Francis Ford Coppola has fought many battles in his filmmaking career, but none is probably as intense as his production of the Vietnam War film Apocalypse Now. Based on Joseph Conrad’s novella Heart of Darkness, the filmmaker reportedly faced a chaotic shoot that involved lead actor Martin Sheen having a heart attack and built sets being destroyed.
Many behind-the-scenes stories have been shared about the movie in the past and it was also the subject of a documentary Hearts of Darkness – A Filmmaker’s Apocalypse. One interesting but sad trivia about the film was the butchering of a water buffalo at the climax of the film. The buffalo was reportedly slaughtered for real and was part of the local tribes’ custom, though Coppola refused to slay an animal for a movie.
Francis Ford Coppola Initially Refused To Harm An Animal For Apocalypse Now Martin Sheen in Apocalypse Now
After...
Many behind-the-scenes stories have been shared about the movie in the past and it was also the subject of a documentary Hearts of Darkness – A Filmmaker’s Apocalypse. One interesting but sad trivia about the film was the butchering of a water buffalo at the climax of the film. The buffalo was reportedly slaughtered for real and was part of the local tribes’ custom, though Coppola refused to slay an animal for a movie.
Francis Ford Coppola Initially Refused To Harm An Animal For Apocalypse Now Martin Sheen in Apocalypse Now
After...
- 5/16/2024
- by Nishanth A
- FandomWire
Marlon Brando is among the pantheon of the greatest actors to have ever graced the silver screen. He popularized the art of method acting and maintaining the intensity of his characters throughout production. His award-winning and acclaimed performances in A Streetcar Named Desire, On the Waterfront, and The Godfather continued to be analyzed and admired by current actors.
Marlon Brando as Colonel Walter Kurtz in Apocalypse Now
One of his most recognizable antagonistic performances was in Francis Ford Coppola’s Apocalypse Now, Brando has had an infamous reputation for being difficult to work with. During the film, Brando and his co-star Dennis Hopper had a misunderstanding, where Brando threw a tantrum, resulting in a feud that almost turned physical.
Dennis Hopper Got Pissed With Marlon Brando’s Insults and Almost Fought Him
Marlon Brando requested his scenes to be shot separately from Dennis Hopper in Apocalypse Now
By the late 70s,...
Marlon Brando as Colonel Walter Kurtz in Apocalypse Now
One of his most recognizable antagonistic performances was in Francis Ford Coppola’s Apocalypse Now, Brando has had an infamous reputation for being difficult to work with. During the film, Brando and his co-star Dennis Hopper had a misunderstanding, where Brando threw a tantrum, resulting in a feud that almost turned physical.
Dennis Hopper Got Pissed With Marlon Brando’s Insults and Almost Fought Him
Marlon Brando requested his scenes to be shot separately from Dennis Hopper in Apocalypse Now
By the late 70s,...
- 5/16/2024
- by Rahul Thokchom
- FandomWire
"Star Wars" has one of the biggest worlds in fiction, a vast universe with extensive mythology, a sense of history, locations that feel tangible, and characters that come across as real, living beings.
This last bit is important, because "Star Wars" has given plenty of memorable characters, where even small players can turn out to have galaxy-changing importance. Then there are the villains, of which "Star Wars" has plenty, including some of the most memorable villains in cinema history, with their own stories worth exploring.
But while we all know the menacing man-turned-machine Darth Vader or the devil-looking Maul, are they really the worst villains in the franchise? As "Star Wars" has evolved and grown over the years, its villains have become less flashy and more, well, evil. That's why we're ranking the most evil and villainous characters in George Lucas' galaxy far, far away. As a note, this list...
This last bit is important, because "Star Wars" has given plenty of memorable characters, where even small players can turn out to have galaxy-changing importance. Then there are the villains, of which "Star Wars" has plenty, including some of the most memorable villains in cinema history, with their own stories worth exploring.
But while we all know the menacing man-turned-machine Darth Vader or the devil-looking Maul, are they really the worst villains in the franchise? As "Star Wars" has evolved and grown over the years, its villains have become less flashy and more, well, evil. That's why we're ranking the most evil and villainous characters in George Lucas' galaxy far, far away. As a note, this list...
- 5/12/2024
- by Rafael Motamayor
- Slash Film
Francis Ford Coppola has made some of the most defining American films of all time, including The Godfather trilogy and Apocalypse Now. Although not every film in his oeuvre holds such a vaunted place in cinema history, Coppola’s over 60-year career deserves a titanic close. Megalopolis promises to be just such a proper ending with its ambitious self-funding and a massive cast led by Adam Driver. Coppola has been gathering ideas about the project for as long as he’s been making movies, but the kernel of the concept goes back even farther.
“The seeds for Megalopolis were planted when as a kid I saw H.G. Wells’ Things to Come,” Coppola wrote in a statement to Vanity Fair. “This 1930s [Alexander] Korda classic is about building the world of tomorrow, and has always been with me, first as the ‘boy scientist’ I was and later as a filmmaker.” Directed by William Cameron Menzies,...
“The seeds for Megalopolis were planted when as a kid I saw H.G. Wells’ Things to Come,” Coppola wrote in a statement to Vanity Fair. “This 1930s [Alexander] Korda classic is about building the world of tomorrow, and has always been with me, first as the ‘boy scientist’ I was and later as a filmmaker.” Directed by William Cameron Menzies,...
- 4/30/2024
- by Joe George
- Den of Geek
For his forthcoming one from the heart, Megalopolis, Francis Ford Coppola has once again violated the cardinal rule of the entertainment business: Never invest your own money in the show. Reports are that to bankroll the $120 million epic he has literally mortgaged the farm, or vineyard. The investment is slated to premiere at the Cannes Film Festival on May 14.
We — and he — have all been here before. Coppola last went into hock for another long-aborning and cost-overrunning project, which 45 years ago, almost to the day, also premiered at Cannes: the now legendary Apocalypse Now (1979).
At the time, Coppola was bathing in the afterglow of one of the most astonishing back-to-back double, or triple, plays in the industry’s history: The Godfather (1972) and The Godfather: Part II (1974), the operatic two-part saga of mob family business in which organized crime serves less as a metaphor for American capitalism than its purest expression (“Michael,...
We — and he — have all been here before. Coppola last went into hock for another long-aborning and cost-overrunning project, which 45 years ago, almost to the day, also premiered at Cannes: the now legendary Apocalypse Now (1979).
At the time, Coppola was bathing in the afterglow of one of the most astonishing back-to-back double, or triple, plays in the industry’s history: The Godfather (1972) and The Godfather: Part II (1974), the operatic two-part saga of mob family business in which organized crime serves less as a metaphor for American capitalism than its purest expression (“Michael,...
- 4/22/2024
- by Thomas Doherty
- The Hollywood Reporter - Movie News
Chronicler of the making of her husband’s Apocalypse Now whose footage and recordings were the basis for a documentary and book
In March 1976, Eleanor Coppola arrived in the Philippines, her three young children in tow, to film behind-the-scenes footage on the set of her husband Francis Ford Coppola’s new movie Apocalypse Now, which transposed the plot of Joseph Conrad’s 1899 novella Heart of Darkness to late-1960s Vietnam.
No one could have known then that production on this war epic would stretch on for more than a year, delayed by catastrophic weather, medical emergencies, military conflict, an incomplete script and plain old creative differences, making it one of the most infamously turbulent shoots in cinema history. As it rumbled on, newspaper headlines plaintively asked: “Apocalypse When?”...
In March 1976, Eleanor Coppola arrived in the Philippines, her three young children in tow, to film behind-the-scenes footage on the set of her husband Francis Ford Coppola’s new movie Apocalypse Now, which transposed the plot of Joseph Conrad’s 1899 novella Heart of Darkness to late-1960s Vietnam.
No one could have known then that production on this war epic would stretch on for more than a year, delayed by catastrophic weather, medical emergencies, military conflict, an incomplete script and plain old creative differences, making it one of the most infamously turbulent shoots in cinema history. As it rumbled on, newspaper headlines plaintively asked: “Apocalypse When?”...
- 4/18/2024
- by Ryan Gilbey
- The Guardian - Film News
A series of posters promoting Alex Garland’s Civil War have emerged on Instagram, and appear to be generated with AI.
As Alex Garland’s searing dystopian thriller Civil War continues to spark online debate over its politics (or lack thereof), a whole separate controversy has suddenly surfaced. Boutique production company A24, seeking to promote the film, has published a series of digital posters on Instagram.
At first glance, the artwork looks of a piece with Garland’s film: they’re images of US locations overrun by military hardware or devastated by conflict. At second glance, there are all sorts of weird anomalies – the sorts of dreamlike mistakes that you often get from AI-generated imagery. One thing’s for sure: they aren’t stills from Civil War itself.
A24 published the posters on the 17th April with the caption, “America the beautiful #CivilWarMovie.”
The reaction from followers was swift and bracing.
As Alex Garland’s searing dystopian thriller Civil War continues to spark online debate over its politics (or lack thereof), a whole separate controversy has suddenly surfaced. Boutique production company A24, seeking to promote the film, has published a series of digital posters on Instagram.
At first glance, the artwork looks of a piece with Garland’s film: they’re images of US locations overrun by military hardware or devastated by conflict. At second glance, there are all sorts of weird anomalies – the sorts of dreamlike mistakes that you often get from AI-generated imagery. One thing’s for sure: they aren’t stills from Civil War itself.
A24 published the posters on the 17th April with the caption, “America the beautiful #CivilWarMovie.”
The reaction from followers was swift and bracing.
- 4/18/2024
- by Ryan Lambie
- Film Stories
Is Alex Garland’s new film “apolitical”, or does it just take politics seriously? We take a look at the debate surrounding Civil War.
“Some are already calling it the greatest victory in the history of military campaigns”.
According to the actor that plays him, the unnamed President who opens Alex Garland’s Civil War with a TV address isn’t based on anyone in particular.
“Honestly, [the Trump comparison] didn’t even come up”, Nick Offerman somewhat implausibly told the Hollywood Reporter on a red carpet this month.
“It would be so easy to make this movie and lay in some easter eggs… but you would lose half your audience one way or another”.
Throughout Civil War’s press tour, Garland and the cast have been keen to stress the film’s bipartisan credentials. This, as you might imagine, hasn’t been easy. With a President seeking an unconstitutional third term, disbanding...
“Some are already calling it the greatest victory in the history of military campaigns”.
According to the actor that plays him, the unnamed President who opens Alex Garland’s Civil War with a TV address isn’t based on anyone in particular.
“Honestly, [the Trump comparison] didn’t even come up”, Nick Offerman somewhat implausibly told the Hollywood Reporter on a red carpet this month.
“It would be so easy to make this movie and lay in some easter eggs… but you would lose half your audience one way or another”.
Throughout Civil War’s press tour, Garland and the cast have been keen to stress the film’s bipartisan credentials. This, as you might imagine, hasn’t been easy. With a President seeking an unconstitutional third term, disbanding...
- 4/16/2024
- by James Harvey
- Film Stories
“Exterminate all the brutes!” With these words, borrowed from Joseph Conrad’s Heart of Darkness, Hunter S. Thompson concluded his violent, macabre 1967 book Hell’s Angels: A Strange and Terrible Saga. Thompson had spent months with the outlaw biker gang and ultimately paid for his persistence when members gave him a brutal beatdown (which, Thompson being Thompson, he seemed to enjoy just a little). The king of Gonzo had gotten closer to the Angels’ inner sanctum than just about anyone else had, a feat that the new A&e docuseries Secrets of the Hells Angels...
- 4/14/2024
- by Chris Vognar
- Rollingstone.com
Making a strong antagonist in monster features is always a tough task, especially when human association isn’t involved. Aside from the risk of writing becoming pretty generic and turning the characters into one-toned, motiveless evils, connecting with the audience remains a challenge. In Legendary’s Monsterverse, aside from the iconic King Ghidorah, no other adversary had managed to make that much of an impact in viewers’ minds, which is why Godzilla X Kong needed a well-written opponent to justify the team-up of the eponymous behemoths.
Spoilers Ahead
During the early production stage, the first mentions of Skar King as an evil, degraded version of Kong didn’t go down well with the fans, who considered it lazy to not come up with a new Kaiju and just use established characters as templates to create a new one. However, after Godzilla X Kong hit theaters, the reasons for making Skar...
Spoilers Ahead
During the early production stage, the first mentions of Skar King as an evil, degraded version of Kong didn’t go down well with the fans, who considered it lazy to not come up with a new Kaiju and just use established characters as templates to create a new one. However, after Godzilla X Kong hit theaters, the reasons for making Skar...
- 3/31/2024
- by Siddhartha Das
- Film Fugitives
Benedict Fitzgerald, the co-writer of Mel Gibson’s The Passion of the Christ, has died. He was 74.
Fitzgerald died Jan. 17 after a long illness at his home in Marsala, Sicily, his cousin Nancy Morgan Ritter told The Hollywood Reporter.
Best known for his work on Gibson’s 2004 Biblical epic, the highest-grossing Christian film, as well as the highest-grossing independent film of all time, Fitzgerald’s other credits include co-writing the screenplay for John Huston’s Wise Blood (1979), the adaptation of Flannery O’Connor’s novel.
Born on March 9, 1949, in New York, Fitzgerald was born into a literary household. His deeply Catholic mother, Sally, was a writer and editor and his father, Robert, was a poet, United States Poet Laureate (1984-1985), critic, and famed translator of classic ancient Greek and Latin texts, who was responsible for perhaps the most well-known translation of Homer’s The Odyssey.
In the late 1950s, Fitzgerald’s family...
Fitzgerald died Jan. 17 after a long illness at his home in Marsala, Sicily, his cousin Nancy Morgan Ritter told The Hollywood Reporter.
Best known for his work on Gibson’s 2004 Biblical epic, the highest-grossing Christian film, as well as the highest-grossing independent film of all time, Fitzgerald’s other credits include co-writing the screenplay for John Huston’s Wise Blood (1979), the adaptation of Flannery O’Connor’s novel.
Born on March 9, 1949, in New York, Fitzgerald was born into a literary household. His deeply Catholic mother, Sally, was a writer and editor and his father, Robert, was a poet, United States Poet Laureate (1984-1985), critic, and famed translator of classic ancient Greek and Latin texts, who was responsible for perhaps the most well-known translation of Homer’s The Odyssey.
In the late 1950s, Fitzgerald’s family...
- 1/22/2024
- by Abid Rahman
- The Hollywood Reporter - Movie News
Benedict Fitzgerald, best known as the screenwriter of The Passion of the Christ, died at home in Marsala, Sicily after a long illness on January 17, 2024. He was 74 and no cause of death was given by his family.
He first won acclaim for his screenplay adaptation of Flannery O’Connor’s novel Wise Blood, cowritten with his brother, Michael. The film, produced in 1979 by Michael and Kathy Fitzgerald and directed by John Huston, starred Brad Dourif, Harry Dean Stanton, and Ned Beatty.
Fitzgerald specialized in literary adaptions, among them Zelda, (starring Natasha Richardson and Timothy Hutton) in 1993; Joseph Conrad’s Heart of Darkness in 1993 (starring John Malkovich); a television mini-series of Truman Capote’s In Cold Blood in 1996 and Moby Dick in 1998 (starring Patrick Stewart as Ahab and nominated for 5 primetime Emmy awards).
The Passion Of The Christ (2004), the...
He first won acclaim for his screenplay adaptation of Flannery O’Connor’s novel Wise Blood, cowritten with his brother, Michael. The film, produced in 1979 by Michael and Kathy Fitzgerald and directed by John Huston, starred Brad Dourif, Harry Dean Stanton, and Ned Beatty.
Fitzgerald specialized in literary adaptions, among them Zelda, (starring Natasha Richardson and Timothy Hutton) in 1993; Joseph Conrad’s Heart of Darkness in 1993 (starring John Malkovich); a television mini-series of Truman Capote’s In Cold Blood in 1996 and Moby Dick in 1998 (starring Patrick Stewart as Ahab and nominated for 5 primetime Emmy awards).
The Passion Of The Christ (2004), the...
- 1/21/2024
- by Bruce Haring
- Deadline Film + TV
Benedict Fitzgerald, co-screenwriter of “The Passion of the Christ,” died Jan. 17 in Marsala, Sicily, after a long illness, his cousin Nancy Ritter told Variety. He was 74.
Fitzgerald co-wrote 2004’s “The Passion of the Christ” with director and producer Mel Gibson. The biblical epic remains the highest-grossing independent film of all time.
Fitzgerald first received acclaim for his screenplay adaptation of the Flannery O’Connor novel “Wise Blood,” which he co-wrote with his brother Michael. Michael and Kathy Fitzgerald produced the John Huston-directed film, which starred Brad Dourif, Harry Dean Stanton and Ned Beatty.
“Wise Blood” marked the beginning of Fitzgerald’s many literary adaptations, including 1993’s “Zelda” with Natasha Richardson and Timothy Hutton, and Joseph Conrad’s “Heart of Darkness” (1993), starring John Malkovich. He wrote the miniseries adaptations of Truman Capote’s “In Cold Blood” (1996) and Herman Melville’s “Moby Dick” (1998), starring Patrick Stewart as Captain Ahab. Both series were nominated for several Emmy Awards.
Fitzgerald co-wrote 2004’s “The Passion of the Christ” with director and producer Mel Gibson. The biblical epic remains the highest-grossing independent film of all time.
Fitzgerald first received acclaim for his screenplay adaptation of the Flannery O’Connor novel “Wise Blood,” which he co-wrote with his brother Michael. Michael and Kathy Fitzgerald produced the John Huston-directed film, which starred Brad Dourif, Harry Dean Stanton and Ned Beatty.
“Wise Blood” marked the beginning of Fitzgerald’s many literary adaptations, including 1993’s “Zelda” with Natasha Richardson and Timothy Hutton, and Joseph Conrad’s “Heart of Darkness” (1993), starring John Malkovich. He wrote the miniseries adaptations of Truman Capote’s “In Cold Blood” (1996) and Herman Melville’s “Moby Dick” (1998), starring Patrick Stewart as Captain Ahab. Both series were nominated for several Emmy Awards.
- 1/21/2024
- by Caroline Brew
- Variety Film + TV
Jonathan Frakes' 1998 film "Star Trek: Insurrection" is hardly the most celebrated of the 13 extant "Star Trek" movies. The film wasn't terribly well-reviewed when it was released, and a general fan consensus seems to dictate that it may be the least of the four films based on "Star Trek: The Next Generation."
Notably, "Insurrection" looks cheap. The bulk of the film's action takes place on the Ba'ku homeworld, but the filmmakers were unable to do anything to make it look appropriately alien. The exteriors were filmed in Thousand Oaks, California, as well as the Sierra Nevada mountain range, and, well, it looks like they just shot the film in California. Additionally, the Ba'ku were given no alien makeup, leaving them looking like regular old people. Worst of all, the Ba'ku costume designs were unbearably boring, as everyone was draped in loose-fitting, off-white hippie-wear that even mannequins would be embarrassed by.
The...
Notably, "Insurrection" looks cheap. The bulk of the film's action takes place on the Ba'ku homeworld, but the filmmakers were unable to do anything to make it look appropriately alien. The exteriors were filmed in Thousand Oaks, California, as well as the Sierra Nevada mountain range, and, well, it looks like they just shot the film in California. Additionally, the Ba'ku were given no alien makeup, leaving them looking like regular old people. Worst of all, the Ba'ku costume designs were unbearably boring, as everyone was draped in loose-fitting, off-white hippie-wear that even mannequins would be embarrassed by.
The...
- 12/26/2023
- by Witney Seibold
- Slash Film
Francis Ford Coppola's bleak Vietnam War picture "Apocalypse Now" is not only one of the best films of 1979, but is handily one of the finest, most important films of its decade. Using Joseph Conrad's 1899 novella "Heart of Darkness" as a template, Copolla transposed the book's action from the late 1800s Congo to the jungles of Cambodia, and, in so doing, exposed the madness and horror of the Vietnam War in harrowing, soul-hollowing terms. As Captain Willars (Martin Sheen) treks deeper and deeper into the chaos of the natural world -- drifting ever closer to the insane, cult-founding rogue Colonel Kurtz (Marlon Brando) -- reality begins to dissipate. Eventually, madness and violence are all that remain, and war is reduced to its base function: brazen, meaningless destruction and cruelty. "Apocalypse Now" is a great, great film.
Curiously, a lot of war enthusiasts love "Apocalypse Now," seemingly ignoring the film's...
Curiously, a lot of war enthusiasts love "Apocalypse Now," seemingly ignoring the film's...
- 12/18/2023
- by Witney Seibold
- Slash Film
While appearing on Tuesday’s episode of “The Jennifer Hudson Show,” actor Emilio Estevez revealed that when he was 14 years old, Laurence Fishburne saved him from drowning.
The incident happened in the Philippines, where Estevez had accompanied his father, Martin Sheen, for the filming of “Apocalypse Now.” Fishburne, who like Estevez was only 14 at the time, also appeared in the film; he had lied about his age to get the part of Gunner’s Mate 3rd Class Tyrone “Mr. Clean” Miller.
“We’d only known each other a couple of days,” Estevez explained. “And this was in the Philippines. And he says, ‘Hey there’s this little boat. Let’s go out on it.’ I said, ‘Sure,’ and we were both 14 at the time. So we were out on this boat together, and we started getting too close to the shore, and I said, ‘Well, let me jump out, I’ll push us offshore.
The incident happened in the Philippines, where Estevez had accompanied his father, Martin Sheen, for the filming of “Apocalypse Now.” Fishburne, who like Estevez was only 14 at the time, also appeared in the film; he had lied about his age to get the part of Gunner’s Mate 3rd Class Tyrone “Mr. Clean” Miller.
“We’d only known each other a couple of days,” Estevez explained. “And this was in the Philippines. And he says, ‘Hey there’s this little boat. Let’s go out on it.’ I said, ‘Sure,’ and we were both 14 at the time. So we were out on this boat together, and we started getting too close to the shore, and I said, ‘Well, let me jump out, I’ll push us offshore.
- 5/4/2023
- by Joshua Vinson
- The Wrap
Let’s first address the obvious: My name is Marlow, and I am interviewing Liam Neeson for his new film Marlowe, the latest spin on Raymond Chandler’s hard-boiled detective Philip Marlowe.
“Interesting that your name is Marlow!” exclaims Neeson at the start of our chat.
I inform the veteran actor that I’m in fact named after the protagonist of Heart of Darkness, not the femme fatale-swerving character played by everyone from Humphrey Bogart and Robert Mitchum to Elliot Gould and now him.
After expressing his displeasure with the...
“Interesting that your name is Marlow!” exclaims Neeson at the start of our chat.
I inform the veteran actor that I’m in fact named after the protagonist of Heart of Darkness, not the femme fatale-swerving character played by everyone from Humphrey Bogart and Robert Mitchum to Elliot Gould and now him.
After expressing his displeasure with the...
- 2/20/2023
- by Marlow Stern
- Rollingstone.com
Click here to read the full article.
It’s been a memorable few years for Nicolas Cage, or at least it looks that way to his sizable fan base.
A noted period of extremely prolific yet mostly uncelebrated work in the low-budget world of filmmaking was punctured by a ferocious performance in Panos Cosmatos’ wild action horror Mandy in 2018, while his uncharacteristically quiet — but equally intense — turn in last year’s Pig would bring him the sort of critical acclaim not seen since he won an Oscar for 1995’s Leaving Las Vegas.
Earlier this year came the ultimate tribute, The Unbearable Weight of Massive Talent, in which he played a fictionalized version of himself. Now, the much-loved cult icon comes to Toronto with another landmark achievement. Incredibly (and Cage thinks so, too), Butcher’s Crossing from director Gabe Polsky marks the star’s first ever Western. Based on the book by John Williams,...
It’s been a memorable few years for Nicolas Cage, or at least it looks that way to his sizable fan base.
A noted period of extremely prolific yet mostly uncelebrated work in the low-budget world of filmmaking was punctured by a ferocious performance in Panos Cosmatos’ wild action horror Mandy in 2018, while his uncharacteristically quiet — but equally intense — turn in last year’s Pig would bring him the sort of critical acclaim not seen since he won an Oscar for 1995’s Leaving Las Vegas.
Earlier this year came the ultimate tribute, The Unbearable Weight of Massive Talent, in which he played a fictionalized version of himself. Now, the much-loved cult icon comes to Toronto with another landmark achievement. Incredibly (and Cage thinks so, too), Butcher’s Crossing from director Gabe Polsky marks the star’s first ever Western. Based on the book by John Williams,...
- 9/9/2022
- by Alex Ritman
- The Hollywood Reporter - Movie News
"Citizen Kane" director Orson Welles was a highly prolific and influential filmmaker, to say the least. His obsession with exploring power through unconventional means has resulted in some of the most acclaimed films in the American movie canon. While some of his movies were not fully appreciated in their time, it's hard to overstate the influence Welles has had on filmmaking and filmmakers to this day.
However, for as many movies as he was able to make, there were just as many that he didn't couldn't to life. For a variety of reasons, many of Welles' projects wound up never seeing the light of day. These films have long been the subject of speculation and confusion, as there often isn't a lot of available details about them. However, that just makes these unfinished films that much more interesting to learn about. And you're looking for a guide to some of...
However, for as many movies as he was able to make, there were just as many that he didn't couldn't to life. For a variety of reasons, many of Welles' projects wound up never seeing the light of day. These films have long been the subject of speculation and confusion, as there often isn't a lot of available details about them. However, that just makes these unfinished films that much more interesting to learn about. And you're looking for a guide to some of...
- 8/15/2022
- by Erin Brady
- Slash Film
Actor James McAvoy will finally reprise his performance in the title role of director Jamie Lloyd’s Olivier Award-winning revival of Cyrano de Bergerac, with the pandemic-delayed staging at the Brooklyn Academy of Music in New York now set for April 5 to May 22, 2022.
The production, which won the Olivier for Best Play Revival for a 2019 staging at London’s Playhouse Theatre, was originally scheduled to play Bam in spring 2020 but was postponed due to the Covid shutdown.
In addition to Bam, the production’s 2022 engagements also include dates at London’s Harold Pinter Theatre (February 3-March 12) and the Theatre Royal Glasgow (March 18-26).
The new version of the Edmond Rostand classic was adapted by Martin Crimp and co-stars Evelyn Miller as Roxane.
“We’re so thrilled to welcome Jamie Lloyd, James McAvoy and this incredible company to Bam for a Cyrano like no other,” Bam Artistic Director David Binder said.
The production, which won the Olivier for Best Play Revival for a 2019 staging at London’s Playhouse Theatre, was originally scheduled to play Bam in spring 2020 but was postponed due to the Covid shutdown.
In addition to Bam, the production’s 2022 engagements also include dates at London’s Harold Pinter Theatre (February 3-March 12) and the Theatre Royal Glasgow (March 18-26).
The new version of the Edmond Rostand classic was adapted by Martin Crimp and co-stars Evelyn Miller as Roxane.
“We’re so thrilled to welcome Jamie Lloyd, James McAvoy and this incredible company to Bam for a Cyrano like no other,” Bam Artistic Director David Binder said.
- 10/29/2021
- by Greg Evans
- Deadline Film + TV
A new documentary about “Frankenstein” actor Boris Karloff is in the works.
Voltage Films is currently in production on the feature documentary “Boris Karloff: The Man Behind The Monster.” Co-produced and co-written by Ron MacCloskey and Thomas Hamilton with Hamilton directing and Tracy Jenkins producing, the film offers a fascinating portrait of Karloff, examining his illustrious 60-year career in the entertainment industry and his enduring legacy as one of the icons of 20th century popular culture.
The film follows on from the acclaimed 2010 biography “Boris Karloff: More Than A Monster,” written by Karloff’s official biographer Stephen Jacobs, who serves as the film’s historical consultant.
MacCloskey dedicated 23 years to the project, travelling the world to conduct extensive research. Since 2018, the team has filmed 50 interviews in Toronto, New York, Los Angeles and London. Contributors include Peter Bogdanovich, Guillermo del Toro, Christopher Plummer, John Landis, Roger Corman and Kevin Brownlow.
The...
Voltage Films is currently in production on the feature documentary “Boris Karloff: The Man Behind The Monster.” Co-produced and co-written by Ron MacCloskey and Thomas Hamilton with Hamilton directing and Tracy Jenkins producing, the film offers a fascinating portrait of Karloff, examining his illustrious 60-year career in the entertainment industry and his enduring legacy as one of the icons of 20th century popular culture.
The film follows on from the acclaimed 2010 biography “Boris Karloff: More Than A Monster,” written by Karloff’s official biographer Stephen Jacobs, who serves as the film’s historical consultant.
MacCloskey dedicated 23 years to the project, travelling the world to conduct extensive research. Since 2018, the team has filmed 50 interviews in Toronto, New York, Los Angeles and London. Contributors include Peter Bogdanovich, Guillermo del Toro, Christopher Plummer, John Landis, Roger Corman and Kevin Brownlow.
The...
- 1/22/2021
- by Lynsey Ford
- Variety Film + TV
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