LevelFilm has acquired a brace of festival favorite films from Metrograph Pictures for Canadian distribution.
India Donaldson’s feature directorial debut “Good One” world premiered at Sundance and screened at the Cannes Directors’ Fortnight in Cannes. In the coming-of-age drama, 17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam attempts to mediate their disputes. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch.
“Meanwhile on Earth” is the live-action debut of Jérémy Clapin who was nominated for an Academy Award for his adult animated film “I Lost My Body.” The film, which premiered at the Berlinale earlier this year, stars Meghan Northam (“The Passengers of the Night”) in her debut feature starring role.
India Donaldson’s feature directorial debut “Good One” world premiered at Sundance and screened at the Cannes Directors’ Fortnight in Cannes. In the coming-of-age drama, 17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam attempts to mediate their disputes. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch.
“Meanwhile on Earth” is the live-action debut of Jérémy Clapin who was nominated for an Academy Award for his adult animated film “I Lost My Body.” The film, which premiered at the Berlinale earlier this year, stars Meghan Northam (“The Passengers of the Night”) in her debut feature starring role.
- 5/30/2024
- by Naman Ramachandran
- Variety Film + TV
IndieWire has published its Cannes 2024 Cinematography Survey. We analyzed the data to explore (again and again) that the nine-year-old camera, Arri Alexa Mini, is the most popular camera among Cannes filmmakers. Furthermore, interestingly, in its first appearance on the Cannes Cinematography Chart and jumped straight to second place, is the Arri 35.
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
- 5/21/2024
- by Yossy Mendelovich
- YMCinema
"Are they staying here?" Metrograph FIlms has revealed the first official trailer for Good One, one of the most critically acclaimed films from this year's 2024 Sundance Film Festival. Good One is the feature debut of filmmaker India Donaldson, proving she has an eye for detail and a knack for nuanced storytelling. During a weekend backpacking trip in the Catskills, 17-year-old Sam navigates the clash of egos between her father and his oldest friend. The film also features the breakout lead performance by Lily Collias as the main character Sam. Donaldson's heralded first feature, starring the talented Lily Collias, is Metrograph Picture's first new release of 2024, and the only film this year to play at both the Sundance & Cannes Film Festivals – it's screening soon in the Directors' Fortnight sidebar in Cannes this month. This also co-stars James Le Gros and Danny McCarthy as the two adults. With a score by Celia Hollander.
- 5/8/2024
- by Alex Billington
- firstshowing.net
One of the greatest discoveries at this year’s Sundance Film Festival, India Donaldson’s directorial debut Good One is also the only film this year to go on to play New Directors/New Films and the Cannes Film Festival. Picked up by Metrograph Pictures as their first major release, ahead of an August 9 debut, the first trailer has now arrived.
Here’s the synopsis: “In India Donaldson’s insightful, piercing debut, 17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
Here’s the synopsis: “In India Donaldson’s insightful, piercing debut, 17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
- 5/8/2024
- by Jordan Raup
- The Film Stage
Beloved by critics and festivalgoers out of this year’s Sundance, India Donaldson’s feature directorial debut “Good One” is now set to be the only film playing in both Sundance and Cannes this year, with the feature debuting in the Directors’ Fortnight section at the 2024 Cannes Film Festival. The coming-of-age story about the ramifications of a father-daughter camping trip is also the first new release from Metrograph Pictures. IndieWire shares the exclusive trailer and poster below.
Per the official synopsis, in “Good One,” 17-year-old Sam (Collias) “embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles...
Per the official synopsis, in “Good One,” 17-year-old Sam (Collias) “embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles...
- 5/8/2024
- by Ryan Lattanzio
- Indiewire
Chicago – The 2024 Chicago Critics Film Festival on Day Six – Wednesday, May 8th – screens a feature film director debut about a hiking trip and the scattered remnants of disconnected people. “Good One” is by India Donaldson, and she will appear on behalf of the film For the full schedule, info and tickets, click Ccff May 8th. For individual films, click titles below.
Good One
Good One
Photo credit: ChicagoCriticsFilmFestival.com
17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, she is confronted with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
Good One
Good One
Photo credit: ChicagoCriticsFilmFestival.com
17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, she is confronted with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
- 5/7/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
In a Violent NatureImage: IFC Films
I’ll be the first to admit my bias towards the Chicago Critics Film Festival. I’m part of the organization that puts it together, it takes place at my favorite movie theater (Chicago’s organ-scored Music Box Theatre), and it enriches my local community of arthouse moviegoers.
I’ll be the first to admit my bias towards the Chicago Critics Film Festival. I’m part of the organization that puts it together, it takes place at my favorite movie theater (Chicago’s organ-scored Music Box Theatre), and it enriches my local community of arthouse moviegoers.
- 5/1/2024
- by Jacob Oller
- avclub.com
Exclusive: Metrograph Pictures announced on Wednesday that Good One — the first feature from writer-director India Donaldson, which premiered to rave reviews at this year’s Sundance Film Festival — will open in NY/LA on August 9 and expand nationwide in the following weeks.
That weekend, it will be up against Neon’s horror pic Cuckoo starring Hunter Schafer, Amazon MGM’s boxing drama The Fire Inside starring Brian Tyree Henry, Sony’s It Ends With Us, Lionsgate’s Borderlands, and M. Night Shyamalan’s Warner Bros thriller Trap.
The first title acquired by Metrograph since its recent expansion into theatrical releases under the leadership of former A24 exec David Laub, Good One watches as 17-year-old Sam (newcomer Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic,...
That weekend, it will be up against Neon’s horror pic Cuckoo starring Hunter Schafer, Amazon MGM’s boxing drama The Fire Inside starring Brian Tyree Henry, Sony’s It Ends With Us, Lionsgate’s Borderlands, and M. Night Shyamalan’s Warner Bros thriller Trap.
The first title acquired by Metrograph since its recent expansion into theatrical releases under the leadership of former A24 exec David Laub, Good One watches as 17-year-old Sam (newcomer Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic,...
- 4/17/2024
- by Matt Grobar
- Deadline Film + TV
Following the main lineups for the 2024 Cannes Film Festival, a handful of sidebar slates have been unveiled, featuring Directors Fortnight, Critics Week, and Acid. Notable highlights include the Sundance favorite Good One (read our review here), Tyler Taormina’s Christmas Eve in Miller’s Point starring Michael Cera, the first film in over a decade from James White director Josh Mond, the Christopher Abbott-led It Doesn’t Matter, Eat the Night from Jessica Forever duo Caroline Poggi & Jonathan Vinel, Carson Lund’s Eephus, Patricia Mazuy’s Visting Hours, The Hyperboreans, a new film from The Wolf House directors Cristobal Leo & Joaquin Cocina, Matthew Rankin’s The Twentieth Century follow-up Universal Language, and more.
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
- 4/16/2024
- by Jordan Raup
- The Film Stage
The Cannes Directors’ Fortnight section has unveiled its lineup for the 2024 festival, which will open with This Life of Mine, the final feature from the late French director Sophie Fillières. The drama features Agnès Jaoui as a woman whose identity starts to unravel when she turns 55. Fillières died shortly after wrapping principal photography on the film and her children finished post-production.
There are four U.S. titles in the feature section of the non-competitive sidebar: Tyler Taormina’s Christmas Eve In Miller’s Point, Carson Lund’s Eephus, India Donaldson’s Good One and Gazer from Ryan J. Sloan.
Christmas Eve in Miller’s Point, starring Michael Cera, Elsie Fisher, Francesca Scorsese. Ben Shenkman, Gregg Turkington, Sawyer Spielberg, Maria Dizzia and newcomer Matilda Fleming, follows four generations as they gather for what might be their last Christmas in the family home. Lund, who lensed Christmas Eve, makes his feature debut with Eephus,...
There are four U.S. titles in the feature section of the non-competitive sidebar: Tyler Taormina’s Christmas Eve In Miller’s Point, Carson Lund’s Eephus, India Donaldson’s Good One and Gazer from Ryan J. Sloan.
Christmas Eve in Miller’s Point, starring Michael Cera, Elsie Fisher, Francesca Scorsese. Ben Shenkman, Gregg Turkington, Sawyer Spielberg, Maria Dizzia and newcomer Matilda Fleming, follows four generations as they gather for what might be their last Christmas in the family home. Lund, who lensed Christmas Eve, makes his feature debut with Eephus,...
- 4/16/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The 77th edition of Cannes’ Directors’ Fortnight will kick off with “This Life of Mine,” a dramedy directed by Sophie Fillières, a renowned French filmmaker who died last year. Presented posthumously, the film is headlined by French stars including Agnès Jaoui, Philippe Katerine and Valérie Donzelli. The independent selection, which has recently gone through a rebranding and is now spearheaded by artistic director Julien Rejl, will close with another French film, Jean-Christophe Meurisse’s “Plastic Guns,” an offbeat crime comedy headlined by popular actor Jonathan Cohen.
The lineup includes as many as four U.S. features, three of which are feature debuts, including India Donaldson’s coming-of-age film”Good One” which premiered at Sundance and garnered solid reviews. Set in upstate New York, “Good One” follows 17-year-old Sam as she joins her father and his oldest friend, Matt, on their annual backpacking trip in the Catskill Mountains. “Good One” has...
The lineup includes as many as four U.S. features, three of which are feature debuts, including India Donaldson’s coming-of-age film”Good One” which premiered at Sundance and garnered solid reviews. Set in upstate New York, “Good One” follows 17-year-old Sam as she joins her father and his oldest friend, Matt, on their annual backpacking trip in the Catskill Mountains. “Good One” has...
- 4/16/2024
- by Elsa Keslassy
- Variety Film + TV
Looking for bold new work from first- and second-time feature filmmakers? Look no further than New Directors/New Films, the premier New York City festival that annually highlights them.
Now in its 53rd edition, New Directors/New Films returns to New York April 3 through 14 from Film at Lincoln Center and the Museum of Modern Art, bringing the best of the fests so far to audiences eager for discovery. This year’s festival is bookended by Aaron Schimberg’s opening night entry “A Different Man,” starring Sebastian Stan as an actor who unravels after a facial reconstruction surgery, and Theda Hammel’s “Stress Positions,” an anxiety-inducing Covid lockdown comedy starring John Early. Both films premiered at the 2024 Sundance Film Festival, whose Dramatic Competition gem “Good One,” a coming-of-age drama set around a derailed camping trip and directed by India Donaldson, also features at New Directors.
Also premiering at the festival is Sundance favorite “Exhibiting Forgiveness,...
Now in its 53rd edition, New Directors/New Films returns to New York April 3 through 14 from Film at Lincoln Center and the Museum of Modern Art, bringing the best of the fests so far to audiences eager for discovery. This year’s festival is bookended by Aaron Schimberg’s opening night entry “A Different Man,” starring Sebastian Stan as an actor who unravels after a facial reconstruction surgery, and Theda Hammel’s “Stress Positions,” an anxiety-inducing Covid lockdown comedy starring John Early. Both films premiered at the 2024 Sundance Film Festival, whose Dramatic Competition gem “Good One,” a coming-of-age drama set around a derailed camping trip and directed by India Donaldson, also features at New Directors.
Also premiering at the festival is Sundance favorite “Exhibiting Forgiveness,...
- 4/2/2024
- by Ryan Lattanzio
- Indiewire
From a pandemic and Hollywood’s dual strikes to fundraising issues, film festivals have faced a number of challenges in recent years. But a new one is braving the scene and about to hit the circuit.
The Los Angeles Festival of Movies will present its inaugural edition on April 4-7, co-presented by Mubi and Mezzanine and featuring 12 titles (one world premiere), three 4K restorations, a featured artist talk, documentary series and a short film program. Passes are currently on sale with single tickets on sale March 14. Lafm screenings will take place at three recently opened venues across Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown and Now Instant Image Hall in Chinatown.
A24’s I Saw the TV Glow from filmmaker Jane Schoenbrun will open the fest with a West Coast premiere at Vidiots on April 4. Closing Lafm three days later will be the world premiere of...
The Los Angeles Festival of Movies will present its inaugural edition on April 4-7, co-presented by Mubi and Mezzanine and featuring 12 titles (one world premiere), three 4K restorations, a featured artist talk, documentary series and a short film program. Passes are currently on sale with single tickets on sale March 14. Lafm screenings will take place at three recently opened venues across Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown and Now Instant Image Hall in Chinatown.
A24’s I Saw the TV Glow from filmmaker Jane Schoenbrun will open the fest with a West Coast premiere at Vidiots on April 4. Closing Lafm three days later will be the world premiere of...
- 3/7/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
A new film festival is on the scene. Los Angeles Festival of Movies (Lafm), co-presented by Mubi and Mezzanine, has announced the full line-up for its inaugural run, taking place April 4-7, 2024. Boasting 11 titles––including one world premiere, three 4K restorations, a featured artist talk, documentary series, and curated shorts program––screenings will take place at three recently opened venues on the east side of Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown, and Now Instant Image Hall in Chinatown.
Among the lineup are some of our recent festival favorites: Jane Schoenbrun’s I Saw the TV Glow, India Donaldson’s Good One, the Ross brothers’ Gasoline Rainbow, and Eduardo Williams’ The Human Surge 3. Closing the festival is the world premiere of Conner O’Malley and Danny Scharer’s Rap World.
“This lineup is a snapshot of the past and present landscape of independent cinema, and a group...
Among the lineup are some of our recent festival favorites: Jane Schoenbrun’s I Saw the TV Glow, India Donaldson’s Good One, the Ross brothers’ Gasoline Rainbow, and Eduardo Williams’ The Human Surge 3. Closing the festival is the world premiere of Conner O’Malley and Danny Scharer’s Rap World.
“This lineup is a snapshot of the past and present landscape of independent cinema, and a group...
- 3/7/2024
- by Jordan Raup
- The Film Stage
The LA film festival scene just got a bit brighter.
The Los Angeles Festival of Movies (Lafm), co-presented by Mubi and Mezzanine, announced the full lineup for its inaugural festival taking place April 4-7, 2024. The new festival will screen 11 titles including one world premiere, three 4K restorations, plus a featured artist talk, documentary series, and a curated short film program. Passes are currently on sale, and single film tickets go on sale March 14.
Per the festival’s organizers, Lafm was created to redefine Los Angeles as a destination for independent film. There are many film festivals in LA, primarily led by AFI Fest in the fall, but rarely do they make independent film their only focus.
The festival’s screenings will all take place at three recently opened venues on the east side of Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown, and Now Instant Image Hall in Chinatown.
The Los Angeles Festival of Movies (Lafm), co-presented by Mubi and Mezzanine, announced the full lineup for its inaugural festival taking place April 4-7, 2024. The new festival will screen 11 titles including one world premiere, three 4K restorations, plus a featured artist talk, documentary series, and a curated short film program. Passes are currently on sale, and single film tickets go on sale March 14.
Per the festival’s organizers, Lafm was created to redefine Los Angeles as a destination for independent film. There are many film festivals in LA, primarily led by AFI Fest in the fall, but rarely do they make independent film their only focus.
The festival’s screenings will all take place at three recently opened venues on the east side of Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown, and Now Instant Image Hall in Chinatown.
- 3/7/2024
- by Ryan Lattanzio
- Indiewire
It’s about time for the annual New Directors/New Films Festival. Set to take place April 3 – 14, the festival presented by Film at Lincoln Center and the Museum of Modern Art features a slew of early 2024 festival favorites. Nd/Nf opens with Sundance hit “A Different Man,” directed by breakout filmmaker Aaron Schimberg. Sebastian Stan won the Berlinale best actor award for his turn in the feature as an actor who undergoes a facial reconfiguration surgery.
Film at Lincoln Center programmer and 2024 New Directors/New Films co-chair Dan Sullivan billed “A Different Man” as a “delirious, complex, and hilarious work that evokes the best black comedies produced on the streets and inside the apartments of New York City in the 1960s and ’70s (with a healthy dash of body horror and metanarrative).”
Nd/Nf closes with fellow New York-based film “Stress Positions,” which also premiered at the 2024 Sundance Film Festival.
Film at Lincoln Center programmer and 2024 New Directors/New Films co-chair Dan Sullivan billed “A Different Man” as a “delirious, complex, and hilarious work that evokes the best black comedies produced on the streets and inside the apartments of New York City in the 1960s and ’70s (with a healthy dash of body horror and metanarrative).”
Nd/Nf closes with fellow New York-based film “Stress Positions,” which also premiered at the 2024 Sundance Film Festival.
- 3/7/2024
- by Samantha Bergeson
- Indiewire
The New Directors/New Films lineup boasts a slew of 2024 festival breakout features.
The annual festival, presented by Film at Lincoln Center and The Museum of Modern Art, will take place from April 3 to April 14 at Film at Lincoln Center. Sundance premiere “A Different Man,” Berlinale best first feature winner “Cu Li Never Cries,” and Locarno Film Festival winner “A Good Place” are among this year’s standout titles.
The 53rd annual festival celebrates rising filmmakers who redefine the state of cinema. The 2024 lineup includes 25 features and 10 short films, including one world premiere. “A Different Man,” directed by Aaron Schimberg and co-starring Berlinale best actor winner Sebastian Stan, will open the festival April 3. Theda Hammel’s “Stress Positions,” which also premiered at the 2024 Sundance Film Festival, will close New Directors/New Films April 14. Both features were directed by New York City-based filmmakers.
“It just feels right for us to bookend...
The annual festival, presented by Film at Lincoln Center and The Museum of Modern Art, will take place from April 3 to April 14 at Film at Lincoln Center. Sundance premiere “A Different Man,” Berlinale best first feature winner “Cu Li Never Cries,” and Locarno Film Festival winner “A Good Place” are among this year’s standout titles.
The 53rd annual festival celebrates rising filmmakers who redefine the state of cinema. The 2024 lineup includes 25 features and 10 short films, including one world premiere. “A Different Man,” directed by Aaron Schimberg and co-starring Berlinale best actor winner Sebastian Stan, will open the festival April 3. Theda Hammel’s “Stress Positions,” which also premiered at the 2024 Sundance Film Festival, will close New Directors/New Films April 14. Both features were directed by New York City-based filmmakers.
“It just feels right for us to bookend...
- 2/29/2024
- by Samantha Bergeson
- Indiewire
Over 60 films came into this year’s Sundance Film Festival looking for buyers, but many of the key players on the indie film market already had movies premiering in the festival, with many of those among the most commercial and star-studded movies making their debuts.
Last year’s market was slow, especially for documentaries, but this year’s festival market was nothing but robust in 2024. We’re tracking everything that already has a home and will update this space throughout the month with every sale that comes in.
“Good One”
Section: U.S. Dramatic
Director: India Donaldson
Buyer: Metrograph Pictures
Cast: Lily Collias, James Le Gros, Danny McCarthy
Release Plans: Theatrical in Summer 2024
Buzz: India Donaldson’s “Good One” will be the first title acquired by Metrograph Pictures, as the company known for its film restorations and SVOD platform is now getting into theatrical distribution. And they picked a good one too.
Last year’s market was slow, especially for documentaries, but this year’s festival market was nothing but robust in 2024. We’re tracking everything that already has a home and will update this space throughout the month with every sale that comes in.
“Good One”
Section: U.S. Dramatic
Director: India Donaldson
Buyer: Metrograph Pictures
Cast: Lily Collias, James Le Gros, Danny McCarthy
Release Plans: Theatrical in Summer 2024
Buzz: India Donaldson’s “Good One” will be the first title acquired by Metrograph Pictures, as the company known for its film restorations and SVOD platform is now getting into theatrical distribution. And they picked a good one too.
- 2/13/2024
- by Brian Welk
- Indiewire
Metrograph Pictures has acquired North American rights to “Good One,” one of the breakouts of the 2024 Sundance Film Festival. The indie film had its world premiere in the U.S. Narrative Competition section. It’s the feature debut of writer and director India Donaldson, and stars newcomer Lily Collias, whose performance captivated critics, alongside James Le Gros (“Showing Up”) and Danny McCarthy.
This marks the first title acquired by Metrograph Pictures, which recently expanded into releasing films theatrically under the leadership of David Laub, a former A24 executive who now heads distribution for the new studio growing out of Metrograph’s New York theater. The film will receive a national theatrical release in summer 2024.
“We are extremely proud to have the opportunity to release India Donaldson’s wonderful Sundance breakout as our first acquisition under David’s new leadership of Metrograph Pictures,” Christian Grass, CEO of Metrograph, said in a statement.
This marks the first title acquired by Metrograph Pictures, which recently expanded into releasing films theatrically under the leadership of David Laub, a former A24 executive who now heads distribution for the new studio growing out of Metrograph’s New York theater. The film will receive a national theatrical release in summer 2024.
“We are extremely proud to have the opportunity to release India Donaldson’s wonderful Sundance breakout as our first acquisition under David’s new leadership of Metrograph Pictures,” Christian Grass, CEO of Metrograph, said in a statement.
- 2/13/2024
- by Brent Lang
- Variety Film + TV
Recreational camping — and its corollary, hiking or backpacking — has been part of the American experience for more than a century. For the minority who enjoy “roughing it,” leaving modern comforts like running water, functioning toilets, and central heating behind can be a mostly positive experience. By accepting the temporary suspension of those comforts, campers, hikers, and backpackers also embrace the old-school idea of “American exceptionalism,” of proving ourselves against whatever the elements have to offer while simultaneously keeping in mind that warm beds, hot showers, and cooked meals are only a day’s hike out of a forest at worst. For Sam, the protagonist of writer-director India Donaldson’s deeply felt, wryly observant feature-length debut, Good One, backpacking and...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/2/2024
- Screen Anarchy
Last year may have been the official return of the Sundance Film Festival to an in-person experience, but the just-concluded 2024 edition felt even more lively: This wasn’t just back to business, this was a full-on coming-out party, with A-list talent on-hand even beyond what you could have expected from the festival in its last couple pre-covid years.
The best movies of the 2024 Sundance Film Festival, as determined by IndieWire’s annual critics survey, are an eclectic mix, full of starpower and starmaking turns. And undoubtedly, having all the competition titles screen virtually in the last five days of the fest buoyed the visibility of some — if the celebrities all descended on Park City, Utah, this year, some journalists who used to be in-person regulars opted instead for just the online experience.
If the journalists who responded to IndieWire’s survey, 166 in total, are fewer in number than the past,...
The best movies of the 2024 Sundance Film Festival, as determined by IndieWire’s annual critics survey, are an eclectic mix, full of starpower and starmaking turns. And undoubtedly, having all the competition titles screen virtually in the last five days of the fest buoyed the visibility of some — if the celebrities all descended on Park City, Utah, this year, some journalists who used to be in-person regulars opted instead for just the online experience.
If the journalists who responded to IndieWire’s survey, 166 in total, are fewer in number than the past,...
- 1/31/2024
- by Christian Blauvelt
- Indiewire
Early in writer-director India Donaldson’s Good One, during lunch at a diner, 17-year-old Sam (Lily Collias) takes an enormous bite of a burger. “I thought you were a vegetarian,” her father, Chris (James Le Gros), bemoans. She replies that she’s “never been one,” to which Matt (Danny McCarthy), Chris’s oldest friend, incredulously states, “You seem like one.”
The essence of Donaldson’s feature-length directorial debut, which traces this trio’s weekend backpacking trip in the Catskills, is distilled in that seemingly throwaway moment, as this is a film about two adults who spend much time presumptuously ascribing stereotypical behavior to the teens in their midst. Though Sam is on her way to college, about to face the onset of adulthood, her divorced parents barely notice the young woman developing before their eyes. Good One, then, in its glimpse of a generational divide, is less a tale of...
The essence of Donaldson’s feature-length directorial debut, which traces this trio’s weekend backpacking trip in the Catskills, is distilled in that seemingly throwaway moment, as this is a film about two adults who spend much time presumptuously ascribing stereotypical behavior to the teens in their midst. Though Sam is on her way to college, about to face the onset of adulthood, her divorced parents barely notice the young woman developing before their eyes. Good One, then, in its glimpse of a generational divide, is less a tale of...
- 1/29/2024
- by Greg Nussen
- Slant Magazine
Back at the 2023 Sundance Film Festival, Celine Song’s debut feature, “Past Lives,” premiered to rave reviews and early speculation about its awards chances. That turned out to be prescient. One year later, “Past Lives” is a 2024 Oscars Best Picture nominee, while Song is a nominee for Best Original Screenplay. So with the 2024 Sundance Film Festival at its end, what better time than now to speculate about what next year’s “Past Lives” will be? Whether anything on 2024’s Sundance roster can scale those heights is up for debate, but plenty of promising titles could compete for acting and screenplay prizes. The documentary lineup was robust this year, which makes sense: Six of the last 10 Best Documentary Feature Film winners got their start at Sundance.
Below is a sample of Sundance highlights that could be award contenders this time next year.
Narrative features
“Between the Temples”: It’s hard to fathom,...
Below is a sample of Sundance highlights that could be award contenders this time next year.
Narrative features
“Between the Temples”: It’s hard to fathom,...
- 1/29/2024
- by Matthew Jacobs
- Gold Derby
Updated throughout with new buys. Despite some initial trepidation, big sales were not in short supply at this year’s Sundance Film Festival, with Netflix spending big on everything from “It’s What’s Inside” to “Skywalkers: A Love Story,” Searchlight Pictures going for “A Real Pain,” Amazon MGM getting in on the “My Old Ass” action, Neon wisely snapping up “Presence,” and Sony Pictures Classics getting down with “Kneecap”, but that doesn’t mean there aren’t plenty of superior films still looking for homes.
Of the still-for-sale titles that premiered at this year’s festival, there’s plenty to intrigue all sorts of buyers, from those looking for films with excellent performances that could inspire major awards pushes (like Saoirse Ronan in “The Outrun”), those in search of the next big director, or documentary lovers looking for films with incredible real world impact and fascinating true stories.
And while it’s still early days,...
Of the still-for-sale titles that premiered at this year’s festival, there’s plenty to intrigue all sorts of buyers, from those looking for films with excellent performances that could inspire major awards pushes (like Saoirse Ronan in “The Outrun”), those in search of the next big director, or documentary lovers looking for films with incredible real world impact and fascinating true stories.
And while it’s still early days,...
- 1/29/2024
- by Kate Erbland, David Ehrlich and Ryan Lattanzio
- Indiewire
At its heart, Sundance is about discovery. Some of our brightest, biggest filmmaking stars — we’re talking Steven Soderbergh, Richard Linklater, Ava DuVernay, Paul Thomas Anderson, Lulu Wang, Ryan Coogler, Aubrey Plaza, Catherine Hardwicke, Todd Haynes, Tessa Thompson, Jennifer Lawrence, Robert Eggers, the Duplass brothers, Michael B. Jordan, Amy Adams, Elizabeth Olsen, Brie Larson, Lakeith Stanfield, Miles Teller, Anya Taylor-Joy, and many, many more — first rose to acclaim by bringing their work to Sundance.
Some of the biggest films at this year’s festivals came to us through creators and stars we already know and love — it’s no surprise that Jesse Eisenberg and Kieran Culkin are so wonderful in Eisenberg’s “A Real Pain” or that “Worst Person in the World” star Renate Reinsve finds new dimension in both pitch-black comedy “A Different Man” and the off-kilter zombie drama “Handling the Undead” or that Kristen Stewart is riveting in...
Some of the biggest films at this year’s festivals came to us through creators and stars we already know and love — it’s no surprise that Jesse Eisenberg and Kieran Culkin are so wonderful in Eisenberg’s “A Real Pain” or that “Worst Person in the World” star Renate Reinsve finds new dimension in both pitch-black comedy “A Different Man” and the off-kilter zombie drama “Handling the Undead” or that Kristen Stewart is riveting in...
- 1/26/2024
- by Kate Erbland
- Indiewire
A slight but sensitive and fantastically assured debut that unfolds with the pointillistic detail of a great short story, India Donaldson’s “Good One” is a coming-of-age story that jettisons all of the genre’s most familiar trappings in favor of a long walk in the woods.
There were supposed to be four people on the upstate New York camping trip, but one of the teens dropped out because he didn’t want to spend one of their last pre-college weekends sleeping in a polyester tent with his dad. That leaves anxious divorcee Chris, his avuncular best friend Matt, and Chris’ queer 17-year-old daughter Sam (extraordinary newcomer Lily Collias), who dutifully comes along because she’s always seen it as her job to keep what little peace is left in her family. To not be a burden. To make her parents feel like they still know her, even if they...
There were supposed to be four people on the upstate New York camping trip, but one of the teens dropped out because he didn’t want to spend one of their last pre-college weekends sleeping in a polyester tent with his dad. That leaves anxious divorcee Chris, his avuncular best friend Matt, and Chris’ queer 17-year-old daughter Sam (extraordinary newcomer Lily Collias), who dutifully comes along because she’s always seen it as her job to keep what little peace is left in her family. To not be a burden. To make her parents feel like they still know her, even if they...
- 1/22/2024
- by David Ehrlich
- Indiewire
It’s been nearly two decades since Kelly Reichardt’s Old Joy showed how the wilderness can be an open canvas to explore the breaking points of male friendship and reckoning with a midlife crisis. While those emotional quandaries are evergreen, it’s appropriate timing to bring an entirely new element to this conceit. India Donaldson’s carefully observed, refreshingly patient, beautifully rendered debut feature Good One shifts the perspective, concerning a 17-year-old girl who embarks on a camping trip in the Catskills with her father and his best friend. Through an accumulation of minute details and uneasy glances, the drama becomes a portrait of increasingly crossed boundaries leading to an ultimate breaking point.
What was originally envisioned as a four-person backpacking trip into the woods with Sam (Lily Collias), her father Chris (James Le Gros), his best friend Matt (Danny McCarthy), and Matt’s son Dylan quickly turns to...
What was originally envisioned as a four-person backpacking trip into the woods with Sam (Lily Collias), her father Chris (James Le Gros), his best friend Matt (Danny McCarthy), and Matt’s son Dylan quickly turns to...
- 1/21/2024
- by Jordan Raup
- The Film Stage
As teenagers go — and let us allow for some hormonal leeway here — 17-year-old Sam is what most would call a good one: smart, thoughtful, grounded, self-sufficient but not averse to advice, the kind of kid that parents can’t help bragging about, as their friends wish their own nightmare offspring were a little more like her. But such a reputation has its downside, as elders take the teen’s compliance and good humor for granted, and expect undue allowances for their own irresponsibilities. Writer-director India Donaldson probes that awkward reversal of roles with delicacy and care in her debut feature “Good One,” monitoring the white lies and red flags that emerge over the course of a father-daughter camping weekend in upstate New York.
Premiering in the U.S. Dramatic competition at this year’s Sundance festival, “Good One” is modest but assuredly perceptive independent filmmaking that makes no grand claims...
Premiering in the U.S. Dramatic competition at this year’s Sundance festival, “Good One” is modest but assuredly perceptive independent filmmaking that makes no grand claims...
- 1/21/2024
- by Guy Lodge
- Variety Film + TV
Men can be overbearing. Some of us know this firsthand because, with a bit of self-awareness, we can recognize we have, at least at some point, been the pompous bloviating jackass while more introverted people, sometimes women, silently sit and tolerate our blowhard monologues. Maybe some of us aren’t that bad, but we haven’t always provided space for others, either. India Donaldson’s insightful, intimate girlhood drama, “Good One,” takes the soft but observant perspective of the quiet, internalized teen forced to endure haughty men, namely self-centered fathers, and turns it into a masterful look at discomfort, alienation, and the put-upon fatiguing role of people pleaser.
Continue reading ‘Good One’ Review: Lily Collias Radiates In An Intimate Kelly Reichardt-Esque Of Girlhood & Overbearing Fathers [Sundance] at The Playlist.
Continue reading ‘Good One’ Review: Lily Collias Radiates In An Intimate Kelly Reichardt-Esque Of Girlhood & Overbearing Fathers [Sundance] at The Playlist.
- 1/21/2024
- by The Playlist
- The Playlist
India Donaldson has been ready to make her narrative feature debut for a while now, with three short films under her belt already. But it was only after the pandemic hit and she moved in with her family for a few months that she found her story around family dynamics in isolation. So she poured that inspiration into Good One, a terrific slow-burn at this year’s Sundance Film Festival (US Dramatic Competition) that follows the 17-year-old Sam (Lily Collias) on a Catskills camping trip with her dad Chris (James Le Gros) and his longtime friend Matt (Danny McCarthy). As the […]
The post “…The Relationship Between This Father and Daughter is Forever Changed”: India Donaldson on Her Sundance-Premiering Wilderness Drama, Good One first appeared on Filmmaker Magazine.
The post “…The Relationship Between This Father and Daughter is Forever Changed”: India Donaldson on Her Sundance-Premiering Wilderness Drama, Good One first appeared on Filmmaker Magazine.
- 1/21/2024
- by Tomris Laffly
- Filmmaker Magazine-Director Interviews
India Donaldson has been ready to make her narrative feature debut for a while now, with three short films under her belt already. But it was only after the pandemic hit and she moved in with her family for a few months that she found her story around family dynamics in isolation. So she poured that inspiration into Good One, a terrific slow-burn at this year’s Sundance Film Festival (US Dramatic Competition) that follows the 17-year-old Sam (Lily Collias) on a Catskills camping trip with her dad Chris (James Le Gros) and his longtime friend Matt (Danny McCarthy). As the […]
The post “…The Relationship Between This Father and Daughter is Forever Changed”: India Donaldson on Her Sundance-Premiering Wilderness Drama, Good One first appeared on Filmmaker Magazine.
The post “…The Relationship Between This Father and Daughter is Forever Changed”: India Donaldson on Her Sundance-Premiering Wilderness Drama, Good One first appeared on Filmmaker Magazine.
- 1/21/2024
- by Tomris Laffly
- Filmmaker Magazine - Blog
The feature debut of writer-director India Donaldson, Good One follows 17-year-old Sam (Lily Collias) during a weekend camping trip in the Catskills with her father and his oldest friend. As the two men continuously clash throughout their extended hike, Sam becomes uneasily aware of the frailty of male egos, even amid a landscape that ostensibly shields the group from broader societal pressures. Serving as the film’s editor (as well as a producer), Graham Mason tells Filmmaker about the challenges and rewards of cutting a film that revolves around a pointedly un-chatty central character, as well as his affirmed hunch that […]
The post “This Particular Film Felt Like Whittling Down a Single Object Until It Was Smooth”: Editor Graham Mason on Good One first appeared on Filmmaker Magazine.
The post “This Particular Film Felt Like Whittling Down a Single Object Until It Was Smooth”: Editor Graham Mason on Good One first appeared on Filmmaker Magazine.
- 1/21/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
The feature debut of writer-director India Donaldson, Good One follows 17-year-old Sam (Lily Collias) during a weekend camping trip in the Catskills with her father and his oldest friend. As the two men continuously clash throughout their extended hike, Sam becomes uneasily aware of the frailty of male egos, even amid a landscape that ostensibly shields the group from broader societal pressures. Serving as the film’s editor (as well as a producer), Graham Mason tells Filmmaker about the challenges and rewards of cutting a film that revolves around a pointedly un-chatty central character, as well as his affirmed hunch that […]
The post “This Particular Film Felt Like Whittling Down a Single Object Until It Was Smooth”: Editor Graham Mason on Good One first appeared on Filmmaker Magazine.
The post “This Particular Film Felt Like Whittling Down a Single Object Until It Was Smooth”: Editor Graham Mason on Good One first appeared on Filmmaker Magazine.
- 1/21/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Woody Harrelson is channeling his “Edge of Seventeen” sensibilities for Sundance film “Suncoast.”
The “True Detective” alum appears in writer-director Laura Chinn’s coming-of-age feature debut “Suncoast” alongside Nico Parker. Inspired by Chinn’s semi-autobiographical story, “Suncoast” follows a teen (Parker) who, while caring for her brother along with her audacious mother (Laura Linney), strikes up an unlikely friendship with an eccentric activist (Harrelson) who is protesting one of the most landmark medical cases of all time.
Parker and Harrelson’s characters bond over their shared grief, with the title coming from the Suncoast hospital center where Parker’s brother is being treated. Ella Anderson, Daniella Taylor, Amarr, and Ariel Martin also star.
The film is having its world premiere in the U.S. Dramatic Competition category at Sundance 2024. Jeremy Plager, Francesca Silvestri, Kevin Chinoy, and Oly Obst produce the Searchlight Pictures film.
“Suncoast” lead Parker is the daughter of Thandiwe Newtown and Ol Parker.
The “True Detective” alum appears in writer-director Laura Chinn’s coming-of-age feature debut “Suncoast” alongside Nico Parker. Inspired by Chinn’s semi-autobiographical story, “Suncoast” follows a teen (Parker) who, while caring for her brother along with her audacious mother (Laura Linney), strikes up an unlikely friendship with an eccentric activist (Harrelson) who is protesting one of the most landmark medical cases of all time.
Parker and Harrelson’s characters bond over their shared grief, with the title coming from the Suncoast hospital center where Parker’s brother is being treated. Ella Anderson, Daniella Taylor, Amarr, and Ariel Martin also star.
The film is having its world premiere in the U.S. Dramatic Competition category at Sundance 2024. Jeremy Plager, Francesca Silvestri, Kevin Chinoy, and Oly Obst produce the Searchlight Pictures film.
“Suncoast” lead Parker is the daughter of Thandiwe Newtown and Ol Parker.
- 1/17/2024
- by Samantha Bergeson
- Indiewire
Writer-director Nathan Silver is harnessing a crisis of faith for his irreverent comedy “Between the Temples,” debuting at the 2024 Sundance Film Festival.
Silver, who has written and directed nine feature films and has had projects premiere at NYFF, Venice, Tribeca, AFI, Locarno, and Rotterdam, is making his Sundance debut with the feature. Silver was previously rejected by Sundance many times before “Between the Temples” landed in the U.S. Dramatic Competition programming lineup, his first time competing at the festival. “Between the Temples” is also among IndieWire’s must-see films at this year’s festival.
In “Between the Temples,” a cantor (Jason Schwartzman) in a crisis of faith finds his world turned upside down when his grade school music teacher reenters his life as his new adult bat mitzvah student (Carol Kane).
Robert Smigel, Annie Hamilton, Madeline Weinstein, and “Triangle of Sadness” alum Dolly de Leon also star.
“Between the Temples...
Silver, who has written and directed nine feature films and has had projects premiere at NYFF, Venice, Tribeca, AFI, Locarno, and Rotterdam, is making his Sundance debut with the feature. Silver was previously rejected by Sundance many times before “Between the Temples” landed in the U.S. Dramatic Competition programming lineup, his first time competing at the festival. “Between the Temples” is also among IndieWire’s must-see films at this year’s festival.
In “Between the Temples,” a cantor (Jason Schwartzman) in a crisis of faith finds his world turned upside down when his grade school music teacher reenters his life as his new adult bat mitzvah student (Carol Kane).
Robert Smigel, Annie Hamilton, Madeline Weinstein, and “Triangle of Sadness” alum Dolly de Leon also star.
“Between the Temples...
- 1/16/2024
- by Samantha Bergeson
- Indiewire
Returning to an in-person edition, along with the continuation of virtual offerings, the Sundance Film Festival kicks off this Thursday and lasts through January 28, offering a first glimpse at the year in cinema. While the annual festival has its fair share of returning filmmakers, it is certainly most renowned as a beacon of discovery, and we look forward to providing extensive coverage that one can follow via our daily newsletter.
Before reviews arrive, we’re highlighting the premieres that should be on your radar––a few we’ve already had the opportunity to see. If you’re interested in experiencing Sundance in person or from afar, one can see available tickets here ahead of Thursday’s in-person opening and an online viewing window that kicks off January 25.
Between the Temples (Nathan Silver)
After working at a prolific pace throughout his early career, it’s been a few years since we...
Before reviews arrive, we’re highlighting the premieres that should be on your radar––a few we’ve already had the opportunity to see. If you’re interested in experiencing Sundance in person or from afar, one can see available tickets here ahead of Thursday’s in-person opening and an online viewing window that kicks off January 25.
Between the Temples (Nathan Silver)
After working at a prolific pace throughout his early career, it’s been a few years since we...
- 1/16/2024
- by The Film Stage
- The Film Stage
Exhibiting Forgiveness.The Sundance Institute has announced the films selected for their 2024 Festival, which will take place January 18-28, 2024, in person in Utah. A selection of the films are available online across the U.S. from January 25-28.U.S. Dramatic COMPETITIONBetween the Temples (Nathan Silver): A cantor in a crisis of faith finds his world turned upside down when his grade school music teacher reenters his life as his new adult bat mitzvah student. World Premiere. DìDi (弟弟) (Sean Wang): In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can’t teach him: how to skate, how to flirt, and how to love your mom. World Premiere. Exhibiting Forgiveness (Titus Kaphar): Utilizing his paintings to find freedom from his past, a Black artist on the path to success is derailed by an unexpected visit from his estranged father,...
- 12/13/2023
- MUBI
Kieran Culkin and Jesse Eisenberg in ‘A Real Pain’ (Courtesy of Sundance Institute)
82 films have been selected to screen during the 2024 Sundance Film Festival. In addition, eight episodic titles and a New Frontier interactive experience have made the cut and will be included in the upcoming festival.
17,435 projects were submitted for 2024 inclusion, setting a new festival record.
“From the first edition in 1985, Sundance Film Festival has aimed to provide a space to gather, celebrate, and engage with risk-taking artists that are committed to bringing their independent visions to audiences — the Festival remains true to that goal to this day,” stated Robert Redford, Sundance Institute Founder and President. “It continues to evolve, but its legacy of showcasing bold work that starts necessary conversations continues with the 2024 program.”
The 40th Sundance Film Festival will take place January 18 – 28, 2024, in Park City and Salt Lake City. Ticket packages and passes are currently on sale.
82 films have been selected to screen during the 2024 Sundance Film Festival. In addition, eight episodic titles and a New Frontier interactive experience have made the cut and will be included in the upcoming festival.
17,435 projects were submitted for 2024 inclusion, setting a new festival record.
“From the first edition in 1985, Sundance Film Festival has aimed to provide a space to gather, celebrate, and engage with risk-taking artists that are committed to bringing their independent visions to audiences — the Festival remains true to that goal to this day,” stated Robert Redford, Sundance Institute Founder and President. “It continues to evolve, but its legacy of showcasing bold work that starts necessary conversations continues with the 2024 program.”
The 40th Sundance Film Festival will take place January 18 – 28, 2024, in Park City and Salt Lake City. Ticket packages and passes are currently on sale.
- 12/6/2023
- by Rebecca Murray
- Showbiz Junkies
It’s almost time again for me to pack my bags and head to Park City, Utah, for the 2024 edition of the Sundance Film Festival. The last few years have been challenging for the fest, with the 2021 and 2022 editions only being online due to the pandemic. The 2023 edition was a hybrid version that sported a few high-profile debuts, including A24’s horror hit Talk to Me, but overall was a bit of a modest year in terms of stuff that broke out. However, 2024 seems to be a high-end year for the fest, with tons of big stars on the way to the festival, including Pedro Pascal, Kristen Stewart (there with two movies), Sebastian Stan, Woody Harrelson and many more.
It’s always interesting to note the trend in storytelling at this famous indie fest. In recent years, the pandemic weighed highly on the fest, with many films acknowledging the toll it took,...
It’s always interesting to note the trend in storytelling at this famous indie fest. In recent years, the pandemic weighed highly on the fest, with many films acknowledging the toll it took,...
- 12/6/2023
- by Chris Bumbray
- JoBlo.com
The big surprise for the U.S. Dramatic Competition this year is they shaved off two titles making a dozen into a ten piece. We find several first-time filmmakers we’ve been keeping tabs on in Sean Wang, Titus Kaphar, India Donaldson and the highly anticipated secretive project by Love Me by Sam and Andy Zuchero featuring Kristen Stewart and Steven Yeun. Here are the ten selections:
Between the Temples / U.S.A. — A cantor in a crisis of faith finds his world turned upside down when his grade school music teacher reenters his life as his new adult bat mitzvah student.…...
Between the Temples / U.S.A. — A cantor in a crisis of faith finds his world turned upside down when his grade school music teacher reenters his life as his new adult bat mitzvah student.…...
- 12/6/2023
- by Eric Lavallée
- IONCINEMA.com
Not long ago, an award-winning Polish composer who’d scored dozens of films approached Ula Śniegowska about U.S. in Progress, an industry event conceived as a bridge between the Polish and American markets that runs parallel to the American Film Festival in Wrocław, Poland.
“He approached me saying, ‘I’ve done enough in the Polish market. I need an introduction to the international market. Can you, as U.S. in Progress, help me?’” Śniegowska recalls. “It seems we are a perfect matchmaker for those types of companies to have their work exposed in the U.S.”
Celebrating its 13th edition, U.S. in Progress was launched as a showcase for emerging independent American filmmakers. Each year, the event presents a curated selection of American indie titles in the final stages of production to European sales agents, distributors and festival programmers. This year’s edition takes place Nov. 8 – 10.
Since its inception,...
“He approached me saying, ‘I’ve done enough in the Polish market. I need an introduction to the international market. Can you, as U.S. in Progress, help me?’” Śniegowska recalls. “It seems we are a perfect matchmaker for those types of companies to have their work exposed in the U.S.”
Celebrating its 13th edition, U.S. in Progress was launched as a showcase for emerging independent American filmmakers. Each year, the event presents a curated selection of American indie titles in the final stages of production to European sales agents, distributors and festival programmers. This year’s edition takes place Nov. 8 – 10.
Since its inception,...
- 10/24/2023
- by Christopher Vourlias
- Variety Film + TV
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