Directed by
Mark Robson |
Writing Credits
Alec Coppel | ... | (screenplay) and |
Max Trell | ... | (screenplay) |
Richard Maibaum | ... | (adaptation) |
Hammond Innes | ... | (novel) |
Cast (in credits order) verified as complete
Produced by
Irving Allen | ... | producer |
Albert R. Broccoli | ... | producer |
George Willoughby | ... | associate producer (as George W. Willoughby) |
Music by
Clifton Parker |
Cinematography by
John Wilcox | ... | director of photography |
Editing by
John D. Guthridge |
Casting By
Weston Drury Jr. | ... | (uncredited) |
Art Direction by
Alex Vetchinsky | ... | (as Vetchinsky) |
Costume Design by
Julie Harris | ... | (uncredited) |
Makeup Department
Helen Penfold | ... | hairdresser |
Freddie Williamson | ... | makeup artist (as Fred Williamson) |
Alan Brownie | ... | assistant makeup artist (uncredited) |
Biddy Chrystal | ... | hair styles supervisor (uncredited) |
Production Management
Max Varnel | ... | unit manager |
Adrian D. Worker | ... | production supervisor (as Adrian Worker) |
Second Unit Director or Assistant Director
Philip Shipway | ... | assistant director (as Phil Shipway) |
Pat Marsden | ... | second assistant director (uncredited) |
John Wakefield | ... | third assistant director (uncredited) |
Art Department
Jim Able | ... | junior draughtsman (uncredited) |
Ernest Archer | ... | assistant art director (uncredited) |
Dickie Bamber | ... | dressing props (uncredited) |
Syd Cain | ... | draughtsman (uncredited) |
Vernon Dixon | ... | set dresser (uncredited) |
Bert Gaiters | ... | property master (uncredited) |
Bill Holmes | ... | draughtsman (uncredited) |
Ted Hughes | ... | construction manager (uncredited) |
Bert Jempson | ... | construction manager (uncredited) |
Patrick Weymouth | ... | standby props (uncredited) |
Sound Department
Dino Di Campo | ... | sound editor (as Dino di Campo) |
Gordon K. McCallum | ... | sound recordist |
C.C. Stevens | ... | sound recordist |
Des Edwards | ... | assistant boom operator (uncredited) |
Claude Hitchcock | ... | boom operator (uncredited) |
Visual Effects by
Cliff Culley | ... | matte artist (uncredited) |
Reg Johnson | ... | special processes (uncredited) |
Bert Marshall | ... | special processes (uncredited) |
Bill Warrington | ... | special processes (uncredited) |
Stunts
Paul Baxley | ... | stunt coordinator (uncredited) / stunt double (uncredited) |
Nosher Powell | ... | stunts (uncredited) |
Camera and Electrical Department
Tony Braun | ... | second unit cameraman |
Ted Moore | ... | camera operator |
Wally Fairweather | ... | clapper loader (uncredited) |
Tony Spratling | ... | Technicolor technician (uncredited) |
Costume and Wardrobe Department
Dorothy Edwards | ... | wardrobe supervisor: women (uncredited) |
Bob Rayner | ... | wardrobe supervisor: men (uncredited) |
John Wilson-Apperson | ... | costume supervisor (uncredited) |
Editorial Department
Joan Bridge | ... | color consultant: Technicolor |
Helga Cranston | ... | montages |
Peter Flack | ... | assistant editor (uncredited) |
Roy Fry | ... | assembly cutter (uncredited) |
Norman Wanstall | ... | second assistant editor (uncredited) |
Music Department
Muir Mathieson | ... | conductor |
Ted Drake | ... | music recordist (uncredited) |
Script and Continuity Department
Betty Harley | ... | continuity |
Johanna Harwood | ... | assistant continuity (uncredited) |
Additional Crew
Arthur Alcott | ... | production controller for Pinewood Studios |
Anthony Bushell | ... | director of the antarctic expedition |
Ernest Day | ... | technician: Technicolor (uncredited) |
William N. Graf | ... | assistant to producer (uncredited) |
Marguerite Green | ... | production secretary (uncredited) |
Jean Osborne | ... | floor publicist (uncredited) |