CoinCoin, formerly known as Li’l Quinquin in Bruno Dumont’s film of the same title, is back in CoinCoin and the Extra-Humans (CoinCoin et les Z’inhumains). His name change, like the various physical and learning disabilities of the actors playing citizens of Dumont’s native Côte d’Opale, goes unexplained. It’s simply part of the story. If you’ve seen Li’l Quinquin, you know details like gendarme Van Der Weyden’s (Bernard Pruvost) Tourettes-twitching is constant, used for comedic effect, and as Dumont told the Guardian, “You have to decide whether or not you’re looking at something that disturbs you.”
Like Li’l Quinquin, CoinCoin was made for Franco-German network Arte. Both were broken into four parts for television but screened as one film at festivals. CoinCoin stands alone in many ways, but to understand the last thirty, delightful minutes of the story, you’ll need to see Quinquin first.
Like Li’l Quinquin, CoinCoin was made for Franco-German network Arte. Both were broken into four parts for television but screened as one film at festivals. CoinCoin stands alone in many ways, but to understand the last thirty, delightful minutes of the story, you’ll need to see Quinquin first.
- 3/2/2019
- by The Film Stage
- The Film Stage
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