This film deserves a wide audience - and we are constantly reminded what or who is in this world, and what that entails. The story line is simple: two Afghan refugees, dispossessed in their land, struggling to survive (on 1 US $ a day, search for new life in a promised land - either the United Kingdom (London) or the USA.
We are all aware of the prejudice meted out to those of middle Eastern descent by the leaders of these 'first world countries'; we are also aware that war and the rampage of war leads to dog-eats-dog scenario.
Without preaching, the director takes us (through an involvement with the young leads, apparently not trained actors) through this world, moving from Afghanistan, to the East (Iran, Pakistan), and landing in Europe (Turkey, Italy, England).
What struck me throughout was the single-mindedness displayed by the younger actors, as they have to cope with a world at once alien and familiar to them.
There are moments of intense kindness by strangers, balanced by the manipulation of others who are motivated by greed and an unempathetic bureaucracy too.
Acting is naturalistic: there are some brilliant cameo shots - and Winterbottom has achieved a Herculean task; the film comes across as a real, hands-on documentary that is unscripted, and where events unfold before one's eyes.
Aided by voice-overs and a montage of black and white images, this has a feel of historic truth, a sense of actuality about it. I was moved by this film, totally.
It is a cry from the director's soul, and (unfortunately) won't reach the people it should. Refreshing, sensitive and an absolute must-see.
We are all aware of the prejudice meted out to those of middle Eastern descent by the leaders of these 'first world countries'; we are also aware that war and the rampage of war leads to dog-eats-dog scenario.
Without preaching, the director takes us (through an involvement with the young leads, apparently not trained actors) through this world, moving from Afghanistan, to the East (Iran, Pakistan), and landing in Europe (Turkey, Italy, England).
What struck me throughout was the single-mindedness displayed by the younger actors, as they have to cope with a world at once alien and familiar to them.
There are moments of intense kindness by strangers, balanced by the manipulation of others who are motivated by greed and an unempathetic bureaucracy too.
Acting is naturalistic: there are some brilliant cameo shots - and Winterbottom has achieved a Herculean task; the film comes across as a real, hands-on documentary that is unscripted, and where events unfold before one's eyes.
Aided by voice-overs and a montage of black and white images, this has a feel of historic truth, a sense of actuality about it. I was moved by this film, totally.
It is a cry from the director's soul, and (unfortunately) won't reach the people it should. Refreshing, sensitive and an absolute must-see.