Notebook is covering the Cannes Film Festival with an on going correspondence between critics Leonardo Goi and Lawrence Garcia, and editor Daniel Kasman.R.M.N.Dear Leo and Danny,Triangle of Sadness is the ideal sort of film to discuss in these correspondences, partly because it seems to actively invite snap judgments (so easy to come by in a charged festival environment), making it especially useful to get some reflective distance from that initial, instinctive response. In any case, the film was just one of a number of Competition titles that explored the relationship between action and impulse, providing different perspectives on how we as humans are bound up with bodily instinct.Unsurprisingly, perhaps, given its title and that of The Square (2017), Triangle is most interesting when showing how our actions are inextricably tied to a certain spatial awareness or understanding. There are of course the scenes where Östlund...
- 5/27/2022
- MUBI
Where do I begin with Arnaud Desplechin’s newest drama film, Brother and Sister, starring Marion Cotillard and Melvil Poupaud? Written by Desplechin and Julie Peyr, the story follows two estranged siblings who haven’t seen each other in years. The movie chronicles their journey from the start of their relationship to where things went wrong, through the present day, and how the tension between them nearly destroyed their family.
The movie opens up at the funeral of Louis’ (Poupaud) six-year-old son. His sister Alice (Cotillard) and her husband (Francis Leplay) show up to pay their respects, but this sends Louis into a rage. He rants on about how they never got to meet or know his son before he passed away. Cut to five years later, he has moved with his wife to a rural area, while Alice is the star of a large French theater production. She anticipates her elderly parents,...
The movie opens up at the funeral of Louis’ (Poupaud) six-year-old son. His sister Alice (Cotillard) and her husband (Francis Leplay) show up to pay their respects, but this sends Louis into a rage. He rants on about how they never got to meet or know his son before he passed away. Cut to five years later, he has moved with his wife to a rural area, while Alice is the star of a large French theater production. She anticipates her elderly parents,...
- 5/20/2022
- by Valerie Complex
- Deadline Film + TV
‘Brother and Sister’ Trailer: Arnaud Desplechin Directs Marion Cotillard in Cannes Competition Title
An Arnaud Desplechin film showing up in the Cannes competition lineup is as expected as the changing seasons. An Arnaud Desplechin film starring two titans of French cinema, Marion Cotillard and Melvil Poupaud? Even more welcome. “Brother and Sister” is among the main competition titles heading to this year’s festival, which runs May 17 through May 28. Ahead of the film community’s big return to the Croisette, watch the first trailer for the film, exclusive to IndieWire, below.
In “Brother and Sister,” or “Frère et Soeur” as it’s known in French, Alice (Cotillard) and Louis (Poupaud) are siblings. She is an actress, while he was a teacher and a poet. For the past two decades, Alice has resented him, and they’ve remained estranged for the last 20 years. That is, until their parents become involved in a serious accident, and they are forced to toss blood under the bridge and reconcile anew.
In “Brother and Sister,” or “Frère et Soeur” as it’s known in French, Alice (Cotillard) and Louis (Poupaud) are siblings. She is an actress, while he was a teacher and a poet. For the past two decades, Alice has resented him, and they’ve remained estranged for the last 20 years. That is, until their parents become involved in a serious accident, and they are forced to toss blood under the bridge and reconcile anew.
- 5/9/2022
- by Ryan Lattanzio
- Indiewire
The fifth edition will see the TV festival return to its original springtime slot to run alongside MipTV.
French Oscar-winning director Xavier De Lestrade’s investigative thriller The Inside Game, Seeds Of Wrath and Danish bio-series The Dreamer – Becoming Karen Blixen are among the 10 new series selected for competition in the upcoming edition of French TV festival Canneseries (April 1-6).
The fifth edition sees the event return its traditional springtime slot coinciding with the MipTV content market (April 4-6), after the festival moved to September in 2021 due to the Covid-pandemic.
Political thriller The Inside Game, Seeds Of Wrath stars Alix Poisson...
French Oscar-winning director Xavier De Lestrade’s investigative thriller The Inside Game, Seeds Of Wrath and Danish bio-series The Dreamer – Becoming Karen Blixen are among the 10 new series selected for competition in the upcoming edition of French TV festival Canneseries (April 1-6).
The fifth edition sees the event return its traditional springtime slot coinciding with the MipTV content market (April 4-6), after the festival moved to September in 2021 due to the Covid-pandemic.
Political thriller The Inside Game, Seeds Of Wrath stars Alix Poisson...
- 3/8/2022
- by Melanie Goodfellow
- ScreenDaily
Chicago – Day Seven of the 57th Chicago International Film Festival (Ciff) highlights the Centerpiece Film “C’mon C’mon.” The upcoming fall film was directed by Mike Mills (“Beginners”) and features Joaquin Phoenix (click C’Mon for details).
The 57th Chicago International Film Festival Day Seven features screenings in theater, at the drive-in and virtual/online. Click here for a complete how-to guide on navigating the 57th Ciff. And click Day Seven for the complete line up of films.
C’mon C’mon
Photo credit: Chicago International Film Festival
Event Of The Day: “C’mon C’mon” features Joaquin Phoenix in a remarkably warm, sympathetic performance as Johnny, a restless radio documentary producer who flies across the country to visit his sister (Gaby Hoffmann) in hopes of reconnecting with his family. Director Mike Mills will appear via live virtual broadcast.
Appearances Of The Day: 8:30pm: “Acts of Love” … Special Guests Scheduled to Attend (click link...
The 57th Chicago International Film Festival Day Seven features screenings in theater, at the drive-in and virtual/online. Click here for a complete how-to guide on navigating the 57th Ciff. And click Day Seven for the complete line up of films.
C’mon C’mon
Photo credit: Chicago International Film Festival
Event Of The Day: “C’mon C’mon” features Joaquin Phoenix in a remarkably warm, sympathetic performance as Johnny, a restless radio documentary producer who flies across the country to visit his sister (Gaby Hoffmann) in hopes of reconnecting with his family. Director Mike Mills will appear via live virtual broadcast.
Appearances Of The Day: 8:30pm: “Acts of Love” … Special Guests Scheduled to Attend (click link...
- 10/19/2021
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Contrary to what society has often led us to believe, the phrase “I love you” does not always clarify what two individuals in a relationship mean to each other. Although those three words can express a sincere sentiment, their ubiquity also makes them ripe for misuse. Part of that, I think, has to do with vague definitions: There is no universal understanding of love, and as a result, “I love you,” once uttered, can hang in the air, its meaning up for grabs.
In Acts of Love, the directors Isidore Bethel and Francis Leplay try to ground love, or tether ...
In Acts of Love, the directors Isidore Bethel and Francis Leplay try to ground love, or tether ...
- 5/10/2021
- The Hollywood Reporter - Movie News
Contrary to what society has often led us to believe, the phrase “I love you” does not always clarify what two individuals in a relationship mean to each other. Although those three words can express a sincere sentiment, their ubiquity also makes them ripe for misuse. Part of that, I think, has to do with vague definitions: There is no universal understanding of love, and as a result, “I love you,” once uttered, can hang in the air, its meaning up for grabs.
In Acts of Love, the directors Isidore Bethel and Francis Leplay try to ground love, or tether ...
In Acts of Love, the directors Isidore Bethel and Francis Leplay try to ground love, or tether ...
- 5/10/2021
- The Hollywood Reporter - Film + TV
Sneak Peek footage and images from the R-rated 'Marie Antoinette' romantic feature "Farewell, My Queen ("Les Adieux à la reine") directed by Benoît Jacquot, based on the novel of the same name by author Chantal Thomas.
The film is an eyewitness account of France's doomed Queen 'Marie Antoinette' (Diane Kruger), as seen through the eyes of an infatuated, female servant, 'Sidonie Laborde' (Léa Seydoux) :
"...in 1789, on the eve of the 'French Revolution', the court at the 'Palace of Versailles' still live their routines, relatively unconcerned by the increasing turmoil in Paris a distance away.
"When news about the storming of the 'Bastille' reaches the Court, most aristocrats and servants desert the Palace, fearing that the government is falling.
"They abandon the Royal Family. But 'Sidonie Laborde', a young servant who is the Queen's reader, has a crush on the monarch and refuses to flee.
"She...
The film is an eyewitness account of France's doomed Queen 'Marie Antoinette' (Diane Kruger), as seen through the eyes of an infatuated, female servant, 'Sidonie Laborde' (Léa Seydoux) :
"...in 1789, on the eve of the 'French Revolution', the court at the 'Palace of Versailles' still live their routines, relatively unconcerned by the increasing turmoil in Paris a distance away.
"When news about the storming of the 'Bastille' reaches the Court, most aristocrats and servants desert the Palace, fearing that the government is falling.
"They abandon the Royal Family. But 'Sidonie Laborde', a young servant who is the Queen's reader, has a crush on the monarch and refuses to flee.
"She...
- 7/27/2013
- by Michael Stevens
- SneakPeek
Sneak Peek new images from the dramatic period feature "Farewell, My Queen ("Les Adieux à la reine") directed by Benoît Jacquot, based on the novel of the same name by author Chantal Thomas.
The film is an eyewitness account of France's doomed Queen 'Marie Antoinette' (Diane Kruger), as seen through the eyes of an infatuated, female servant, 'Sidonie Laborde' (Léa Seydoux) :
"...in 1789, on the eve of the 'French Revolution', the court at the 'Palace of Versailles' still live their routines, relatively unconcerned by the increasing turmoil in Paris a distance away.
"When news about the storming of the 'Bastille' reaches the Court, most aristocrats and servants desert the Palace, fearing that the government is falling.
"They abandon the Royal Family. But 'Sidonie Laborde', a young servant who is the Queen's reader, has a crush on the monarch and refuses to flee.
"She feels secure under the protection...
The film is an eyewitness account of France's doomed Queen 'Marie Antoinette' (Diane Kruger), as seen through the eyes of an infatuated, female servant, 'Sidonie Laborde' (Léa Seydoux) :
"...in 1789, on the eve of the 'French Revolution', the court at the 'Palace of Versailles' still live their routines, relatively unconcerned by the increasing turmoil in Paris a distance away.
"When news about the storming of the 'Bastille' reaches the Court, most aristocrats and servants desert the Palace, fearing that the government is falling.
"They abandon the Royal Family. But 'Sidonie Laborde', a young servant who is the Queen's reader, has a crush on the monarch and refuses to flee.
"She feels secure under the protection...
- 9/28/2012
- by M. Stevens
- SneakPeek
Sneak Peek actress Diane Kruger in the new dramatic feature "Farewell, My Queen ("Les Adieux à la reine") directed by Benoît Jacquot, based on the novel of the same name by author Chantal Thomas.
The film is an eyewitness account of France's Queen 'Marie Antoinette' (Kruger), before she falls under the guillotine, as seen through the eyes of a young female servant, 'Sidonie Laborde' (Léa Seydoux) :
"...in 1789, on the eve of the 'French Revolution', the court at the 'Palace of Versailles' still live their routines, relatively unconcerned by the increasing turmoil in Paris a distance away. When news about the storming of the 'Bastille' reaches the Court, most aristocrats and servants desert the Palace, fearing that the government is falling. They abandon the Royal Family.
But 'Sidonie Laborde', a young servant who is the Queen's reader, has a crush on her and refuses to flee.
"She feels...
The film is an eyewitness account of France's Queen 'Marie Antoinette' (Kruger), before she falls under the guillotine, as seen through the eyes of a young female servant, 'Sidonie Laborde' (Léa Seydoux) :
"...in 1789, on the eve of the 'French Revolution', the court at the 'Palace of Versailles' still live their routines, relatively unconcerned by the increasing turmoil in Paris a distance away. When news about the storming of the 'Bastille' reaches the Court, most aristocrats and servants desert the Palace, fearing that the government is falling. They abandon the Royal Family.
But 'Sidonie Laborde', a young servant who is the Queen's reader, has a crush on her and refuses to flee.
"She feels...
- 9/20/2012
- by M. Stevens
- SneakPeek
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.