Subtitled "A Tale of the Christ", this mixture of piety & adventure was MGM's grandest silent picture. The story tells how a Hebrew prince defies his Roman masters by beating them at their own game, literally, while becoming increasingly aware that the young Carpenter he met in Nazareth is the very Son of God and how that knowledge changes his life.
Years in the making, with filming in Italy & California, and changes of script and leading man, BEN HUR could have been a disaster. Instead, it was a complete triumph, with the naval battle and chariot race scenes holding their own among the best ever filmed. This film should not be compared with the Heston remake; it stands completely on its own merits.
For decades, the only known prints of this film were 90 minutes long, in black & white. By great good fortune, in the 1980's an uncut version, over 2 hours and with the original tints and Technicolor scenes was discovered in Czechoslovakia. This is what we are able to enjoy today.
Ramon Novarro got the plum male role of the entire silent period . He was a very fine actor and is excellent as Ben Hur. Sadly, the rest of his film career, in which he was typecast in every sort of ethnic role, from Chinese to Polynesian to Arab to Navajo, is virtually forgotten today.
Years in the making, with filming in Italy & California, and changes of script and leading man, BEN HUR could have been a disaster. Instead, it was a complete triumph, with the naval battle and chariot race scenes holding their own among the best ever filmed. This film should not be compared with the Heston remake; it stands completely on its own merits.
For decades, the only known prints of this film were 90 minutes long, in black & white. By great good fortune, in the 1980's an uncut version, over 2 hours and with the original tints and Technicolor scenes was discovered in Czechoslovakia. This is what we are able to enjoy today.
Ramon Novarro got the plum male role of the entire silent period . He was a very fine actor and is excellent as Ben Hur. Sadly, the rest of his film career, in which he was typecast in every sort of ethnic role, from Chinese to Polynesian to Arab to Navajo, is virtually forgotten today.