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Cast
Directed by
Borislav Sharaliev |
Written by
Angel Wagenstein | ... | () (as Angel Vagenshtain) |
Produced by
Christo Nenov | ... | line producer |
Music by
Vesselin Nikolov |
Cinematography by
Venets Dimitrov |
Editing by
Pavlina Sharalieva |
Editorial Department
Aneliya Gudzheva | ... | assistant editor |
Ani Stoyanova | ... | assistant editor |
Rumyana Trapkova | ... | assistant editor |
Production Design by
Mariya Ivanova |
Set Decoration by
Yordan Achkov | ||
Vasil Dikov | ||
Mariana Nikolova | ||
Prolet Spasova | ... | (as Prolet Georgieva) |
Irina Stoycheva |
Costume Design by
Nikola Nikolov |
Makeup Department
Leftera Nedeva | ... | makeup artist |
Dimitrina Simeonova | ... | assistant makeup artist |
Production Management
Silvin Pankov | ... | production manager |
Second Unit Director or Assistant Director
Krasimir Simeonov | ... | first assistant director |
Stefka Stefanova | ... | second assistant director |
Tatiana Zareva | ... | assistant director |
Art Department
Filip Chalakov | ... | carpenter |
Doncho Mihov | ... | carpenter |
Kiril Mladenov | ... | set dresser |
Petar Mladenov | ... | set designer |
Vasil Mladenov | ... | construction coordinator |
Petko Sakadzhiyski | ... | carpenter |
Petko Todorov | ... | props |
Krasimir Tzekov | ... | property master |
Ivan Zlatanov | ... | carpenter |
Sound Department
Nikola Belishki | ... | sound recordist |
Lyudmila Mahalnishka | ... | sound mixer |
Georgi Vladichki | ... | sound recordist |
Special Effects by
Viktor Evstigneev | ... | special effects technician |
Valentina Glazovska | ... | special effects technician |
Stoyan Kyosovski | ... | special effects technician |
Ivan Manev | ... | special photographic effects |
Stunts
Dimitar Kehayov | ... | stunt coordinator |
Camera and Electrical Department
Dimitar Hadzhiiliev | ... | camera operator |
Ventzislav Ivanov | ... | assistant camera |
Todor Kostov | ... | still photographer |
Petar Malinov | ... | assistant camera |
Emil Rashev | ... | camera operator |
Krasimir Simeonov | ... | grip |
Nikolay Todorov | ... | gaffer |
Teodor Yanev | ... | assistant camera |
Costume and Wardrobe Department
Stoyanka Bratanova | ... | costumer |
Daniela Dimitrova | ... | costumer |
Maya Nikolova | ... | costumer |
Margarita Uzunova | ... | costumer |
Location Management
Iliya Andreev | ... | location manager (as Polkovnik Iliya Andreev) |
Stefan Atanasov | ... | location manager (as Polkovnik Stefan Atanasov) |
Polkovnik Nikola Nikolov | ... | location manager |
Inzhener Vlasi Vlasev | ... | location manager |
Script and Continuity Department
Svoboda Bachvarova | ... | script editor |
Ivan Dechev | ... | script editor |
Zahariya Griveva | ... | script supervisor |
Mariya Tomova | ... | script supervisor |
Additional Crew
Polkovnik Yordan Antonov | ... | consultant |
Stefan Borisov | ... | poster |
Ivan Chavdarov | ... | consultant (as General-Mayor Ivan Chavdarov) |
Dimitar Dimitrov | ... | choreographer |
Ivan Duychev | ... | consultant (as Profesor Akademik Ivan Duychev) |
Kiril Kosev | ... | consultant (as O.Z. General-Polkovnik Kiril Kosev) |
Valentin Kostov | ... | choreographer |
Stefan Kozhuharov | ... | consultant |
Atanas Naydenov | ... | production assistant |
Dimitar Petrov | ... | production assistant |
Georgi Stoyanov | ... | production assistant |
Margarita Vaklinova | ... | consultant (as K.I.N. St.N.S. Margarita Vaklinova) |
Vladimir Vladimirov | ... | production assistant |
Mariya Zhelyazkova | ... | production assistant |
Georgi Zlatinov | ... | consultant |
Production Companies
Distributors
Special Effects
Other Companies
Storyline
Plot Summary |
The picture features the life and deeds of Boris I - strong historic personality, which completes his mission to the full and at the end of his life receives holy orders. Prince Boris I is ruling in the late 9th century. In his youth, he, the brilliant statesman and diplomat, is experiencing heavy defeats in the wars he wages against his neighbors. Nonetheless, he manages not to cede any territories to the enemies. Under his rule, Bulgaria breaks with paganism and joins the Christian community, paying an exorbitant price, a heavy death toll, but there is no other way. The adoption of Christianity in 864 was a historical event of great significance. It guaranteed Boris I much need peace with the Eastern Roman Empire and allowed him to merge the numerous tribes inhabiting the country into a unified nationality and later to found a state. Boris I introduced the Slav script, thus turning Bulgaria into the cradle of Slav culture. Stiff resistance, however, met his actions. The former pagan, now Christian king was forced to crush it. Almost half of the then privileged aristocracy - 52 Bulgarian families - were mercilessly killed. Guided solely by his great ambitions Boris blinded and imprisoned his first-born son Vladimir-Rasate who dared against him and instead crowned his youngest son Simeon. It was during his reign that the Golden Age of Bulgarian culture began. This is an epic work dealing with the spiritual ups and downs of a nation and the drama of a great statesman.
Written by Georgi Djulgerov |
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