Of course, this film is controversial, but it is mostly, if not completely, factual. It's the DEEP SOUTH, people. That's classic New Orleans. Catholic whores, whipping, swamps, children in the whorehouses, racism, the accent, the voodoo, the attitude, the sexuality. It's all part of the Deep South in the 20th Century. The only things missing are the crawdads and Mardi Gras. And I can understand the bad reviews, but those of you who do not think this is an excellent film do not understand the era nor the neck of the woods.
What I liked about this film is the actuality. There are still actual whores who are 12 or younger. They are in the underbelly of the city, banned from the French Quarter. Of course, the whores portrayed were high-class. They were those one would find on Bourbon Street, although Bourbon's whores are much lower than that now. When Storyville was still running, the Red Light District would promote each slut it had. Even Madame Nell knows to auction off a preteen's virginity is illegal, but it still happened.
I'm glad this film was made. Of course, American directors don't have the guts to display this kind of truth. I understand it may not have been necessary to show Shields nude, but if anyone has read the trivia, it states a large number of young girls turned the role down. Her parents obviously knew what was going to happen and still allowed her to participate. It was a role which not every preteen could portray. Shields was extremely mature and played her part very well. I wouldn't say it's pedophilia. There are some who may find pleasure in a twelve- year-old's lady parts, but Bellocq loved her for her innocence. He even asks her to not speak as a whore.
It's real. It's what actually happened. It's not what would have happened today, but it is truthful. It was a different time in a different place. For instance, Edgar Allan Poe, one of the greatest American writers in history, married his own cousin. This may be strange today, but back then, it may, repeat may, have been common. In Ancient Egypt, pharaohs married their own sisters before their twentieth birthdays. This made more sense, though: they wanted to keep their bloodline pure, and puberty is the time when the body is ready to conceive and reproduce. Therefore, the teen years were originally meant for marriage.
It's not out of pornography that Malle created this film. It's out of truth. It is true. Today, still. The movie showed exactly what all of you who despise this film believe. It took a lot of thought to produce this film. The architecture, the plant life, the community, the underage drinking. From what I've seen and known growing up around the Big Easy, it's all pretty much true. I believe what you dislike is that it actually happened. It's a historical film. It's factual. New Orleans has changed, but there is no escape of the past. The Saints just won the SuperBowl after 43 years of failure. We can't escape the fact that our first playoff game was in 1990, 23 years after the team manifested. We can't escape the fact that Katrina's devastation could have been slimly less grim because those who were too hard-headed to flee stayed and died. We can't escape the fact that we have been the murder capital of the United States. We can escape the fact that we are the murder capital of the United States, but only for the same reason that so many of you are complaining. Times have changed, but those times are forever in history. Times will change again. Fortunately, we weren't too late for the times to change and this movie to never have existed.
What I liked about this film is the actuality. There are still actual whores who are 12 or younger. They are in the underbelly of the city, banned from the French Quarter. Of course, the whores portrayed were high-class. They were those one would find on Bourbon Street, although Bourbon's whores are much lower than that now. When Storyville was still running, the Red Light District would promote each slut it had. Even Madame Nell knows to auction off a preteen's virginity is illegal, but it still happened.
I'm glad this film was made. Of course, American directors don't have the guts to display this kind of truth. I understand it may not have been necessary to show Shields nude, but if anyone has read the trivia, it states a large number of young girls turned the role down. Her parents obviously knew what was going to happen and still allowed her to participate. It was a role which not every preteen could portray. Shields was extremely mature and played her part very well. I wouldn't say it's pedophilia. There are some who may find pleasure in a twelve- year-old's lady parts, but Bellocq loved her for her innocence. He even asks her to not speak as a whore.
It's real. It's what actually happened. It's not what would have happened today, but it is truthful. It was a different time in a different place. For instance, Edgar Allan Poe, one of the greatest American writers in history, married his own cousin. This may be strange today, but back then, it may, repeat may, have been common. In Ancient Egypt, pharaohs married their own sisters before their twentieth birthdays. This made more sense, though: they wanted to keep their bloodline pure, and puberty is the time when the body is ready to conceive and reproduce. Therefore, the teen years were originally meant for marriage.
It's not out of pornography that Malle created this film. It's out of truth. It is true. Today, still. The movie showed exactly what all of you who despise this film believe. It took a lot of thought to produce this film. The architecture, the plant life, the community, the underage drinking. From what I've seen and known growing up around the Big Easy, it's all pretty much true. I believe what you dislike is that it actually happened. It's a historical film. It's factual. New Orleans has changed, but there is no escape of the past. The Saints just won the SuperBowl after 43 years of failure. We can't escape the fact that our first playoff game was in 1990, 23 years after the team manifested. We can't escape the fact that Katrina's devastation could have been slimly less grim because those who were too hard-headed to flee stayed and died. We can't escape the fact that we have been the murder capital of the United States. We can escape the fact that we are the murder capital of the United States, but only for the same reason that so many of you are complaining. Times have changed, but those times are forever in history. Times will change again. Fortunately, we weren't too late for the times to change and this movie to never have existed.