Directed by
Larry Clark |
Writing Credits
Harmony Korine | ... | (written by) |
Larry Clark | ... | (story by) |
Larry Clark | ... | (story) |
Cast (in credits order) verified as complete
Produced by
Leigh Blake | ... | associate producer |
Michael Chambers | ... | executive producer |
Cathy Konrad | ... | co-producer |
Patrick Panzarella | ... | executive producer |
Christine Vachon | ... | co-producer |
Gus Van Sant | ... | executive producer |
Cary Woods | ... | producer |
Lauren Zalaznick | ... | co-producer |
Music by
Lou Barlow | ||
John Davis |
Cinematography by
Eric Alan Edwards | ... | director of photography (as Eric Edwards) |
Editing by
Christopher Tellefsen |
Casting By
Alysa Wishingrad | ... | (as Alyssa Wishingrad) |
Production Design by
Kevin Thompson |
Set Decoration by
Ford Wheeler |
Costume Design by
Kim Marie Druce | ... | (as Kim Druce) |
Makeup Department
Kara Raynaud | ... | hair designer (as Kara Crean) |
Tracy Warbin | ... | hair stylist / makeup artist |
Production Management
Ann Ruark | ... | post-production supervisor |
Second Unit Director or Assistant Director
Robert Bauer | ... | assistant director |
Van Hayden | ... | assistant director |
Annie Tan | ... | second assistant director |
Art Department
Jennifer Alex Nickason | ... | set dresser (as Jennifer H. Alex) |
Michael Preston | ... | set dresser |
Sound Department
Laurel Bridges | ... | boom operator |
Wendy Hedin | ... | supervising sound editor |
Charles Hunt | ... | production sound mixer (as Charles R. Hunt) |
George A. Lara | ... | foley mixer |
Jan McLaughlin | ... | production sound mixer |
David Novack | ... | re-recording mixer |
Tim O'Heir | ... | audio recording engineer |
Angela Organ | ... | apprentice sound editor |
Brian Vancho | ... | foley artist |
Stunts
Manny Siverio | ... | stunt coordinator |
Camera and Electrical Department
Laura Colella | ... | clapper loader |
Brett Colombo | ... | electrician |
Jon Hokanson | ... | electrician |
Todd S. Klein | ... | key grip |
Christopher T. Paul | ... | second assistant camera |
Kate Phelan | ... | electrician |
Christopher Porter | ... | gaffer |
Alison Cohen Rosa | ... | still photographer |
Jon W. Rosenbloom | ... | best boy grip |
Richard Rutkowski | ... | first assistant camera |
Joe Zizzo | ... | best boy (as Joseph Zizzo) |
Casting Department
Derrick Kardos | ... | casting assistant |
Costume and Wardrobe Department
Exile Ramirez | ... | assistant costume designer |
Editorial Department
Misako Shimizu | ... | assistant editor |
Patricia Sztaba | ... | negative matcher |
Stan Sztaba | ... | negative matcher |
Philip Whitfield | ... | telecine operator: rushes |
Location Management
Andy Clark | ... | assistant location manager |
Thomas J. Whelan | ... | location manager (as T. Whelan) |
Music Department
Tim O'Heir | ... | score recordist and mixer |
Randall Poster | ... | music supervisor |
Script and Continuity Department
Chiemi Karasawa | ... | script supervisor |
Additional Crew
Rossella Acerbo | ... | Italian dubbing: Ruby |
Eric R. Bellamy | ... | production accountant |
Joseph Buoye | ... | production assistant (as Joe Buoye) |
Michel Burstein | ... | press attache: France |
Corrado Conforti | ... | Italian dubbing: Stanly |
Dana Eshghi | ... | production assistant |
Kelly Funke | ... | assistant: Cary Woods (as Kelly MacManus) |
Christopher Gambale | ... | assistant to Harvey Weinstein |
Neil Hobbs | ... | production office intern |
Amy Israel | ... | studio executive |
Jonathan Jacobson | ... | craft service |
Takahide Kawakami | ... | production assistant |
Georgia Lepore | ... | Italian dubbing: Jennie |
Fabrizio Manfredi | ... | Italian dubbing: Telly |
Simone Mori | ... | Italian dubbing: Paul |
Francesco Pezzulli | ... | Italian dubbing: Harold |
Exile Ramirez | ... | graffiti artist |
Stephanie Ripps | ... | production assistant |
Riccardo Rossi | ... | Italian dubbing: Casper |
Lizzie Schwartz | ... | assistant: Mr. Woods |
Vittorio Stagni | ... | Italian dubbing: Fidget |
Marco Vivio | ... | Italian dubbing: Steven |
Thanks
Granz Henman | ... | film dedicated to |
Nicholas Taylor | ... | special thanks |