5/10
Great prologue, slow main feature
28 December 2006
Warning: Spoilers
Cecil B. DeMille's original silent version of the Ten Commandments is mostly a heavy-handed morality play set in 1923. The prologue, which runs just over 40 minutes, shows an abbreviated version of the Biblical story of the Exodus. Most of the dialogue is taken from the Bible. Despite the technical limitations of the era, it succeeds as a fast-paced spectacular. The parting of the Red Sea is just as awe-inspiring in its own way as in the remake, and it's always interesting to see how silent actors compensated for the lack of sound with facial expressions and exaggerated gestures. The musical score is fantastic and everything clips along at a nice pace. As with the remake, it's never subtle, but it's never boring, either.

I wish I could say the same about the main part of the feature. After Moses punishes the Hebrews for worshipping the golden calf, the film moves to the present day (1920s). A mother reads to her grown sons from the Bible. The two brothers are basically Goofus and Gallant. From here, everything is completely predictable.

It's well done so that one can overlook the lack of subtlety. DeMille has a very explicit religious message, and he's not above bludgeoning the viewer over the head with it. That was the style of the day, and the limitations of the silent film force a certain amount of overstatement.

However, unlike most films of this period, this one goes on far too long. It's about ninety minutes but seems far longer. The bad son goes out into the world, declaring that he's going to break all 10 Commandments! Naturally, he becomes a successful businessman... while his humble older brother (a carpenter, naturally) tries not to envy him or covet his wife. There's never any doubt about how it's all going to end: DeMille's message is that "the wages of sin is death", but he takes far too long to get there.

The complete film is about 135 minutes, which must have been an epic length for that era. I would have enjoyed it more if the modern story had been trimmed by about 15 minutes.

In his way, DeMille was the forerunner of Mel Gibson. Both are gifted filmmakers with devout religious beliefs --- short on subtlety, heavy on the bloodshed and headlong action. The 1956 remake of Ten Commandments is a spectacular example of epic film-making, and as this 1923 silent original is now included as an extra disc in the DVD, it's worth checking out. I can't imagine wanting to sit through the modern story again, though; I'll probably shut it off once Moses segues off screen.
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