Ballets Russes is an intimate portrait of a group of pioneering artists -- now in their 70s, 80s and 90s -- who gave birth to modern ballet.Ballets Russes is an intimate portrait of a group of pioneering artists -- now in their 70s, 80s and 90s -- who gave birth to modern ballet.Ballets Russes is an intimate portrait of a group of pioneering artists -- now in their 70s, 80s and 90s -- who gave birth to modern ballet.
- Awards
- 2 wins & 2 nominations
Alicia Markova
- Self
- (as Dame Alicia Markova)
Milada Mladova
- Self (clip "Escape Me Never")
- (archive footage)
Marian Seldes
- Narrator
- (voice)
Storyline
Did you know
- ConnectionsFeatures A Midsummer Night's Dream (1935)
Featured review
Glorious
I walked into this film knowing very little about the history of ballet in the 20th century, and though those more knowledgeable than I may quibble with facts or omissions, I can't imagine anybody who loves dance, music, or human beings walking away from this film unsatisfied.
Much of the archival footage is thrilling to watch--much of it, to be honest, is also a little bland and hard to distinguish. Nonetheless, the film as a whole is very well edited and makes wonderful use of music. Its true glory rests, however, in the beautiful, opinionated, eccentric personalities that emerge, personalities so vibrant and colorful even at 80, 90 years of age that they make the living people around one (God forgive me for saying this) seem like tattered scraps of ashen cardboard. Dance must be some kind of fountain of youth. That so many of the people central to the history of these two companies should not only still be alive, but also be SO ALIVE, is nothing short of miraculous.
The film half-heartedly tries to end on a note of hope for the future of ballet, but let's not kid ourselves: this is an elegy for an art-form that will never again be quite what it once was. And actually, the film is all the more poignant for that. A beautiful and unforgettable film.
Much of the archival footage is thrilling to watch--much of it, to be honest, is also a little bland and hard to distinguish. Nonetheless, the film as a whole is very well edited and makes wonderful use of music. Its true glory rests, however, in the beautiful, opinionated, eccentric personalities that emerge, personalities so vibrant and colorful even at 80, 90 years of age that they make the living people around one (God forgive me for saying this) seem like tattered scraps of ashen cardboard. Dance must be some kind of fountain of youth. That so many of the people central to the history of these two companies should not only still be alive, but also be SO ALIVE, is nothing short of miraculous.
The film half-heartedly tries to end on a note of hope for the future of ballet, but let's not kid ourselves: this is an elegy for an art-form that will never again be quite what it once was. And actually, the film is all the more poignant for that. A beautiful and unforgettable film.
helpful•312
- Duree
- Nov 2, 2005
Details
Box office
- Gross US & Canada
- $815,848
- Opening weekend US & Canada
- $12,230
- Oct 30, 2005
- Gross worldwide
- $1,331,363
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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