Welcome back to the Supporting Actress Smackdown. Each month we pick an Oscar vintage to explore through the lens of actressing at the edges. This episode goes back to the 19th Academy Awards honoring 1946. It isn't a particularly beloved Oscar vintage though the Best Picture winner, The Best Years of Our Lives, is sublime. Apart from the winner and the Christmas film It's a Wonderful Life, the Academy all but ignored the most enduring pictures of that post-war year. But we're here to discuss Best Supporting Actress and these five women were having a moment...
The Nominees For the 1946 Oscars the Academy invited back two previous winners (Gale Sondergaard & Ethel Barrymore), tossed a bouquet in the form of 'career' nomination to a legend (Lillian Gish), honored a character actress for stretching (Flora Robson) without realizing how poorly that kind of stretch would age, and invited a new starlet (Anne Baxter) into the club.
The Nominees For the 1946 Oscars the Academy invited back two previous winners (Gale Sondergaard & Ethel Barrymore), tossed a bouquet in the form of 'career' nomination to a legend (Lillian Gish), honored a character actress for stretching (Flora Robson) without realizing how poorly that kind of stretch would age, and invited a new starlet (Anne Baxter) into the club.
- 6/26/2021
- by NATHANIEL R
- FilmExperience
In just a week's time the next Supporting Actress Smackdown and its companion podcast arrives. We'll be discussing the films and performances of 1946 so hurry up and finish watching Anna and the King of Siam, Duel in the Sun, The Razor's Edge, Saratoga Trunk, and The Spiral Staircase. Your votes count. Let's meet your fellow panelists, shall we?
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- 6/18/2021
- by NATHANIEL R
- FilmExperience
August 29 marks the 103rd anniversary of the birth of legendary film star Ingrid Bergman. Born in Stockholm, she was working in Swedish and German films during the 1930s, when one of her Swedish films, 1936’s “Intermezzo,” caught the eye of powerful Hollywood producer David O. Selznick. He announced that he planned to remake “Intermezzo” in English and would bring Bergman to Hollywood to star. The only problem was that Bergman didn’t speak English, but she turned out to be a fast learner, and the combination of her work ethic and her radiant beauty put Bergman well on her way to becoming an authentic movie star.
Not only did Bergman become an audience favorite, but her acting skills earned her the respect of moviegoers and Hollywood producers alike. In the course of her four-decade film career, Bergman was nominated for seven Academy Awards, winning three for “Gaslight,” “Anastasia” and “Murder on the Orient Express...
Not only did Bergman become an audience favorite, but her acting skills earned her the respect of moviegoers and Hollywood producers alike. In the course of her four-decade film career, Bergman was nominated for seven Academy Awards, winning three for “Gaslight,” “Anastasia” and “Murder on the Orient Express...
- 8/29/2018
- by Tom O'Brien and Chris Beachum
- Gold Derby
Ingrid Bergman ca. early 1940s. Ingrid Bergman movies on TCM: From the artificial 'Gaslight' to the magisterial 'Autumn Sonata' Two days ago, Turner Classic Movies' “Summer Under the Stars” series highlighted the film career of Greta Garbo. Today, Aug. 28, '15, TCM is focusing on another Swedish actress, three-time Academy Award winner Ingrid Bergman, who would have turned 100 years old tomorrow. TCM has likely aired most of Bergman's Hollywood films, and at least some of her early Swedish work. As a result, today's only premiere is Fielder Cook's little-seen and little-remembered From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1973), about two bored kids (Sally Prager, Johnny Doran) who run away from home and end up at New York City's Metropolitan Museum. Obviously, this is no A Night at the Museum – and that's a major plus. Bergman plays an elderly art lover who takes an interest in them; her...
- 8/28/2015
- by Andre Soares
- Alt Film Guide
Charles Boyer, Hedy Lamarr, Algiers Hedy Lamarr can be seen later this month on Turner Classic Movies: I Take This Woman (1940) will be shown on Saturday, April 28, and The Conspirators (1944) on Monday, April 30. I Take This Woman was a troubled production that took so long to make — W.S. Van Dyke replaced Frank Borzage who had replaced original director Josef von Sternberg — that punsters called it "I Retake This Woman." Spencer Tracy co-stars as a doctor who marries European refugee Lamarr. Jean Negulesco’s The Conspirators has several elements in common with Michael Curtiz’s Casablanca, including an "exotic" World War II setting (in this case, Lisbon), conflicting loyalties, male lead Paul Henreid, and supporting players Sydney Greenstreet and Peter Lorre. Curiously, at one point Lamarr had been considered for the Casablanca role that eventually went to Ingrid Bergman. Neither I Take This Woman nor The Conspirators did much for Hedy Lamarr’s Hollywood career.
- 4/24/2012
- by Andre Soares
- Alt Film Guide
Silence The Musical, the unauthorized parody of The Silence of the Lambs, with book by Hunter Bell title of show, music amp lyrics by Jon and Al Kaplan, and direction amp choreography by Christopher Gattelli South Pacific, Newsies currently stars David Garrison Married With Children, Wicked, Titanic as Dr. Hannibal Lecter and Jenn Harris Modern Orthodox as Clarice Starling. The cast also includes Stephen Bienskie The Last Session as the notorious Buffalo Bill, Lucia Spina Legally Blonde as Catherine Martin, Deidre Goodwin Chicago as Ardelia Mapp. And Callan Bergmann Lucky Guy, Pamela Bob People Like Us, Harry Bouvy Spamalot, Ashlee Dupr Wheres Charley, Howard Kaye Mamma Mia, Topher Nuccio Little Shop of Horrors, and Doug Trapp Saratoga Trunk Songs.
- 12/14/2011
- by BWW News Desk
- BroadwayWorld.com
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