Where I Leave You (2014)

R | 103 min | Comedy, Drama

44 Metascore

After their father passes away, four grown siblings are forced to return to their childhood home and live under the same roof for a week, along with their over-sharing mother and an assortment of spouses, exes, and might-have-beens.

Director: Shawn Levy | Stars: Jason Bateman, Tina Fey, Jane Fonda, Adam Driver

Votes: 89,326 | Gross: $34.29M

Composer: Michael Giacchino Cinematographer: Terry Stacey ASC Film Editor: Dean Zimmerman ACE Production Designer: Ford Wheeler Costume Designer: Susan Lyall Unit Production Manager: Mary McLaglen A-Camera Operator: Oliver Cary B-Camera/Steadicam Operator: Mark Schmidt Additional DP: Nicole Rivelli DI Supervising Colorist: Skip Kimball DI Colorist: Nicholas Hasson Score Conductor/Orchestrator: Tim Simonec Camera: Alexa XT (2.8K ARRIRAW) Lenses: Cooke S4 Primes & Angenieux Optimo Zooms AR: 2.35:1 (Super 35mm) Budget: 19.8 Million USD Printed on: Kodak Vision 2383 Attribute: Camera Equipment Provided by Arri CSC

14. Night at the Museum: Secret of the Tomb (2014)

PG | 98 min | Adventure, Comedy, Family

47 Metascore

Larry spans the globe, uniting favorite and new characters while embarking on an epic quest to save the magic before it's gone forever.

Director: Shawn Levy | Stars: Ben Stiller, Robin Williams, Owen Wilson, Dick Van Dyke

Votes: 135,602 | Gross: $113.75M

Producer: Chris Columbus Executive Producer/Unit Production Manager: Mary McLaglen Executive Producer/1st Ass't Director: Josh McLaglen Executive Producer: Dan Levine Cinematographer: Guillermo Navarro ASC Production Designer: Martin Whist Film Editor: Dean Zimmerman ACE Composer/Conductor: Alan Silvestri Production VFX Supervisor: Eric Nash Costume Designer: Marlene Stewart 2nd Assistant Director: Maria Battle-Campbell Co-Producer/Production VFX Producer: Blondel Aidoo Associate Producer: Rand Geiger Stunt Coordinator/2nd Unit Director: Brad Martin Production Supervisor: Adrienne Sol Supervising Art Director: Greg Berry A-Camera Operator: David Crone B-Camera Operator: Andy Wilson ACO C-Camera Operator/2nd Unit DoP: Mathias Herndl Aerial Unit DoP: John Marzano Production VFX Producer: Jennifer Meislohn VFX Production Supervisors: Serge Riou, William Marlett, Viet Luu On-Set VFX Surveyor: Stephen Chan On-Set VFX Coordinator: Sam Kim Add'l VFX Producer: Monnette Dubin DI Supervising Colorist: Skip Kimball DI Editor: Nicholas Hasson Gaffer: David Lee Ass't Costume Designer: Jennifer Starzyk Production SFX Coordinator: Stephen Hamilton Picture Car Coordinator: Richard Mayencourt MPC VFX Supervisor: Seth Maury MPC VFX Producer: Laura Schultz MPC 2D Effects Supervisor: Jan Dubberke MPC DFX Supervisor: Mo Sohby MPC Animation Supervisor: Ferran Domenech Method Studios VFX Supervisor: Chad Wiebe Method Studios VFX Producer: Genevieve West Method Studios Animation Supervisor: Erik-Jan De Boer Method Studios CG Supervisor: Andrew McPhillips Method Studios Compositing Supervisor: Arek Komorowski Method Studios Creature Supervisor: James Jacobs Digital Domain Senior VFX Supervisor: Swen Gillberg Digital Domain VFX Supervisor: Lou Pecora Digital Domain VFX Producer: Gayle Munro Digital Domain Add'l VFX Producer: David Fox Digital Domain DFX Supervisor: Paul George Palop Digital Domain Animation Supervisor: Jan Philip Cramer Digital Domain CG Supervisor: Tim Nassauer Lola VFX Supervisor: Edson Williams Lola VFX Compositing Supervisor: Dan Bartolucci Lola VFX Compositor: Jeremiah Sweeney Lola VFX Digital Compositor: Drew Huntley Lola VFX Artist: Josh Singer Lola VFX Digital Matte Painter: Rob Olsson Lola VFX Producer: Allison Paul Lola VFX Executive VFX Producer: Thomas Nittmann Zoic Studios VFX Consultant: Syd Dutton Score Orchestrator: Mark Graham Score Coordinator: Dave Bifano Score Production Assistant: James Findlay Score Mixer/Recordist: Dennis S. Sands 2nd Unit Camera Operator: Mark Chow 2nd Unit Gaffer: Jesse Keay UK Unit Production Manager: Brian Donovan UK Unit Art Director: Richard Selway UK Unit A-Camera/Steadicam Operator: Vince McGahon ACO UK Unit B-Camera Operator: Malcom John McLean UK Unit Gaffer: Chuck Finch UK Unit Rigging Gaffer: Tommy Finch UK Unit Stunt Coordinator: Steve Dent UK Unit VFX Production Supervisor: Tracey Gibbons UK Unit VFX Coordinator: Joana Santana Powell NY Unit Art Director: Henry Dunn NY Unit Set Decorator: Karin Wiesel NY Unit A-Camera Operator: Bruce MacCallum NY Unit B-Camera/Steadicam Operator: Larry McConkey SOC NY Unit Aerial Camera Operator/Director of Photography: Brian Heller NY Unit Gaffer: William Almeida NY Unit SFX Coordinator: Fred Buchholz NY Unit SFX Technician: Chris Jordan Filming Dates: 27 January 2014 - May 2014 Camera: Red Epic Dragon (5K/6K Redcode RAW) Lenses: Angenieux Optimo Zooms AR: 1.85:1 (Super 35mm) Budget: 127 Million USD Printed on: Kodak Vision 2383 Distributed by: Walt Disney Studios Motion Pictures Visual Effects Provided by: Moving Picture Company, Digital Domain, Lola VFX, Zoic Studios & Method Studios Attribute: Lens & Red Dragon Camera Provided by SIM Video

15. Stranger Things (2016–2025)
Episode: Chapter Three: Holly, Jolly (2016)

TV-14 | 51 min | Drama, Fantasy, Horror

An increasingly concerned Nancy looks for Barb and finds out what Jonathan's been up to. Joyce is convinced Will is trying to talk to her.

Director: Shawn Levy | Stars: Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown

Votes: 23,940

Exec Producers: Shawn Levy, Matt Duffer, Ross Duffer Co-Executive Producer: Iain Paterson Writer/Co-Exec Producer: Jessica Mecklenburg Associate Producer: Rand Geiger Co-Producer: Justin Doble Cinematographer: Tod Campbell Production Designer: Chris Trujillo Episode Editor: Kevin D. Ross ACE Composers: Kyle Dixon, Michael Stein Casting: Carmen Cuba CSA Staff Writer: Jessie Nickson-Lopez Unit Production Manager: Timothy Lonsdale 1st Assistant Director: Maria Battle Campbell 2nd Assistant Director: Michael J. Musteric Costume Designers: Kimberly Adams, Malgosia Turzanska Costume Supervisor: Cameron Doyle A Camera Operator: Bob Gorelick B Camera Operator: Jeff Crumbley SOC A Camera 1st Assistant: Clyde E. Bryan B Camera 1st Assistant: Jason Lancour A Camera 2nd Assistant: Jamie Pair B Camera 2nd Assistant: Nelson Moncada Production VFX Supervisor: Marc Kolbe Visual Effects Co-Supervisor: Rob Weaver Post-Prod Supervisor: Joshua Kohl Hegmann 1st Assistant Editor: Katheryn Naranjo Post-Production Coordinator: Casey Cichocki Post-Production Assistant: Max Fisher Music Supervisor: Nora Felder Art Director: William Davis Ass't Art Director: John Snow Set Decorator: Jess Royal Art Dept. Coordinator: Lauren Lebow Production Coordinator: Carol Ann Thomas Ass't Prod Coordinator: Ali Simoneau 2nd 2nd Assistant Director: Simeon Jones Add'l 2nd Assistant Director: Franchesca Winters Supervising Prop Master: Lynda Reiss Assistant Prop Master: Amanda Ward Set Designers: Peter Clemens, Rob Nagy, Justin Trudeau Graphic Designer: Heath Hancock DIT: Nick Hiltgen DI Supervising Colorist: Skip Kimball DI Finishing Editor: Tashi Trieu DI Finishing Producer: Nancy Fuller Dailies Colorist: Chris Giuffrida Sound Designer: Craig Henighan Supervising Sound Editor: Brad North Re-Recording Mixers: Joe Barnett, Adam Jenkins Music Editor: David Klotz Gaffer: Daniel Murphy Rigging Gaffer: Steven Walker Production SFX Coordinator: Caius Man Production SFX Foreman: Gene Jake Whitney SFX Shop Foreman: Nicholas Coleman Stunt Coordinator: Cal Johnson Supervising Location Manager: Tony Holley Casting Associate: Wittney Horton CSA Picture Car Coordinator: Elvin D. Moore Imaginary Forces Creative Director: Michelle Doughtey Spec Mo CFX Supervisor: Mike Elizalde Spec Mo CFX Consultant: Mary Elizalde Spec Mo Production Supervisor: Mark Viniello Spec Mo Lead Animatronic Designer: Mark Setrakian Filming Dates: 25 September 2015 - January 2016 (Entire First Season) Camera: Red Epic Dragon (6K Redcode RAW) Lenses: Leitz Summilux-C Spherical Primes AR: 2.00:1 (3-Perf Super 35mm) Costume Design & Visual Effects Provided by: The Aaron Sims Company VFX Visual Effects Provided by: Gradient Effects & CoSA VFX Digital Intermediate Services Provided by: Technicolor Main Titles Designed by: Imaginary Forces Creature Effects Created by: Spectral Motion

16. Stranger Things (2016–2025)
Episode: Chapter Four: The Body (2016)

TV-14 | 49 min | Drama, Fantasy, Horror

Refusing to believe Will is dead, Joyce tries to connect with her son. The boys give Eleven a makeover. Jonathan and Nancy form an unlikely alliance.

Director: Shawn Levy | Stars: Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown

Votes: 23,522

Exec Producer/"Morgue Worker" Actor: Shawn Levy Co-Executive Producer: Iain Paterson Exec Producers: Matt Duffer, Ross Duffer Writer/Co-Producer: Justin Doble Associate Producer: Rand Geiger Co-Producer: Alison Tatlock Cinematographer: Tod Campbell Production Designer: Chris Trujillo Episode Editor: Dean Zimmerman ACE Composers: Michael Stein, Kyle Dixon Casting: Carmen Cuba CSA Staff Writer: Jessie Nickson-Lopez Unit Production Manager: Tim Lonsdale 1st Assistant Director: Maria Battle Campbell 2nd Assistant Director: Michael J. Musteric Costume Designers: Kimberly Adams, Malgosia Turzanska Costume Supervisor: Cameron Doyle Costume Coordinator: Josielyn Works A Camera Operator: Bob Gorelick B Camera Operator: Jeff Crumbley SOC A Camera 1st Assistant: Clyde E. Bryan B Camera 1st Assistant: Jason Lancour A Camera 2nd Assistant: Jamie Pair B Camera 2nd Assistant: Nelson Moncada Production VFX Supervisor: Marc Kolbe Visual Effects Co-Supervisor: Rob Weaver Post-Production Supervisor: Josh Kohl Hegmann 1st Assistant Editor: Nathaniel Fuller Post-Production Assistant: Casey Cichocki Post-Production Assistant: Max Fisher Music Supervisor: Nora Felder Art Director: William Davis Assistant Art Director: John Snow Set Decorator: Jess Royal Art Dept. Coordinator: Lauren Lebow Production Coordinator: Carol Ann Thomas Assistant Production Coordinator: Ali Simoneau 2nd 2nd Assistant Director: Simeon Jones Add'l 2nd Assistant Director: Franchesca Winters Supervising Prop Master: Lynda Reiss Assistant Property Master: Amanda Ward Set Designers: Peter Clemens, Rob Nagy, Justin Trudeau Graphic Designer: Heath Hancock DIT: Nick Hiltgen DI Supervising Colorist: Skip Kimball DI Finishing Editor: Tashi Trieu DI Finishing Producer: Nancy Fuller Dailies Colorist: Chris Giuffrida Sound Designer: Craig Henighan Supervising Sound Editor: Brad North Re-Recording Mixers: Joe Barnett, Adam Jenkins Music Editor: David Klotz Gaffer: Daniel Murphy Rigging Gaffer: Jonathan Hilton Production SFX Coordinator: Caius Man Production SFX Foreman: Gene Jake Whitney SFX Shop Foreman: Nicholas Coleman Stunt Coordinator: Cal Johnson Supervising Location Manager: Tony Holley Casting Associate: Wittney Horton CSA Picture Car Coordinator: Elvin D. Moore Imaginary Forces Creative Director: Michelle Doughtey Filming Dates: 25 September 2015 - January 2016 (Entire First Season) Camera: Red Epic Dragon (6K Redcode RAW) Lenses: Leitz Summilux-C Spherical Primes AR: 2.00:1 (3-Perf Super 35mm) Visual Effects Provided by: Gradient Effects, CoSA VFX & WOW Industries Digital Intermediate Services Provided by: Technicolor Main Titles Designed by: Imaginary Forces

17. Stranger Things (2016–2025)
Episode: Chapter Three: The Pollywog (2017)

TV-14 | 51 min | Drama, Fantasy, Horror

Dustin adopts a strange new pet, and Eleven grows increasingly impatient. A well-meaning Bob urges Will to stand up to his fears.

Director: Shawn Levy | Stars: Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown

Votes: 19,696

Exec Producers: Shawn Levy, Matt Duffer, Ross Duffer Writer/Producer: Justin Doble Producer: Rang Geiger Casting: Carmen Cuba CSA Cinematographer: Tod Campbell Production Designer: Chris Trujillo Episode Editor: Kevin D. Ross ACE Composers: Michael Stein, Kyle Dixon Associate Producer: Emily Morris Executive Story Editor: Jessie Nickson-Lopez Staff Writers: Paul Dichter, Kate Trefry Unit Production Manager: Timothy Lonsdale 1st Assistant Director: Tudor Jones Key 2nd Assistant Director: John R. Bonaccorse Production Supervisor: Paula Kramer Senior VFX Supervisor: Paul Graff Senior VFX Producer: Christina Graff Costume Designer: Kim Wilcox Ass't Costume Designer: Kelsey Ettman Costume Supervisor: Amanda Steeley Bankins Costume Coordinator: Taylor Addison A Camera/Steadicam Operator: Bob Gorelick B Camera Operator: Jeff Crumbley SOC A Camera 1st Assistant: Mary F. Stankiewicz B Camera 1st Assistant: Jason Lancour A Camera 2nd Assistant: Angela Bremner B Camera 2nd Assistant: Nelson Moncada Senior Concept Illustrator: Michael Maher Jr Associate VFX Producer: Andrea Knoll Associate VFX Producer & Sr Compositor: Fred Raimondi Production VFX Coordinators: Tessa Roehl, Chloe Lipp VFX Data Wrangler (ATL): Robert C. Rhodes VFX Production Assistant (ATL): Taylor Kyles DMPs & Concepts Designer: Steven Messing Post-Production Supervisor: Josh Kohl Hegmann Production VFX Editor: Matthew G. Carson 1st Assistant Editor: Katheryn Naranjo VFX 1st Assistant Editor: John M. Vitale VFX 2nd Assistant Editor: Antonia De Barros Post-Production Coordinator: Miki Matteson Post-Production Ass't: Jeremy Vincent Coman Music Supervisor: Nora Felder Music Coordinator: Lauren Fay Levy Art Director: Sean Brennan Assistant Art Director: John Snow Set Decorator: Jess Royal Art Dept. Coordinator: Michelle Caruso Production Coordinator: Carol Ann Thomas Assistant Production Coordinator: Ali Simoneau 2nd 2nd Assistant Director: David Champion Add'l 2nd Assistant Director: Franchesca Winters Key Set Production Assistant: Clayton Thompson Supervising Prop Master: Lynda Reiss Assistant Prop Master: Amanda Ward Set Designers: Rob Nagy, Kevin Crooks Graphic Designer: Heath Hancock Set Dec Coordinator: Jessica Baker DI Supervising Colorist: Skip Kimball DI Finishing Editor: Carrie Oliver DI Finishing Producer: Nancy Fuller Dailies Colorist: Chris Giuffrida Sound Designer: Craig Henighan Sound Supervisor: Brad North Music Editor: David Klotz Score Mixing Engineer: Joseph Postiglione Gaffer: Daniel Murphy Rigging Gaffer: Jonathan Hilton Production SFX Coordinator: Caius Man Special Effects Set Foreman: JJ Madaris Special Effects Shop Foreman: Nick Coleman Stunt Coordinator: Lonnie R. Smith Jr Supervising Location Manager: Tony Holley Casting (ATL): Tara Feldstein Bennett CSA, Chase Paris CSA Hydraulx VFX Executive Producer: Greg Strause Hydraulx VFX Supervisor: Joel Sevilla Hydraulx VFX Producer: CJ Cole Hydraulx CG Supervisor: Chun Seong Ng Hydraulx 2D Supervisor: Gregory Watkins Hydraulx Prod Coordinators: Seun Faleke, Tara Khan, Eric Jacobo, Joanna Lui, Krystal Montoya, Darren Spence, Ian Hopperton Hydraulx Editors: Chad Van Horn, Josiah Zavala Atom Fic VFX Supervisor: Seth Hill Atom Fic VFX Executive Producer: Marc Sadeghi Atom Fic VFX Producer: Jenna Kerr Atom Fic Comp Dept. Supervisor: Woei Hsi Lee Atom Fic Comp Leads: Antoine Wibaut, Viviane Lavesque-Bouchard Atom Fic Asset Supervisor: Seth Cobb Atom Fic Assoc. Prod Manager: Barbara Lopez Saenz Atom Fic VFX Coordinators: Richard Allan-Smith, Jared Keesing, Sara Titanic Atom Fic CG Generalist: Nicolas Duchesneau Tsimiklis Atom Fic Lookdev & Lighting Lead Artist: Kate McFadden Atom Fic FX Lead: James Kirk Atom Fic FX Artist: Maxime Beliveau Atom Fic Matchmove Lead: Kenny Yong Atom Fic VFX Lead Editor: Erick Leos Vitality VFX Executive Producer: Guy Botham Vitality VFX Supervisor: Loeng Wong-Savun Vitality VFX Senior Producer: Rebecca West Vitality VFX Producer: Edward Churchwood Vitality VFX Digital Production Manager: Joyce Au Vitality VFX Editor: Diego Manssur Camera: Red Weapon Helium (8K Redcode RAW) Lenses: Leitz Summilux-C Spherical Primes AR: 2.00:1 (3-Perf Super 35mm) Digital Intermediate Services & Additional Visual Effects Provided by: Technicolor Main Titles Designed by: Imaginary Forces Special Visual Effects & Animation Provided by: Hydraulx, Atomic Fiction, Vitality VFX, Eight VFX & CoSA VFX Pollywog Design Provided by: The Aaron Sims Company

18. Stranger Things (2016–2025)
Episode: Chapter Four: Will the Wise (2017)

TV-14 | 46 min | Drama, Fantasy, Horror

An ailing Will opens up to Joyce -- with disturbing results. While Hopper digs for the truth, Eleven unearths a surprising discovery.

Director: Shawn Levy | Stars: Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown

Votes: 19,449

Exec Producers: Shawn Levy, Matt Duffer, Ross Duffer Co-Writer: Paul Dichter Producers: Rand Geiger, Justin Doble Casting: Carmen Cuba CSA Cinematographer: Tod Campbell Production Designer: Chris Trujillo Episode Editor: Nat Fuller Composers: Michael Stein, Kyle Dixon Associate Producer: Emily Morris Executive Story Editor: Jessie Nickson-Lopez Staff Writer: Kate Trefry Unit Production Manager: Timothy Lonsdale 1st Assistant Director: Tudor Jones Key 2nd Assistant Director: John R. Bonaccorse Production Supervisor: Paula Kramer Senior VFX Supervisor: Paul Graff Senior VFX Producer: Christina Graff Costume Designer: Kim Wilcox Ass't Costume Designer: Kelsey Ettman Costume Supervisor: Amanda Steeley Bankins Costume Coordinator: Taylor Addison A Camera/Steadicam Operator: Bob Gorelick B Camera Operator: Jeff Crumbley SOC A Camera 1st Assistant: Mary F. Stankiewicz B Camera 1st Assistant: Jason Lancour A Camera 2nd Assistant: Angela Bremner B Camera 2nd Assistant: Nelson Moncada Senior Concept Illustrator: Michael Maher Jr Associate VFX Producer: Andrea Knoll Associate VFX Producer & Sr Compositor: Fred Raimondi Production VFX Coordinators: Tessa Roehl, Chloe Lipp VFX Data Wrangler (ATL): Robert C. Rhodes VFX Production Assistant (ATL): Taylor Kyles DMPs & Concepts Designer: Steven Messing Post-Production Supervisor: Josh Kohl Hegmann Production VFX Editor: Matthew G. Carson 1st Assistant Editor: Casey Cichocki VFX 1st Assistant Editor: John M. Vitale VFX 2nd Assistant Editor: Antonia De Barros Post-Production Coordinator: Miki Matteson Post-Production Ass't: Jeremy Vincent Coman Music Supervisor: Nora Felder Music Coordinator: Lauren Fay Levy Art Director: Sean Brennan Assistant Art Director: John Snow Set Decorator: Jess Royal Art Dept. Coordinator: Michelle Caruso Production Coordinator: Carol Ann Thomas Assistant Production Coordinator: Ali Simoneau 2nd 2nd Assistant Director: David Champion Add'l 2nd Assistant Director: Franchesca Winters Key Set Production Assistant: Clayton Thompson Supervising Prop Master: Lynda Reiss Assistant Prop Master: Amanda Ward Set Designers: Rob Nagy, Kevin Crooks Graphic Designer: Heath Hancock Set Dec Coordinator: Jessica Baker DI Supervising Colorist: Skip Kimball DI Finishing Editor: Carrie Oliver DI Finishing Producer: Nancy Fuller Dailies Colorist: Chris Giuffrida Sound Designer: Craig Henighan Sound Supervisor: Brad North Music Editor: David Klotz Gaffer: Daniel Murphy Rigging Gaffer: Jonathan Hilton Production SFX Coordinator: Caius Man Special Effects Set Foreman: JJ Madaris Special Effects Shop Foreman: Nick Coleman Stunt Coordinator: Lonnie R. Smith Jr Supervising Location Manager: Tony Holley Casting (ATL): Tara Feldstein Bennett CSA, Chase Paris CSA Hydraulx VFX Executive Producer: Greg Strause Hydraulx VFX Supervisor: Joel Sevilla Hydraulx VFX Producer: CJ Cole Hydraulx CG Supervisor: Chun Seong Ng Hydraulx 2D Supervisor: Gregory Watkins Hydraulx Prod Coordinators: Seun Faleke, Tara Khan, Eric Jacobo, Joanna Lui, Krystal Montoya, Darren Spence, Ian Hopperton Hydraulx Editors: Chad Van Horn, Josiah Zavala Atom Fic VFX Supervisor: Seth Hill Atom Fic VFX Executive Producer: Marc Sadeghi Atom Fic VFX Producer: Jenna Kerr Atom Fic Comp Dept. Supervisor: Woei Hsi Lee Atom Fic Comp Leads: Antoine Wibaut, Viviane Lavesque-Bouchard Atom Fic Asset Supervisor: Seth Cobb Atom Fic Assoc. Prod Manager: Barbara Lopez Saenz Atom Fic VFX Coordinators: Richard Allan-Smith, Jared Keesing, Sara Titanic Atom Fic CG Generalist: Nicolas Duchesneau Tsimiklis Atom Fic Lookdev & Lighting Lead Artist: Kate McFadden Atom Fic FX Lead: James Kirk Atom Fic FX Artist: Maxime Beliveau Atom Fic Matchmove Lead: Kenny Yong Atom Fic VFX Lead Editor: Erick Leos Vitality VFX Executive Producer: Guy Botham Vitality VFX Supervisor: Loeng Wong-Savun Vitality VFX Senior Producer: Rebecca West Vitality VFX Producer: Edward Churchwood Vitality VFX Digital Production Manager: Joyce Au Vitality VFX Editor: Diego Manssur Crafty Apes VFX Supervisor: Chris LeDoux Crafty Apes Comp Supervisor: Steve Dinozzi Crafty Apes VFX Producer: Wes Dorough Camera: Red Weapon Helium (8K Redcode RAW) Lenses: Leitz Summilux-C Spherical Primes AR: 2.00:1 (3-Perf Super 35mm) Digital Intermediate Services Provided by: Technicolor Main Titles Designed by: Imaginary Forces Special Visual Effects & Animation Provided by: Hydraulx, Atomic Fiction, Vitality VFX, Crafty Apes & Eight VFX Pollywog Design Provided by: The Aaron Sims Company VFX

19. Stranger Things (2016–2025)
Episode: Chapter Three: The Case of the Missing Lifeguard (2019)

TV-14 | 49 min | Drama, Fantasy, Horror

With El and Max looking for Billy, Will declares a day without girls. Steve and Dustin go on a stakeout, and Joyce and Hopper return to Hawkins Lab.

Director: Shawn Levy | Stars: Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown

Votes: 20,169

Exec Producers: Shawn Levy, Matt Duffer, Ross Duffer Writer/Co-Producer: William Bridges Producer: Rand Geiger Co-Executive Producer: Curtis Gwinn Casting: Carmen Cuba CSA Co-Producer: Paula Kramer Cinematographer: Lachlan Milne ASC ACS Production Designer: Chris Trujillo Episode Editor: Nat Fuller Composers: Michael Stein, Kyle Dixon Associate Producer: Emily Morris Story Editors: Paul Dichter, Kate Trefry Unit Prod Manager: Brandon O'Neil Leonard 1st Assistant Director: Tudor Jones Key 2nd Assistant Director: John R. Bonaccorse Senior VFX Supervisor: Paul Graff Production VFX Producers: Gayle Busby, Thomas Ford Costume Designer: Amy Parris Assistant Costume Designer: Karen Freed Costume Supervisor: Shea Masterson Costume Coordinator: Kenya Morgan A Camera Operator: Bob Gorelick B Cam/Steadicam Op: Brian Warden Nordheim A Camera 1st Assistant: Angela Bremner B Camera 1st Assistant: Trevor James White A Camera 2nd Assistant: Matthew Kelly Jackson B Camera 2nd Assistant: Nelson Moncada Senior Concept Illustrator: Michael Maher Jr Visual Effects Co-Producer: Andrea Knoll Production VFX Compositors: Eduardo Anton, Stephen Morton, Brian Sales VFX Production Manager: Tessa Roehl Senior VFX Coordinator: Chloe Lipp Production VFX Data Wranglers: Andy Prescott, Taylor Kyles VFX Production Assistant: Gabrielle Levesque Post-Production Supervisor: Josh Kohl Hegmann Production VFX Editor: Brad Tobler 1st Assistant Editor: Casey Cichocki VFX 1st Assistant Editor: Antonia De Barros VFX 2nd Assistant Editor: Miki Matteson Post-Production Coord: Jeremy Vincent Coman Post-Production Assistant: Sophia Y. Wang Music Supervisor: Nora Felder Art Director: Sean Brennan Assistant Art Director: John Snow Set Decorator: Jess Royal Assistant Set Decorator: Amy Darsey Art Dept. Coordinator: Michelle Caruso Production Coordinator: Carol Ann Thomas Assistant Production Coordinator: Ali Simoneau 2nd 2nd Assistant Director: Brittney Diaz Additional 2nd Assistant Director: AJ Bruno Key Set Production Assistant: Cam Everson Supervising Prop Master: Matt Marks Set Designers: Rog Nagy, Kevin Crooks, Thomas Machin Graphic Designer: Heath Hancock Set Dec Coordinator: Tracy Breyfogle DI Supervising Finishing Colorist: Ship Kimball DI Finishing Producers: Patrick M. Allen, Hershel Cohen EFilm/CO3 Senior Finishing Artist: Tashi Trieu EFilm/CO3 President: Stefan Sonnenfeld ASC Dailies Colorist: Nicholas Winkelmann Dailies Producer: Scott Salamon Sound Supervisors & Re-Recording Mixers: Craig Henighan, William Files Re-Recording Mixer: Mark Paterson Dialogue Supervisor: Ryan Cole ADR Supervisor: Kerry Dean Williams Music Editor: David Klotz Score Mixing Engineer: Carlos Ramirez Gaffer: Daniel Murphy Rigging Gaffer: Jonathan Hilton Lead Greens Supervisor: Ronnie Rox Oxford Lead Greens Sup. (Mall Location): Hunter Simms Production SFX Coordinator: Caius Man Special Effects Set Foreman: Andi Sowers Special Effects Shop Engineer: Nick Coleman Production Buyer (Special Effects): Lacy Cavins Stunt Coordinator: Hiro Koda Supervising Location Manager: Tony Holley Key ALM/Location Coordinator: Haley Billue Casting (ATL): Tara Feldstein Bennett CSA, Chase Paris CSA Assistant to Shawn Levy: Michael Zussman Assistant to Shawn Levy (ATL): Michelle Caron Picture Car Coordinator: Elvin D. Moore Jr Picture Car Captain: David R. Latham Crafty Apes VFX Supervisor: Steven Dinozzi Crafty Apes VFX Producer: Wes Dorough Crafty Apes DMP Artist: Brandon Kachel Crafty Apes 2D VFX Artist: Andy Byrne BOT VFX Supervisor: Hetal Jain BOT VFX Associate Producer: Swetha Madapuri Filming Dates: 23 April 2018 - 12 November 2018 (Entire Third Season) Camera: Red Weapon Monstro (8K Redcode RAW) Lenses: Leitz Thalia Spherical Primes AR: 2.00:1 (3-Perf Super 35mm) Digital Intermediate Color Finishing Provided by: EFilm/Company 3 Main Titles Designed by: Imaginary Forces Visual Effects Provided by: Crafty Apes, BOT VFX

20. Stranger Things (2016–2025)
Episode: Chapter Four: The Sauna Test (2019)

TV-14 | 52 min | Drama, Fantasy, Horror

A code red brings the gang back together to face a frighteningly familiar evil. Karen urges Nancy to keep digging, and Robin finds a useful map.

Director: Shawn Levy | Stars: Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown

Votes: 21,611

Exec Producers: Shawn Levy, Matt Duffer, Ross Duffer Writer/Story Editor: Kate Trefry Producer: Rand Geiger Co-Executive Producer: Curtis Gwinn Casting: Carmen Cuba CSA Co-Producer & Prod Supervisor: Paula Kramer Cinematographer: Lachlan Milne ASC ACS Production Designer: Chris Trujillo Episode Editor: Dean Zimmerman ACE Composers: Michael Stein, Kyle Dixon Associate Producer: Emily Morris Co-Producer: William Bridges Story Editor: Paul Dichter Unit Prod Manager: Brandon O'Neil Leonard 1st Assistant Director: Tudor Jones Key 2nd Assistant Director: John R. Bonaccorse Senior VFX Supervisor: Paul Graff Production VFX Producers: Gayle Busby, Thomas Ford Costume Designer: Amy Parris Assistant Costume Designer: Karen Freed Costume Supervisor: Shea Masterson Costume Coordinator: Kenya Morgan A Camera Operator: Bob Gorelick B Cam/Steadicam Op: Brian Warden Nordheim A Camera 1st Assistant: Angela Bremner B Camera 1st Assistant: Trevor James White A Camera 2nd Assistant: Matthew Kelly Jackson B Camera 2nd Assistant: Nelson Moncada Senior Concept Illustrator: Michael Maher Jr Visual Effects Co-Producer: Andrea Knoll Production VFX Compositors: Eduardo Anton, Stephen Morton, Brian Sales VFX Production Manager: Tessa Roehl Senior VFX Coordinator: Chloe Lipp Production VFX Data Wranglers: Andy Prescott, Taylor Kyles VFX Production Assistant: Gabrielle Levesque Post-Production Supervisor: Josh Kohl Hegmann Production VFX Editor: Brad Tobler 1st Assistant Editor: Katheryn Naranjo VFX 1st Assistant Editor: Antonia De Barros VFX 2nd Assistant Editor: Miki Matteson Post-Production Coord: Jeremy Vincent Coman Post-Production Assistant: Sophia Y. Wang Music Supervisor: Nora Felder Art Director: Sean Brennan Assistant Art Director: John Snow Set Decorator: Jess Royal Assistant Set Decorator: Amy Darsey Art Dept. Coordinator: Michelle Caruso Production Coordinator: Carol Ann Thomas Assistant Production Coordinator: Ali Simoneau 2nd 2nd Assistant Director: Brittney Diaz Additional 2nd Assistant Director: AJ Bruno Key Set Production Assistant: Cam Everson Supervising Prop Master: Matt Marks Set Designers: Rog Nagy, Kevin Crooks, Thomas Machin Graphic Designer: Heath Hancock Set Dec Coordinator: Tracy Breyfogle DI Supervising Finishing Colorist: Ship Kimball DI Finishing Producers: Patrick M. Allen, Hershel Cohen EFilm/CO3 Senior Finishing Artist: Tashi Trieu EFilm/CO3 President: Stefan Sonnenfeld ASC Dailies Colorist: Nicholas Winkelmann Dailies Producer: Scott Salamon Sound Supervisors & Re-Recording Mixers: Craig Henighan, William Files Re-Recording Mixer: Mark Paterson Dialogue Supervisor: Ryan Cole ADR Supervisor: Kerry Dean Williams Music Editor: David Klotz Score Mixing Engineer: Carlos Ramirez Gaffer: Daniel Murphy Rigging Gaffer: Jonathan Hilton Lead Greens Supervisor: Ronnie Rox Oxford Lead Greens Sup. (Mall Location): Hunter Simms Production SFX Coordinator: Caius Man Special Effects Set Foreman: Andi Sowers Special Effects Shop Engineer: Nick Coleman Production Buyer (Special Effects): Lacy Cavins Stunt Coordinator: Hiro Koda Supervising Location Manager: Tony Holley Key ALM/Location Coordinator: Haley Billue Casting (ATL): Tara Feldstein Bennett CSA, Chase Paris CSA Assistant to Shawn Levy: Michael Zussman Assistant to Shawn Levy (ATL): Michelle Caron Picture Car Coordinator: Elvin D. Moore Jr Picture Car Captain: David R. Latham Spin VFX Executive Producer: Neishaw Ali Spin VFX Supervisor: Mo Ghorbankarimi Spin VFX Sup. VFX Producers: Geo Macri, Mandy Lariviere Spin VFX Coordinator: Courtney Osborne Spin VFX CG Producer: Chris Cox Spin VFX CG Coordinator: Lucy Robert Spin VFX CG Supervisors: Mark Krentz, Mahsa Ghorbankarimi Spin VFX Creature Art Director: Cesar Dacol Jr Spin VFX Head of Compositing: Eric Doiron Spin VFX Comp Supervisor: Andy Scott Spin VFX FX Supervisor: Tim Sibley Spin VFX Animation Supervisor: Peter Giliberti Spin VFX Lead Lighting Artist: Inna Itkin Spin VFX Look Dev Lead: James Chretien Spin VFX T&S Supervisor: Ryan Cromie Spin VFX Lead Matte Painter: Nick Perrotta Spin VFX Layout Supervisor: Chris Ankli Spin VFX Editorial Supervisor: Brian Zhang Spin VFX IO Supervisor: Brandon Terry Rodeo FX VFX Supervisor: Martin Pelletier Rodeo FX VFX Producer: Valerie Clement Rodeo FX VFX Project Manager: Sara Bourque Rodeo FX VFX Coordinators: Amelie Tremblay, Marie Clemence, Eugenie Pigeonnier Rodeo FX VFX Prod Ass't: Izaroze Neron Gauthier Rodeo FX VFX Editors: Celine Zapater, Francois Poirier Rodeo FX CG Supervisors: Xavier LaFarge, Raph Letertre Rodeo FX Animation Supervisor: Yvon Jardel Rodeo FX Comp Supervisor: Charles Labbe Rodeo FX Lead Modeling Artist: Mathieu Phaneuf Rodeo FX Lead Layout Artist: Conal Wenn Rodeo FX Lead FX Artist: Nathan Arbuckle Crafty Apes VFX Supervisor: Steven Dinozzi Crafty Apes VFX Producer: Wes Dorough Crafty Apes DMP Artist: Brandon Kachel Crafty Apes 3D VFX Artist: Andy Byrne Filming Dates: 23 April 2018 - 12 November 2018 (Entire Third Season) Camera: Red Weapon Monstro (8K Redcode RAW) Lenses: Leitz Thalia Spherical Primes AR: 2.00:1 (3-Perf Super 35mm) Digital Intermediate Color Finishing Provided by: EFilm/Company 3 Main Titles Designed by: Imaginary Forces Visual Effects Provided by: Spin VFX, Rodeo FX, Crafty Apes, CVD VFX & BOT VFX

21. Free Guy (2021)

PG-13 | 115 min | Action, Adventure, Comedy

62 Metascore

When Guy, a bank teller, learns that he is a non-player character in a bloodthirsty, open-world video game, he goes on to become the hero of the story and takes the responsibility of saving the world.

Director: Shawn Levy | Stars: Ryan Reynolds, Jodie Comer, Taika Waititi, Lil Rel Howery

Votes: 426,413 | Gross: $121.63M

Producers: Shawn Levy, Ryan Reynolds, Greg Berlanti Screenwriter: Zak Penn Co-Writer: Matt Lieberman Executive Producer & UPM: Mary McLaglen Executive Producer & Key 1st AD: Josh McLaglen Cinematographer: George Richmond BSC Cinematographer (Add'l Photog): Jo Willems ASC SBC Production Designer: Ethan Tobman Film Editor: Dean Zimmerman ACE Co-Producers: Dan Cohen, Rand Geiger Production Visual FX Supervisor: Swen Gillberg Production Visual Effects Producer: Viet Luu Composer: Christophe Beck Costume Designer: Marlene Stewart Key 2nd Assistant Director: Josy Capkun Supervising Stunt Coordinator/2nd Unit Director: Chris O'Hara Aerial Unit Helicopter Pilot: Ben Skorstad Fight & 2nd Unit Stunt Coordinator: Freddy Bouciegues Stunt Rigging Coordinator: Randy Beckman Ryan Reynolds Stunt Double: Daniel Stevens Production Supervisor: Scott A. Elias Supervising Art Director: Beat Frutiger Art Director: Stephen Cooper Set Designers: Ron Mason, Tony Raymond, Chris Ward Set Decorator: Leslie Rollins A Camera/Steadicam Operator: Peter Rosenfeld B Cam Operators: Maurice Keith McGuire SOC, Patrick Ruth Add'l Camera Operator: Kevin McGill Aerial Unit DoP: Dylan Goss Drone Unit Camera Operator: Jon Graham Prop Master: David Gulick Supervising Sound Editor/Re-Recording Mixer: Craig Henighan Re-Recording Mixer: Paul Massey Associate Visual Effects Editor: Michael T. Marlett 2nd Visual Effects Producer: Robert Evans Visual FX On-Set & 2nd Unit Supervisor: Felix Pomeranz Production Visual FX Consultant: Sheldon Smith Production VFX Coordinator: Margaret Cardell Visual FX Production Coordinator: Matt Magnolia Visual FX Assistant Coordinator: Charlie Lehmer Production VFX Data Wranglers: Ron Underdahl, Tim Donlevy Visual Effects Unit DoP: Stanley Fernandez Jr MoCap Stunt Coordinator: Don Thai Theerathada Live-Action Previz Supervisor: Mik Luxon Gaffer: Frans Weterrings III Rigging Gaffer: David Cambria Production Special FX Supervisor: Daniel Sudick Production SFX Foremen: Joel Mitchell, Steven C. Ficke Picture Car Coordinator: Tim R. Woods Gaming Consultant: Mike Mika Scanline VFX Supervisor: Bryan Grill Scanline VFX Producer: Lisa Spence Scanline VFX Assoc. VFX Supervisor: Laurent Taillefer Scanline VFX Assoc. VFX Producer: Syed Arafath Apsar Scanline VFX Comp Supervisors: Andy Chang, Micah Gallagher Scanline VFX CG Supervisors: Mathew Praveen, Matthew Novak Scanline VFX Effects Supervisor: Hannes Krieger Scanline VFX Head of 2D: Nick Crew Scanline VFX Head of Digital Prod: Cindy Khoo Scanline VFX Senior Compositor: Erik Johnson Scanline VFX DFX Supervisor: Ryo Sakaguchi ILM Senior Visual Effects Supervisor: Russell Earl ILM Lead Visual Effects Supervisor: Paolo Acri ILM Senior Composite Supervisor: Walter Gilbert ILM Senior CG Supervisor: Barry Kane ILM Executive VFX Producer: Laurence Berkani ILM Senior Visual FX Producer: Josiane Fradette ILM Assoc. Production Manager: Karolina O'Brien ILM Supervising Digital Artists: Michael James Allen, Kah Jeng Cheong ILM Supervising Modeler: Tey Kai Guan Nicholas ILM Lead Roto/Paint Artist: Sheau Horng Ng ILM Supervising Animator: Wong Joe ILM FX Supervisor: Goncalo Cabaca ILM CG Lighting Supervisor: David Fish ILM Postviz/Layout Supervisor: Goran Kocov ILM Surfacing Supervisor: Katrina Tung ILM Environments Supervisor: Cao Ye ILM Director of Public Relations: Greg Grusby ILM Exec in Charge of VFX: Luke Hetherington ILM VFX Executive Producer: Gretchen Libby ILM VP of Marketing: Luke O'Byrne ILM Creative Director & VFX Supervisor: Nigel Sumner DD3.0 Senior VFX Supervisor: Nikos Kalaitzidis DD3.0 Senior DFX Supervisor: Scott Edelstein DD3.0 Assoc. DFX Supervisor: Eric Kasanowski DD3.0 Senior VFX Producer: Crys Forsyth-Smith DD3.0 Digital VFX Producer: Kelly Shin DD3.0 Senior Animation Supervisor: Liz Bernard DD3.0 CG Supervisors: Dave Cunningham, Attila Szalma, Bob White Digital Domain 3.0 Comp Lead: Viv Jim Digital Domain 3.0 Mocap 1st AD: Ajae Clearway DD3.0 Executive VFX Producer: Karey Maltzahn DD3.0 VFX Executive Producer: Joni Jacobson Lola VFX Supervisor: Cliff Welsh Lola VFX Editor: John Polyson Lola VFX Light Rig Operator: Patrick Flannery Lola VFX Producers: Allison Paul, Aileen Mu Raynault VFX Supervisor: Sylvain Theroux Raynault VFX CG Supervisor: Stephane Morin Raynault VFX Sr Comp Supervisor: Vince Poitras Raynault VFX Producer: Jacinthe Cote Raynault VFX Line Producer: Josiane O'Roarke Raynault VFX Coordinator: Amelie Thomas Raynault VFX Art Directors: Mathieu Raynault, Yanick Dusseault Raynault VFX Exec Producer: Charlene Eberle Cantina VFX Design Supervisor: Nate Jess Cantina Compositing Supervisor: Tony Lupoi Cantina Sr Creative Supervisor: Stephen Lawes Cantina VFX Executive Producer: Sean Cushing Cantina VFX Producer: Donna Cullen Halon Previz Supervisors: Ryan A. McCoy, Kenny DiGiordano Halon Previz Artists: Zachary 'Zack' Wong, Grant Olin Halon Visualization Artist: Spencer Kelsey EFilm|CO3 Senior Finishing Colorist: Skip Kimball Supervising Finishing Producer: Hershel Cohen Sr Finishing Supervisors: Vanessa Galvez, Kelsea Williams EFilm|CO3 Finishing Editor: Tashi Trieu EFilm|CO3 Head of Production: Chris Taft EFilm|CO3 CEO: Stefan Sonnenfeld ASC EC3 Dailies Colorist: Ben Estrada Stereo D Stereographers: Jeremy P. Carroll, Nick Brown Stereo D Prod Coordinators: Adam Dodd, Bret Ootes Stereo D Assistant Stereo PM: Amanda Viveiros Stereo D Assistant Depth Supervisor: Dane Wylie Stereo D Depth Lead: George Church Stereo D|CO3 Dept. Manager: Guy Gonsalves Head of Music Prod & Preparation: Mark Graham 2nd Unit DoP: Tim Wooster 2nd Unit 1st Assistant Director: Jayson Merrill 2nd Unit 2nd Ass't Director: David Eric Chapman 2nd Unit 2nd 2nd Assist Director: Timothy LaDue 2nd Unit Stunt Coordinator: Randy Beckman 2nd Unit A Camera Operator: Chris Duskin 2nd Unit B Camera Op: Lawrence Karman SOC 2nd Unit Add'l B Camera Operator: Dan Mason 2nd Unit C Camera Operator: Tom Fitzgerald 2nd Unit Gaffer: Philip F. Darrell 2nd AD (Add'l Photography): Matt Haggerty Set Decorator (Add'l Photog): Kimberly Leonard B Cam Operator (Add'l Photog): Steve Matzinger Gaffer (Add'l Photography): Len Levine Rigging Gaffer (Add'l Photog): Rodger Meilink SFX Supervisor (Add'l Photog): Jeremy Hays 2nd 2nd AD (Add'l Photography): Philip Banks Filming Dates: 14 May 2019 - 31 July 2019 Cameras: Alexa 65, Mini & SXT Plus (2.8K/3.4K/6.5K ARRIRAW) Lenses: Panavision Sphero 65 Primes, E-, G-, T-Series Anamorphic Primes, Ultra Speed Golden Anamorphic Primes & Anamorphic Zooms AR: 2.39:1 (Anamorphic: Real World Scenes)(Panavision Super 70: Free City Scenes) Main Visual Effects & Animation Provided by: Industrial Light & Magic, Lola VFX, Scanline VFX + Digital Domain 3D Conversion Provided by: Stereo D Distributed by: Walt Disney Studios Motion Pictures Color & Finish Provided by: EFilm|Company 3 Attribute: Filmed in Panavision

22. The Adam Project (2022)

PG-13 | 106 min | Action, Adventure, Comedy

55 Metascore

After accidentally crash-landing in 2022, time-traveling fighter pilot Adam Reed teams up with his 12-year-old self for a mission to save the future.

Director: Shawn Levy | Stars: Ryan Reynolds, Walker Scobell, Mark Ruffalo, Jennifer Garner

Votes: 231,850

Producers: Shawn Levy, Ryan Reynolds Writers: Jonathan Tropper, TS Nowlin Writers/Exec Producers: Jennifer Flackett, Mark Levin Exec Producer/Unit Prod Manager: Mary McLaglen Exec Producer/Key 1st Ass't Dir: Josh McLaglen Exec Producers: Dan Levine, Dan Cohen Cinematographer: Tobias Schliessler ASC Production Designer: Claude Paré Film Editors: Dean Zimmerman ACE, Jonathan Corn ACE Costume Designer: Jenny Eagan Composer: Rob Simonsen Composer (Add'l Music): Taylor Lipari-Hassett Music Supervisor: Maggie Phillips Production VFX Supervisor: Alessandro Ongaro Co-Producer: Rand Geiger Associate Producer/Production VFX Supervisor: Cari Thomas Unit Production Manager: Adrienne Sol Key 2nd Ass't Director: Ashley Bell Supervising Stunt Coordinator/2nd Unit Director: Brian Smrz Stunt Coordinator: James M. Churchman Co-Stunt Coordinator: Mike Mitchell Fight Coord/Ryan Reynolds Stunt Double: Alexander Kyshkovich Production Supervisor: Eva Morgan Supervising Art Director: Helen Jarvis Art Directors: Grant Van Der Slagt, Chris Beach, Eli Best, Peter Bodnarus, Craig Humphries Set Decorator: Elizabeth Wilcox Ass't Set Decorator: Michael Billings Set Dec Coordinator: Britt Bancroft Art Dept. Coordinator: Dallas Mitev A-Camera/Steadicam Operator: Sasha Proctor SOC B-Camera Operator: Matthew Tichenor A-Camera 1st Assistant: Patrick Stepien B-Camera 1st Assistant: Preston Cook A-Camera 2nd Assistant: Frankie Sharpe B-Camera 2nd Assistant: Rodrigo Carcamo Parga Digital Imaging Technician: Simon Jori Digital Utility Technician: Abiel Yohannes A-Camera Trainee: Justine Robert Supervising Prop Master: Dean Eilerston Video Coordinator: Lance White Video Assistant: Jeffrey Bjorgum 24FPS Technician: Gladys Tong Supervising Sound Editor & Re-Recording Mixer: Craig Henighan MPSE CAS Re-Recording Mixer: Mark Paterson Production VFX Editors: Michael Thomas Marlett, Danny Ramirez 1st Assistant Editors: Mikki Levi, Katheryn Naranjo 2nd Assistant Editor: Samantha Lerman Add'l VFX Editor: Christopher Rucinski Post-Production Coordinator: Michael Zussman Editorial Office Assistant: Sierra Shephard Music Editor: Daniel DiPrima 2nd VFX Supervisor: Erik Nash VFX Associate Producer: Adam LaGattuta Senior VFX Coordinator: Alisha Lam Production VFX Coordinators: Derek Fortuna, James Cochrane, Chris Antonini 2nd Unit VFX On-Set Supervisor: Blaine Lougheed VFX Lead Data Wrangler: Steven Tether Production VFX Data Wranglers: Paula Zulkoskey, Max Noel VFX Ass't Data Wrangler: Tyler Gould VFX On-Set Production Assistant: Paula Noella Production Previz Editor: Brad Tobler Dialogue & ADR Supervisor: Ryan Cole Dialogue Editor: Polly McKinnon Sound Designers: Angelo Palazzo, Dave Grimaldi Gaffer: Stuart Haggerty Rigging Gaffer: Sean Oxenbury Key Rigging Grip: David McIntosh Stunt Office Coordinator: Kimberley Sutton Supervising Location Manager: Ann Goobie Location Scout: Joel Hurley Trainee Ass't Location Manager: Adam Terryberry Production SFX Supervisor: Cameron Waldbauer SFX Office Coordinator: Cara E. Anderson SFX On-Set Supervisor: Brad Zehr SFX Shop Foreman: Andrew Sculthorp SFX Gimbal Technician: Andrew Verhoeven Production SFX Rigger: Kevin Willis Production SFX Machinist: Kevin Waldbauer SFX 3D Modeler: Paul Brassard Picture Car Coordinator: Tom Katinic Picture Car Office Coordinator: Jessica Hoyles-Vicent Picture Car Mechanic Fabricator: Andy Smith Picture Car SFX Ass't Fabricators: Randy Parks, Ken Reynolds 2nd Assistant Director: Scott Kukurudz 3rd Assistant Director: Silver Butler Trainee Ass't Director: Chris Morris Safety Consultant: Sarah Sparks H&S Supervisor: Maureen McGrath H&S Manager: Bruce L. Brownstein H&S Coordinator: Chloe Smyth Covid Testing Coordinator: Jessica Fox Covid Screening Coordinator: Mia Kaye Libra Head Technician: Chris Cove Score Conductor: Anthony Parnther Score Orchestrator: Peter Bernstein Head of Music Preparation: Booker White Score Mixer & Recordist: Scott Michael Smith Digital Score Recordist: Larry Mah 2nd Unit DoP: Jonathan Taylor ASC Unit Production Manager (2nd Unit): Warren Carr 2nd Unit 1st Ass't Director: Richard Cowan 2nd Unit Key 2nd Ass't Dir: Eddy Santos 2nd Unit Prop Master: Heather Murray 2nd Unit A-Camera Operator: Chris Wiseman 2nd Unit B-Camera Operator: Steve Krasznai 2nd Unit C-Camera Operator: Glen A. Dickson 2nd Unit A-Camera 1st Ass't: Timothy Robin Spencer 2nd Unit B-Camera 1st Ass't: Scott Cozens 2nd Unit C-Camera 1st Ass't: Cyntha Greer 2nd Unit A-Camera 2nt Ass't: Jacob Slovak 2nd Unit B-Camera 2nd Ass't: Kang Park 2nd Unit DIT: Brian Scholz 2nd Unit Camera Trainee: Anthony Kinsella 2nd Unit Video Coordinator: David Joshi 2nd Unit Gaffer: Peter S. Smith 2nd Unit Set Supervisor: Chelsea Cox 2nd Unit Truck Supervisor: Kevin Harrison 2nd Unit SFX Coordinator: Tom Blacklock Sr 2nd Unit SFX Lead: Eric Vrba 2nd Unit SFX Technician: Mat Snider 2nd Unit 2nd Ass't Director: Brad Medhurst 2nd Unit 3rd Ass't Director: Megan Schaufele Unit Prod Manager (Add'l Photography): Samantha Dyer 1st Ass't Director (Add'l Photography): Jeff Lazar Key 2nd Ass't Dir (Add'l Photography): Cody Maher Aerial Unit Helicopter Pilot: Fred North Aerial Unit DoP: Dylan Goss Aerial Unit Camera Technician: Eric Dvorsky Aerial Unit Coordinator: Ben Skorstad Aerial Unit A-Camera Operator: Brad McGregor Scanline VFX Supervisor: Nick Crew Scanline VFX Add'l VFX Supervisors: Boris Schmidt, Nicolas Aithadi Scanline VFX Producer: Ryan Flick Scanline VFX Associate VFX Producer: Melissa Olsen Scanline VFX Add'l On-Set VFX Supervisor: Sue Rowe Scanline VFX CG Supervisors: Ioan Boieriu, Julien Forest Scanline VFX Comp Supervisors: Alan Stucchi, Brennan Prevatt, Harimander Khalsa Scanline VFX FX Supervisor: Ivan Prvulj Scanline VFX Digital Prod Managers: Erika Young Storz, Jessica LeClair, Katrina Koeun Kim Scanline VFX Sr Management: Cindy Khoo, Joel Mendias, Lisa K. Spence, Paul Kolsanoff, Scott Miller, Stephan Trojansky DNEG Senior VFX Supervisor: Alexander Seaman DNEG Senior VFX Producer: Mike Duffy DNEG Show Supervisors: Dan Pastore, Gruff Owen, Tom Edwards, George Murphy, Nick Hanks, Carlos Miras Sepulveda, Cliff Brett, Oba Ameziane-Hassani DNEG VFX Executive Producer: Antonella Ferrari DNEG VFX Prod Managers: Lisa Hansen Priscilla Tan DNEG VFX Editors: Sam Perkins, Harikrishna Dubey Lola VFX Supervisor: David Hernandez Lola VFX Producer: William Wright Anderson Lola VFX Coordinators: Jack Dorst, Katherine Meadows Lola VFX Editor: Jacob Metcalf Lola VFX Unit DoP: Patrick Flannery Supervixen Creative Leads: Morton Rowley, Daniel Bavell Supervixen VFX Producer: Ian Johnson Supervixen Lighting & Look Dev TD: George Psomas Supervixen Animation/Modeling Sup: Andy Sutton Supervixen FX Artist: Ferry Tawsin Supervixen Comp Supervisors: James Hughes Bertie Popov Digital Domain Head of Visualization Dept.: Scott Meadows Digital Domain Previz Supervisor: Jason Donnelly Digital Domain Previz Prod Manager: Andrew Zeko Digital Domain Previz Artist (Shot Creator): Cameron Ward Proof Visualization Supervisors: David Drury Allen, Ranko Tadic Proof Visualization Producer: Patrice Avery Proof Production Supervisor: Carrie A. Carnevale Proof Visualization Leads: Andrew McDonell, Austin Taylor, Theresa Ellis Rygiel, Jamie E. Riveros Producer (Unity): Ron Martin DI Senior Finishing Colorist: Skip Kimball DI Finishing Producers: Herschel Cohen, Jared Arkulary DI Finishing Editor: Ray Ruotolo CO3 Data I/O Supervisors: Jesse Garcia, Mike Furey CO3 Account Manager: Sheryl Goodhead DI Executive Finishing Producer: Stefan Sonnenfeld ASC End Titles Designer: Casey Hasson CO3 Dailies Colorist: Matt Wells CO3 Dailies Producer: Marigna Bright CO3 Dailies Coordinator: Kaitlyn Troung CO3 Dailies Operator: : Quin Voth CO3 Head of Production: Caroline Simpson CO3 VP of Sales: Lindsay E. Donovan Filming Dates: 18 November 2020 - 8 March 2021 Camera: Alexa Mini LF (4.5K ARRIRAW) Lenses: Arri Supreme Primes AR: 2.39:1 (3-Perf Super 35mm) Visual Effects Provided by: Double Negative, Lola VFX & Scanline VFX Visualization Services Provided by: Digital Domain & Proof Digital Intermediate Finishing Provided by: Company 3 Attribute: Cameras and Lenses Provided by: Keslow Camera

23. Stranger Things (2016–2025)
Episode: Chapter Three: The Monster and the Superhero (2022)

TV-14 | 63 min | Drama, Fantasy, Horror

Murray and Joyce fly to Alaska, and El faces serious consequences. Robin and Nancy dig up dirt on Hawkins' demons. Dr. Owens delivers sobering news.

Director: Shawn Levy | Stars: Winona Ryder, David Harbour, Millie Bobby Brown, Finn Wolfhard

Votes: 19,984

Exec Producers: Shawn Levy, Matt Duffer, Ross Duffer Co-Writer: Caitlin Schneider Han Producers: Rand Geiger, Kate Trefry, Paul Dichter Casting: Carmen Cuba CSA Cinematographer: Brett Jutkiewicz Cinematographers (Add'l Photog): Lachlan Milne ASC ACS NZCS, Caleb Heymann Cinematographer (VFX Plates; Lithuania Unit): Razaka Firmager Production Designer: Chris Trujillo Episode Editors: Dean Zimmerman ACE, Nat Fuller Composers: Michael Stein, Kyle Dixon Composer (Add'l Music)/Music Editor: Dave Klotz Co-Producer & Key 1st AD: Tudor Jones Co-Producer: Paula Kramer Associate Producer: Joshua Kohl Hegmann Unit Production Manager: Liz Brandenburg 2nd Assistant Director: John Bonaccorse Production VFX Supervisor: Michael Maher Jr Production VFX Producers: Lee Prainsack, Terron Pratt Add'l VFX Supervisors: Martin Pelletier, Marion Spates Associate Visual Effects Supervisor: Sean Ames Associate Visual Effects Producer: Ashley J. Ward Costume Designer: Amy Parris Costume Supervisor: Pam Aaron A Camera/Steadicam Operator: Nick Muller SOC B Camera Operator: Jeremy Curtis A Camera 1st Assistant: Glenn Kaplan B Camera 1st Assistant: Jason Lancour A Camera 2nd Assistant: Nelson Moncada B Camera 2nd Assistant: Brittany Hickey Visual Effects Marketing Producer: Adam Chazen VFX Prod Managers: Jacqueline Vandenbussche, Jared Higgis Production VFX Coordinators: Jamaica Walden, Hai Ba Trung, Clyde Kim, Tara Shoemaker Assistant VFX Coordinator: Gabriella Camirand Visual Effects Production Assistant: Erica Faundo Production Visual Effects Compositor: Troy Davis Additional VFX On-Set Supervisor: Jean-Francois Ferland Visual FX On-Set Coordinator: Breanna Adams Production Data Wranglers (Visual FX): Gabrielle Levesque, Colin Hennessy Junior Data Wrangler (Visual FX): Aidan Arnault Production LIDAR Technician (VFX): Ian Bruneau VFX On-Set Prod Assistants: Jameel Karim, Bill Panos Production VFX Editors: Michael Thomas Marlett, Brad Tobler 1st Assistant Visual Effects Editor: Clark Higgis 2nd Assist VFX Editor: Claudia Guerrero-Zalokar Additional Episode Editor: Casey Cichocki 1st Assistant Editor: Debbie Tennant 2nd Assistant Editor: Shane Moran Post Production Assistant: Sierra Shephard Music Supervisor: Nora Felder Supervising Art Director: Sean Brennan 2nd Art Director: John Snow 1st Assistant Art Director: Chris Yoo 2nd Assistant Art Director: Eric Johnson Set Decorator: Jess Royal 1st Assistant Set Decorator: Amy Darsey Art Department Coordinator: Addie Babcock Art Dept. Production Assistant: Tanner Trujillo Set Dec Coordinator: Jessica Baker Production Supervisor: Sawyer Williams Production Coordinator: Patty Harrington 2nd 2nd Assistant Director: Zack Earl Edwards AUPM: Dawnn Pavlonnis Key Office Production Assistant: David Albahae Supervising Prop Master: Niko Zahlten 1st Assistant Prop Master: Joey Pipas Supervising Props Buyer: Katie Boaen Props Buyer (ABQ): Lisa Corradino Prop Dept. Production Assistant: Sarah Waldrop CO3 DI Supervising Digital Colorist: Skip Kimball CO3 DI Senior Finishing Producer: Jared Arkulary CO3 DI Finishing Producer: Caroline Chadbourne CO3 Senior Executive Producer: Ananda Reavis CO3 Associate Finishing Producer: Kayla Arendts CO3 Senior Finishing Editor: Ray Ruotolo CO3 Additional Finishing Editor: Craig Price CO3 President & EFP: Stefan Sonnenfeld ASC CO3 Sr Dailies Colorist: Nicholas Winkelmann CO3 Dailies Colorist: Conrado Moreno CO3 Dailies Producer: Scott Salamon CO3 Flame Artist: Matt Welch Sound Supervisors & Re-Record Mixers: William Files, Craig Henighan Re-Recording Mixer: Mark Paterson Dialogue Supervisor: Ryan Cole Gaffer: Bob Bates Rigging Gaffer: Jonathan Hilton Production Special FX Coordinator: Jack Lynch Production Special FX Foreman: Richard E. Perry Production SPFX Engineer: Frank Mac McKeever Production Special Effects Buyer: Lacy Cavins Special Effects Shop Technician: Matt Lee Special Effects Set Foreman: Nate Cavins Stunt Coordinator: Hiro Koda Supervising Location Manager: Tony Holley Production Location Manager: Kyle A. Carey Location Coordinator: Haley Billue Location Scout: Erin G. Fuller Casting (ATL): Tara Feldstein Bennett CSA, Chase Paris CSA Production Script Supervisor: Melissa Yount Production Script Coordinator: Max Reinhard Script Supervisor (ABQ): Any Holliday Sobin Dialect Consultant: Lena Glikson Picture Car Coordinator: Dustin Hornsby Health & Safety Supervisor: Lori Thompson Health & Safety Manager: Allen J. Fambrough Health & Safety Coordinator: Melissa Slizewski Unit PM (Albuquerque Unit): Catherine McCabe Albuquerque Unit 1st Assistant Dir.: John Rusk Albuquerque Unit ACD: Brianna Murphy ABQ Unit A Cam/Steadicam Op: Dave Emmerichs SOC ABQ Unit B Camera Op: Tim Sutherland SOC ABQ Unit A Cam 1st Assistant: Sebastian Vega ABQ Unit B Cam 1st Assist: Ron Peterson Albuquerque Unit A Cam 2nd Asst.: Arlen Cooke ABQ Unit B Cam 2nd Assistant: John R. Hamilton Albuquerque Unit Gaffer: Jay Douglas Kemp Albuquerque Unit SFX Coord.: Scott Hastings Albuquerque Unit Loc Manager: John J. Lucas Albuquerque Unit Key Loc Asst.: Stephen Hanson Casting (NM; ABQ Unit): Marie McMaster CSA ABQ Unit Pic Car Coordinator: Chris DeGuzman Lithuania Unit A Cam/Steady Op: Pete Cavaciuti ACO Lithuania Unit B Cam Op-Drone Visual Watcher: Audrius Burdys Lithuania Unit Add'l Camera Op: Julius Siciunas Lithuania Unit Add'l VFX Supervisor: Thom Hullin Lithuania Unit Drone A Cam Op: Jonas Burnikcis Rodeo FX Visual Effects Supervisor: Julius Hery Rodeo FX Visual Effects Producer: Antoine Sitruk Rodeo FX CG Supervisor: Francois Couette Rodeo FX Composite Supervisor: Karim El-Masry Rodeo FX VFX Prod Manager: Marie-Pier Barrette Rodeo FX VFX Executive Producer: Jordan Soles Rodeo FX President & CEO: Sebastien Moreau Rodeo FX Asset Supervisor: Philip Harris-Genois Rodeo FX Animation Supervisor: Scott Winthrop Rodeo FX Environ. Supervisor: Manuel Gaudreau Rodeo FX Supervisor: Sylvain Noveau Scanline VFX Supervisor: Justin Mitchell Scanline VFX Producer: Brett Dowler Scanline VFX CG Supervisor: Filippo Forno Scanline VFX Composite Supervisor: Norbert Ruf Scanline VFX Effects Supervisor: Jiayin Wang Scanline VFX Dig. Prod Manager: Melissa Ziefflie Scanline VFX Comp Lead: Daniel Wennerholm ILP Visual Effects Supervisor: Niklas Jacobson ILP VFX Executive Producer: Mans Bjorklund ILP VFX Production Manager: Natalia Skipper ILP Visual Effects Coordinator: Tess Neumann ILP CG Supervisor: Jess Lindgren ILP Build Supervisor: Adrian Tsang ILP Animation Supervisor: Nicklas Andersson ILP Effects Lead: Maxine Marline ILP Lighting Supervisor: Kenny Vahakari ILP Lighting Lead: Andrej Blom ILP Compositing Supervisor: Niklas Nyqvist ILM Compositing Lead: Hamed Bank ILP Prep Supervisor: Biljana Temelkova SSVFX Visual FX Supervisors: Ed Bruce, James O'Hagan SSVFX Visual FX Exec Producer: Eric Kohler SSVFX Visual FX Producer: Nicholas Murphy SSVFX Visual FX Assoc. Producer: Johhni Kha SSVFX Visual FX Coordinator: Shaunagh Edwards SSVFX Visual FX Prod Assts.: Robbie Loughran, Kate Gibbs SSVFX Compositing Supervisor: Robert Hartigan SSVFX Compositing Lead: Ronan Gantly SSVFX Head of 3D: Manuel Martinez SSVFX CG Supervisor: Patrick Finn Crafty Apes Visual FX Supervisor: Steve Dinozzi Crafty Apes Visual FX Producer: Wes Dorough Crafty Apes Compositing Supervisor: Dan Pastor Crafty Apes CG Supervisor: Jon Balcome Crafty Apes CG Production Manager: David Hirsh Crafty Apes Visual Effects Coord.: Tiffany Herzog Crafty Apes Visual Effects Editor: Heather Taylor Crafty Apes IO Coordinator: Sonny Hedrick Crafty Apes Head of Studio: Mark Ledoux Crafty Apes Exec Producers: Chris Ledoux, Matt Akey Crafty Apes 2D Artists: Brandon Burzawa, Ndosi Anyabwile, Joe Dinozzi, Ryan McConnell Crafty Apes FX Artists: Andy Byrne, Joseph Scarr TR VFX Supervisor: Jeff Goldman TR VFX Producer: Richard Ivan Mann TR VFX Coordinator: Lauren Wise TR VFX Executive Producer: Phillip Moses Jelly Pics VFX Supervisors: Jonathan Cheetham, Rich Thomas Jelly Pics Senior Producer: Alessandra Aucello Jelly Pics Head of Visual FX: Matthew Bristowe Jelly Pics Executive Producer: Luke Dodd Jelly Pics Compositing Supervisor: Jason Hayes Jelly Pics CG Supervisor: Ross Gilbert Jelly Pics Head of Layout & Match: Chris Carne Jelly Pics Line Producer: Mira Valcheva Jelly Pics Paint & Roto Supervisor: Ben Johnston Jelly Pics Effects Lead: Ruslan Shaov Jelly Pics Compositing Lead: Daan Spruijt Supervixen Creative Leads: Daniel Bavell, Morten Rowley Supervixen Visual Effects Producer: Ian Johnson Supervixen CG Lead: George Psomas MARZ VFX Prod Execs: Lon Molnar, Jonathan Bronfman, Matthew Panousis MARZ VFX Supervisor: Ryan Freer MARZ VFX Head of Compositing: Yash Godwa MARZ VFX Comp Leads: Anoop Ashokan, Keaton Cardoza MARZ VFX Executive Producer: Alex Nisker MARZ VFX Producer: Kevin Maliakal MARZ VFX Production Manager: Armit Dhinsa MARZ VFX Comp Artists: Jarrett Marshall, Kevin Pendergast MARZ VFX Prod Coordinator: Hayden Gallagher Cadence FX Visual FX Supervisor: Craig Crawford Cadence FX Visual FX Producer: Jeremy Beadell Cadence FX 2D Supervisor: Rob Liscombe Cadence FX 3D Supervisor: Travis Pinsonnault Filming Dates: February 2020 - 16 March 2020 (Pre-Covid), 28 September 2020 - September 2021 (Entire Third Season) Cameras: Alexa LF & Mini LF (4.5K ARRIRAW) Lenses: Arri DNA LF Primes AR: 2.00:1 (3-Perf Super 35mm) Budget: 30 Million USD Digital Intermediate Finishing & Dailies Provided by: Company 3 Main Titles Designed by: Imaginary Forces Visual Effects Provided by: Rodeo FX, Scanline VFX, Important Looking Pirates, SSVFX, Crafty Apes, The Resistance VFX, Jellyfish Pictures, Supervixen, MARZ VFX Cadence FX

24. Stranger Things (2016–2025)
Episode: Chapter Four: Dear Billy (2022)

TV-14 | 78 min | Drama, Fantasy, Horror

Max is in grave danger - and running out of time. A patient at Pennhurst Asylum has visitors. Elsewhere, in Russia, Hopper is hard at work.

Director: Shawn Levy | Stars: Winona Ryder, David Harbour, Millie Bobby Brown, Finn Wolfhard

Votes: 37,506

Exec Producers: Shawn Levy, Matt Duffer, Ross Duffer Writer/Producer: Paul Dichter Special Guest Star: Robert Englund Producers: Rand Geiger, Kate Trefry Casting: Carmen Cuba CSA Producer & Unit Prod Manager: Lampton Enochs Cinematographer: Brett Jutkiewicz Cinematographers (Add'l Photog): Lachlan Milne ASC ACS NZCS, Caleb Heymann Cinematographer (VFX Plates; Lithuania Unit): Razaka Firmager Production Designer: Chris Trujillo Episode Editor: Dean Zimmerman ACE Composers: Michael Stein, Kyle Dixon Co-Producer & Key 1st AD: Tudor Jones Co-Producer: Paula Kramer Associate Producer: Joshua Kohl Hegmann Unit Production Manager: Liz Brandenburg 2nd Assistant Director: John Bonaccorse Production VFX Supervisor: Michael Maher Jr Production VFX Producers: Lee Prainsack, Terron Pratt Add'l VFX Supervisors: Martin Pelletier, Marion Spates Associate Visual Effects Supervisor: Sean Ames Associate Visual Effects Producer: Ashley J. Ward Costume Designer: Amy Parris Costume Supervisor: Pam Aaron A Camera/Steadicam Operator: Nick Muller SOC B Camera Operator: Jeremy Curtis A Camera 1st Assistant: Glenn Kaplan B Camera 1st Assistant: Jason Lancour A Camera 2nd Assistant: Nelson Moncada B Camera 2nd Assistant: Brittany Hickey Visual Effects Marketing Producer: Adam Chazen VFX Prod Managers: Jacqueline Vandenbussche, Jared Higgis Production VFX Coordinators: Jamaica Walden, Hai Ba Trung, Clyde Kim, Tara Shoemaker Assistant VFX Coordinator: Gabriella Camirand Visual Effects Production Assistant: Erica Faundo Production Visual Effects Compositor: Troy Davis Additional VFX On-Set Supervisor: Jean-Francois Ferland Visual FX On-Set Coordinator: Breanna Adams Production Data Wranglers (Visual FX): Gabrielle Levesque, Colin Hennessy Junior Data Wrangler (Visual FX): Aidan Arnault Production LIDAR Technician (VFX): Ian Bruneau VFX On-Set Prod Assistants: Jameel Karim, Bill Panos Production VFX Editors: Michael Thomas Marlett, Brad Tobler 1st Assistant Visual Effects Editor: Clark Higgis 2nd Assist VFX Editor: Claudia Guerrero-Zalokar Additional Episode Editor: Casey Cichocki 1st Assistant Editor: Debbie Tennant 2nd Assistant Editor: Shane Moran Post Production Assistant: Sierra Shephard Music Supervisor: Nora Felder Supervising Art Director: Sean Brennan 2nd Art Director: John Snow 1st Assistant Art Director: Chris Yoo 2nd Assistant Art Director: Eric Johnson Set Decorator: Jess Royal 1st Assistant Set Decorator: Amy Darsey Art Department Coordinator: Addie Babcock Art Dept. Production Assistant: Tanner Trujillo Set Dec Coordinator: Jessica Baker Production Supervisor: Sawyer Williams Supervising Prop Master: Niko Zahlten 1st Assistant Prop Master: Joey Pipas Supervising Props Buyer: Katie Boaen Props Buyer (ABQ): Lisa Corradino Prop Dept. Production Assistant: Sarah Waldrop CO3 DI Supervising Digital Colorist: Skip Kimball CO3 DI Senior Finishing Producer: Jared Arkulary CO3 DI Finishing Producer: Caroline Chadbourne CO3 Senior Executive Producer: Ananda Reavis CO3 Associate Finishing Producer: Kayla Arendts CO3 Senior Finishing Editor: Ray Ruotolo CO3 Additional Finishing Editor: Craig Price CO3 President & EFP: Stefan Sonnenfeld ASC CO3 Sr Dailies Colorist: Nicholas Winkelmann CO3 Dailies Colorist: Conrado Moreno CO3 Dailies Producer: Scott Salamon CO3 Flame Artist: Matt Welch Sound Supervisors & Re-Record Mixers: William Files, Craig Henighan Re-Recording Mixer: Mark Paterson Dialogue Supervisor: Ryan Cole Music Editor: David Klotz Music Editor/Dialect Consultant: Lena Glikson Score Mixing Engineer: Carlos Ramirez Gaffer: Bob Bates Rigging Gaffer: Jonathan Hilton Production Special FX Coordinator: Jack Lynch Production Special FX Foreman: Richard E. Perry Production SPFX Engineer: Frank Mac McKeever Production Special Effects Buyer: Lacy Cavins Special Effects Shop Technician: Matt Lee Special Effects Set Foreman: Nate Cavins Stunt Coordinator: Hiro Koda Supervising Location Manager: Tony Holley Production Location Manager: Kyle A. Carey Location Coordinator: Haley Billue Location Scout: Erin G. Fuller Casting (ATL): Tara Feldstein Bennett CSA, Chase Paris CSA Production Script Supervisor: Melissa Yount Production Script Coordinator: Max Reinhard Script Supervisor (ABQ): Any Holliday Sobin Picture Car Coordinator: Dustin Hornsby Health & Safety Supervisor: Lori Thompson Health & Safety Manager: Allen J. Fambrough Health & Safety Coordinator: Melissa Slizewski Unit PM (Albuquerque Unit): Catherine McCabe Albuquerque Unit 1st Assistant Dir.: John Rusk Albuquerque Unit ACD: Brianna Murphy ABQ Unit A Cam/Steadicam Op: Dave Emmerichs SOC ABQ Unit B Camera Op: Tim Sutherland SOC ABQ Unit A Cam 1st Assistant: Sebastian Vega ABQ Unit B Cam 1st Assist: Ron Peterson Albuquerque Unit A Cam 2nd Asst.: Arlen Cooke ABQ Unit B Cam 2nd Assistant: John R. Hamilton Albuquerque Unit Gaffer: Jay Douglas Kemp Albuquerque Unit SFX Coord.: Scott Hastings Albuquerque Unit Loc Manager: John J. Lucas Albuquerque Unit Key Loc Asst.: Stephen Hanson Casting (NM; ABQ Unit): Marie McMaster CSA ABQ Unit Pic Car Coordinator: Chris DeGuzman Lithuania Unit A Cam/Steady Op: Pete Cavaciuti ACO Lithuania Unit B Cam Op-Drone Visual Watcher: Audrius Burdys Lithuania Unit Add'l Camera Op: Julius Siciunas Lithuania Unit Add'l VFX Supervisor: Thom Hullin Lithuania Unit Drone A Cam Op: Jonas Burnikcis Rodeo FX Visual Effects Supervisor: Julius Hery Rodeo FX Visual Effects Producer: Antoine Sitruk Rodeo FX CG Supervisor: Francois Couette Rodeo FX Composite Supervisor: Karim El-Masry Rodeo FX VFX Prod Manager: Marie-Pier Barrette Rodeo FX VFX Executive Producer: Jordan Soles Rodeo FX President & CEO: Sebastien Moreau Rodeo FX Asset Supervisor: Philip Harris-Genois Rodeo FX Animation Supervisor: Scott Winthrop Rodeo FX Environ. Supervisor: Manuel Gaudreau Rodeo FX Supervisor: Sylvain Noveau Jelly Pics VFX Supervisors: Jonathan Cheetham, Rich Thomas Jelly Pics Senior Producer: Alessandra Aucello Jelly Pics Head of Visual FX: Matthew Bristowe Jelly Pics Executive Producer: Luke Dodd Jelly Pics Compositing Supervisor: Jason Hayes Jelly Pics CG Supervisor: Ross Gilbert Jelly Pics Head of Layout & Match: Chris Carne Jelly Pics Line Producer: Mira Valcheva Jelly Pics Paint & Roto Supervisor: Ben Johnston Jelly Pics Effects Lead: Ruslan Shaov Jelly Pics Compositing Lead: Daan Spruijt ILP Visual Effects Supervisor: Niklas Jacobson ILP VFX Executive Producer: Mans Bjorklund ILP VFX Production Manager: Natalia Skipper ILP Visual Effects Coordinator: Tess Neumann ILP CG Supervisor: Jess Lindgren ILP Build Supervisor: Adrian Tsang ILP Animation Supervisor: Nicklas Andersson ILP Effects Lead: Maxine Marline ILP Lighting Supervisor: Kenny Vahakari ILP Lighting Lead: Andrej Blom ILP Compositing Supervisor: Niklas Nyqvist ILM Compositing Lead: Hamed Bank ILP Prep Supervisor: Biljana Temelkova SSVFX Visual FX Supervisors: Ed Bruce, James O'Hagan SSVFX Visual FX Exec Producer: Eric Kohler SSVFX Visual FX Producer: Nicholas Murphy SSVFX Visual FX Assoc. Producer: Johhni Kha SSVFX Visual FX Coordinator: Shaunagh Edwards SSVFX Visual FX Prod Assts.: Robbie Loughran, Kate Gibbs SSVFX Compositing Supervisor: Robert Hartigan SSVFX Compositing Lead: Ronan Gantly SSVFX Head of 3D: Manuel Martinez SSVFX CG Supervisor: Patrick Finn TR VFX Supervisor: Jeff Goldman TR VFX Producer: Richard Ivan Mann TR VFX Coordinator: Lauren Wise TR VFX Executive Producer: Phillip Moses DD3.0 Visual Effects Supervisor: Manolo Mantero DD3.0 Visual Effects Producer: Gayle Munro DD3.0 CG Supervisor: Bob White DD3.0 Animation Supervisor: Zi Chao Tan DD3.0 Compositing Supervisor: Viv Jim DD3.0 Digital Prod Manager: Adrianna Granville DD3.0 Lead DPA: Catherine Wong Cadence FX Visual FX Supervisor: Craig Crawford Cadence FX Visual FX Producer: Jeremy Beadell Cadence FX 2D Supervisor: Rob Liscombe Cadence FX 3D Supervisor: Travis Pinsonnault Scanline VFX Supervisor: Justin Mitchell Scanline VFX Producer: Brett Dowler Scanline VFX CG Supervisor: Filippo Forno Scanline VFX Composite Supervisor: Norbert Ruf Scanline VFX Effects Supervisor: Jiayin Wang Scanline VFX Dig. Prod Manager: Melissa Ziefflie Scanline VFX Comp Lead: Daniel Wennerholm MARZ VFX Prod Execs: Lon Molnar, Jonathan Bronfman, Matthew Panousis MARZ VFX Supervisor: Ryan Freer MARZ VFX Head of Compositing: Yash Godwa MARZ VFX Comp Leads: Anoop Ashokan, Keaton Cardoza MARZ VFX Executive Producer: Alex Nisker MARZ VFX Producer: Kevin Maliakal MARZ VFX Production Manager: Armit Dhinsa MARZ VFX Comp Artists: Jarrett Marshall, Kevin Pendergast MARZ VFX Prod Coordinator: Hayden Gallagher NetFX Senior Visual Effects Producer: Isha Nigam NetFX Visual Effects Supervisor: Swapnil Ambre NetFX VFX Production Manager: Sarvesh Amre NetFX Visual FX Line Producer: Anshul Gattani NetFX Production Coordinator: Aarsh Nigam NetFX Paint Supervisor: Sumit Mukherjee NetFX Paint Lead: Pankaj Umbarkar SSVFX CG Supervisor: Patrick Finn Crafty Apes Visual FX Supervisor: Steve Dinozzi Crafty Apes Visual FX Producer: Wes Dorough Crafty Apes Compositing Supervisor: Dan Pastor Crafty Apes CG Supervisor: Jon Balcome Crafty Apes CG Production Manager: David Hirsh Crafty Apes Visual Effects Coord.: Tiffany Herzog Crafty Apes Visual Effects Editor: Heather Taylor Crafty Apes IO Coordinator: Sonny Hedrick Crafty Apes Head of Studio: Mark Ledoux Crafty Apes Exec Producers: Chris Ledoux, Matt Akey Crafty Apes 2D Artists: Brandon Burzawa, Ndosi Anyabwile, Joe Dinozzi, Ryan McConnell Crafty Apes FX Artists: Andy Byrne, Joseph Scarr Filming Dates: February 2020 - 16 March 2020 (Pre-Covid), 28 September 2020 - September 2021 (Entire Third Season) Cameras: Alexa LF & Mini LF (4.5K ARRIRAW) Lenses: Arri DNA LF Primes AR: 2.00:1 (3-Perf Super 35mm) Budget: 30 Million USD Digital Intermediate Finishing & Dailies Provided by: Company 3 Main Titles Designed by: Imaginary Forces Visual Effects Provided by: Rodeo FX, Jellyfish Pictures, Future Works Media, Important Looking Pirates, SSVFX, The Resistance VFX, Digital Domain 3.0, Cadence FX, Scanline VFX, MARZ VFX, NetFX & Crafty Apes

25. Deadpool & Wolverine (2024)

Action, Comedy, Sci-Fi | Post-production

Wolverine is recovering from his injuries when he crosses paths with the loudmouth, Deadpool. They team up to defeat a common enemy.

Director: Shawn Levy | Stars: Ryan Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin

Writer / Producer: Shawn Levy Writers/Executive Producers: Rhett Reese, Paul Werneck Writer / Producer: Ryan Reynolds Writer: Zeb Wells Producer: Kevin Feige Executive Producer / Key First Assistant Director: Josh McLaglen Director of Photography: George Richmond BSC Production Designer: Raymond Chan Costume Designer: Mayes C. Rubeo Co-Producer: Mitchell Bell Music Supervisor: Dave Jordan Casting Director: Sarah Halley Finn CSA Second Unit Director / Supervising Stunt Coordinator: George Cottle Second Assistant Director: Simeon Jones Creative Finishing Supervisor: Evan Jacobs VES Senior Supervising Finishing Artist: Skip Kimball Trainer to Ryan Reynolds: Don Saladino Storyboard / Animatic Artist: Darrin Denlinger Storyboard Artist: William Groebe Blur Studio Visual Effects Supervisor: Tim Miller CO3 Executive Producer: Stefan Sonnenfeld ASC Filming Dates: 24 May 2023 - TBA AR: 2.39:1 Phase: Six Visual Effects & Animation Created by: Wētā FX, Blur Studio, Luma Pictures, Ollin VFX & Soho VFX Color & Finish Provided by: Company 3 Dailies Provided by: Picture Shop On Location Services 3D Conversion Provided by: SDFX Studios Distributed by: Walt Disney Studios Motion Pictures



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