Two Men and a Wardrobe (1958, Poland-15min)Yes,it can be a film about intolerance.But it showed not the intolerance about homeless,gays,or different believers.i think it showed the intolerance about everything that was against the communist system. A Polanski friend who studied with him once told about `their'game' during studies.They used to get into the tram and polanski pretend to be very ill,like he was dying.This way he got the seat.Near their stop,when the tram was slowing down,Polanski suddenly recovered said BYE BYE! And jump off the tram.It seemed foolish,but that was actually the way he fought against the system.In this film Polanski played some kind of evil creation,the boss of a local mafia.It was his most typical `character creation',because he played similar roles in other films like A GENERATION(POKOLENIE) directed by his mentor Andrzej Wajda also in KONIEC NOCY(END OF THE NIGHT).Very interesting was Polanski'' short film "`ROZBIJEMY ZAWABE(WE'LL BREAK UP THE PARTY)to make this film he payed the real trouble-makers to bit the party of Lodz Film Academy students and he. just filmed that!,again polanski played the bad boy in the film'NIEWINNI CZARODZIEJE'.He appears there ony a few minutes but he manages to beat the main character of the film! After moving outside Poland ,Polanski abandoned this profile,but made one exception,as you probably remember in CHINATOWN he suddenly appears and knifes Jack Nicholson's nose.in this moment he plays an evil dwarf ,is both scary an funny.
His experience in Polish theatre gave him a lasting love of Absurdism, with its sardonic, existential view of life's futility, and its vicious parodies of the chaotic power games that underpin (and often undermine) social structures.
Polanski was not only interested in this kind of personages,he likes the relantionship between' the master and the servant' The domineering and the repressed ,as we can see in his short film' The Fat and the Lean' (1961, B&W, 15mins) or in features like Knife in the Water (1962); Cul-de-sac (1966);Dance of the Vampires(1967) etc.
His experience in Polish theatre gave him a lasting love of Absurdism, with its sardonic, existential view of life's futility, and its vicious parodies of the chaotic power games that underpin (and often undermine) social structures.
Polanski was not only interested in this kind of personages,he likes the relantionship between' the master and the servant' The domineering and the repressed ,as we can see in his short film' The Fat and the Lean' (1961, B&W, 15mins) or in features like Knife in the Water (1962); Cul-de-sac (1966);Dance of the Vampires(1967) etc.