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8/10
I wish Rohmer had worked with Jessica Forde in more of his films!
23 December 2021
Reinette's antics are meant to irritate, and Mirabelle is why you keep watching. This dynamic of contrasting characters (the 'neurotic' complimented by 'the cooler friend'), often appears in Rohmer films: there's melodramatic Blanche and likeable Léa in L'Ami de mon amie; childish Magali and demure Isabelle in Conte d'automne; and unbearable Sabine and beautiful Clarisse in Le Beau Mariage.

The grocery store scene in Four Adventures stands out as the highlight of the film to me. Rohmer took us through the most interesting scene in what felt like real-time, and then, in the very next scene, allowed Mirabelle to describe the event to Reinette. Was she going to exaggerate or tell the truth?! I thought that was a brilliant little moment, where we were able to be voyeurs not once, but twice.

Overall, this little gem about an unlikely friendship puts you exactly where you want to be: living in Rohmer's France for 1 hour and 39 minutes. My only complaint is: I wished Rohmer had worked with Jessica Forde (the actress who plays Mirabelle) in more of his films. She was a natural; one of my favorite Rohmerettes.
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Daisies (1966)
10/10
Art, Friendship, and Absurdity
23 December 2021
I can't believe how much I love this film about two girls eating and destroying things, but I do. I really do.

I like to describe Daisies as "art house Romy and Michelle on acid, set in 1960s Czechoslovakia," but it's so much more. Simply put: this film is experimental, political, mesmerizing, and jarringly artistic. BUT, whether writer/director Vera Chytilová intended to or not, Daisies is also a fantastic depiction of teenage friendship.

Beneath all of the chaos and surrealism of this cinematic "farce" lies a visual story about having a best friend to finish your sentences; to get into trouble with; to pretend you're related to; to camp out in the ladies' room with; to poke and prod with benign competitiveness; to comfortably loaf around with; to plot a fantastical future with (while abandoning the confines of reality or consequence) in order to save each other from existential dread; and to get dressed up with, just to go out and ignore everyone else because the fun you're creating for yourselves is the only fun that matters. Such moments in friendships are lovely and fleeting, so it's an indulgent joy to vicariously (re)live this dynamic between the two Maries.

Disclaimer: If you don't have an appreciation (or tolerance) for absurd artsy things, you're not going to have patience for this film.
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