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- After a brutal attack, a young nomad named Sira refuses to surrender to her fate without a fight and instead takes a stand against Islamist terror.
- A small village in Burkina Faso. The story focuses on Bila, a ten year old boy who befriends an old woman, Sana. Everybody calls her 'Witch' but Bila himself calls her 'Yaaba' (grandmother). When Bila's cousin Nopoko gets sick it is Sana's medicine who saves her.
- Centers on 16-year-old Rasmané, who barely seems like a teenager any more. In Burkina Faso, young men look under the earth for gold - and a better future, follow their journey in a 100-metre abyss of small-scale mining.
- On January 2 1899, starting from the French Soudan, a french column under the commandment of the captains Voulet and Chanoine is send against the black Sultan Rabah in what is now the Cameroun. Those captains and their african mercenary troops destroy and kill everything they find on their path. The French autority try to stop them sending orders and a second troop but the captains even kill the emissaries who are reaching them. Sarraounia, queen of the Aznas, have heared about the exactions. Clever in war tactics and in witchcraft, she decides to resist and stop those mad men.
- Set in a pre-colonial African past, Tilai is about an illicit love affair and its consequences. Saga returns to his village after an extended absence to discover that his father has taken Nogma, Saga's promised bride, for himself. Still in love with each other, the two begin an affair, although it would be considered incestuous. When the liaison is discovered, Saga's brother, Koudri, pretends to kill Saga for the honor of the family and village. Saga and Nogma flee to another village, but when Nogma's birth mother dies, he returns home. Having brought ruin on the family, Saga is shot by Koudri, who walks off into exile and probable death.
- Samba Traore returns to his village flush with funds. Soon enough he manages to charm the beautiful Saratou into marrying him and, along with another friend, builds the first bar their village has ever seen. But his conscience keeps nagging him and the police are on the lookout for the "gas station murderer."
- In pre-colonial times a peddler crossing the savanna discovers a child lying unconscious in the bush. When the boy comes to, he is mute and cannot explain who he is. The peddler leaves him with a family in the nearest village. After a search for his parents, the family adopts him, giving him the name Wend Kuuni (God's Gift) and a loving sister with whom he bonds. Wend Kuuni regains his speech only after witnessing a tragic event that prompts him to reveal his own painful history.
- A village elder veteran expecting his pension buys a mill on credit for the community, but the repeated requests ignored by the government bring back his fighting spirit.
- The story centers around a beautiful young African girl named Phoebe who works as a maid for a rich white family in a small South African town. Her boss Henri abuses her on a regular basis while his wife looks the other way. She gets pregnant without know whom the father is. During her labor, she experience complications and passes away while giving birth to her baby girl. A powerful voodoo priest in the village, the chief and many other perform a ritual of drawing dry-point to determine who will murder Henri. Phoebe's aunt, raise the girl and she too was abuses and raped by her teacher, who is HIV positive. Life's not fair, but positive is created from it all.
- Three African short films about young people facing social, economic and personal hardships.
- Djanta, a bright young female student, returns to her parent's village at the behest of the pastor who raised her since she was a child. There, she is surprised to find that her family wishes to marry her to a man to whom she was betrothed as a baby. Djanta runs away from the village, returns to university and sets about to free women from traditional constraints. But is this even possible?
- When his friend Philip died, Rasmané was left with the corpse. Because Philip did not adhere to certain traditions, the village elders do not want to bury him in the village. For Rasmané, this is the beginning of an odyssey through Burkina Faso, It is not easy to bury the body of a person who is not baptized, does not have a Muslim first name and is not a member of any of the country's religious communities.
- An African doctor finds a cure to a deadly virus and decides to mass produce the drug at low cost in Africa. However, a pharmaceutical multinational does not want the doctor to succeed and sends an agent to Africa first to buy the drug then to destroy it.
- After the brutal massacre of his family in Haiti, Francis Desrances resettles in the Ivory Coast. Years later Francis, his wife Aissey and 12-year-old daughter Haila await the birth of a son, who to Francis' excitement and Haila's irritation is immediately regarded as the worthy heir to the Desrances name. As the birth looms, civil war erupts in Abidjan and amidst the melee Aissey goes missing. Haila courageously steps forward in ways that challenge her father's notion of what constitutes a rightful heir. Cementing her status as a bold voice in contemporary filmmaking, Apolline Traoré's domestic drama escalates into an intense thriller that mounts a passionate challenge to commonly-held gender roles, whilst also highlighting the human cost of civil strife.
- We find ourselves in an extravagant garden in Ouagadougou. The French Ambassador's wife dreamt about becoming a famous opera singer. Instead, she is now using the singing as a ventilator to survive her seemingly privileged life surrounded by workers. This film raises questions about power structures, class, intersectionality, post colonialism and feminism in a poetic, subtle and seductive way.
- Investigation that uncovers a plot of international abuses around the production of the new Superfood, tiger nuts, by European and American companies exploiting African resources, while cheating millions of western organic driven consumers.
- Four women from different regions develop friendships during a bus journey across West Africa, as they accomplish an everyday journey while facing the universal challenge of being independent women.
- In the first half of the 1990s, Drissa Touré was an auteur fast on the rise, with his first fiction feature, Laada (1991), celebrating its world premiere in a Cannes sidebar, from whence it went around the world, Rotterdam included. Touré's next narrative project, Haramuya (1995), was again welcomed warmly and seen widely. But what happened then? How could an obviously gifted filmmaker from one of world cinema's true hubs, Burkina Faso, not find the means to continue? How did Touré end up riding a motorcycle, doing deliveries and errands? The fact that only a few years after Haramuya's release, Atria, the organisation where Touré deepened his technical knowledge of filmmaking, was closed down as the last francs of support were cancelled suggests that Touré's story is also a symptom of something more structural and grim.
- In an early 19th century African village, Wend Kuuni - a young man, lives with his adopted family after his mother was killed as a witch. When Pughneere - his adopted sister - becomes ill, the villagers suspect Wend Kuuni. In order to save Pughneere's life (and his own) he must set out on a journey to find a healer. His quest brings him in contact with people around him and is a journey of self-discovery.