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Complete, Cast awaiting verification
Jean-Claude Dreyfus | ... |
The Man
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Directed by
Marc-Henri Wajnberg |
Written by
Marc-Henri Wajnberg | ... | () |
Produced by
Alexander Wajnberg | ... | producer (uncredited) |
Marc-Henri Wajnberg | ... | producer (uncredited) |
Music by
Gérald Fenerberg |
Cinematography by
Michel Baudour |
Editing by
Hélène Ducret |
Editorial Department
Petro van Leeuwen | ... | color grader |
Set Decoration by
Pierre-François Limbosch |
Makeup Department
Nicole Mora | ... | makeup artist |
Production Management
Axel du Bus de Warnaffe | ... | production manager |
Olivier Grégoire | ... | unit production manager |
Second Unit Director or Assistant Director
Pierre-Paul Renders | ... | first assistant director |
Art Department
José Abascal | ... | chief constructor |
Patrick Anthonis | ... | constructor |
Ricardo Cruz | ... | constructor |
Benoît Daman | ... | constructor |
Patrick Dechesne | ... | constructor |
Anne Fournier | ... | set dresser |
Sacha Kullberg | ... | props |
Virginie Vande Pitte | ... | painter |
Sound Department
Thomas Gauder | ... | re-recording mixer |
Jean-Jacques Quinet | ... | sound editor / sound engineer |
Marie-Jeanne Wyckmans | ... | foley artist |
Special Effects by
Elisabeth Houtart | ... | special effects |
Michel Vinck | ... | special effects |
Stunts
Christian Torrens | ... | stunt double |
Camera and Electrical Department
Nicolas Deblonde | ... | electrician |
Jan Delaerts | ... | electrician |
Agnès Dybowski | ... | first assistant camera |
Bob Lévy | ... | grip |
Carole Michelon | ... | second assistant camera |
Pierre Speyer | ... | key grip |
Wim Temmerman | ... | electrician |
Philippe Vizy | ... | grip |
Jan Vriendt | ... | electrician |
Stéphane Vuillet | ... | electrician |
Christian Wolfs | ... | chief electrician (as Christian Wolf) |
Music Department
Laurent Blondiau | ... | musician: trumpet |
Jeroen Van Herzeele | ... | musician: saxophone |
Script and Continuity Department
Nadia Kamali | ... | continuity |
Additional Crew
Olivier Heger | ... | insurance (as Olivier Héger) |
Maria Licata | ... | production assistant |
Thanks
Patrice Bauchy | ... | thanks |
Francine Becquaert | ... | thanks: NLA |
Berto | ... | thanks |
Milena Bochet | ... | thanks |
Joëlle Bonnet | ... | thanks |
Alain Burosse | ... | thanks |
Roger Busigny | ... | thanks |
Jacques Campens | ... | thanks |
Rudy Crizis | ... | thanks |
Jaak Cuppens | ... | thanks |
Renaldo Deman | ... | thanks |
Olivier Geering | ... | thanks |
Vincent Gillot | ... | thanks |
Marion Hoffman | ... | thanks |
Xavier Ide | ... | thanks |
Frans Lefever | ... | thanks: BRTN |
Lutz Lemke | ... | thanks |
Vincent Mahieu | ... | thanks |
David Mileikowsky | ... | thanks |
Stéphane Olivier | ... | thanks |
Michael Otto | ... | thanks |
Gilbert Perrin | ... | thanks |
Razouani | ... | thanks |
Production Companies
- Alya Productions
- Canal+ (in participation with)
- Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles (support)
- Panic Productions
- Wajnbrosse Productions
Distributors
- AtomFilms (World-wide)
- Der KurzFilmVerleih (Austria)
- Der KurzFilmVerleih (Germany)
- Der KurzFilmVerleih (Switzerland)
Special Effects
Other Companies
- 5/5 Bruxelles (sound recording facilities)
- Blow up Filmtechnik Karl Kresling GmbH (titles and opticals)
- Bulterijs sprl (lighting equipment)
- Bureau Detry (accounting)
- Chevereau (camera equipment provided by)
- Cineco (negative cutting)
- Fuji Photo Films (film stock)
- Gravières Piriot (thanks)
- Image Factory (editing)
- Key Grip Systems (grip equipment)
- L'Equipe de Caméra en Coulisses (thanks)
- Les Trois Vallées (thanks)
- One Two (music studio)
- Police de Chimay (thanks)
- Polygone (editing)
- Régie de Baileux (thanks)
- Studio l'Équipe (post-production studio)
Storyline
Plot Summary |
It's 6:20 a.m. The camera pans a slew of alarm clocks that start to ring simultaneously, all set to awaken a solitary middle-aged man. The alarms are elaborate: in addition to traditional clocks, horns blow, bright lights flash, and a pot even blows smoke at the sleeper. After several minutes, the bed itself finally bounces him to his feet and he begins to make his way through his house, slowly, keeping only a step ahead of things falling, or cutting through the air head high. He grabs his coat, shambles out the door - and it becomes apparent why it is he must wake up. These surprising duties completed, it's time for an espresso. It arrives like clockwork, right on schedule.
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Did You Know?
Trivia | French visa # 89059. See more » |