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- Lyudmila Savelyeva is a Russian actress known as Natasha Rostova in epic film War and Peace (1965), a powerful adaptation of the eponymous masterpiece by Lev Tolstoy.
She was born Lyudmila Mikhailovna Savelyeva on 24 January 1942, in Leningrad (St. Petersburg), while the city suffered the heroic Siege of Leningrad during WWII. From 1950 to 1962 she studied acting and ballet at the prestigious Vaganovoy Academy of Russian Ballet, graduating in 1962 as ballerina. That same year she became member of the Kirov Ballet at Mariinsky Theatre in Leningrad (St. Petersburg). She made her film debut in Sleeping beauty (1964).
Savelyeva shot to fame as Natasha Rostova in epic film War and Peace (1965) by director Sergey Bondarchuk. The eight-hour epic became the most expensive film ever made, War and Peace (1965) was produced over seven years, from 1961 to 1968, at an estimated cost of $100,000,000 (about one billion dollars adjusted for inflation in 2010). The film set several records, such as involving over three hundred professional actors from several countries and also tens of thousands extras from the Red Army in filming of the two-hour-long episode about the historic Battle of Borodino against the Napoleon's invasion, making it the largest battle scene ever filmed.
Savelyeva's natural beauty and effortless style won her numerous accolades form international critics. She was chosen by the Soviet Union's communist government to represent the country at various film festivals across the world. In 1969, Savelyeva was sent to the Academy Awards ceremony in Hollywood to represent War and Peace (1965) which won the 1969 Academy Award for Best Foreign Language Film. A few days later, when Savelyeva brought the Oscar back to Moscow, she was met by members of the Soviet government who took the Oscar away from the filmmakers.
After co-starring in a few less successful movies, Savelyeva disappeared form public view during the 90s. She re-emerged after a ten-year hiatus appearing in Nezhnyy vozrast (2000) and later appeared as Countess Scherbatskaya in _"Anna Karenina" (2009 TV mini-series)_.
Outside of her acting career, Lyudmila Savelyeva is known as a collector of rare books, having amassed a significant private library. She has been married to fellow actor Aleksandr Zbruev, and the couple is living in Moscow, Russia.1896 points - Actress
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She attended business school, after graduating from which she turned to acting. Pulver quickly received his first major roles in the theater. In 1949 she celebrated her film debut in "Swiss Tour" alongside Simone Signoret, Cornel Wilde and Heinrich Gretler. In 1954 the actress made her breakthrough with the Swiss production "Uli, the Knecht". This success was followed in 1955 by the sequel film "Uli, the Tenant". In the same year she played in "I often think of Piroschka", which also made her popular in Germany. This film was directed by Kurt Hoffmann. From 1957 Hoffmann also directed Pulver's trilogy of the so-called Spessart films: These included "Das Wirtshaus im Spessart" (1957), for which she received the silver film ribbon as best actress, "Das Spukschloss im Spessart" (1960) and "Magnificent Times in the Spessart" (1967). In 1957, Pulver took part in her first film adaptation of a Thomas Mann novel in "Confessions of the Imposter Felix Krull" alongside Horst Buchholz.
In 1959 she appeared in front of the camera alongside Nadja Tiller for the film adaptation of Mann's novel "The Buddenbrooks". The first highlight in Pulver's career was the 1960 film "The Glass of Water" by Helmut Käutner, in which she played alongside Gustav Gründgens. Pulver now became, alongside Maria Schell, one of the most popular actresses in German post-war films. In 1960 she presented one of her brilliant roles alongside Curd Jürgens in "Gustav Adolf's Page". In 1961, Pulver starred in the famous Hollywood film "One, Two, Three!" by Billy Wilder. In the same year she married the actor Helmut Schmid. She also appeared in front of the camera for "The Young General" and "Lafayette". Pulver also gained great audience sympathy for her collaboration with the German film star Heinz Rühmann, alongside whom she appeared in the humorous films "Dr. med. Hiob Prätorius" and "Hocus Pocus or: How do I make my husband disappear...?" in 1965. was to be seen. The actress has also appeared in successful roles in films and on the theater stage in international productions.
She received a Golden Globe nomination in 1963 for her role in "State Affairs." However, she failed to achieve a breakthrough in America. She couldn't accept the offer to play the lead role alongside Charlton Heston in "El Cid". The role was successfully cast with Sophia Loren. In the 1970s, Pulver appeared in films such as "Monika and the Sixteen-Year-Olds" and "I Think My Hat is Burning." She also starred in series such as "Hooper's Last Hunt" and "The Old Man: A Suitcase". One of her most popular jobs of these years, however, was hosting the children's show "Sesame Street". The actress's family life was overshadowed by tragic events: her daughter committed suicide in 1989 and her husband died in 1992 after 31 years of marriage. In 1995, Pulver took on another film role in "Everything Lies". In the same year she presented her last major performance in the Hera Lind novel adaptation "Das Superweib" alongside Veronica Ferres and Heiner Lauterbach.
In 1998, Pulver published her memoirs under the title "Stay a little longer". The sequel to her autobiography followed in 2001 under the title "... if you still laugh. Diary of my life". Lieselotte Pulver, meanwhile, became a five-time Bambi award winner. At the "Golden Camera" award ceremony in 2007, she was honored for her life's work. In 2008, Pulver was honored with the Swiss Television Prize. In 2018 she received the sixth Bambi for her life's work and in 2021 the honorary award of the Swiss Film Prize.1828 points- Actress
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Fanny Ardant was the youngest of five children born to a cavalry officer and his wife. She was raised in Monte Carlo where she was educated at a convent school. A voracious reader, she discovered Proust when she was 15, and felt as though his writings were for her.
When she was 17 her father died, and the shock of his loss never left her. Shortly before his death Ardant began acting on stage. However, following her father's death she followed his advice and went to university in Aix-en-Provence where she read Political Science. Upon graduating, she took a job working for the French embassy in London; she was sacked from this, for poor timekeeping and being dishevelled. The latter was attributed to the social whirl that she enjoyed in London.
Ardant continued working odd jobs in London before deciding, almost on a whim, to go to drama school. She returned to France for her studies, and before long began acting on stage and then on television. At the age of 31 she was contacted by Francois Truffaut who had spotted her in a television drama and wanted to cast her in his film The Woman Next Door (1981).
While working together Ardant and Truffaut fell in love, and in 1983 she gave birth to their daughter Josephine. Truffaut died a year later from a brain tumour.1805 points- Actress
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Madeline Kahn was born Madeline Gail Wolfson of Russian Jewish descent on September 29, 1942 in Boston, Massachusetts, to Freda Goldberg (later known as Paula Kahn), who was still in her teens, and Bernard B. Wolfson, a garment manufacturer. She began her acting career in high school and went on to university where she trained as an opera singer and starred in several campus productions, ultimately earning a doctorate in her chosen field.
Kahn's best-known work came in Paper Moon (1973) with Ryan O'Neal, which was followed the next year by Mel Brooks's outrageous Blazing Saddles (1974) as Lili Von Shtupp, a cabaret singer who was obviously based on Marlene Dietrich's performance in Destry Rides Again (1939). Kahn was nominated for an Academy Award for Best Supporting Actress in both movies. In 1998, she lent her voice to the character of "Gypsy" in A Bug's Life (1998).
On December 3, 1999, Madeline Kahn died of ovarian cancer in New York City, after a yearlong or so battle, during part of which time she was a cast member of Cosby (1996), aged 57.1797 points- Actress
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Emmanuelle Béart was born August 14, 1963, in Gassin, France. She lived with her mother, brothers, and sister on a farm not far from Saint-Tropez in Provence (southern France), because her father, singer and poet Guy Béart, did not want his children to be affected by the glamour world of Paris. When Emmanuelle was thirteen, she saw Romy Schneider in the movie Mado (1976). From that time on, she wanted to be an actress. In Emmanuelle's teens, her parents sent her to Montreal, Quebec, Canada, for four years, so she could learn English. There, she was engaged for a Robert Altman movie that was never made. After returning to France, she took drama classes and got her first TV role, in Raison perdue (1984). David Hamilton, the photographer/director, was impressed by her beauty and gave her a role in First Desires (1983). She met her spouse-to-be, Daniel Auteuil, while making Love on the Quiet (1985). The film that made her famous in France was Manon of the Spring (1986), in which she played the role of a blonde shepherd dancing nude in the fields. Director Tom McLoughlin chose her out of 5,000 candidates for her first Hollywood picture, Date with an Angel (1987). Emmanuelle is a very sensitive and a perfectionist. For the part of Camille in the film A Heart in Winter (1992), she took violin lessons for a whole year. Her biggest success was as a nude model in the art film La Belle Noiseuse (1991), which starred Michel Piccoli and was directed by Jacques Rivette.1643 points- Actress
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Celeste Holm was an only child, born into a home where her mother was a painter and her father worked in insurance. She would study acting at the University of Chicago and make her stage debut in 1936. Her Broadway debut came when she was 19 in 'The Time of Your Life'. She appeared in many successful plays, including "The Women", "Oklahoma!" and "Bloomer Girl". It was in the production of "Oklahoma!" that Celeste would sing the showstopper, "I Cain't Say No". She was signed by 20th Century Fox in 1946 and appeared in her first film, Three Little Girls in Blue (1946). With her third film, Gentleman's Agreement (1947), she would win the Supporting Actress Oscar and a Golden Globe. Celeste would be nominated twice more for Academy Awards in the Come to the Stable (1949) and All About Eve (1950). But, Celeste was a star who loved the stage so she left Hollywood, only to return for two MGM musicals in the 1950s. They were The Tender Trap (1955) and High Society (1956). In addition to her stage career, Celeste appeared on television in her own series, Honestly, Celeste! (1954) and as a panelist on Who Pays? (1959). In 1970, Celeste returned to television series as the chaperone to the president's daughter on Nancy (1970). For the next two decades, she would appear on television in regular series, miniseries and movies. Celeste Holm died at age 95 of a heart attack on July 15, 2012.1618 points- Actress
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Over the course of a five-decade career, she starred in nearly 150 films. She is a three-time César Award winner (1977, 1996, 2002), a two-time Molière Award winner, a BAFTA nominee, and a recipient of several international prizes including the Volpi Cup (Best actress) at the 1965 Venice Film Festival for Three Rooms in Manhattan.
Born in 1931, she was raised by her single mother, a midwife from Normandy. After studying to become a midwife like her mother, she enrolled at the prestigious Conservatoire de la rue Blanche in Paris. After graduating in 1954 with the "First Prize in Modern and Classical Comedy", she joined the Comédie Française, where she was a resident actor from 1954-57.
In 1955, she began her film career, making her film debut in Treize à table (1955), but it was with theatre that she started to attract the attention of critics. Her performance in Jean Cocteau's play La Machine à écrire in 1956 was admired by the author who called her "The finest dramatic temperament of the Postwar period"
In 1956 she was awarded the Prix Suzanne Bianchetti as best up-and-coming young actress but only with Luchino Visconti's epic Rocco and His Brothers (1960), she was able to draw the public's attention to her. In 1962, she married Italian actor Renato Salvatori. Travelling back and forth between two film careers in France and Italy, Girardot also worked with renown Italian directors, including Marco Ferreri in the scandalous The Ape Woman (1964).
Famously ignored by French New Wave directors (with the exception of Claude Lelouch), Girardot found her glory in popular cinema alongside more established and traditional directors such as Jean Delannoy, Michel Boisrond, André Cayatte, Gilles Grangier, or André Hunebelle.
By the end of the 1960s, she had become a movie star and a box-office magnet in France with such films as Vice and Virtue (1963); Live for Life (1967); Love Is a Funny Thing (1969); and Death of Love (1970), the fact-based tale of a middle-aged teacher whose affair with a much younger student made her the object of bourgeoisie ridicule. The film was nominated for a Golden Globe, and remains Girardot's biggest box office hit in France.
Throughout the 1970s, Girardot came back and forth between drama and comedy, proving herself an adept comedienne in such successful comedies as Claude Zidi's La zizanie (1978), Michel Audiard's _Elle boit pas, elle fume pas, elle drague pas, mais... elle cause! (1970)_ and Philippe de Broca's Dear Inspector (1977). She also played the mother of upcoming stars like Isabelle Adjani in the hit teen movie The Slap (1974), and Isabelle Huppert in the drama Docteur Françoise Gailland (1976).
The 1980s were less kind, as her film career floundered and parts dwindled. However, Girardot had a major comeback on the big screen playing a peasant wife in Claude Lelouch's Les Misérables (1995).1569 points- Actress
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Marisa Berenson was born on 15 February 1947 in New York City, New York, USA. She is an actress, known for Cabaret (1972), Barry Lyndon (1975) and Cinéman (2009). She was previously married to Aaron Richard Golub and Jim Randall.1485 points- Actress
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Katharine Juliet Ross was born January 29, 1940, in Hollywood, CA, to Katherine (née Mullen) and Dudley Tying Ross. Her father, who had also worked as a reporter for the Associated Press, was a commander in the US Navy when she was born. His navy career shuttled the family around to Virginia, then Palo Alto, and finally to Walnut Creek, outside of San Francisco, where Ross grew up.
Ross graduated from Las Lomas High School in Walnut Creek in 1957 and attended Santa Rosa Junior College and Diablo Valley College in the Bay Area, where she took part in her first onscreen work in a student film. Moving to San Francisco, into an apartment on Stockton Street above a grocery store, she began her acting career as an understudy in Actor's Workshop productions, and was soon auditioning for roles. She was also married in 1960 to college sweetheart Joel Fabiani, the first of five husbands.
Work came steadily for Ross, at first mainly in television westerns, and indeed Westerns would make up the majority of her best-known work, her natural beauty being a strong asset in that genre. She made her TV debut in an episode of Sam Benedict (1962), and her first film role was in the Civil War era Shenandoah (1965) starring James Stewart. Ross' career as a leading actress began in earnest in 1967, with her strong turn co-starring with James Caan and Simone Signoret in Games (1967), and with The Graduate (1967). Ross' performance as Elaine earned her a Supporting Actress Oscar nomination.
A disappointing, formulaic John Wayne vehicle, Hellfighters (1968), followed but she soon returned to form with two films with Robert Redford. As Etta Place in Butch Cassidy and the Sundance Kid (1969), Ross was part of the most memorable scene from that hit film, precariously perched barefoot on the bumper of that newfangled contraption, the bicycle, as Paul Newman's Butch Cassidy takes her for a ride. The compelling Tell Them Willie Boy Is Here (1969) was less of a box office success but more highly regarded by the critics, and Ross won a BAFTA Award for her work as Lola, a Paiute Indian who flees with her boyfriend, played by Robert Blake, after he kills her father in self-defense.
Swept up into a whirlwind of fame, widely idealized as the symbol of beauty for the Woodstock generation, Ross had accomplished so much so quickly that it seemed her entire career had happened almost all at once, in that frenzy of activity between 1967 and 1969. Sure enough, there followed a long dry spell in which she was mostly cast in forgettable roles; her next strong film wasn't for another six years. In The Stepford Wives (1975), an intriguing black comedy-cum-horror film, Ross plays a independent, free-spirited wife newly relocated to a suburb where the other wives all seem to be just a little too perfect, too submissive; it was arguably her strongest performance to date, but Stepford Wives would prove to be but a temporary resurgence for Ross, and her work in the decade and a half to follow would include such star-studded duds as The Betsy (1978), and a return to TV, including a part in primetime soap opera The Colbys (1985). Along the way, however, Ross found love. After four failed marriages (the second, third and fourth were to John Marion, Conrad L. Hall and Gaetano Lisi respectively), she met her current husband Sam Elliott, while working on The Legacy (1978). They married in May 1984; that September, just four months short of her 45th birthday, Ross gave birth to a daughter, Cleo Rose.
In 1991, Ross and Elliott adapted the Louis L'Amour novel, Conagher (1991), for television in a remarkably affecting Western tale which showcases both actors' remarkable talents. Ross continues to take roles on occasion and, as usual, her work is strong -- something that was sometimes overlooked in her youth due to her famous beauty. For instance, Ross turned up in Donnie Darko (2001), in a solid performance as Donnie's psychiatrist.
Ross and Elliott live on their ranchito in Malibu.1461 points- Actress
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One of America's most loved actresses was born Doris Mary Kappelhoff on April 3, 1922, in Cincinnati, Ohio, to Alma Sophia (Welz), a housewife, and William Joseph Kappelhoff, a music teacher and choir master. Her grandparents were all German immigrants. She had two brothers, Richard, who died before she was born and Paul, a few years older.
Her parents divorced while she was still a child, and she lived with her mother. Like most little girls, Doris liked to dance. At fourteen, she formed a dance act with a boy, Jerry Doherty, and they won $500 in a local talent contest. She and Jerry took a brief trip to Hollywood to test the waters. They felt they could succeed, so she and Jerry returned to Cincinnati with the intention of packing and making a permanent move to Hollywood. Tragically, the night before she was to move to Hollywood, she was injured riding in a car hit by a train, ending the possibility of a dancing career.
It was a terrible setback, but after taking singing lessons she found a new vocation, and at age 17, she began touring with the Les Brown Band. She met trombonist Al Jorden, whom she married in 1941. Jorden was prone to violence and they divorced after two years, not long after the birth of their son Terry. In 1946, Doris married George Weidler, but this union lasted less than a year. Day's agent talked her into taking a screen test at Warner Bros. The executives there liked what they saw and signed her to a contract (her early credits are often confused with those of another actress named Doris Day, who appeared mainly in B westerns in the 1930s and 1940s).
Her first starring movie role was in Romance on the High Seas (1948). The next year, she made two more films, My Dream Is Yours (1949) and It's a Great Feeling (1949). Audiences took to her beauty, terrific singing voice and bubbly personality, and she turned in fine performances in the movies she made (in addition to several hit records). She made three films for Warner Bros. in 1950 and five more in 1951. In that year, she met and married Martin Melcher, who adopted her young son Terry, who later grew up to become Terry Melcher, a successful record producer.
In 1953, Doris starred in Calamity Jane (1953), which was a major hit, and several more followed: Lucky Me (1954), Love Me or Leave Me (1955), The Man Who Knew Too Much (1956) and what is probably her best-known film, Pillow Talk (1959). She began to slow down her filmmaking pace in the 1960s, even though she started out the decade with a hit, Please Don't Eat the Daisies (1960).
In 1958, her brother Paul died. Around this time, her husband, who had also taken charge of her career, had made deals for her to star in films she didn't really care about, which led to a bout with exhaustion. The 1960s weren't to be a repeat of the previous busy decade. She didn't make as many films as she had in that decade, but the ones she did make were successful: Do Not Disturb (1965), The Glass Bottom Boat (1966), Where Were You When the Lights Went Out? (1968) and With Six You Get Eggroll (1968). Martin Melcher died in 1968, and Doris never made another film, but she had been signed by Melcher to do her own TV series, The Doris Day Show (1968). That show, like her movies, was successful, lasting until 1973. After her series went off the air, she made only occasional TV appearances.
By the time Martin Melcher died, Doris discovered she was millions of dollars in debt. She learned that Melcher had squandered virtually all of her considerable earnings, but she was eventually awarded $22 million by the courts in a case against a man that Melcher had unwisely let invest her money. She married for the fourth time in 1976 and since her divorce in 1980 has devoted her life to animals.
Doris was a passionate animal rights activist. She ran Doris Day Animal League in Carmel, California, which advocates homes and proper care of household pets.
Doris died on May 13, 2019, in Carmel Valley Village, California. She was 97.1451 points- Actress
- Producer
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Kim Basinger was born December 8, 1953, in Athens, Georgia, the third of five children. Both her parents had been in entertainment, her dad had played big-band jazz, and her mother had performed water ballet in several Esther Williams movies. Kim was introspective, from her father's side. As a schoolgirl, she was very shy. To help her overcome this, her parents had Kim study ballet from an early age. By the time she reached sweet sixteen, the once-shy Kim entered the Athens Junior Miss contest. From there, she went on to win the Junior Miss Georgia title, and traveled to New York to compete in the national Junior Miss pageant. Kim, who had blossomed to a 5' 7" beauty, was offered a contract on the spot with the Ford Modeling Agency. At the age of 20, Kim was a top model commanding $1,000 a day. Throughout the early 1970s, she appeared on dozens of magazine covers and in hundreds of ads, most notably as the Breck girl. Kim took acting classes at the Neighborhood Playhouse, performed in various Greenwich Village clubs, and she sang under the stage name Chelsea. Kim moved to Los Angeles in 1976, ready to conquer Hollywood. Kim broke into television doing episodes of such hit series as Charlie's Angels (1976). In 1980, she married Ron Snyder (they divorced in 1989). In movies, she had roles like being a Bond girl in Never Say Never Again (1983) and playing a small-town Texan beauty in Nadine (1987). Her breakout role was as photojournalist Vicki Vale in the blockbuster hit Batman (1989). There was no long-orchestrated campaign on her part to snag this plum role, Kim was a last-minute replacement for Sean Young. This took her to a career high.
With perhaps too much disposable income, Kim headed up an investment group that purchased the entire town of Braselton, in her native Georgia, for $20 million (she would later have to sell it). In 1993, Kim married Alec Baldwin, and in 1995 they had a daughter, Ireland Eliesse. Kim took some time off to stay at home with her child. Kim, who loves animals and is a strict vegetarian, devoted energy to animal rights issues, and PETA (People for the Ethical Treatment of Animals), even posing for some ads. In 1997, Kim gave an Oscar-winning performance in the film noir classic L.A. Confidential (1997). Kim's salary for I Dreamed of Africa (2000) was $5,000,000, putting her firmly in the category of big-name movie star. And no doubt there are still many great things ahead, in the career of cover girl turned Oscar-winning actress Kim Basinger.1426 points- Actress
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Debbie Reynolds was born Mary Frances Reynolds in El Paso, Texas, the second child of Maxine N. (Harmon) and Raymond Francis Reynolds, a carpenter for the Southern Pacific Railroad. Her film career began at MGM after she won a beauty contest at age 16 impersonating Betty Hutton. Reynolds wasn't a dancer until she was selected to be Gene Kelly's partner in Singin' in the Rain (1952). Not yet twenty, she was a quick study. Twelve years later, it seemed like she had been around forever. Most of her early film work was in MGM musicals, as perky, wholesome young women. She continued to use her dancing skills with stage work.
She was 31 when she gave an Academy Award-nominated performance in The Unsinkable Molly Brown (1964). She survived losing first husband Eddie Fisher to Elizabeth Taylor following the tragic death of Mike Todd. Her second husband, shoe magnate Harry Karl, gambled away his fortune as well as hers. With her children as well as Karl's, she had to keep working and turned to the stage. She had her own casino in Las Vegas with a home for her collection of Hollywood memorabilia until its closure in 1997. She took the time to personally write a long letter that is on display in the Judy Garland museum in Grand Rapids, Minnesota and to provide that museum with replicas of Garland's costumes. The originals are in her newly-opened museum in Hollywood.
Nearly all the money she makes is spent toward her goal of creating a Hollywood museum. Her collection numbers more than 3000 costumes and 46,000 square-feet worth of props and equipment.
With musician/actor Eddie Fisher, she was the mother of filmmaker Todd Fisher and actress Carrie Fisher. Debbie died of a stroke on December 28, 2016, one day after the death of her daughter Carrie. She was survived by her son and granddaughter, up-and-coming actress Billie Lourd.1421 points- Actress
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Magali Noël was born on 27 June 1931 in Izmir, Turkey. She was an actress, known for Amarcord (1973), Rififi (1955) and Z (1969). She was married to Jean-Pierre Bernard. She died on 23 June 2015 in Châteauneuf-Grasse, Alpes-Maritimes, France.1345 points- Actress
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The lovely Susannah York, a gamine, blue-eyed, cropped-blonde British actress, displayed a certain crossover star quality when she dared upon the Hollywood scene in the early 1960s. A purposefully intriguing, enigmatic and noticeably uninhibited talent, she was born Susannah Yolande Fletcher on January 9, 1939 in Chelsea, London, but raised in a remote village in Scotland. Her parents divorced when she was around 6. Attending Marr College, she trained for acting at London's Royal Academy of Dramatic Art, winning the Ronson Award for most promising student. She then performed classical repertory and pantomime in her early professional career.
Making an impression on television in 1959 opposite Sean Connery in a production of "The Crucible" as Abigail Williams to his John Proctor, the moon-faced beauty progressed immediately to ingénue film roles, making her debut as the daughter of Alec Guinness in the classic war drama Tunes of Glory (1960). She emerged quickly as a worthy co-star with the sensitively handled coming-of age drama Loss of Innocence (1961), the more complex psychodrama Freud (1962), as a patient to Montgomery Clift's famed psychoanalyst, and the bawdy and robust 18th century tale Tom Jones (1963), with Susannah portraying the brazenly seductive Sophie, one of many damsels lusting after the bed-hopping title rogue Albert Finney.
Susannah continued famously both here and in England in both contemporary and period drama opposite the likes of Warren Beatty, William Holden, Paul Scofield and Dirk Bogarde. Susannah was a new breed. Free-spirited and unreserved, she had no trouble at all courting controversy in some of the film roles she went on to play. She gained special notoriety as the child-like Alice in her stark, nude clinches with severe-looking executive Coral Browne in the lesbian drama The Killing of Sister George (1968). A few years later, she and Elizabeth Taylor traveled similar territory with X, Y & Zee (1972).
Award committees also began favoring her; she won the BAFTA film award as well as Oscar and Golden Globe nominations for her delusional Jean Harlow-like dance marathon participant in the grueling Depression-era film They Shoot Horses, Don't They? (1969). Her crazy scene in the shower with Oscar-winner Gig Young was particularly gripping and just one of many highlights in the acclaimed film. She also copped a Cannes Film Festival award for her performance in Images (1972) playing another troubled character barely coping with reality. On television, she was Emmy-nominated for her beautifully nuanced Jane Eyre (1970) opposite George C. Scott's Rochester.
Susannah's film career started to lose ground into the 1970s as she continued her pursuit of challengingly offbeat roles as opposed to popular mainstream work. The film adaptations of Kurt Vonnegut Jr.'s Happy Birthday, Wanda June (1971) opposite Rod Steiger and Jean Genet's The Maids (1975) with Glenda Jackson were not well-received. Her performances in such films as Gold (1974), Conduct Unbecoming (1975) which starred another famous York (Michael York), That Lucky Touch (1975), Sky Riders (1976) and The Shout (1978) were overlooked, as were the films themselves. In the one highly popular movie series she appeared in, the box-office smashes Superman (1978) and its sequel Superman II (1980), she had literally nothing to do as Lara, the wife of Marlon Brando's Jor-El and birth mother of the superhero. While the actress continued to pour out a number of quality work assignments in films and television, she failed to recapture her earlier star glow.
Wisely, Susannah began extending her talents outside the realm of film acting. Marrying writer Michael Wells in 1960, she focused on her personal life, raising their two children for a time. The couple divorced in 1980. In the 1970s, she wrote the children's books "In Search of Unicorns" and "Lark's Castle". She also found time to direct on stage and wrote the screenplay to one of her film vehicles Falling in Love Again (1980). On stage Susannah performed in such one-woman shows as "Independent State", 'Picasso's Women", "The Human Voice" and "The Loves of Shakespeare's Women", while entertaining such wide and varied theatre challenges as "Peter Pan" (title role), "Hamlet" (as Gertrude), "Camino Real", "The Merry Wives of Windsor", "A Streetcar Named Desire", "Private Lives", "Agnes of God" and the title role in "Amy's View".
At the age of 67, Susannah showed up once again on film with a delightful cameo role in The Gigolos (2006), and seemed ripe for a major comeback, perhaps in a similar vein to the legendary Judi Dench, Maggie Smith and Helen Mirren. Sadly, it was not to be. Diagnosed with bone marrow cancer, the actress died on January 15, 2011, six days after her 72nd birthday. Her final films, Franklyn (2008) and The Calling (2009), proved that she still possessed the magnetism of her earlier years.1329 points- Actress
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Libuse Safránková was born on 7 June 1953 in Brno, Czechoslovakia [now Czech Republic]. She was an actress, known for Kolya (1996), Bájecná léta pod psa (1997) and Three Wishes for Cinderella (1973). She was married to Josef Abrhám. She died on 9 June 2021 in Prague, Czech Republic.1174 points- Actress
- Director
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In Okay (2002), director and actress Paprika Steen shows off her multi- faceted acting talent as the loud-mouthed control freak Nete. This is her first major part for which she has already been nominated for the Best Actress Award from the European Film Academy. She has won the Danish Academy Award for her supporting role in the mega-hit Den eneste ene (The One and Only, 1999).
These nominations attest to Paprika Steen's strong performances, given in a number of smaller, but memorable parts, for example as an upper-class snob in The Idiots (1998) (The Idiots), a touchingly nerdy beautician in The One and Only (1999) (The Only One), and as a strong, slightly-neurotic sister in the mega-hit The Celebration (1998) (The Celebration).
Steen's considerable dramatic talent and potential is reinforced by a strong sense of humor that shines through in her work. While audiences may laugh hard, Steen remains sympathetic to the characters she portrays. The web of intertwined character flaws and potential is revealed with a light touch. It is the empathy that she evokes for her characters that makes her work memorable.1479 points- Actress
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Intriguing, inspiring, and never less than interesting -- key adjectives in describing the career of Beverly D'Angelo, which has well passed the four-decade mark. Perhaps deserving better movies than she generally found herself in, she nevertheless was always an object of fascination and the one to watch...whatever the role. Hardly the shrinking violet type, Hollywood counted on her for her colorful personality, down-to-earth demeanor and scene-stealing capabilities.
Beverly Heather D'Angelo was born on November 15, 1951 in Columbus, Ohio, the daughter of musicians Priscilla Ruth (Smith), a violinist, and Eugene Constantino "Gene" D'Angelo, a bass player who also managed a TV station. Her maternal grandfather, Howard Dwight Smith, was the architect who designed the Ohio ("Horseshoe") Stadium at Ohio State University. Her mother had English, Irish, Scottish, and German ancestry, and her father was of Italian descent. Beverly once attended an American school in Florence, Italy.
Initially drawn to art, Beverly worked as a animator/cartoonist at Hanna-Barbera Productions before moving to Canada to pursue a rock singing career, To make ends meet she worked as a session vocalist and sang anyplace she could -- from coffeehouses to topless bars. At one point the teenager was invited to join up with rockabilly legend Ronnie Hawkins. Beverly's acting career started up when she left the Hawkins band and joined the Charlottetown Festival repertory company. She was touring Canada as Ophelia in "Kronborg: 1582", a rock musical version of Shakespeare's "Hamlet" when the renowned Colleen Dewhurst caught a performance and saw promise in both Beverly and the show. Eventually musical director Gower Champion got into the mix and the show was completely revamped, becoming the rock musical "Rockabye Hamlet", which made its way to Broadway in 1976. While the show itself was short-lived, Beverly's Ophelia attracted fine notices and she soon found herself on the West coast with film and TV opportunities. After this point, she seldom returned to the stage but did star alongside Ed Harris in the 1995 off-Broadway production of Sam Shepard's "Simpatico", which earned her a Theatre World Award.
A role in the TV miniseries Captains and the Kings (1976) led to bit parts in The Sentinel (1977) and in the Woody Allen classic Annie Hall (1977). A string of co-starring roles followed with First Love (1977), the Clint Eastwood starrer Every Which Way But Loose (1978) and the film adaptation of the hit counterculture musical Hair (1979). Best of all for Beverly was her powerhouse featured performance as the one-and-only Patsy Cline in the acclaimed biopic Coal Miner's Daughter (1980). Both she and Oscar winner Sissy Spacek (as fellow country singer Loretta Lynn) expertly supplied their own vocals.
Playing everything from tough-as-nails prostitutes, party girls and barflies to rich, prim widows and depressed, alcoholic moms, most of Beverly's output was solid during this time. Playing happening kind of gals, she customarily rose above much of the standard comedic or dramatic material given. An interesting gallery of offbeat characters came her way in a number of hit-or-miss features: Paternity (1981), Finders Keepers (1984), Big Trouble (1986), Maid to Order (1987), High Spirits (1988), Cold Front (1989), Daddy's Dyin'... Who's Got the Will? (1990), The Pope Must Diet (1991), Man Trouble (1992), Lightning Jack (1994), The Crazysitter (1994), Merchants of Venus (1998) and Sugar Town (1999). She also sang in a few of these films.
Beverly attracted mainstream notice as Chevy Chase's beleaguered wife in the comedy spoof Vacation (1983) and its three sequels. Stronger roles came with such films as the English/Irish production The Miracle (1991) and the Neo-Nazi film American History X (1998). She was also a favorite of director John Schlesinger who used her in Honky Tonk Freeway (1981) and Eye for an Eye (1996), among others. In the spoof Pterodactyl Woman from Beverly Hills (1996), in which she served as associate producer, Beverly gamely starred as a chic Beverly Hills housewife who turns into a flying prehistoric reptile by night. Other offbeat independent filming includes Illuminata (1998), Merchants of Venus (1998), Weaver of Claybank (1915), Black Water Transit (2009), The House Bunny (2008), Episode #7.33 (2007), Bounty Killer (2013), Frat Pack (2018) and Dreamland (2016).
On TV, Beverly scored well as matricide victim Kitty Menendez in Menendez: A Killing in Beverly Hills (1994) and earned an Emmy-nomination (and arguably gave the best performance) as Stella Kowalski opposite "Hair" co-star Treat Williams in the TV remake of A Streetcar Named Desire (1984). Other topnotch TV mini-movies included Sweet Temptation (1996) and Judgment Day: The John List Story (1993), in which she played Robert Blake's devout wife. On primetime she has been cast quite assertively in recurring parts -- she has been spotted on Law & Order: Special Victims Unit (1999) as a defense attorney; Entourage (2004) as a talent agent; Shooter (2016) as a national security advisor; and Insatiable (2018) as a scheming beauty contestant coach.
Beverly's off-camera romantic life has been just as interesting. Following her relationship with "Hair" director Milos Forman, she married Lorenzo Salviati, an economics student who also was an Italian duke. She left Hollywood and lived with him in Europe, but separated after two years and returned. A six-year relationship with Irish director Neil Jordan was followed by one with Oscar-winning production designer Anton Furst; this ended tragically when, just weeks after their breakup, he committed suicide. A former union with the volatile Al Pacino produced twins Olivia and Anton, who were born in 2001.
These days, Beverly's career on camera has remained secondary to the raising of her children. Occasionally she has made use of her vocal talents performing at L.A. nightclubs and with a jazz band that included brother Jeff. From time to time she still lights up the screen as a brash professional or somebody's colorful mom; whatever time she has on screen, whether major or minor, it is always welcomed and never, ever less than...interesting.1251 points- Actress
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Sondra Locke was born May 28, 1944 as Sandra Louise Smith, in Shelbyville, Tennessee, a quiet little town about 60 miles southeast of Nashville. She was the daughter of Raymond Smith, a military man stationed at nearby Tullahoma, and Pauline Bayne. Smith departed the scene before Sondra's birth. In 1945, her mother wed William B. Elkins, and together they had a son, Donald, on April 26, 1946. The short union ended in divorce. In 1948, Bayne remarried. Alfred Locke bestowed his surname on Pauline's children and raised them as his own. Sondra's stepfather was a carpenter; her mother worked in a pencil factory. For the smart, fanciful Locke, "My childhood felt as if I had been dropped off at an extended summer camp from which I was waiting to be picked up." The bright girl loved to read, which puzzled her simple mother, who was always pushing her to spend more time outside. Sondra's happiest moments occurred on weekend visits to the local movie theater.
Locke was a cheerleader in junior high and graduated valedictorian of Shelbyville Mills' 1957-1958 eighth grade class. At Shelbyville Central High School, the "classroom was the one place where I felt like I had a chance to prove myself and I continued to excel. I felt safe there and I liked it." Her best friend was classmate Gordon Anderson, the son of a teacher, whose family had relocated to the area from Arkansas around 1953. He was a fey young man, who shared many of Sondra's fanciful hopes about the future and was her collaborator in devising harmless ways to make their lives in Shelbyville more magical. One of the duo's frequent activities was making home movies with Gordon's Super 8 camera.
When Gordon attended Middle Tennessee State University (in Murfreesboro, about 30 miles from Nashville) in 1962, Sondra enrolled there too. Upon completing freshman year, Sondra had a blowup with her mother, left home, and did not return to college. Instead, she worked in Nashville as a promotions assistant for WSM-TV, with occasional modeling and voiceover work. While in Nashville, Locke began acting in community theater as a member of Circle Players Inc. Along the way she dated George Crook, a cameraman from WSM, and Brad Crandall, head of the station's public relations department. She also enjoyed a romance with law student Gary Gober, whom she had been in plays with. Meanwhile, Gordon revealed to her that he was homosexual. He went off to Manhattan to study acting and, for a while, had a lover there. Anderson was talented but unfocused about his theater craft and eventually returned to Tennessee. Because of Locke's spiritual kinship with Anderson, she and Gordon decided to wed. The mixed-orientation couple were married at First Presbyterian Church in Nashville on September 25, 1967. (Reputedly, the marriage was never consummated.)
If Gordon was unable to launch his own acting career, he had no such problems igniting Sondra's. Months before their wedding, he learned that Warner Bros. was holding a nationwide search for a young actress to play a key role in the screen adaptation of Carson McCullers' novel The Heart Is a Lonely Hunter (1968). Anderson helped Locke research the part of Mick, a teenage waif in a southern town who befriends a suicidal deaf-mute (Alan Arkin) boarding at the house where she lives. For the audition, in Birmingham, Alabama, Gordon bleached her eyebrows, bound her bosom and carefully fixed her hair, makeup and outfit so that she would instantly impress casting agents. The ploy succeeded, and, after several callbacks, Locke -- who lied about her age to seem younger -- was hired. The movie was released in the summer of 1968 and earned respectful reviews from critics, although many filmgoers found the picture too arty. Sondra was Oscar-nominated for her sensitive portrayal.
Next, Sondra moved to Los Angeles, with Gordon in tow. She hoped to parlay her Academy Award nomination into further movie assignments. The big-eyed, wiry bottle blonde found it difficult to win choice roles, making her accept lesser projects, the most famous of which was Willard (1971), a film about marauding rats. Cover Me Babe (1970), A Reflection of Fear (1972) and The Second Coming of Suzanne (1974) faded into cinematic obscurity. In the lattermost, Locke played a Christ figure and had torrid love scenes with Paul Sand. Episodic television provided steadier acting opportunities: the anthology program Night Gallery (1969) and dramatic series including The F.B.I. (1965), Cannon (1971), Kung Fu (1972) and Barnaby Jones (1973). Thanks in part to the limited media of the time, she was able to maintain the ruse of younger age, which no doubt extended her shelf-life amid professional lulls. It was in 1972 that she first met rising kingpin Clint Eastwood when he was preparing to direct his second feature film, Breezy (1973). For the title role, Locke was passed over in favor of nine-years-younger Kay Lenz.
For half of the 1970s, the Andersons resided at West Hollywood's Andalusia condominium complex whilst seeing other people. For a time, Sondra was involved with Bruce Davison, her co-star from Willard (1971). While working on the teleplay Gondola (1974), she gained a new boyfriend, sandy-haired actor Bo Hopkins. He was once divorced and shared her penchant for falsifying birthdates. In the spring of 1974, she visited the set of Hopkins' current project, The Killer Elite (1975), and networked with composer Jerry Fielding, who was about to score a new Western showcase for Clint Eastwood. The Outlaw Josey Wales (1976) had a role that Locke thought could revitalize her career. This time, Eastwood was responsive and hired the 31-year-old to play his romantic interest. In early October 1975, the complementary pair fell hard for each other on location in Page, Arizona. "We were almost living together from the very first days of the film," Locke remembered. Besotted Clint confided he'd never been in love before and wrote a poem for his new mate: "She made me monogamous." This serially philandering megastar was 14 years her senior and a foot taller than she.
The Outlaw Josey Wales (1976) was indeed a hit, with Sondra sparking a flurry of interest among male viewers as virtually nonspeaking eye candy. Yet she stopped pursuing film roles on her own initiative to assume wifely duties, appearing on the big screen exclusively in Eastwood-controlled projects thereon. The sole exception to this was The Shadow of Chikara (1977), an Arkansas-lensed Western with burly Joe Don Baker. (The home invasion thriller Death Game (1977), though released after Locke and Eastwood became an item, was actually shot in 1974.) "Clint wanted me to work only with him," she said. "He didn't like the idea of me being away from him."
Over the next few years, Locke had two abortions from her relationship with Eastwood. In 1979, she underwent a tubal ligation at UCLA to prevent further pregnancies. She and Clint settled into a $1.12 million, seven-bedroom Spanish-style Bel-Air mansion originally built in 1931, which she spent months renovating and decorating, and which she believed would be hers for life. She continued to spend platonic time with Gordon, whom she never divorced, nurtured by their spiritual relationship. Gordon moved in and out of gay relationships, and sometimes he and a boyfriend would socialize with Clint and Sondra. As for the professional side of things, Locke and Eastwood reteamed for his action opus The Gauntlet (1977), slapstick adventure-comedy Every Which Way But Loose (1978), its sequel Any Which Way You Can (1980), the quirky satire Bronco Billy (1980) and the fourth, darkest, most ambitious "Dirty Harry" vehicle, Sudden Impact (1983). All were stellar box office performers and cemented the twosome as filmdom's most visible couple.
During this period, Sondra took a few TV roles when Clint was starring in a movie that had no part for her to play (such as Escape from Alcatraz (1979) or Firefox (1982)). The first time she worked apart from him for any length of time since The Shadow of Chikara (1977) in 1976 was Rosie: The Rosemary Clooney Story (1982). (Rosemary Clooney personally asked Locke to star in the CBS biopic on the strength of her performance in Bronco Billy (1980).) She later made an appearance on Britain's Tales of the Unexpected (1979) series. For the most part, however, she found herself sitting on the sidelines waiting for Eastwood to cast her in something.
By the mid-1980s, Sondra, over 40 but still refusing to admit it, was acutely aware that in Hollywood terms her leading lady days were just about finished. She had long been interested in film directing and had observed carefully how Eastwood and others directed the pictures she was in. With his blessing, she found a property that intrigued her and that his Malpaso production company would package, and developed it into a project for Warner Bros. She made Ratboy (1986), but despite good reviews, the film received scant distribution. In retrospect, Locke concluded that her exertion of authority over the project caused her longtime paramour to turn away from her, to find someone who was more compliant. (In an unpublicized affair with stewardess Jacelyn Reeves, Eastwood sired two legally fatherless children born in 1986 and 1988, in Monterey -- an "evil betrayal" Locke was unaware of.)
The showdown between Sondra and Clint occurred on December 29, 1988 at their mountain hideaway in Sun Valley, Idaho. After an unpleasant screaming match, Eastwood suggested Locke go back to Los Angeles. She sensed their relationship had passed a point of reconciliation, a fact confirmed when she scarcely saw Eastwood in subsequent months and when industry friends they knew in common shunned her. As she admitted later, "In my head I guess I knew it was over, but in my heart Clint and I were still not severed." On April 10, 1989, while she was directing a demanding sequence in a new police procedural, Impulse (1990), Eastwood had the locks changed on their house in Bel-Air. He also ordered her possessions to be boxed and put in storage. A letter addressed to "Mrs. Gordon Anderson," imperatively telling her not to come home, was delivered to her lawful husband's doorstep. When Gordon telephoned Sondra on the set and read her the letter, she fainted dead away in front of the cast and crew.
On April 26, 1989, Sondra filed a palimony lawsuit against her domestic partner of 14 years. Her "brazenness" in taking on the powerful Eastwood amazed and shocked Tinseltown and titillated the public. Her action sought unspecified damages and an equal division of the property she and Eastwood had acquired during their relationship. Locke asked for title to the Bel-Air home they had shared and to the Crescent Heights (West Hollywood) place Eastwood had purchased in 1982 (in which Gordon lived). The closed hearing was held on May 31, 1989, before a private judge. Before any court decision could be made, a private settlement was reached between the parties. Locke received $450,000, the Crescent Heights property, and a $1.5 million multiyear development-directing pact at Warner Bros. In return, she dropped her suit. By then, the fall of 1990, she was happy to end the hassle. (In the past months she had been diagnosed with cancer, undergone a double mastectomy, and endured chemotherapy.)
For the next three years Locke submitted over 30 projects to Warner Bros., but none received a green light to move ahead. Moreover, the studio refused to assign her to direct any of their in-house projects. In the mid-1990s, Sondra discovered evidence that Eastwood had arranged to reimburse Warner Bros. for her three-year studio contract -- a matter that he had never mentioned to her. It became obvious that the studio's negative professional attitude toward her had little or nothing to do with her directing or project-finding abilities. On June 5, 1995, Locke sued Eastwood again, alleging fraud and breach of fiduciary duty. She claimed that Clint's behind-the-scene actions had sent a message "to the film industry and the world at large ... that Locke was not to be taken seriously." (According to Sondra's lawyer, the situation was Clint's "way of terminating the earlier palimony suit.")
While Locke's case was revving up at the Burbank Courthouse, Eastwood begged her to settle. On September 24, 1996 -- the morning jurors were set to begin a second day of deliberation -- Sondra announced her decision to drop her suit against Clint for an undisclosed monetary reward. One contingency was laid down: she would not reveal the settlement amount. The jubilant plaintiff said, "This was never about money. It was about my fighting for my professional rights." According to the victor, "I didn't enjoy it. But sometimes you have to do things you don't enjoy." Locke added, "In this business, people get so accustomed to being abused, they just accept the abuse and say, 'Well, that's just the way it is.' Well, it isn't."
But Locke was not finished. She had a pending action against Warner Bros. for allegedly harming her career by agreeing to the sham movie-directing deal that Eastwood had purportedly engineered. On May 24, 1999, just as jury selection was beginning (and four days before Locke turned 55), the studio reached an out-of-court settlement with Sondra.
In the decade following her courtroom saga, Sondra did not direct another movie. She did make a brief return to acting with cameo roles in back-to-back low-budget independent features, The Prophet's Game (2000) and Clean and Narrow (2000), both of which failed to secure a theatrical release. In 2001, she sold her home in the Hollywood Hills and moved to another part of L.A. After interim flings with producer Hawk Koch and John F. Kennedy's nephew Robert Shriver, she had a live-in relationship with one of the physicians who had treated her during her cancer siege. Dr. Scott Cunneen, described by Locke as "Herculean," was 17 years her junior, his mother only three years older than Sondra. She eventually split up with him.
In 2016, preceded by a protracted absence from the public eye, trade press reported that Locke would come out of retirement to co-star in Alan Rudolph's Ray Meets Helen (2017) opposite Keith Carradine. The film was booked for a limited run in spring 2018. No longer able to hide her true year of birth in the post-internet era, Sondra was playing a romantic lead at the unheard of age of 74.
Locke died on November 3, 2018, of cardiac arrest stemming from metastatic breast cancer. It was not publicized until mid-December. The mysterious six-week delay raised a lot of eyebrows, especially since the belated news leaked opening day of the latest Eastwood blockbuster, The Mule (2018). According to a death certificate obtained by the media, her cancer had returned in 2015 and spread to her bones. Locke's remains were cremated at Westwood (Village) Mortuary and the ashes entrusted to her husband of 51 years. Rosanna Arquette, Frances Fisher and Evan Rachel Wood were among the celebrities who paid tribute. Despite the acrimony that followed the collapse of her famous relationship, Locke will be long remembered for her prominent roles in some of Eastwood's most popular works -- and perhaps dichotomously, as a pioneer for the rights of independent working women.1085 points- Actress
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Helen Hunt began studying acting at the age of eight with her father, respected director and acting coach Gordon Hunt. A year later she made her professional debut and afterwards worked steadily in films, theatre and television.1025 points- Actress
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Academy Award-winner Lee Grant was born Lyova Haskell Rosenthal on October 31, 1925 in Manhattan, New York City, to Witia (Haskell), a teacher and model, and Abraham Rosenthal, an educator and realtor. Her father was of Romanian Jewish descent, and her mother was a Russian Jewish immigrant. Lee made her stage debut at age 4 at the Metropolitan Opera in New York City, playing the abducted princess in "L'Orocolo". After graduating from high school, she won a scholarship to the Neighborhood Playhouse School of the Theatre, where she studied acting with Sanford Meisner. When she was a teenager Grant established herself as a formidable Broadway talent when she won The Critics' Circle Award for her portrayal of the shoplifter in "Detective Story". She reprised the role in the film version (Detective Story (1951), a performance that garnered her the Cannes Film Festival Citation for Best Actress as well as her first Academy Award Nomination. Immediately following her screen debut, however, Lee became a victim of the McCarthy-era blacklists in which actors, writers, directors, etc., were persecuted for supposedly "Communist" or "progressive" political beliefs, whether they had them or not. Except for an occasional role, she did not work in film or television for 12 years. In 1965 Lee re-started her acting career in the TV series Peyton Place (1964), for which she won an Emmy Award as Stella Chernak, and she later garnered her first Academy Award for Shampoo (1975), also receiving Academy Award nominations for The Landlord (1970) and Voyage of the Damned (1976). Since 1980 Lee has been concentrating on her directorial career, which began as part of the Women's Project at The Americal Film Institute (AFI); her adaptation of August Strindberg's, "Stronger, The" was consequently selected as one of the 10 best films ever produced for AFI. In 1987 she received an Academy Award for the HBO documentary, Down and Out in America (1985) and directed Nobody's Child (1986) for CBS, for which she received the Directors Guild Award. In 1983 she received the Congressional Arts Caucus Award for Outstanding Achievement in Acting and Independent Filmmaking. Subsequently, Women in Film paid tribute to her in 1989, with its first-ever Lifetime Achievement Award. Both the New York City Council and the County of Los Angeles Board of Supervisors have recognized Ms. Grant for the contribution her films have made to the fight against domestic violence.1006 points- Actress
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Miou-Miou was born Sylvette Herry on February 22, 1950, in Paris, France. Her father was a gendarme, her mother was a sales-woman. Young Miou-Miou was selling strawberries helping out at her mother's fruit and vegetable stand at a street market. There she was spotted by actor-director Romain Bouteille, who invited her to work at Café de la Gare, a popular Parisian theatre, where Gérard Depardieu and Patrick Dewaere were principal actors. There she began as a cleaning lady, then became a dresser, then an actress. She was nicknamed Miou-Miou by Coluche because she was always nice, quiet, and clean as a kitty.
In 1971, Miou-Miou made her film debut in La vie sentimentale de Georges le tueur (1971) (The Sentimental Life of George Le Tueur 1971). At that time she became romantically involved with the fellow actor Patrick Dewaere. Their daughter, Angèle Herry-Leclerc, was born in 1974, but their relationship ended few years later, after their work in several films. Their relationship was portrayed in F... comme Fairbanks (1976), and later was documented in Patrick Dewaere (1992) (documentary).
Miou-Miou has been an unusual personality in the French cinema. She once refused to take the Cesar Award for Best Actress, which she won for the title role in Memoirs of a French Whore (1979). She explained that refusal citing her belief that artists should not compete against each other. Her career was hardly affected by such a gesture. She was nominated for Cesar nine times. Her better known works were made with Gérard Depardieu in Going Places (1974), Tell Her That I Love Her (1977), Ménage (1986), and Germinal (1993), an adaptation of the eponymous novel by Émile Zola.996 points- Actress
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Lea Katherine Thompson was born May 31, 1961 in Rochester, Minnesota. She is the youngest of five children. Her parents are Barbara and Cliff Thompson. Since all her siblings were much older than her, Lea says it seemed like she had more than two parents. The family lived in the Starlight motel, all the kids sharing a room. Things began to look up for the family when Lea's father got a job in Minneapolis, where the family moved.
Lea's parents divorced when she was six, and her mother decided to maintain the family. This wasn't the easiest job, considering her mother was alcohol-addicted at the time. When she found the strength to quit drinking, she took a job playing the piano and singing in a bar to support Lea and her siblings. When Lea was seven, her mother remarried. Ever since Lea was little, she loved to dance -- ballet to be exact. She would practice three to four hours every day. Her first role was as a mouse in "The Nutcracker". After Lea turned fourteen, she had performed in more than 45 ballets on stages, such as The Minnesota Dance Theatre, The Pennsylvania Ballet Company, and The Ballet Repertory. She won scholarships to The American Ballet Theatre and The San Francisco Ballet. At age nineteen, she auditioned for Mikhail Baryshnikov, who later told her that she was "a beautiful dancer... but too stocky." Lea knew her dreams had been crushed. At that point, she decided to turn to acting. She began working as a waitress, also making 22 Burger King commercials and a few Twix commercials. She was perfect for these parts simply because she was the average girl-down-the-street, from the Midwest. Everyone who knows her can't believe she was and still is so completely different...trying to be independent and fight against the system. In 1982, Lea made some type of a computer game or interactive movie known as "Murder, Anyone."
Her first role was in the movie, Jaws 3-D (1983), as a water ski bunny, although she couldn't swim or ski, which she still can't! There, she met Dennis Quaid, who became her fiancée and acting coach. Her next role was in All the Right Moves (1983), where she acted opposite Tom Cruise. Director Michael Chapman was so disappointed with her performance, that he almost fired her. Between 1983 and 1984, Lea appeared in other "teen" movies, such as Red Dawn (1984), The Wild Life (1984), and Going Undercover (aka Going Undercover (1985)), and believes it was lucky that, in these movies, they were able to use anyone who could walk and talk! Lea's biggest known accomplishment, and her big break, came from the first Back to the Future (1985). It was the biggest hit of 1985, and Lea was suddenly the most wanted actress. She could have her pick of any role she wanted to take on. She chose Howard the Duck (1986). Although it was a George Lucas production, the critics turned the movie, and Lea, down. Afterwards, director Howard Deutch offered Lea a part in his movie, Some Kind of Wonderful (1987), but she refused. After he urged her to do it, she reconsidered. She won the Young Artist Award for best young actress. During filming, Howard and Lea fell in love, and she called it off with Dennis. She then went on to film The Wizard of Loneliness (1988), which was her first movie as a woman, rather than a youngster. Lea went on to film Back to the Future Part II (1989) and an episode of Tales from the Crypt (1989). She then married Howard Deutch. She continued filming Back to the Future Part III (1990), Montana (1990), and Article 99 (1992). Lea then took a break to stay home with her first born, Madelyn Deutch.
She jumped back into acting in Dennis the Menace (1993), where she says she just played herself. Then it was on to The Beverly Hillbillies (1993), Stolen Babies (1993), The Little Rascals (1994), and The Substitute Wife (1994). In 1994, she had her second child, Zoey Deutch. Lea then went into filming The Unspoken Truth (1995). It was then that she was first given the script of a new NBC sitcom, Caroline in the City (1995). It was probably the best decision Lea ever made. She won a People's choice Award for best actress in a new sitcom. Unfortunately, with all of NBC's problems, Caroline in the City (1995) kept being moved to a worse and worse time slot, giving it horrible ratings. The show ended after only four seasons. Bad ideas from the creators (Julia, etc.) didn't help, either.
Lea quickly went onto The Right to Remain Silent (1996), The Unknown Cyclist (1998), and A Will of Their Own (1998). She also guest-starred in the Friends (1994) episode, The One with the Baby on the Bus (1995), as "Caroline Duffy," and on The Larry Sanders Show (1992). Lea also did some stage work, including starring as "Sally Bowles" in "Cabaret." The show toured and also appeared on Broadway. She then did "The Vagina Monologues" in L.A. She had a stint in a dramatic role as a Chief Deputy Assistant District Attorney, "Camille Paris," on For the People (2002).
Thompson has starred in more than 30 films, 25 television movies, 4 television series, more than 20 ballets, and starred on Broadway in "Cabaret." Lea can currently be seen on ABC Family's Peabody Award winning hit show "Switched at Birth," where she acts and directs. Lea's movie credits include: "All the Right Moves," "Red Dawn," "Some Kind of Wonderful," "The Beverly Hillbillies," "Howard The Duck," (star and vocals) Clint Eastwood's "J. Edgar," the 2014 Sundance favorite Ping Pong Summer (2014), Fliegen (2005) starring Nicolas Cage, and The Year of Spectacular Men (2017), a film written by her daughter Madelyn Deutch. Thompson partnered with international Mirrorball Trophy holder Artem Chigvintsev on the 19th season of Dancing with the Stars (2005), placing sixth.
Lea lives in Los Angeles with her husband of over thirty years, film/television director Howard Deutch, and their two talented daughters, Madelyn and Zoey Deutch, along with many dogs, fish, horses, chickens, a cat, tortoise, and parrot. She supports and often performs for breast cancer, mental health, and Alzheimer's charities. Lea is currently writing her first book of essays.979 points- Katrin Sass was born on 23 October 1956 in Schwerin, German Democratic Republic. She is an actress, known for Good Bye Lenin! (2003), The Weissensee Saga (2010) and Bürgschaft für ein Jahr (1981). She was previously married to Siegfried Kühn.970 points
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A leading lady of the 1940s, the tall and blonde Foch usually played cool, aloof and often foreign, women of sophistication. As film roles became harder to find, Foch proved to be versatile in many areas. She was a panelist on several TV quiz shows, worked as George Stevens' assistant director for The Diary of Anne Frank (1959) and directed plays. Since the 1960s, she has been an acting teacher for USC and the American Film Institute.817 points- Actress
- Soundtrack
The sultry, versatile, petite (5' 4") beauty Sherilyn Fenn was born Sheryl Ann Fenn in Detroit, Michigan, into a family of musicians. The youngest of three children, her mother, Arlene Quatro, played keyboard in rock bands, her aunt is rock-star Suzi Quatro, and her grandfather, Art Quatro, was a jazz musician. Her father, Leo Fenn, was the manager of such bands as The Pleasure Seekers (the all-girl band formed by the Quatro sisters), Alice Cooper, and The Billion Dollar Babies. Sherilyn's ancestry includes Irish, Italian, Hungarian, German, and Bohemian Czech.
Sherilyn traveled a lot with her divorced mother and two older brothers before the family settled in Los Angeles when she was seventeen. Fenn, who says herself she's demure didn't want to start with a new school again and soon enrolled at the Lee Strasberg Theatre Institute.
Fenn began her career with a number of B-movies including The Wild Life (1984) (alongside Chris Penn), skater film Thrashin' (1986) (opposite Josh Brolin) and teen-fantasy movie The Wraith (1986) (opposite Charlie Sheen). She had a memorable part in the cult teen-comedy Just One of the Guys (1985) in which she tries to seduce a teenage girl disguised as a boy, played by Joyce Hyser. Fenn landed her first starring role, as an engaged heiress to an old Southern family experiencing her sexual awakening in Zalman King's erotic drama film Two Moon Junction (1988), after which she said she wanted to hide for a year. Fenn won her most outstanding role and made an indelible impression on the public when she was cast by David Lynch and Mark Frost as the tantalizing Audrey Horne, the high-school femme fatale from the critically acclaimed TV series Twin Peaks (1990). The series ran from 1990 to 1991, and the character of Audrey was one of the most popular with fans, in particular for her unrequited love for FBI Special Agent Dale Cooper (played by Kyle MacLachlan) and her style from the '50s (with her saddle shoes, plaid skirts and tight sweaters). Sherilyn made a memorable impression as the cherry stem-twisting siren. This was her breakout role; even now she says of her Twin Peaks (1990) experience: "It still makes me feel kind of proud and special to be part of something like that". In the show's second season, when the idea of pairing Audrey and Cooper was abandoned, Audrey was paired with other characters like Bobby Briggs (Dana Ashbrook) and John Justice Wheeler (Billy Zane). Sherilyn hit cult status when Lynch filmed her dancing on Angelo Badalamenti's music and with another memorable scene in which her character knotted a cherry stem with her tongue.
Shortly after shooting Twin Peaks' pilot episode, David Lynch gave her a small but impressive part in Wild at Heart (1990), as a girl injured in a car wreck, obsessed by the contents of her purse, opposite Nicolas Cage and Laura Dern. According to Fenn, the turning point in her career was when she met veteran acting coach Roy London in 1990. She credits him with instilling confidence and newfound enthusiasm.
After two nominations (Emmy and Golden Globe) and covers for Rolling Stone and Playboy magazines, Fenn was propelled to stardom and became a major sex symbol. She was chosen as one of People magazine's "50 Most Beautiful People in the World", was named one of the "10 Most Beautiful Women in the World" by Us magazine, and one of the "100 Sexiest Women in the World" by FHM magazine. Fenn's classic looks - with her lily-white skin, vertiginous boomerang eyebrows, beauty mark next to her left eye and topaz eyes - were highlighted by renowned photographers like George Hurrell Sr., Steven Meisel, and Bettina Rheims, and led her to be compared to the ones like Marilyn Monroe and Ava Gardner. Fenn has had an eclectic career with a significant body of work following Twin Peaks (1990). She chose to focus on widening her range of roles and was determined to avoid typecasting. She turned down the Audrey Horne spin-off series that was offered to her, and unlike most of the cast, chose not to return for the 1992 prequel movie Twin Peaks: Fire Walk with Me (1992), as she was then shooting Of Mice and Men (1992). She proved her mettle as an actress with varied roles in neo-noir black comedy Desire and Hell at Sunset Motel (1991) (as a sultry femme fatale, opposite Whip Hubley and David Hewlett), huis-clos Diary of a Hitman (1991) (the directorial debut of her acting coach Roy London, in which she plays a fragile mother who confronts hitman Forest Whitaker), John Mackenzie's fictionalized biopic Ruby (1992), (as stripper Sheryl Ann DuJean, a Marilyn Monroe look-alike fictional character, who is a composite of several real-life women from Jack Ruby and president John Kennedy's entourage; opposite 'Danny Aiello' and Arliss Howard), romantic comedy Three of Hearts (1993) (as Kelly Lynch and William Baldwin's love interest), Carl Reiner's 1940s detective parody Fatal Instinct (1993) (as Armand Assante's lovesick secretary and Sean Young and Kate Nelligan's rival) and Showtime's biblical Slave of Dreams (1995), directed by Robert M. Young (as Potiphar's seductive wife Zulaikha, opposite Adrian Pasdar and Edward James Olmos, and produced by Dino De Laurentiis).
A highlight of Fenn's film career is Gary Sinise's film adaptation of Of Mice and Men (1992), in which she brought nuance to the role of a seductive and lonely country wife, desperately in need to talk to somebody, opposite Sinise and John Malkovich. In 1993, Fenn teamed up with David Lynch's daughter Jennifer Lynch and starred in her directorial debut Boxing Helena (1993) as a haughty seductress forced to live in a box after her limbs were amputated by love-obsessed surgeon Julian Sands in an effort to possess her (a role Kim Basinger backed out of). Both Lynch and Fenn were proud of their work in it but the film - which was overshadowed by the lawsuits against Kim Basinger after she dropped out - ultimately was a critical and commercial failure. Another outstanding performance was in NBC's miniseries Liz: The Elizabeth Taylor Story (1995). During the shooting, Fenn fought to keep integrity in the script. Her priority was to respectfully and accurately portray Taylor, and she supported the original screenwriter's effort to concentrate on Taylor the person, not the legend. The same year she starred in an episode of Tales from the Crypt (1989) directed by Robert Zemeckis, alongside Isabella Rossellini and John Lithgow, as the lover of Humphrey Bogart, who appeared in the episode via CGI special effects. She went on to star in independent films that have been well received on the festival circuit like Jon Harmon Feldman's Lovelife (1997) (as a low self-esteemed waitress, along with Bruce Davison, Jon Tenney, Carla Gugino and Saffron Burrows), romantic comedy Just Write (1997) (as the dream actress of Hollywood tour bus driver Jeremy Piven, who mistakes him for a famous screenwriter) and Adrian Pasdar's neo-noir directorial debut Cement (2000), a contemporary re-telling of "Othello", in which she played a tempting but imprudent femme fatale, alongside Chris Penn, Jeffrey Wright and Henry Czerny.
Tired of Hollywood, Fenn contemplated starting a European career when she starred opposite Ray Winstone in the British psychological drama and huis-clos Darkness Falls (1999) (as a wealthy, neglected wife, sequestered with her husband by a man determined to understand the events that led to his wife ending up in a coma). She eventually decided to return to the United-States and gained newfound enthusiasm with the lead role in Showtime's dark comedy Rude Awakening (1998) as Billie Frank, an alcoholic ex-soap actress who struggles with her self-destructive habits. Based upon creator/executive producer Claudia Lonow's experience, the series ran from 1998 to 2001 and co-starred Lynn Redgrave, Jonathan Penner and Mario Van Peebles. Following Rude Awakening (1998), Fenn's film and television credits have included Showtime's family comedy Off Season (2001), directed by Bruce Davison (along with Hume Cronyn, Rory Culkin, Adam Arkin and Davison; as a singer who takes care of her orphaned nephew), Matthew Ryan Hoge's The United States of Leland (2003) (as a woman who represents happiness and joie de vivre to Ryan Gosling), Showtime's Cavedweller (2004) (2004, along with Kyra Sedgwick and directed by Lisa Cholodenko), Geretta Geretta's Whitepaddy (2006) (opposite Lisa Bonet and Hill Harper, as a woman who struggles with her dysfunctional family after she reluctantly returned home and tries to fit in with her new neighborhood that has become predominantly black), Emily Skopov's Novel Romance (2006) (as a pregnancy shop owner, opposite Traci Lords and Paul Johansson), psychological thriller Presumed Dead (2006) (as a female detective working on a missing person case, who has to outwit crime novelist Duncan Regehr in order to get to the truth), and The Dukes of Hazzard: The Beginning (2007) (as a flirtatious version of Lulu Hogg).
Fenn has appeared along with Rob Estes and Milo Ventimiglia in a 2003 episode of Amy Sherman-Palladino's Gilmore Girls (2000), which was the pilot for a California-set spin-off, eventually dropped by the network. Sherman-Palladino brought her back in the series with a different part as Scott Patterson's ex-girlfriend and protective mother to his daughter (2006-2007). Fenn had previously had recurring parts on Dawson's Creek (1998), (2002, as Joshua Jackson's seductive boss) and Boston Public (2000) (2003-2004, as a porn star turned tutor). Other notable guest appearances have included 21 Jump Street (1987) (opposite her then-fiancé Johnny Depp), Friends (1994) (1997, as Matthew Perry's wooden-legged girlfriend), The Outer Limits (1995) (2001, as a duplicated scientist), Law & Order: Special Victims Unit (1999) (2002, as a manipulative actress), and The 4400 (2004) (2005, as Jean DeLynn Baker, a 4400 who has the ability to grow deadly toxin-emitting spores on her hands).
Fenn's interest in directing and children led her to step behind the camera to direct in 2006 a documentary film about the child enrichment program CosmiKids and Judy Julin, the program's founder. She subsequently joined its executive team as executive director of the film and television division.
On set, Sherilyn is noted for having a quirky sense of humor and a joie de vivre. Off-screen, Sherilyn is proud of the friendship she has maintained with her ex-hubby Toulouse Holliday, a musician and film technician. Sherilyn lives with her son, Myles, and two cats: Ophelia and Redmond. Sherilyn practices meditative kundalini yoga, and every room in her house has feng shui elements-- crystals in one corner, water in another. Sherilyn enjoys biking, swimming and cooking, and of course being a mom: "After I had my son, I found life much funnier and brighter".- Actress
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Born and raised in Sparks, Nevada, Mädchen Amick was encouraged by her parents to follow her own creative instincts where she learned the skill of playing the piano, bass, violin and guitar as well as being able to do tap, ballet, jazz and modern dancing. In 1987 at the age of 16, she traveled to Los Angeles to pursue a career in acting.- Actress
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A charming, elegant, and exceedingly popular international film star with a gentle, understated beauty, actress Lilli Palmer was born as Lilli Marie Peiser on May 24, 1914, in Posen, Prussia. She was the daughter of Rose Lissman, an Austrian Jewish actress, and Alfred Peiser, a German Jewish surgeon. In addition to her native German, she grew up becoming fluent in French and English as well. Of her two sisters, older sister Irene Prador became an actress and singer in her own right. Lilli studied drama in Berlin and made her theatrical debut there in 1932 at age 18. Within a short time, however, the family was forced to flee their native homeland with the rise of Hitler and settled in Paris. Eventually Lilli moved to England to rebuild the career she had started on stage and film.
She made her British movie debut co-starring in the "B" mystery drama Crime Unlimited (1935), playing the distaff member of a syndicate of jewel thieves who becomes a romantic pawn for a policeman (Esmond Knight) who has infiltrated the crime ring as a plant. Throughout the rest of the decade she upped the value of her name in both "A" and "B" material, notably Alfred Hitchcock's Secret Agent (1936), Silent Barriers (1937) and The Man with 100 Faces (1938) where she provided the usual element of feminine mystery.
Lilli's career took a major upswing during the early to mid 1940s. Several of her pictures centered around the omnipresent war, particularly Thunder Rock (1942), her film career-maker), which starred Michael Redgrave as an anti-fascist journalist who retreats to Canada, and Notorious Gentleman (1945), with Rex Harrison as a idle bounder who sees the error of his ways and becomes a war sacrifice. This was Lilli's first movie with husband Harrison; they married in 1943 and she bore him a son, Carey Harrison, the following year. Carey grew up to became a writer and director.
The family moved to America in 1945 to further their careers. Rex and Lilli became a prominent acting couple, appearing together on the early 50s Broadway stage with "Bell, Book and Candle" (1950), "Venus Observed" (1952) and "The Love of Four Colonels" (1953), the last mentioned directed by Harrison. In movies, they co-starred in the murky crimer The Long Dark Hall (1951) and the vastly superior The Four Poster (1952), which later gave rise to the musical adaptation "I Do! I Do!". Lilli was award the Venice Film Festival Award for this performance and represented herself well with other handsome male acting partners, notably Gary Cooper in her debut American film Cloak and Dagger (1946) and John Garfield in the classic boxing film Body and Soul (1947), leaving audiences enthralled with one of its newer foreign imports. At one point, she was given her own own (short-lived) TV show to host, The Lilli Palmer Show (1951).
Somewhat typecast by this time as heartless cads and opportunists on film, "Sexy Rexy", as husband Harrison was known in the tabloids, developed quite a reputation off-camera as well. A particularly disastrous romance with actress Carole Landis led to that actress's tragic suicide in 1948. Lilli took the high road and came off the better for it in the public's eye. She eventually called it quits, however, with both Harrison and Hollywood and returned to Europe in 1954. In 1956 Lilli filmed Between Time and Eternity (1956) [Between Time and Eternity] and fell in love with handsome Argentine co-star Carlos Thompson, who had developed matinée idol status in Germany. They married in September of 1957, several months after her divorce from Harrison became final. This marriage endured.
Lilli matured gracefully in films, the epitome of poise and class, but she lost any potential for top stardom after leaving Hollywood. She made international productions for the rest of her career, primarily German and French, but they did not live up to her early successes and were not seen all that much outside of Europe. She managed to work, however, opposite a "Who's Who" of European male stars of the time, including Curd Jürgens, James Mason, Louis Jourdan, Jean Gabin, Jean Marais, Jean Sorel, Gérard Philipe and Klaus Kinski. Of those few movies she made in Hollywood, she played the prickly wife of Clark Gable, who has a May-December affair with young Carroll Baker in But Not for Me (1959); was a sparkling and witty standout in the ensemble cast of The Pleasure of His Company (1961); and proved quite moving in the William Holden spy thriller The Counterfeit Traitor (1962). On TV here, she was touchingly effective as Mrs. Frank in a production of The Diary of Anne Frank (1967) with Max von Sydow, and enjoyed one of her last roles in the acclaimed miniseries Peter the Great (1986).
The final decade and a half played out rather routinely with supporting roles in such films as diverse as Oedipus the King (1968), De Sade (1969), and The Boys from Brazil (1978). She demonstrated her writing talents with her popular bestselling biography "Change Lobsters and Dance" in 1975, and later published a novel "The Red Raven" in 1978. Dying of cancer in 1986 at age 71 in Los Angeles, Lilli's surviving second husband Thompson, who had abandoned acting in the late 60s and turned to turned TV writing/producing, committed suicide four years later back in his native Argentina.1096 points- Giovanna Ralli was born on 2 January 1935 in Rome, Lazio, Italy. She is an actress and writer, known for We All Loved Each Other So Much (1974), The Mercenary (1968) and A Prostitute Serving the Public and in Compliance with the Laws of the State (1971). She was previously married to Ettore Boschi.922 points
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Katharina Thalbach was born on 19 January 1954 in East Berlin, East Germany. She is an actress and director, known for The Tin Drum (1979), Der Minister (2013) and I've Never Been to New York (2019). She is married to Uwe Hamacher.819 points- Actress
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Entrancing, gorgeous Lesley Ann Warren started gearing towards a life in show business right off the bat as a young ballerina who trained at the School of American Ballet at the age of 14. Little did she know that Hollywood stardom would arrive on her doorstep in the form of a "Cinderella" story.
The New York-born actress (August 16, 1946) is the daughter of a night club singer, Margot Warren (née Verblow), and real estate agent, William Warren. Her mother had earlier given up her own entertainment career for marriage and family. Growing up, Lesley attended the Professional Children's School at the age of 6 and High School of Music & Art as a young teenager. At age 17, she studied under Lee Strasberg at his Actors Studio, the youngest student to ever be accepted at the time.
Looking for on-camera work, the teenager appeared unbilled as Shelley Winters's young daughter in the melodrama The Chapman Report (1962) and was given a bit in the daytime TV show "The Doctors." The slender, young hopeful gathered early musical stage experience in such shows as "Bye Bye Birdie" (as swooning teen Kim McAfee), then made an auspicious Broadway debut in "110 in the Shade", the 1963 musical version of "The Rainmaker," and won Broadway's "Most Promising Newcomer" Award. She subsequently received the Theatre World Award for her lead work as a "cat burglar" opposite Elliott Gould in the very short-lived (8 performances) musical "Drat! The Cat!" in 1965.
The attention Lesley received from this brief stage venture, however, led to her capturing the beguiling title role in the Richard Rodgers/Oscar Hammerstein II TV musical production of Cinderella (1965) with Stuart Damon as her Prince and a glittering, all-star cast in support. The Walt Disney people immediate signed the exquisite "Cinderella" to a fresh-faced ingénue contract. Co-starring in the moderately-received musical showcases The Happiest Millionaire (1967) and The One and Only, Genuine, Original Family Band (1968), Lesley became convinced that she needed to quickly nip the saccharine stereotype in the bud if she was to grow and sustain as an adult actress.
Rebelling against her studio-imposed image, Lesley left Disney determined to pursue roles with more depth, drama and character. Changing her name temporarily to "Lesley Warren" to reinforce her more mature goal, she was hired in 1970 to replace Barbara Bain in the long-running espionage series Mission: Impossible (1966) when Bain left over contractual issues. Audiences were quite cool in their reception to the "new and improved" Lesley and didn't buy her as a femme-fatale replacement for the cool and aloof Ms. Bain.
After only one season, Lesley realized her mission to grow was impossible (in spite of an encouraging Golden Globe nomination) and left the show, seeking greener pastures in the TV mini-movie market. She displayed a wide range of vulnerable neurotics as well as sexier ladies that began to alter her pristine image. Such 1970s material included the plane crash adventure Seven in Darkness (1969) as one of several blind survivors; the love drama Love Hate Love (1971) co-starring Ryan O'Neal; a failed pilot in the title role of Cat Ballou (1971); a mild western as one of The Daughters of Joshua Cabe (1972); the exotic "silent star" biopic The Legend of Valentino (1975); the rags-to-riches story Harold Robbins' 79 Park Avenue (1977), for which she won a Golden Globe award; the epic WWII story Pearl (1978); and the social melodramas Betrayal (1978) and Portrait of a Stripper (1979). Lesley also impressed with her starring roles in the Civil War miniseries Beulah Land (1980) and as a Polish-Jewish immigrant in Evergreen (1985). On stage, she ambitiously attempted to recreate Scarlett O'Hara opposite Pernell Roberts's Rhett Butler in a 1973 Broadway-bound musical version of "Gone with the Wind: The Musical." The show quickly died on the West Coast before ever reaching New York.
In the early 1980s, Lesley's movie career resurrected itself with a priceless performance as kingpin James Garner's whiny-voiced, peroxide-blonde spitfire Norma Cassidy in the slapstick musical Victor/Victoria (1982). Earning both Oscar and Golden Globe nominations, this delightful, scene-stealing turn was followed by a couple of other quality offbeat films that were directed by Alan Rudolph -- Choose Me (1984) and Songwriter (1984). Warren went on to receive a Golden Globe nomination supporting Willie Nelson and Kris Kristofferson in the former, and a People's Choice Award for the latter. She continued to attempt to spread her wings as a worldly "cougar" type opposite young blond and boyish Christopher Atkins in the critically-panned drama A Night in Heaven (1983). She also played Miss Scarlet in the movie version of the board game Clue (1985).
Award-worthy TV roles for Lesley with a Golden Globe performance as a successful madam in the miniseries Harold Robbins' 79 Park Avenue (1977). She also received Emmy and Golden Globe noms as the conflicted wife of a naval officer turned Russian double agent (Powers Boothe) in Family of Spies (1990), as well as for her Cable Ace nom for her work as a barmaid who aspires to be a country-western singer in Baja Oklahoma (1988). In 1997, she returned to Broadway with the musical revue "Dream" co-starring Margaret Whiting, which focused on classic "Golden Age" standards.
Entering her sixth decade of acting, Lesley remains highly active well into the millennium with often high-maintenance roles in such films as the Losing Grace (2001), Secretary (2002), My Tiny Universe (2004), When Do We Eat? (2005), The Shore (2006), Stiffs (2010), I Am Michael (2015), The Sphere and the Labyrinth (2015) and 3 Days with Dad (2019). Among her later TV credits are "Touched by an Angel," "The Practice," "Less Than Perfect," "American Princess," and a recurring role as an overly dependent mom named Jinx in the mystery crime series In Plain Sight (2008). Her dim, riotous Norma Cassady role had TV often pitching her as a scatter-brained comedienne, as in her recurring TV guest parts on Will & Grace (1998) and Desperate Housewives (2004).
Lesley has a son, actor/producer Christopher Peters, from her 1967-'73 marriage to makeup artist/hair stylist-cum-film producer Jon Peters. Since 2000, she has been married to advertising exec and sometime actor Ron Taft, a former vice-president at Columbia.818 points- Actress
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Marie-Christine Barrault was born on 21 March 1944 in Paris, France. She is an actress and writer, known for My Night at Maud's (1969), Cousin, Cousine (1975) and Marie Curie, une femme honorable (1991). She was previously married to Roger Vadim and Daniel Toscan du Plantier.787 points- Actress
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Martha Ellen Scott was born in Jamesport, Missouri, to Letha (McKinley) and Walter Alva Scott, an engineer and garage owner. She entered films in the early 1940s, following an initial appearance in stock. Her first film appearance was Our Town (1940), playing the same character as she played on the stage. She won an Academy Award nomination for her superb performance in the film. Martha Scott is remembered as a highly talented actress, however her work is often forgotten today as she was never seen as a truly bankable star by the major studios.
A recent memorable performance for Martha was as Sister Beatrice in the camp disaster movie Airport 1975 (1974). She played a dominant experienced nun with Helen Reddy, in a cast of major stars facing disaster on the stricken Boeing 747 jetliner.
She continued to work consistently throughout the 1970s and 1980s, often appearing in television movies and on the stage. She died at the age of 90 in May 2003 and is buried with her husband Mel Powell.723 points- Actress
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This gorgeous Teutonic temptress was one of Hollywood's most captivating imports of the 1960s. Blonde and beautiful, Berlin-born Elke Sommer, with her trademark pouty lips, high cheekbones and sky-high bouffant hairdos, proved irresistible to American audiences, whether adorned in lace or leather, or donning lingerie or lederhosen . She was born in Berlin-Spandau on November 5, 1940 with the unlikely name of Else Schletz-Ho to a Lutheran minister and his wife. The family was forced to evacuate to Erlangen, during World War II in 1942, a small university town in the southern region of Germany. It was here that her parents first introduced her to water colors and her lifelong passion for painting was ignited. Her father's death in 1955, when she was only 14, interrupted her education and she relocated to Great Britain, where she learned English and made ends meet as an au pair. She eventually attended college back in Germany and entertained plans to become a diplomatic translator but, instead, decided to try modeling.
After winning a beauty title ("Miss Viareggio Turistica") while on vacation in Italy, she caught the attention of renowned film actor/director Vittorio De Sica and began performing on screen. Her debut film was in the Italian feature, Uomini e nobiluomini (1959), which starred DeSica and was directed by Giorgio Bianchi. Following a few more Italian pictures, which included her first starring role in Love, the Italian Way (1960), also directed by Bianchi, Elke began making a name for herself in German films, as well, and gradually upgraded her status to European sex symbol. A pin-up favorite, she appeared fetchingly in both dramas and comedies, with such continental features as Daniella by Night (1961), Sweet Violence (1962) and her first English-speaking picture, Why Bother to Knock (1961), to her credit.
Hollywood naturally became intrigued and she moved there in the early 1960s to try and tap into the American market. Her sexy innocence made a vivid impression in the all-star, war-themed drama, The Victors (1963), the Hitchcock-like thriller, The Prize (1963), for which she won a "Best Newcomer" Golden Globe Award, and, especially, A Shot in the Dark (1964), the classic bumbling comedy where she proved a shady and sexy foil to Peter Sellers' Inspector Clousseau. She grew in celebrity, which was certainly helped after showing off her physical assets, posing for spreads in Playboy Magazine. In the meantime, she was appearing opposite the hunkiest of Hollywood actors including Paul Newman, James Garner, Glenn Ford and Stephen Boyd.
Always a diverting attraction in spy intrigue or breezy comedy, she was too often misused and setbacks began to occur when the quality of her films began to deteriorate. The tacky Hollywood entry, The Oscar (1966), the Bob Hope misfire, Boy, Did I Get a Wrong Number! (1966), the tired Dean Martin "Matt Helm" spy spoof, The Wrecking Crew (1968), and her title role in the tasteless Cold War comedy, The Wicked Dreams of Paula Schultz (1968), starring Hogan's Heroes (1965) alumnus, Bob Crane, Werner Klemperer and Leon Askin, proved her undoing.
The multilingual actress, whose career took her to scores of different countries over time and benefited from speaking seven languages fluently, resorted to a number of low-budget features in Europe, including two Italian horror movies directed by Mario Bava that have now gone on to become cult classics: Baron Blood (1972) and The Exorcist (1973) rip-off, Lisa and the Devil (1973). The latter movie actually was a guilty pleasure. "Lisa" was re-released in 1975 as "The House of Exorcism" and added more footage of a demonic Elke, Linda Blair style, spewing frogs, insects, green pea soup and a slew of cuss words! In England, she good-naturedly appeared in the "comedy" films, Percy (1971), and its equally cheeky sequel, It's Not the Size That Counts (1974), which starred Hywel Bennett (later Leigh Lawson) as the first man to have a penis transplant(!). She also showed up in one of the later "Carry On" farces, entitled Carry on Behind (1975).
Elke fared better on television, where she appeared in the television pilot, Probe (1972), opposite Hugh O'Brian, as well as the well-made 1980s miniseries, Inside the Third Reich (1982), Jenny's War (1985), Anastasia: The Mystery of Anna (1986) and Peter the Great (1986). In addition, she made a few TV guest appearances on such popular shows as "Fantasy Island," "The Love Boat" and "St. Elsewhere."
A delightful personality on the talk show circuit, the lovely Elke also made appearances as a cabaret singer and, in time, put out several albums. She found a creative outlet on stage too with such vehicles as "Irma la Douce", "Born Yesterday", "Cactus Flower", "Woman of the Year" and "Same Time, Next Year".
Dividing her time between here and in Germany in later years, she added her usual charm to films both here (Lily in Love (1984), Severed Ties (1992)), and in Germany (Himmelsheim (1988), Flashback (2000), Life Is Too Long (2010)).
The veteran actress has since focused more time on book writing and painting than she has on acting. Holding her first one-woman art show at the McKenzie Galleries in Beverly Hills in 1965, her artwork bears an exceptionally strong influence to Marc Chagall and she, at one point, hosted a mid-1980s PBS series ("Painting with Elke"), that centered on her artwork, which has now exhibited and sold for more than 40 years. Nevertheless, on occasion, she tackles an acting role, often in her native Germany. Divorced from writer and journalist Joe Hyams, whom she met when he interviewed her for a Hollywood article (he recently died in November 2008), she has been married since 1993 to hotelier Wolf Walther.636 points- Actress
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Piper Laurie was a three-time Oscar nominee, nominated by BAFTA as well as the Academy of Motion Picture Arts and Sciences for best performance by an actress in 'The Hustler' with Paul Newman.
Laurie was born Rosetta Jacobs in Detroit, Michigan, to Charlotte Sadie (Alperin) and Alfred Jacobs, a furniture dealer. She had an elder sister. Her family was of Russian Jewish and Polish Jewish descent.
Young Rosetta had been studying acting with Benno and Betomi Schnider for three years when she auditioned for Universal Studios, who signed her to a long term contract and was renamed Piper Laurie. She made more than twenty films, appearing opposite such actors as Tony Curtis, Rock Hudson and Tyrone Power.
Disgusted with the lack of serious roles, Laurie finally broke her lucrative Hollywood contract, moved to New York, lived on a budget, worked on live television and theater, and within two years changed her life and her career.
She stopped working for fifteen years after 'The Hustler' to devote her energies to the Civil Rights and anti-Vietnam War movements, feeling acting was less important. When she accepted work again she was nominated for an Academy Award as Best Supporting Actress for 'Carrie' with Sissy Spacek, and again as Best Supporting Actress in 'Children of a Lesser God' with Marlee Matlin. She won the Golden Globe for her role in the David Lynch cult favorite 'Twin Peaks' and was nominated for an Emmy for both Best Actress and Best Supporting Actress in 'Twin Peaks'.
She was nominated a total of twelve times for the Emmy, including one for the original and celebrated live broadcast of 'The Days of Wine and Roses' with Cliff Robertson, directed by John Frankenheimer, as well as for her comedic performance in 'Frasier'. She won an Emmy for her performance in 'Promise' opposite James Woods and James Garner. She was Harvard's Hasty Pudding Woman of the Year, and she also received an SFECA award for her performance as Dolly in the film 'The Grass Harp'.
In 2010, she played an elderly grandma who learns to smoke a bong in the feature film 'Hesher', with Joseph Gordon Levitt and Natalie Portman. Most recently she appeared as Grandma Hershe in White Boy Rick, starring Matthew McConaughey, and as Rose Muller in 'Snapshots', directed by Melanie Mayron. In 2013, she made her musical stage debut in 'A Little Night Music' as Madame Armfeldt.
Laurie performed on Broadway in the Tony-nominated Lincoln Center production of 'Mornings at Seven' directed by Dan Sullivan at the Lyceum Theatre. She also appeared on Broadway in the 20th Anniversary production of 'The Glass Menagerie', in which she played Laura Wingfield, with Maureen Stapleton (only 7 years older) as her mother, Amanda, at the Brooks Atkinson Theatre.
Off-Broadway, she appeared in Molly Kazan's 'Rosemary and the Alligators' and in Larry Kramer's 'The Destiny of Me'. She toured in a one-person play about Zelda Fitzgerald, written by Bill Luce. In 2010 she directed Jim Brochu in his one-man show 'Zero Hour', for which he received the Drama Desk Award for best solo performance on or off Broadway, playing Zero Mostel.
Laurie was divorced from Wall Street Journal's movie critic, Pulitzer Prize-winner Joe Morgenstern. They had a daughter. Laurie's autobiography, Learning to Live Out Loud, was published by Crown in 2011 to rave reviews and is now available as an audio book on audible.com.607 points- Actress
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Catherine Spaak was born on 3 April 1945 in Boulogne-Billancourt, Seine [now Hauts-de-Seine], France. She was an actress and writer, known for The Cat o' Nine Tails (1971), The Easy Life (1962) and The Empty Canvas (1963). She was married to Vladimiro Tuselli, Daniel Rey, Johnny Dorelli and Fabrizio Capucci. She died on 17 April 2022 in Rome, Lazio, Italy.560 points- Actress
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Katharina Schüttler started acting for film and television when she was 11 years old. Her breakthrough in Germany was the International Emmy Award winning Mini-Series "Generation War" ("Unsere Mütter, unsere Väter") in which she portrayed singer Greta del Torres. She appeared in many films for cinema and television, such as Golden Globe winning production "Carlos" by Olivier Assayas, the youngest version of Hans Fallada's "Alone in Berlin" acting alongside Emma Thompson and Swedish Production "Simon and the Oaks" by Lisa Ohlin. She was in German Indie-hits "Oh Boy", "Zeit der Kannibalen" and recently portrayed Fräulein Rottenmeier in the remake of "Heidi" by Alain Gsponer. In "13 Minutes" ("Elser") by Oliver Hirschbiegel ("Der Untergang"), which premiered in the Berlinale Film Festival (out of competition), she performed Hitler assassin Georg Elser's lover Elsa and recently worked with German director Dani Levy in "Die Welt der Wunderlichs".She is best known to English-language audiences for her lead performances in the Channel 4 drama Mini-Series "The Promise" by Peter Kosminsky, alongside Claire Foy and "Run", by Jonathan Pearson, starring Olivia Colman and Katie Leung. In 2009 she received the Bavarian Film Award, the "Guenter Strack Nachwuchspreis" in 2006 and Best Actress at the Munich Film Festival in 2002. For her performance in "Generation War", which won the International Emmy Award, she received the German Television Award as well as the Bavarian TV Award with her co-actors Tom Schilling, Miriam Stein, Ludwig Trepte and Volker Bruch in 2013. In 2014 she was given the Günter-Rohrbach-Filmpreis for her performance in "Zeit der Kannibalen" together with Devid Striesow and Sebastian Blomberg. Besides her film works she is one of the leading young theatre actresses in Germany. In 2006 she received the German Theatre Award "Der Faust" as Best Actress and was voted "Actress of the Year" by the German Theatre Critics. She was the youngest actress ever to receive this honour. In 2010 she was awarded with the renowned "Ulrich Wildgruber Prize" for outstanding artistic performances.
In 2009 she won the "Bavarian Film Prize" as Best Young Actress for her performance in the terrorist-drama "The Day Will Come" ("Es kommt der Tag").
Besides her film works she is one of the leading young theatre actresses in Germany. Her works include "Hedda Gabler", "Penthesilea", "Blasted", "Joan of Arc", "Lolita" and many more.
She was awarded with the renowned "Ulrich Wildgruber Prize 2010".558 points- Actress
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Demi Moore was born 1962 in Roswell, New Mexico. Her father Charles Harmon left her mother Virginia Guynes (née King) before Demi was born. Her stepfather Danny Guynes didn't add much stability to her life either. He frequently changed jobs and made the family move a total of 40 times. The parents kept on drinking, arguing and beating, until Guynes finally committed suicide. Demi quit school at the age of 16 to work as a pin-up girl. At 18 she married rock musician Freddy Moore; the marriage lasted four years. At 19 she became a regular on the soap opera General Hospital (1963). From the first salaries she started partying and sniffing cocaine. That lasted more than 3 years, until director Joel Schumacher threatened to fire her from the set of St. Elmo's Fire (1985) when she turned up high. She got a withdrawal treatment and returned clean after a week, and stayed clean. With determination and a skill for publicity stunts, like the nude appearance on cover of Vanity Fair while pregnant, she made her way to fame. Since the huge commercial success of Ghost (1990) and the controversial pictures Indecent Proposal (1993) and Disclosure (1994) she's one of Hollywood's most sought-after and most expensive actresses.555 points- Pola Raksa was born on 14 April 1941 in Lida, Nowogródzkie, Poland [now Lida, Belarus]. She is an actress, known for Przygoda z piosenka (1969), Zosya (1967) and Paryz - Warszawa bez wizy (1967).535 points
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Kelly Preston was born on October 13, 1962 in Honolulu, Hawaii. A talented and captivating performer, she first garnered international attention with her role as "Marnie Mason" in Ivan Reitman's Twins (1988), starring Arnold Schwarzenegger and Danny DeVito. With her diverse character portrayals in films, such as director Cameron Crowe's Jerry Maguire (1996); Citizen Ruth (1996) for Alexander Payne; and For Love of the Game (1999), directed by Sam Raimi, she continued to capture audience attention.
In the early part of her career, Kelly worked with notable director John Frankenheimer in the Elmore Leonard film, 52 Pick-Up (1986), alongside Roy Scheider and Ann-Margret. Her career saw her cast her beside some of Hollywood's most notable names, including Kevin Spacey in Casino Jack (2010); Quentin Tarantino, George Clooney, and Harvey Keitel in Robert Rodriguez's From Dusk Till Dawn (1996); Kevin Bacon in Death Sentence (2007); Meg Ryan and Matthew Broderick in Addicted to Love (1997); Debra Winger, Zooey Deschanel, and Hank Azaria in Eulogy (2004); Mike Myers in The Cat in the Hat (2003); and Rod Steiger and Julie Harris in the Academy Award-nominated short, Little Surprises (1996).
Kelly was actively involved in education, drug reform and many charitable organizations. She was acknowledged with numerous awards as a result of her work. She married John Travolta on September 12, 1991, and they had three children.
Kelly died on July 12, 2020, in Ocala, Florida, after a two-year battle with breast cancer. She was 57.- Actress
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Lara Flynn Boyle was born in Davenport, Iowa on March 24, 1970 to 21-year old Sally Boyle. For Sally and young Lara, money was not plentiful so Sally was required to work three jobs in addition to raising baby Lara by herself. Since Lara was mostly around Sally, they developed a bond that still binds Lara and Sally today. Until recently, Sally lived with Lara. Now they only live 10 minutes away from each other. Growing up, Lara had many struggles including dyslexia and a learning disability. Still, she could not let that get to her and she knew she had to be strong. She finally graduated, and, the day after doing so, she and her mother, Sally, moved. They drove on what would be "the road to fame". She soon landed roles in movies like Poltergeist III (1988) and Wayne's World (1992). Since then, she has become a prolific actress on both the small screen and the big screen.- Actress
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Jennifer Jason Leigh was born Jennifer Lee Morrow in Los Angeles, California, the daughter of writer Barbara Turner and actor Vic Morrow. Her father was of Russian Jewish descent and her mother was of Austrian Jewish ancestry. She is the sister of Carrie Ann Morrow and half-sister of actress Mina Badie.
Jennifer's parents divorced when she was two. Jennifer worked in her first film at the age of nine, in a nonspeaking role for the film Death of a Stranger (1973). At 14 she attended summer acting workshops given by Lee Strasberg and later landed a role in the Disney TV movie The Young Runaways (1978). She received her Screen Actors Guild membership for an episode of the TV series Baretta (1975) when she was 16. Jennifer performed in several TV movies and dropped out of Pacific Palisades High School six weeks short of graduation for her major role in the film Eyes of a Stranger (1981). Her first major success came as the female lead in Fast Times at Ridgemont High (1982).
Jennifer was married to writer/director Noah Baumbach from 2005 to 2013, and the two have a son.- Actress
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Liza Minnelli was born on March 12, 1946, the daughter of Judy Garland and movie director Vincente Minnelli. She was practically raised at MGM studios while her parents worked long hours there and she made her film debut at 14 months of age in the movie In the Good Old Summertime (1949). Her parents divorced in 1951 and, in 1952, her mother married Sidney Luft, with sister Lorna Luft and brother Joey Luft subsequently being born. Her father, Vincente Minnelli, later married Georgette Magnani, mother of her half-sister Christiane Nina "Tina Nina" Minnelli.
At 16, Liza was on her own in New York City, struggling to begin her career in show business. Her first recognition came for the play "Best Foot Forward" which ran for seven months in 1963. The following year, Judy invited Liza to appear at a show with her at the London Palladium. This show sold out immediately and a second night was added to it. Liza's performance in London was a huge turning point in both her career and her relationship with her mother. The audience absolutely loved Liza and Judy realized that Liza was now an adult with her own career. It was at the Palladium where Liza met her first husband, Peter Allen, a friend of Judy's.
Liza won a Tony award at age 19 and was nominated for her first Academy Award at age 23 for the role of Pookie Adams in The Sterile Cuckoo (1969). Other dramatic roles followed and, in 1972, she won an Oscar for her performance as Sally Bowles in the movie Cabaret (1972). The 1970s were a busy time for Liza. She worked steadily in film, stage, and music. She and her good friend Halston were regulars at Studio 54, the trendiest disco club in the world. Marriages to filmmaker Jack Haley Jr. and Mark Gero, a sculptor who earned his living in the theater, followed. Each marriage ended in divorce.
Over the past years, her career has leaned more towards stage performances and she has a long list of musical albums to which she continues to add. She teamed with Frank Sinatra in his "Duets" CD, and Sammy Davis Jr. joined them for a series of concerts and TV shows that were extremely well-received.
She has had to deal with tabloid stories of drug abuse and ill-health and has had a number of high profile stays at drug-rehabilitation clinics. Her hectic schedule may have slowed down in recent years, but she still has a large following of immensely loyal fans who continue to cheer her on.- Actress
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Isabelle Yasmine Adjani was born in Gennevilliers, Hauts-de-Seine, a suburb of Paris, to Emma Augusta "Gusti" (Schweinberger) and Mohammed Adjani. Her father was a Kabyle Algerian, from Iferhounène, and her mother was a Bavarian German. She grew up speaking German fluently. After winning a school recitation contest, she began acting in amateur theater by the age of twelve. At the age of 14, she starred in her first motion picture, Le Petit Bougnat (1970). Adjani has appeared in 30 films since 1970. She holds the record for most César Award for Best Actress (5), which she won for Possession (1981), One Deadly Summer (1983) (aka "One Deadly Summer"), Camille Claudel (1988), Queen Margot (1994) (aka "Queen Margot") and Skirt Day (2008) (aka "Skirt Day"). She was also given a double Cannes Film Festival Best Actress Award in 1981. She also received two Academy Award nominations for Best Actress. She performs in French, English, Italian and German. Adjani was made a Chevalier de la Légion d'honneur in 2010.- Iya Savvina is a Soviet and Russian actress of Moscow Art Theatre (MKhAT).
She was born Iya Sergeevna Savvina on March 2, 1936, in Voronezh, Russia, Soviet Union (now Russia). From 1954 - 1958 she studied Journalism at Moscow University, graduating in 1958 as a journalist. While a student, Savvina was active in student drama club of Moscow University. There she was spotted by casting directors from Lenfilm studios and made her film debut in Leningrad: Savvina shot to fame with the leading role opposite Aleksey Batalov in The Lady with the Dog (1960) by director Iosif Kheifits. From 1960 - 1977 Iya Savvina was member of the Mossoveta theatre in Moscow. There her stage partners were such actors as Rostislav Plyatt, Georgi Zhzhyonov, and Aleksandr Lazarev among others.
Since 1977 Iya Savvina has been a permanent member of the troupe at Moscow Art Theatre (MKhAT). There her stage partners were such renown Russian actors as Olga Androvskaya, Angelina Stepanova, Mark Prudkin, Anastasiya Georgievskaya, Vasili Toporkov, Mikhail Bolduman, Pavel Massalsky, and the next generation of MKhAT actors - Oleg Efremov, Tatyana Doronina, Innokentiy Smoktunovskiy, Oleg Tabakov, Alla Pokrovskaya, Kira Golovko, Tatyana Lavrova, Iya Savvina, Nina Gulyaeva, Elena Panova, Darya Moroz, Olga Litvinova, Natalya Rogozhkina, Ekaterina Semyonova, Olga Yakovleva, Raisa Maksimova, Irina Miroshnichenko, Evgeniya Dobrovolskaya, Kristina Babushkina, Anastasiya Voznesenskaya, Andrey Myagkov, Stanislav Lyubshin, Vladimir Kashpur, Vladlen Davydov, Viktor Sergachyov, Vyacheslav Nevinnyy, Evgeniy Kindinov, Vladimir Krasnov, Sergei Desnitsky, Dmitriy Nazarov, Sergey Sazontev, Avangard Leontev, Igor Vasilev, Igor Vernik, Sergei Sosnovsky, Mikhail Porechenkov, Konstantin Khabenskiy, Valeri Khlevinsky, Aleksei Agapov, Valeriy Troshin, Mikhail Trukhin, Eduard Chekmazov, Aleksey Kravchenko, and Evgeniy Mironov among others. In the 1970s - 1990s Savvina made her best known stage appearances in Anton Chekhov's classic plays. She shone as Anfisa in 'Tri Sestry' (aka.. The Three Sisters), and as Sharlotta in 'Vishnevy sad' (aka.. The Cherry Orchard). She also made acclaimed performances as Sofia opposite Natalya Tenyakova in 'Rozhdestvenskie grezy' (aka.. Christmas dreams) by director Pyotr Shteyn, and as Khlestova in Aleksandr Griboyedov's 'Gore ot Uma' (aka.. Woe From Wit).
Iya Savvina was designated People's Actress of the USSR. She was awarded the State Prize of the USSR twice (1983, 1990), and received numerous awards from the Soviet and Russian government.803 points - Gudrun Landgrebe was born on 20 June 1950 in Göttingen, Lower Saxony, West Germany. She is an actress, known for Die Katze (1988), Yerma (1984) and A Woman in Flames (1983). She has been married to Ulrich von Nathusius since June 2001.803 points
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Mary Debra Winger was born May 16, 1955 in Cleveland, Ohio, to Ruth (Felder), an office manager, and Robert Jack Winger, a meat packer. She is from a Jewish family (originally from Austria-Hungary and the Russian Empire). Her maternal grandparents called her Mary, while her parents called her Debra (her father named her Debra after his favorite actress, Debra Paget). The family moved to California when Debra was five. She fell in love with acting in high school but kept it a secret from her family. She was a precocious teenager, having graduated high school at an early age of 15. She enrolled in college, majoring in criminology. She worked part-time in the local amusement park when she got thrown from a truck and suffered serious injuries and went temporarily blind for several months. She was in the hospital when she vowed to pursue her passion for acting.
After she recovered, she abandoned college and studied acting. Like any struggling actor, she did commercials and guest-starred on 70s TV shows like Task Force: Part I (1976) and Wonder Woman (1975), where she performed as Diana's little sister, Wonder Girl. She also made her feature film debut in the embarrassing soft-core porn film, Slumber Party '57 (1976). (Years later on Inside the Actors Studio (1994), host James Lipton asked her to name her first film, and she refused to answer him.) Her next two films, French Postcards (1979) and Thank God It's Friday (1978), did absolutely nothing for her career. When Sissy Spacek said no to playing the character Sissy in Urban Cowboy (1980), almost every young actress in Hollywood pursued the role. Debra won the role over a then-unknown Michelle Pfeiffer and gave a star-making performance as John Travolta's wife. Her handling of the mechanical bull made her a new kind of sex symbol. She would always remain grateful to her director James Bridges for threatening to quit the film if the studio didn't cast her. However, she followed it up with a flop, Cannery Row (1982). But, she became part of one of the top-grossing films of all time by providing her deep, throaty voice to the title character of E.T. the Extra-Terrestrial (1982) as a favor to the film's director Steven Spielberg (Note: IMDB cast list for E.T. indicates Pat Welsh as the voice for that character.). She also appeared in the film for a few seconds in the Halloween scene, where she is wearing a zombie mask and carrying a poodle. She received her first Academy Award nomination as Best Actress for the huge hit, An Officer and a Gentleman (1982), where her on-screen love scenes with Richard Gere became just as legendary as her off-screen fights with him and with director Taylor Hackford.
Debra's reputation as a great talent, as well as her reputation as a difficult actress grew with her next film, Terms of Endearment (1983), which not only earned her a second Oscar nomination as Best Actress but also won the Best Picture as well. She also earned the Best Actress Award from the National Society of Film Critics. Debra was at the top of her game and was the most sought-after actress in Hollywood, but she turned down quality roles and lucrative offers for three years. Some speculated that the reason was her romantic involvement with Bob Kerrey, then-governor of Nebraska, while others have stated it was her back problems. Whatever her reasons were, her career lost its heat. Her long-delayed film Mike's Murder (1984), reuniting her with her "Urban Cowboy" director James Bridges, didn't help matters either when it became a critical and financial flop. Debra tried to revive her career by starring in the big-budget comedy Legal Eagles (1986), but she disliked the film so much that she publicly stated that the director, Ivan Reitman, was one of the two worst directors she worked with, the other director being Taylor Hackford (An Officer and a Gentleman (1982)). She also walked out on her agency, CAA, but returned several years later.
Her personal life made headlines when she left Bob Kerrey and eloped with Oscar-winning actor Timothy Hutton in 1986. In 1987, she gave birth to their son, Noah Hutton. She also starred in Black Widow (1987), which wasn't a hit, and acted alongside Hutton as a male angel in Made in Heaven (1987) which flopped. She followed that up by starring in another flop, Betrayed (1988), which featured a fleeting cameo by Hutton. She separated from Hutton in 1988 and they divorced in 1990, at which time she had two more bombs, Everybody Wins (1990) and The Sheltering Sky (1990). However, she relished the experience on The Sheltering Sky (1990) so much that she stayed in the Sahara desert long after filming wrapped. She came back to US and filmed a Steve Martin vehicle, Leap of Faith (1992), which did nothing for her career. But, she found love on the set of her next film, Wilder Napalm (1993) when she co-starred opposite Arliss Howard, who became her next husband. The film flopped but their marriage lasted. She received good notices for A Dangerous Woman (1993), but it was Shadowlands (1993) which finally brought her renewed respectability and her third Academy Award nomination as Best Actress. She followed that up with a forgettable comedy, Forget Paris (1995). Then, she signed to do "Divine Rapture" with Marlon Brando and Johnny Depp in a small village in Ireland, but two weeks into filming, financing fell apart, and the film was never completed. Winger was never paid for her work, and neither were the poor villagers, and Winger said she was devastated for them. Now 40, Debra felt that there were no good roles for her and she concentrated on motherhood by having a second son, Babe Howard, in 1997. Her six-year absence from films inspired a documentary by Rosanna Arquette titled Searching for Debra Winger (2002), which is about sexism and ageism in Hollywood. In 2001, she returned to acting in her husband's film, Big Bad Love (2001), which she also co-produced. It renewed her love for acting, and she has ventured out into television as well by earning her first Emmy nomination as Best Actress for Dawn Anna (2005), directed by her husband. In 2008, she wrote a well-written book, based on her personal recollections, titled "Undiscovered". And she followed that up by winning rave reviews as Anne Hathaway's mother in Jonathan Demme's Rachel Getting Married (2008). However, it wasn't enough to reignite her feature film career, so she ventured towards television in 2010 with a guest-starring role on "Law and Order" titled Boy on Fire (2010), to a seven-episode stint on In Treatment (2008), to a two-part miniseries The Red Tent (2014), to a regular role on The Ranch (2016) . Her television exposure reignited her feature film career, and she was cast in her first romantic lead in 22 years in The Lovers (2017). And she had also mellowed with age, presenting an award to Richard Gere in 2011 and saying kind things about director Taylor Hackford in 2017, after having fought with both of them during An Officer and a Gentleman (1982). Nobody can deny that Debra Winger is one of the best American actresses ever. Her fans hope that Hollywood will finally reward her talent with a long-overdue Academy Award.766 points- Actress
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As a child, Geena dreamed of being an actress. While in high school, she felt left out and had low self-esteem because, at 6 feet, she was the tallest girl in school. After high school graduation, Geena entered New England College in New Hampshire and then transferred the next year to Boston University, where she majored in drama. In 1977, she left BU and moved to New York to start her career. Her career consisted of sales clerk and waitress. She worked at Ann Taylor, where she eventually rose to Saturday window mannequin while trying to get a job with a modeling agency. Eventually signed by the Zoli Agency, she wound up as a model in the Victoria Secret's Catalogue. Ever vigilant, Sydney Pollack was looking for new talent in the catalog when he spotted Geena and cast her in Tootsie (1982). With good reviews, Geena moved to Los Angeles where she was cast as Wendy in the short-lived but critically acclaimed television series Buffalo Bill (1983) with Dabney Coleman. A starter marriage to restaurant manager Richard Emmolo dissolved around this time. Her next appearance on television was in her own series Sara (1985), which was also good, but soon canceled. Geena then returned to the big screen in the below-average Transylvania 6-5000 (1985) followed by the successful Chevy Chase movie Fletch (1985). From there on, she was on a roll with second husband Jeff Goldblum in the horror remake The Fly (1986). More successful were Tim Burton's dark comedy Beetlejuice (1988) and The Accidental Tourist (1988). For the last film, she was the surprise winner of the Oscar for Best Supporting Actress. More fun movies followed with the flying-saucer-in-the-pool Earth Girls Are Easy (1988) and everyone-loves-a-clown Quick Change (1990) with Bill Murray. The very successful Thelma & Louise (1991), directed by Ridley Scott, again garnered nominations for the Academy Award and Golden Globe. A League of Their Own (1992), with Tom Hanks and directed by Penny Marshall, was the turning point as her next film, Hero (1992), was only average. Then she married director Renny Harlin and they set up a production and development company called "The Forge". Their first film was Speechless (1994), which flopped at the box office. Undeterred, Renny decided to film the big-budget Cutthroat Island (1995), starring Geena as pirate leader Morgan, which also flopped. Geena has since starred in the thriller The Long Kiss Goodnight (1996) and played Eleanor Little in Stuart Little (1999) and Stuart Little 2 (2002). She's also returned to TV, headlining The Geena Davis Show (2000) and Commander in Chief (2005). Both shows were canceled after one season, but she won a Golden Globe for the latter. In 2008, after being missed from the big screen for some years, Geena ventured to Sydney, Australia, playing the foul-mouthed mother of Harry Cook and Harrison Gilbertson to shoot the dark comedy Accidents Happen (2009).761 points- Actress
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Angular in features, reserved in demeanor and more-or-less plaintive in appearance, actress Jane Alexander has played down the glamour card for the most part. Her true brilliance has come from the remarkable range and depth of her talent. Heralded as one of the finest 70s actresses to arrive in films following a towering Broadway success, Jane went on to earn an Oscar nomination for her film debut, an acknowledgment given to very few of her acting peers.
She was born Jane Quigley in Boston, Massachusetts, on October 28, 1939, the daughter of Thomas, an orthopedic surgeon, and Ruth Elizabeth (née Pearson) Quigley, a nurse. Jane attended Beaver Country Day School, an all-girls facility, just outside of Boston. Here is where she first aspired to acting and made her stage debut as an adolescent in a production of "Treasure Island". Urged on by her father to find stability in her life, she first attended college before embarking on an acting career. She studied math as well as theater at Sarah Lawrence College in Bronxville, New York, where she thought computer programming might be a convenient alternative in case her acting dreams fell through. However, a chance to study at the University of Edinburgh in Scotland, wherein she became a member of the Edinburgh University Dramatic Society, dissolved any other career interests but acting.
Following theater roles in "The Inspector General" and "Look Back in Anger", Jane found critical success in 1967 when chosen to play the mistress of black boxer Jack Jefferson in the landmark production of "The Great White Hope" at the Arena Stage in Washington, DC. opposite James Earl Jones. She and Jones both won Tony and Drama Desk Awards for their performances when the play went to Broadway the following year. Both also earned Academy Award nominations after making the transition to film. The Great White Hope (1970) would mark the first of four nominations for Jane. Although singled out for her supporting roles in All the President's Men (1976), Kramer vs. Kramer (1979) and her heartfelt leading role in Testament (1983) as a small town wife whose family is threatened by radioactive fallout, the Oscar trophy has remained elusive.
On stage, she received a plethora of Tony nominations over the years for such sterling work in "6 Rms Riv Vu" (1972), "Find Your Way Home" (1974), "First Monday in October" (1978), "The Visit" (1991), "The Sisters Rosenzweig" (1993), and "Honour" (1998). Other telling parts came as Gertrude in "Hamlet", Hedda in "Hedda Gabler", Cleopatra in "Antony and Cleopatra", Annie Sullivan in "Monday After the Miracle" and Maxine in "The Night of the Iguana".
Jane has triumphed just as notably on TV. She perfectly embodied the non-glamorous role of Eleanor Roosevelt opposite Edward Herrmann's FDR in the TV movies Eleanor and Franklin (1976) and Eleanor and Franklin: The White House Years (1977) and was Emmy-nominated both times for her efforts. Decades later she would portray FDR's mother, Sara Delano Roosevelt, in HBO's Warm Springs (2005) starring Kenneth Branagh and Cynthia Nixon and won the coveted award for 'Best Supporting Actress'. Throughout the years she would play a myriad of quality leads in such TV-movies as A Circle Street of Children (1977); Arthur Miller's Playing for Time (1980); which earned her a second Emmy, the title role in Calamity Jane (1984); Malice in Wonderland (1985), in which she portrayed notorious gossip maven Hedda Hopper; Blood & Orchids (1986), and; In Love and War (1987).
Alexander met and married her first husband, Robert Alexander, in the early 1960s in New York City, when both were attempting to jump-start their acting careers. They had one son, Jace Alexander in 1964, an actor/director in his own right who co-founded the avant garde NYC theater company Naked Angels. Her marriage to Alexander, who was also a director, ended in divorce. She later met producer/director Edwin Sherin in Washington, DC, while he was serving as artistic director at the Arena Stage. He has three sons from his previous marriage. They married in 1975 and reside in New York City.
In 1993, Jane took a sabbatical from acting when President Clinton appointed her as the first chairman of the National Endowment for the Arts. Relocating to Washington, DC, she showed strong leadership and served for four years. Her 2000 book, "Command Performance: an Actress in the Theater of Politics" chronicles the challenges she faced heading up the organization when the Republican Congress unsuccessfully tried to shut it down. The agency survived but with a 45% cut in funding.
In 2004, Alexander, together with her second husband, joined the theater faculty at Florida State University (FSU). She holds honorary doctorates from 11 colleges and universities in the U.S. In addition, Jane has been active on many boards, including the Wildlife Conservation Society, Project Greenhope, the National Stroke Association, and Women's Action for Nuclear Disarmament. She has also received the Israel Cultural Award and the Helen Caldicott Leadership Award.
Returning to acting into the millennium, Jane has appeared, often as professional types (judges, doctors), in such films as The Ring (2002), Feast of Love (2007), Gigantic (2008), The Unborn (2009), Terminator Salvation (2009), Last Love (2013) and Three Christs (2017). She has also graced such TV programs as "Law & Order," "Forgive Me," "The Black List," "The Good Wife," "Elementary," "The Good Fight," "Modern Love," and a steady role on the short-lived series Tell Me You Love Me (2007).720 points- Actress
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For Michèle Mercier, the role of Angélique, "the Marquise of the Angels," was both a blessing and a curse. It catapulted her to almost instant stardom, rivaling Brigitte Bardot in her celebrity and popularity, but ruined her acting career. The character of Angélique made to forget the other aspects of the career of Mercier, but it is true that general public discovered her only in "Angélique," and made her a real star of the French cinema of that time. By the end of the 1960s, the names Angélique and Michèle Mercier were synonymous, and to escape type-casting, Mercier was compelled to leave France and try to re-start her career in United States, unfortunately without any success.
Daughter of Nice's pharmacists, born on January 1, 1939 and named as Jocelyne Yvonne Renée, she initially wanted to be a dancer. Wartime, no money to buy food, but little Jocelyne wept all week, cadging father, well-known pharmacist in Nice, to buy her ballet skirts and points. In return she promised to work in drug-store. Father took this only as childish whim. But little girl got her wish through: of "small ballet-rat," as they call little dancers, who participate in stage shows, she grew up to soloist in Opera of Nice. Then came Paris. First she was engaged to the troupe of Roland Petit, then she danced in the company of the "Ballets of the Eiffel tower." At 15, she met Maurice Chevalier, who predicted her success and glory. They did arrive, but by another way that the dance. Parallel to her career as dancer, Jocelyne followed courses of dramatic art in the class of Solange Sicard. Her debut in French cinema was for Mercier another compromise: her birth name seemed too long and too old-fashioned for movie credits. What, if she'll take a name Michèle? She winced - this was name of her little sister, who died at the age of five by the fever typhoid, but she agreed. And it was also as in testimony of admiration for her partner Michèle Morgan, as she borrowed her name to her. After some romantic comedies and a small role in François Truffaut's "Shoot the pianist" (1960; her favorite role), she approaches the Sixties mainly in the cinema of district. She also worked in England and made then mainly small-budget films in Italy, always in the same register of easy girl. To this moment Michèle already competed with Sophia Loren and Gina Lollobrigida, continuously shooting in Italy. She needed a role, which could make her a star. Only in 1963, when was decided to make movie by sensational novel "Angélique," Michèle got this kind of chance.
Many actresses were approached to play the role of Angélique. The Producer Francis Cosne absolutely wanted Brigitte Bardot for the part. She refused, but later judged Michèle Mercier to be fantastic in it. Annette Stroyberg was considered next, but judged not to be sufficiently well-known. Catherine Deneuve was too pale, Jane Fonda spoke French with an American accent, and Virna Lisi was busy in Hollywood. The most serious actress considered was Marina Vlady. She almost sign a contract, but Michèle Mercier won the role after trying out for it - which she did not appreciate very much since she was being treated like a beginner while she was already a big star in Italy. At the time she was contacted to play Angélique, she had already acted in over twenty movies. During four years she made five Angélique-movies, enjoying the real success. Nevertheless the moment came, when she finally wanted to interrupt with this aggravating character. Michèle played with Jean Gabin in "The Thunder of God" of Denys de la Patellière. Then with Robert Hossein in "La second vérité" of Christian-Jaque... But the time has gone. That was also confirmed by Mercier's flop in Hollywood... What life didn't taught her, that's the skill how to dominate men. Every time Michèle captivated regardlessly. She was deceived, betrayed. She suffered. "Men in their way, shattered my life. What I wanted from them? Real, mutual love. What they wanted - no hard to guess," candidly confessed Michèle after sensational story with a shah, who overwhelmed actress with diamonds and bouquets of flowers, and then tryed to rape her. Press enjoyed Michèle's love affairs and divorces. For some reason or other, in real life this beautiful and kind woman met only rascals, without exception. First husband turned out to be alcoholic. With well known racer Claude Bourillot she lived together 12 years. And she was shocked, when in one day she found out that he vanished with her jewels. Full of dramatism was story of her romance with Italian prince N., who after many years of courtship got intimate with Michèle and at the end betrayed her, refusing to marry her. Incidentally, all these failures even more hardened the character of Michèle Mercier. After a very long eclipse, she decided to return to the cinema. In 1998, the actress made in Cuba and in Italy "La Rumbera," a feature film by Italian director Piero Vivarelli. In 1999, swindled of several million francs in a business venture, Mercier had serious financial problems. She even planned to sell famous wedding gown of the Marquise of the Angels. The actress confessed in Nice Matin: "I am ruined, I'll be obliged to sell part of my paintings, my furnitures, my properties, my jewels and the costumes of Angélique." In 2002, she presented at the Cannes Film Festival her second book of memories in which she affirms in the cover that "she's not Angélique!," entrusting her irritation to be summarized to this glamour-image of the Sixties. In this book Mercier also tells about how Italian actor Vittorio Gassman tried to take her by force, but remembers also the gentility of Marcello Mastroianni and the suppers of Bettino Craxi, former Prime Minister, and Silvio Berlusconi. In the end she admits: "All the men who have made the court of me, tried to seduce Angélique... not me. But then one day I understood that Angelique could not make more harm to me, therefore I have learned to consider she's like a little sister, with whom I had to live hand in hand."658 points- Laura Antonelli was born on 28 November 1941 in Pola, Istria, Italy [now Pula, Istria, Croatia]. She was an actress, known for Passion of Love (1981), Malicious (1973) and The Innocent (1976). She was married to Enrico Piacentini. She died on 22 June 2015 in Ladispoli, Rome, Lazio, Italy.649 points
- Actress
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Discovered by a talent scout at Northwestern University in 1958, Paula Prentiss was signed by Metro Goldwyn Mayer and teamed with Jim Hutton in a string of comedies. She rapidly became one of the best American comediennes of the 1960s. Her funny voice inflections, free acting style and brunette good looks established her as a leading lady in comedies of the screwball type, although she was very good in dramatic roles, too. Not much attracted to the Hollywood scene, she retired from films on several occasions, due also to illness and motherhood, but she was always admired and welcome whenever she made a comeback. She and her husband, the actor and director Richard Benjamin, are the parents of Ross Benjamin and Prentiss Benjamin.528 points- Actress
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Gina Lollobrigida was born on July 4, 1927 in Subiaco, Italy. Destined to be called "The Most Beautiful Woman in the World", Gina possibly had St. Brigid as part of her surname. She was the daughter of a furniture manufacturer, and grew up in the pictorial mountain village. The young Gina did some modeling and, from there, went on to participate successfully in several beauty contests. In 1947, she entered a beauty competition for Miss Italy, but came in third. The winner was Lucia Bosè (born 1931), who would go on to appear in over 50 movies, and the first runner-up was Gianna Maria Canale (born 1927), who would appear in almost 50 films. After appearing in a half-dozen films in Italy, it was rumored that, in 1947, film tycoon Howard Hughes had her flown to Hollywood; however, this did not result in her staying in America, and she returned to Italy (her Hollywood breakout movie would not come until six years later in the John Huston film Beat the Devil (1953)).
Back in Italy, in 1949, Gina married Milko Skofic, a Slovenian (at the time, "Yugoslavian") doctor, by whom she had a son, Milko Skofic Jr. They would be married for 22 years, until their divorce in 1971. As her film roles and national popularity increased, Gina was tagged "The Most Beautiful Woman in the World", after her signature movie Beautiful But Dangerous (1955). Gina was nicknamed "La Lollo", as she embodied the prototype of Italian beauty. Her earthy looks and short "tossed salad" hairdo were especially influential and, in fact, there's a type of curly lettuce named "Lollo" in honor of her cute hairdo. Her film Come September (1961), co-starring Rock Hudson, won the Golden Globe Award as the World's Film Favorite. In the 1970s, Gina was seen in only a few films, as she took a break from acting and concentrated on another career: photography. Among her subjects were Paul Newman, Salvador Dalí and the German national soccer team.
A skilled photographer, Gina had a collection of her work "Italia Mia", published in 1973. Immersed in her other passions (sculpting and photography), it would be 1984 before Gina would grace American television on Falcon Crest (1981). Although Gina was always active, she only appeared in a few films in the 1990s. She retired from acting in 1997 after 50 years in the motion picture industry. In June 1999, she turned to politics and ran, unsuccessfully, for one of Italy's 87 European Parliament seats, from her hometown of Subiaco. Gina was also a corporate executive for fashion and cosmetics companies. As she told Parade magazine in April 2000: "I studied painting and sculpting at school and became an actress by mistake". (We're glad she made that mistake). Gina went on to say: "I've had many lovers and still have romances. I am very spoiled. All my life, I've had too many admirers."- Actress
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Liza Minnelli was born on March 12, 1946, the daughter of Judy Garland and movie director Vincente Minnelli. She was practically raised at MGM studios while her parents worked long hours there and she made her film debut at 14 months of age in the movie In the Good Old Summertime (1949). Her parents divorced in 1951 and, in 1952, her mother married Sidney Luft, with sister Lorna Luft and brother Joey Luft subsequently being born. Her father, Vincente Minnelli, later married Georgette Magnani, mother of her half-sister Christiane Nina "Tina Nina" Minnelli.
At 16, Liza was on her own in New York City, struggling to begin her career in show business. Her first recognition came for the play "Best Foot Forward" which ran for seven months in 1963. The following year, Judy invited Liza to appear at a show with her at the London Palladium. This show sold out immediately and a second night was added to it. Liza's performance in London was a huge turning point in both her career and her relationship with her mother. The audience absolutely loved Liza and Judy realized that Liza was now an adult with her own career. It was at the Palladium where Liza met her first husband, Peter Allen, a friend of Judy's.
Liza won a Tony award at age 19 and was nominated for her first Academy Award at age 23 for the role of Pookie Adams in The Sterile Cuckoo (1969). Other dramatic roles followed and, in 1972, she won an Oscar for her performance as Sally Bowles in the movie Cabaret (1972). The 1970s were a busy time for Liza. She worked steadily in film, stage, and music. She and her good friend Halston were regulars at Studio 54, the trendiest disco club in the world. Marriages to filmmaker Jack Haley Jr. and Mark Gero, a sculptor who earned his living in the theater, followed. Each marriage ended in divorce.
Over the past years, her career has leaned more towards stage performances and she has a long list of musical albums to which she continues to add. She teamed with Frank Sinatra in his "Duets" CD, and Sammy Davis Jr. joined them for a series of concerts and TV shows that were extremely well-received.
She has had to deal with tabloid stories of drug abuse and ill-health and has had a number of high profile stays at drug-rehabilitation clinics. Her hectic schedule may have slowed down in recent years, but she still has a large following of immensely loyal fans who continue to cheer her on.- Actress
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Samantha Eggar was born on 5 March 1939 in Hampstead, London, England, UK. She is an actress, known for The Collector (1965), Hercules (1997) and The Brood (1979). She was previously married to Tom Stern.523 points- Actress
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The daughter of a West Virginia druggist, Joanne Dru came to New York in 1940. In New York she worked as a model and was cast by Al Jolson as one of the showgirls in his Broadway play "Hold Onto Your Hats." When the show closed in 1941, she married popular singer Dick Haymes and went with him to Hollywood. Discovered by a talent scout while working in the theater, Joanne made her screen debut in Abie's Irish Rose (1946), and that picture almost ended her career. Two years later she "redeemed" herself with her role in the classic Howard Hawks western Red River (1948). She followed that with another western, John Ford's She Wore a Yellow Ribbon (1949), again playing opposite John Wayne. Unfortunately, her success in those two classics resulted in the scripts being submitted to her consisting of mostly westerns, and she got typecast (this from a woman who said, "I simply hated horses...").
In 1950 she was cast in another John Ford western, Wagon Master (1950), which became the basis for the Ward Bond TV series Wagon Train (1957). Even though she played in films other than westerns--All the King's Men (1949), The Pride of St. Louis (1952) and Hell on Frisco Bay (1955), for example--it was the westerns for which she was remembered. By the late 1950s westerns were running out of steam and so was her screen career, so she turned to TV, where she appeared on shows such as Playhouse 90 (1956).
In 1960 Joanne was cast in the role of the Eastern owner of a dude ranch in the comedy series Guestward Ho! (1960). Perhaps even funnier is that she would play an Easterner after all those westerns is the fact that her character name was Babs. The show ended in 1961.519 points- Maia Morgenstern is a Romanian film and stage actress, described by Florin Mitu of AMOS News as "a symbol of Romanian theater and film." In the English-speaking world, she is probably best known for the role of Mary, the mother of Jesus, in Mel Gibson's The Passion of the Christ. In Romania, she has been nationally known since her 1992 role as Nela in Balanta, a film known in the United States as The Oak, set during the waning days of Communist Romania.
Born in Bucharest, in a Jewish family, she graduated from the Film and Theatre Academy of Bucharest in 1985. She then played at Teatrul Tineretului (Youth Theater) in Piatra Neamt; until 1988, and at the Teatrul Evreiesc de Stat (State Jewish Theatre) in Bucharest 1988-1990. From 1990-1998 she was a member of the company of the National Theatre in Bucharest, and since 1998 of Teatrul Bulandra, also in Bucharest; in addition, she continues to act at the State Jewish Theatre and other Bucharest theaters and elsewhere in Romania. Among her notable stage roles in recent years, in a Romanian-language production of The Blue Angel (Ingerul Albastru in Romanian) at Bucharest's Odeon Theater, in 2001-2002 she played (to great critical acclaim) Lola Lola, the character made famous by Marlene Dietrich. At the same time, she was also playing the role of Kathleen Hogan in a Romanian-language production of Israel Horovitz's Park Your Car in Harvard Yard at the State Jewish Theater.
Morgenstern has appeared in numerous films, primarily in Hungarian and Romanian-language roles. In The Passion of the Christ, she performs a role in Aramaic, but like the other actors in the cast of that film, she simply memorized her lines phonetically.
Her surname, Morgenstern, means "Morning Star" in German, a title of the Virgin Mary, the character she played in The Passion of the Christ. Mel Gibson, a devout Traditionalist Catholic, thought this of great significance when casting her. In interviews, she has defended The Passion against allegations of anti-Semitism, saying that the high priest Caiaphas is portrayed not as a representative of the Jewish people, but as a leader of the establishment, adding that "Authorities throughout history have persecuted individuals with revolutionary ideas."
She has been married twice, and has 3 children: Tudor Aaron, Eva Leea Cabiria and Ana Isadora.519 points - Actress
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Missouri-born Ellen Drew was born Esther Loretta Ray in 1914, the daughter of an Irish-born barber. After her parents separated when she was 15 years old, she worked various jobs (accountant, salesgirl) to support her mother and younger brother. At one time she worked at Marshall Field's Department Store. She then went to Kansas City as an elevator operator at the Aladdin Hotel, earning $14 a week. After rejoining her family in Englewood, Illinois, she found yet another job at the Grant store. The manager liked her fresh-faced good looks and high-wattage smile and entered her in a beauty pageant sponsored by the Kiwanis, which she ended up winning. Encouraged to try her luck in tinseltown, she got a job at Brown's Confectionary on Hollywood Boulevard for $11.50 a week before she was discovered in somewhat typical Lana Turner fashion. While working at an ice cream parlor, customer William Demarest took notice of her and was instrumental in having her put under a $50 a week contract at Paramount Studios in 1936, aged 21.
Initially billed as Terry Ray, she was groomed in starlet bits for two years until finally given a role she could sink her teeth into in the Bing Crosby musical Sing, You Sinners (1938). Her hair was changed from brunette to auburn (sometimes blonde) and her moniker changed from Terry Ray to Ellen Drew, after briefly being known as Erin Drew. Brighter roles came her way with If I Were King (1938) (which clinched her celebrity), Women Without Names (1940) and Buck Benny Rides Again (1940), but she never quite managed to distinguish herself among the bevy of Hollywood beauties on display and so remained on the outer fringes for most her career. Despite fine roles in fine movies, notably the Preston Sturges classic, Christmas in July (1940), and the Dick Powell starrer, Johnny O'Clock (1947), her film career went into decline. In the 1950s she transferred her talents to television before retiring the following decade. Married four times, including to writer/producer Sy Bartlett, she was survived by her son and five grandchildren when she passed away in 2003, aged 89, in Palm Desert, California.512 points- Actress
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Isabella Rossellini, the Italian actress and model who has made her home in America since 1979 and holds dual Italian and American citizenship, was born cinema royalty when she made her debut on June 18, 1952 in Rome. She is the daughter of two legends, three-time Oscar-winning Swedish-born actress Ingrid Bergman and neo-realist master Italian director Roberto Rossellini. She was also the third wife of Oscar-winning director Martin Scorsese from 1979 to 1982 and the partner of legendary director David Lynch.
She made her movie debut in Vincente Minnelli's A Matter of Time (1976), which starred her mother. She then made a couple of Italian pictures and worked as an American correspondent for Italian television network RAI before appearing in Taylor Hackford's Cold War drama White Nights (1985) in 1985. She followed that up with her most memorable role, as the abused chanteuse in Lynch's masterpiece Blue Velvet (1986), she earned an Independent Spirit Award for Best Female Lead. She then went on to win a Saturn Award for Best Supporting Actress, for her performance as Lisle, the mysterious socialite, forever in her youth in Death Becomes Her (1992). In 1997, she was nominated for an Emmy Award as Outstanding Guest Actress in a Drama Series for a guest appearance on Chicago Hope (1994).487 points- Actress
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Laura Morante was born on 21 August 1956 in Santa Fiora, Tuscany, Italy. She is an actress and writer, known for Cherry on the Cake (2012), The Son's Room (2001) and Tragedy of a Ridiculous Man (1981). She has been married to Francesco Giammatteo since 3 October 2004. She was previously married to Georges Claisse and Daniele Costantini.475 points- Actress
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Actress of both the English and American stage and screen, Lynn Redgrave was born in Marylebone, London, England, into one of the world's most famous acting dynasties. As the daughter of Rachel Kempson and Sir Michael Redgrave, sister of Vanessa Redgrave and Corin Redgrave, and granddaughter of Roy Redgrave and Margaret Scudamore, all of whom were actors, her early aspirations were surprisingly to become an equestrienne or a chef. It was not until the age of 15 that she became more and more involved in acting and her father's stage performances.
Attending London's Central School of Music and Drama, she made her stage debut in 1962 and began film work a year later. It wasn't until her lovable role as the ugly-duckling in Georgy Girl (1966), that she was taken notice and, as a result, won both the Golden Globe, New York Film Critics Circle Award and a nomination for the coveted Best Actress at the 1967 Academy Awards. Despite this promising performance, Lynn struggled to find promising follow-up work, she played the lead in the fluffy Smashing Time (1967) and The Virgin Soldiers (1969), low-key films that were relevant at the time of London's swinging 60s, but very quickly became largely forgotten. She married stage actor/director John Clark and her sister, Vanessa Redgrave, who was also Oscar-nominated the same year for Morgan! (1966), was also gaining exposure and critical success if not surpassing Lynn, on both the British stage and films and was largely considered the leading face of England's breakout actresses of the '60s, alongside Julie Christie and other high-profile actresses.
Becoming the label of Vanessa Redgrave's younger and chubbier sister "that did that film a few years ago" didn't sit well with Lynn and, as a result, she lost considerable weight and permanently settled in the U.S. in 1974 to distance herself from this. Primarily based in southern California, she regularly commuted to New York and became notable particularly on the Broadway stage, and had successful runs in "Black Comedy/White Lies" (1967), "My Fat Friend" (1974), "Mrs. Warren's Profession" (1976), "Knock Knock" (1976), "Saint Joan" (1977-1978), "Aren't We All" (1985) and "Sweet Sue" (1987). She was prolifically hired by major networks to appear on a variety of TV talk and game shows and held the position of co-host for a few seasons of Not for Women Only (1968), while acting on prime-time TV, whether it was guest spots, mini-series or short-lived TV series. For over 20 years, Redgrave's film career was infrequent and admittedly "terrible" by the actress herself, she notoriously played the title character in the critically-bashed, The Happy Hooker (1975), and the all-star cast misfire, The Big Bus (1976), and, in the 1980s, she focused in a different direction, becoming a spokesperson and commercial actress for "Weight Watchers". This coincided with the release of her well- received book: "This Is Living: How I Found Health and Happiness", that detailed her weight issues and eating binges, it was also revealed that for years she suffered bulimia. In the mid-to-late '90s, Redgrave had somewhat of a resurgence in her career, from 1993-1994, she spent over 8 months on Broadway, as well as touring across the world, performing her own personally written show of "Shakespeare for My Father", that explored the bisexuality, aloof persona and intimidating resume of her father. In 1996, Scott Hicks reignited her film career after many years of inactivity by casting her in the Australian Oscar-winning hit, Shine (1996), in which she gave a short yet tender performance as "Gillian", the woman Geoffrey Rush's character falls in love with. Another Golden Globe win/Oscar nomination followed (this time in the supporting category) for her role as the Hungarian housekeeper in Gods and Monsters (1998). Her marriage abruptly ended in 1999, when infidelity was discovered on her husband's behalf and a nasty divorced followed, they produced three children Benjamin, Kelly Clark and Annabel Clark.
Continually working her way through film, television and stage performances in the '00s, recently awarded the OBE, Lynn Redgrave was shocked to discover lumps on her body and was diagnosed with breast cancer. As a result, she took time to write "Journal: A Mother and Daughter's Recovery from Breast Cancer" with her youngest daughter, Annabel Clark, in 2003 and tragically lost her 7-year battle on 2 May 2010 (aged 67) in her family home, surrounded by her loved ones. Her diagnosis led her to realize the beauty and simplicities of life, and she was quoted as saying: "there isn't any such thing as a bad day. Yes, bad things happen. But any day that I'm still here, able to feel and think and share things with people, then how could that possibly be a bad day?".451 points- Actress
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Jennifer O'Neill was born on 20 February 1948 in Rio de Janeiro, Rio de Janeiro, Brazil. She is an actress, known for Scanners (1981), Summer of '42 (1971) and The Innocent (1976). She has been married to Mervin Sidney Louque, Jr. since 1996. She was previously married to Richard Alan Brown, Neil Leonard Bonin, John Lederer, Jeff Barry, Nick De Noia, Joseph Roster and Deed Rossiter.438 points- Barbara Kwiatkowska was a girl from the Polish countryside. One day, she took part in a competition called "Piekne dziewczyny na ekrany" ("Pretty Girls on to the Screens"). She won and landed the title role of "Ewa Bonecka" in the comedy Eva Wants to Sleep (1958) as the main prize. During filming, she met Roman Polanski, whom she later married. In the 60s, she left Poland. She changed her last name to Lass for the sake of foreign viewers.398 points
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Marie Trintignant died tragically on the 1st of August, 2003 from a cerebral edema in Neuilly-sur-Seine near Paris, France, following a violent fight with her boyfriend, Bertrand Cantat, lead singer in the French rock band, Noir Désir. She was just finishing filming a TV movie about Colette, directed by her mother.
Born into show business, she made her first screen appearance when she was just four-years-old but her breakthrough came in 1979 with the film "Série noire". In 1990, she had her first leading role in "Une nuit d'été en ville". Her second major role came in 1992 as "Betty", a bourgeois alcoholic. She also did theater work, notably "Le Retour", by Harold Pinter.
Her last film, Janis et John (2003), was completed three months before her death.397 points- Actress
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Born Irene Luther on October 13, 1891, silent-screen femme Irene Rich came from a once well-to-do family in Buffalo, New York. Her father had a reversal of fortune while she was quite young and the family subsequently had to move to California. Following her education, Irene pursued a career as a realtor. She had already married twice by the time she decided to become an actress and, by the "ripe old age" of 27, had begun working as a movie extra.
Success came quickly for Irene and her first part of real substance was in The Girl in His House (1918). She continued on as a poised, resourceful co-star and became a particular favorite of Will Rogers, who used her in Water, Water, Everywhere (1920), The Strange Boarder (1920), Jes' Call Me Jim (1920), Boys Will Be Boys (1921) and The Ropin' Fool (1922). Her array of leading men ran the gamut -- from Harry Carey in Desperate Trails (1921) to Lon Chaney in The Trap (1922) to John Barrymore in Beau Brummel (1924) to movie mutt Strongheart the Dog in Brawn of the North (1922).
Irene's true screen persona, however, arrived in the form of tearjerkers, nobly portraying the ever-suffering, well-coiffed "doormat" in her own plush, domestic dramas. Somewhat reminiscent in both looks, style and demeanor of Irene Dunne, she became a favorite in women's pictures throughout the 1920s, one of her best known roles being in Lady Windermere's Fan (1925).
With age Irene moved into more motherly roles, and by the coming of sound she was playing Will Rogers' pushy wife in a few of his social comedies, including So This Is London (1930) and Down to Earth (1932). At around the same time Irene enjoyed a spectacular new career on radio. In 1933 she began her nationwide anthology program entitled "Dear John" (also called "The Irene Rich Show"), which lasted over a decade. Her leading man on that show for many of those years was Gale Gordon, who later played Lucille Ball's apoplectic boss and nemesis on 1960s TV.
Irene also enjoyed some success on stage in such productions as "Seven Keys to Baldpate" (1935), which starred George M. Cohan. Eventually she left it all, marrying a fourth time to businessman George Henry Clifford in 1950, and settling in comfortable retirement. She died at age 96 quietly of heart failure and was survived by two daughters, one of whom, Frances Rich, was an actress briefly on the 1930s stage and screen before becoming a noted sculptor.397 points- Anna Galiena was born on 22 December 1949 in Rome, Lazio, Italy. She is an actress, known for The Hairdresser's Husband (1990), Black Angel (2002) and Senza pelle (1994).396 points
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Born Kätherose Derr in Wiesbaden, Karin Dor studied acting and ballet at school and began in films as an extra. The attractive redhead made an indelible impression on Austrian director Harald Reinl (who became her first husband in 1954) and this paved the way to higher profile roles. Her first significant featured appearance was in Reinl's melodrama Der schweigende Engel (1954). Karin subsequently shared top billing in a classroom drama about wayward matriculation students, Ihre große Prüfung (1954). During the initial segment of her career she played nice girls, mainly wide-eyed ingénues, innocent victims and assorted naive juveniles in war and period dramas (As Long as You Live (1955)), Heimatfilms (Almenrausch und Edelweiß (1957)) and operettas (The White Horse Inn (1960)).
By 1960, a more glamorous, lithe and sensual Karin had graduated to juicer roles as heroines in Edgar Wallace potboilers (beginning with Der grüne Bogenschütze (1961)) and a series of Karl May European westerns, invariably directed by Reinl and co-starring Tarzan actor Lex Barker (a combination which proved equally successful for other crime/sci-fi franchises, including The Invisible Dr. Mabuse (1962)). Many of these pictures enjoyed only limited release and were rarely exhibited outside Germany.
Karin succeeded at last to break her stereotyping by playing a pathological serial killer wielding a cutthroat razor in another Wallace/Reinl outing, Room 13 (1964), and - for a total change of pace -- essayed Brunhilde in a two-part filming of the epic 'Die Nibelungen' (also directed by Reinl). With her international appeal now widening, she appeared in The Face of Fu Manchu (1965), a British-West German co-production, as a scientist's daughter menaced by the titular villain. To follow was arguably her best-known international role as an early 'Bond girl', Helga Brandt (alias Number Eleven), a SPECTRE operative whose failure to eliminate J.B. results in her being dropped into a piranha-infested pool by super villain Blofeld (Donald Pleasence) in You Only Live Twice (1967). She was then engaged by Alfred Hitchcock for the part of Cuban resistance leader Juanita de Cordoba in Topaz (1969) in which her character came to a similarly sticky end. Karin's career never quite recovered from this director's rare box-office aberration. British Times reviewer and Hitchcock specialist John Russell Taylor described the picture as "generally flat, undistinguished, and lacking in any sign of positive interest or involvement on his (Hitchcock's) part". In the wake of Topaz, Karin's screen appearances became infrequent, except for a couple of guest spots on American crime shows, followed by an of unsuccessful feature film comeback attempt in the incongruous thriller Warhead (1977). She was latterly seen on German television in several episodes of Rosamunde Pilcher (1993). Karin's third husband was actor and stuntman George Robotham who predeceased her in 2007.394 points- Actress
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Maria Schrader was born in Hanover, Federal Republic of Germany, on September 27th, 1965. She directed and co-wrote the screenplay of the awards-winning film Liebesleben (2007). As well, she directed Stefan Zweig: Farewell to Europe (2016) and the Emmy-award wining miniseries Unorthodox (2020) (Primetime Emmy Award for Outstanding Directing for a Limited Series). She is well known for acting in Nobody Loves Me (1994), Aimee & Jaguar (1999), The Giraffe (1998), Deutschland 83 (2015), Deutschland 86 (2018) and Deutschland 89 (2020).375 points- Malgorzata Braunek was born on 30 January 1947 in Szamotuly, Wielkopolskie, Poland. She was an actress, known for Tulipany (2004), Lalka (1978) and Wniebowstapienie (1969). She was married to Andrzej Zulawski, Andrzej Krajewski and Janusz Guttner. She died on 23 June 2014 in Warsaw, Mazowieckie, Poland.374 points
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Laura Tonke was born on 14 April 1974 in Berlin, Germany. She is an actress and writer, known for Baader (2002), Hedi Schneider Is Stuck (2015) and Pigs Will Fly (2002).368 points- Actress
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Kate Beckinsale was born on 26 July 1973 in Hounslow, Middlesex, England, and has resided in London for most of her life. Her mother is Judy Loe, who has appeared in a number of British dramas and sitcoms and continues to work as an actress, predominantly in British television productions. Her father was Richard Beckinsale, born in Nottingham, England. He starred in a number of popular British television comedies during the 1970s, most notably the series Rising Damp (1974), Porridge (1974) and The Lovers (1970). He passed away tragically early in 1979 at the age of 31.
Kate attended the private school Godolphin and Latymer School in London for her grade and primary school education. In her teens she twice won the British bookseller W.H. Smith Young Writers' competition - once for three short stories and once for three poems. After a tumultuous adolescence (a bout of anorexia - cured - and a smoking habit which continues to this day), she gradually took up the profession of acting.
Her major acting debut came in a TV film about World War II called One Against the Wind (1991), filmed in Luxembourg during the summer of 1991. It first aired on American television that December. Kate began attending Oxford University's New College in the fall of 1991, majoring in French and Russian literature. She had already decided that she wanted to act, but to broaden her horizons she chose university over drama school. While in her first year at Oxford, Kate received her big break in Kenneth Branagh's film adaptation of William Shakespeare's Much Ado About Nothing (1993). Kate worked in three other films while attending Oxford, beginning with a part in the medieval historical drama Royal Deceit (1994), cast as Ethel. The film was shot during the spring of 1993 on location in Denmark, and she filmed her supporting part during New College's Easter break. Later in the summer of that year she played the lead in the contemporary mystery drama Uncovered (1994). Before she went back to school, her third year at university was spent at Oxford's study-abroad program in Paris, France, immersing herself in the French language, Parisian culture and French cigarettes.
A year away from the academic community and living on her own in the French capital caused her to re-evaluate the direction of her life. She faced a choice: continue with school or concentrate on her flourishing acting career. After much thought, she chose the acting career. In the spring of 1994 Kate left Oxford, after finishing three years of study. Kate appeared in the BBC/Thames Television satire Cold Comfort Farm (1995), filmed in London and East Sussex during late summer 1994 and which opened to spectacular reviews in the United States, grossing over $5 million during its American run. It was re-released to U.K. theaters in the spring of 1997.
Acting on the stage consumed the first part of 1995; she toured in England with the Thelma Holts Theatre Company production of Anton Chekhov's "The Seagull". After turning down several mediocre scripts "and going nearly berserk with boredom", she waited seven months before another interesting role was offered to her. Her big movie of 1995 was the romance/horror movie Haunted (1995), starring opposite Aidan Quinn and John Gielgud, and filmed in West Sussex. In this film she wanted to play "an object of desire", unlike her past performances where her characters were much less the siren and more the worldly innocent. Kate's first film project of 1996 was the British ITV production of Jane Austen's novel Emma (1996). Her last film of 1996 was the comedy Shooting Fish (1997), filmed at Shepperton Studios in London during early fall. She played the part of Georgie, an altruistic con artist. She had a daughter, Lily, in 1999 with actor Michael Sheen.331 points- Actress
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This pert, petite, delicate, dreamy-eyed French dish of post-war filming with the piled-high blonde hairdo was a one-time threat to the sexy, kittenish pedestal Brigitte Bardot stood on during the 1950s. While working for such legendary directors as Marcel Carné, Marc Allégret, Julien Duvivier, Henri Decoin and René Clair, she also got to work opposite France's most handsome leading men, including Georges Marchal, Jean Marais, Jean Servais, François Périer, Daniel Gélin, Jacques Sernas and singer Marcel Amont, Dany became the epitome of the romantic, virginal heroine in light comedy souffles, although she was just as entrancing and touching in dramatic works.
Born Danielle Robin on April 4, 1927, the lithe Dany trained as a ballerina as a child and eventually made her way dancing with the Opera de Paris. At age 19, however, she opted for a movie career and decided to study at the Paris Conservatoire. Making her screen debut with a bit part in Lunegarde (1946), she first turned heads in the romantic dramedy Man About Town (1947) directed by Clair and starring Maurice Chevalier.
Dany continued to touch pulses with her naïve lovelies throughout the 50's with such pictures as Naughty Martine (1947); Monelle (1948); four films co-starring heartthrob Georges Marchal, whom she married in 1951 -- La passagère (1949), La voyageuse inattendue (1950), The Thirst of Men (1950) and Valley of Fire (1951); Elle et moi (1952); Deux sous de violettes (1951); Frou-Frou (1955); the title role in the films Holiday for Henrietta (1952) and Julietta (1953); the US/French co-production Act of Love (1953) starring Kirk Douglas; Napoleon (1955) (as Desiree); Frou-Frou (1955); Maid in Paris (1956); C'est arrivé à Aden... (1956); Bonsoir Paris (1956); C'est la faute d'Adam (1958); L'école des cocottes (1958); the title role in Mimi Pinson (1958); and The Chasers (1959).
Though most of her films were produced in her own homeland, Dany branched out internationally from time to time in the 1960's, appearing in the British sex comedy Waltz of the Toreadors (1962) opposite Peter Sellers and the innocuous, teen-oriented flick Follow the Boys (1963) starring singing teen pop idol Connie Francis here in the U.S. She matured with roles in Love and the Frenchwoman (1960), Les mystères de Paris (1962), Mandrin (1962), X-Ray of a Killer (1965) and a pair of British comedies Carry on Don't Lose Your Head (1967) and The Best House in London (1969). She would last appear on film in the Alfred Hitchcock thriller Topaz (1969), an American production.
Divorced from first husband Marchal, the father of her two children, in 1968, Dany married British agent/producer Michael Sullivan the following year and retired quietly. On May 25, 1995, the 68-year-old former actress was tragically killed, along with Sullivan, in a fire that consumed their Paris apartment.331 points- Actress
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Jördis Triebel was born on 30 October 1977 in East-Berlin, German Democratic Republic. She is an actress, known for West (2013), Emmas Glück (2006) and One Breath (2015).328 points- Actress
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One of the pre-eminent divas of post-war German cinema, Hannelore Elsner (born 'Elstner') was the consummate actress: a gifted and versatile performer with a penchant for intense roles, often as emancipated, strong-willed women. A Bavarian engineer's daughter (her father died of tuberculosis when she was eight), 'Hanni' first took acting classes in Munich where she also debuted on stage at the Kammerspiele and the Kleine Komödie. She appeared on screen from 1959, initially in teenage melodramas and 'Paukerfilms', later featuring as a regular guest star on TV in procedural crime dramas like Isar 12 (1961) and Stahlnetz (1958) . From the late 60's, Elsner alternated 'sexy roles' (such as her native American maiden in Christoph Kolumbus oder Die Entdeckung Amerikas (1969) ) with more demanding fare. Under the direction of such prominent film makers as Wolfgang Staudte, Edgar Reitz and Alf Brustellin, she proved her diverse range, headlining, respectively, in the satirical caper comedy Die Herren mit der weissen Weste (1970), the period biopic Der Schneider von Ulm (1978) and the hard-luck drama Der Sturz (1979). Among many other notable big screen credits were the romantic drama Der grüne Vogel (1980) (directed by István Szabó) and the delightful Otto Sander farce Wer spinnt denn da, Herr Doktor? (1982). Elsner's powerful tour-de-force acting showcase Die Unberührbare (2000) won her the first of two German film awards as Best Actress, as well as a Silver Hugo at the Chicago International Film Festival. A patrician beauty well into middle age, she captured a large fan base on the small screen as star of Lady Cop (1994), a role which developed from two previous guest spots as a Chief Inspector in the long-running police series Tatort (1970).
She was married and divorced twice. Her subsequent life partner (from 1999) was Günter Blamberger, a professor of German philology. Her memoirs, entitled "Im Überschwang - Aus meinem Leben", appeared in 2011. Hannelore Elsner died after a long battle with cancer on April 21 2019 at the age of 76.305 points- Actress
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Sharon Stone was born and raised in Meadville, a small town in Pennsylvania. Her strict father was a factory worker, and her mother was a homemaker. She was the second of four children. At the age of 15, she studied in Saegertown High School, Pennsylvania, and at that same age, entered Edinboro State University of Pennsylvania, and graduated with a degree in creative writing and fine arts. She was a very smart girl (with an IQ of 154), became a bookworm, and once was told that a suitable job for her (and her brains) was to become a lawyer. However, her first love was still the black-and-white movies, especially those featuring Fred Astaire and Ginger Rogers. So, the 17-year-old Sharon got herself into the Miss Crawford County and won the beauty contest.
From working part-time as a McDonald's counter girl, she worked her way up to become a successful Ford model, both in TV commercials and print ads. In 1980, she made her acting debut in Woody Allen's Stardust Memories (1980) as "pretty girl in train". Her first speaking part, though, was in Wes Craven's horror movie, Deadly Blessing (1981). She struggled through many parts in B-movies, notably King Solomon's Mines (1985) and Action Jackson (1988). She was also married in 1984 to Michael Greenburg, the producer of MacGyver (1985), but they divorced two years later.
She finally got her big break with Arnold Schwarzenegger in Total Recall (1990) and also posed nude for Playboy, a daring move for a 32-year-old actress. But it worked; she landed the breakthrough role as a sociopath novelist, "Catherine Tramell", in Basic Instinct (1992). Her interrogation scene has become a classic in film history and her performance captivated everyone, from MTV viewers, who honored her with Most Desirable Female and Best Female Performance Awards, to a Golden Globe nomination for Best Actress. After she got famous, she didn't want to be typecast, so she played a victim in Sliver (1993), and, in Intersection (1994), she was the aloof, estranged wife of Richard Gere. These movies didn't "work," so she got herself again into more aggressive roles , such as The Specialist (1994) with Sylvester Stallone and The Quick and the Dead (1995) with Gene Hackman.
But it wasn't until she played a beautiful but drug-crazy wife of Robert De Niro in Casino (1995) that she got far more than just fame and fortune--she also received the acknowledgment of the movie industry for her acting ability. She received her first Golden Globe and an Oscar nomination. She did a couple of films afterwards, teaming up with Isabelle Adjani in Diabolique (1996), and as a woman waiting for her death penalty in Last Dance (1996). In 1998, she married a newspaper editor,Phil Bronstein but they divorced later in 2004. She received her third Golden Globe nomination for The Mighty (1998), a film that her company, "Chaos", also co-executive produced. The next year, she played the title role in Gloria (1999) and entered her first comedic role in The Muse (1999), which gave her another Golden Globe nomination.
Sharon Stone, a diva who thoroughly enjoys her hard-won stardom, is now a mother of three children: Roan, Laird and Quinn.304 points- Zita Johann was born on 14 July 1904 in Temesvar, Austria-Hungary [now Timisoara, Timis, Romania]. She was an actress, known for The Mummy (1932), The Sin of Nora Moran (1933) and Tiger Shark (1932). She was married to Bernard Edward Shedd (Schetnitz), John McCormick and John Houseman. She died on 20 September 1993 in Nyack, New York, USA.304 points
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Sophie Marceau was born Sophie Danièle Sylvie Maupu in Paris, France, to Simone (Morisset), a shop assistant, and Benoît Maupu, a truck driver. She grew up far from the studio spotlights. When she was 14 she was living in the Paris suburb of Gentilly with her father. She learned from friends that director Claude Pinoteau was looking for new faces for a movie about teenagers called The Party (1980). She auditioned for the role, got it, and the film was a success. She played in The Party 2 (1982), then bought back her contract with Gaumont when she was 16 years old for one million French francs. She is a critically acclaimed actress, having received the Cesar for Best Feminine Hope for "La Boum 2" in 1983. She was elected Romantic actress for Chouans! (1988) at the Festival International du Film Romantique (International Festival of Romantic Movie) of Cabourg in 1988, and was awarded the Moliere of the Best Theatrical Revelation for "Eurydice et Pygmalion" in 1994.264 points- Actress
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One of the hottest stars of the mid-1980s, Virginia Madsen has since played a variety of roles that have cemented her reputation as a fantastic actress who can adapt to any part.
Virginia was born in Chicago, Illinois, and belongs to an acting family -- with her brother, Michael Madsen, also an actor, and her mother, Elaine Madsen (née Melson), an Emmy-winning writer, poet, and producer. Her paternal grandparents were Danish, and her father, Calvin Madsen, was a firefighter. Audiences first caught a glimpse of her as "Princess Irulan" in the 1984 science fiction epic Dune (1984). She followed that up with Electric Dreams (1984); however, it was in 1986 that Virginia captured the hearts of the audience with an intense portrayal of a Catholic school girl who fell in love with a boy from a prison camp in Duncan Gibbins' Fire with Fire (1986). Virginia played the role of "Lisa" and her co-star was Craig Sheffer, who played Lisa's love interest, "Joe Fisk". Kari Wuhrer also made an appearance as Virginia's best friend, "Gloria". Fire with Fire (1986) was a low-budget production, starring a bunch of fresh faces who were till then-unknown to Hollywood. However, the movie was a success and elevated its three young stars overnight. Virginia has never looked back since.
Not only did she receive amazing reviews for her Academy Award and Golden Globe nominated performance in Alexander Payne's hit film, Sideways (2004), but this Independent Spirit Award-winning actress has an illustrious resume of roles alongside the most notable and respected actors in the business.
Also on Virginia's slate is her production company, with partner Karly Meola, called "Title IX Productions". Their first project was the documentary I Know a Woman Like That (2009), which previewed at the Phoenix Film Festival in April 2009 and premiered at the Chicago Film Festival in October 2009. The doc was directed by Virginia's mother, Elaine Madsen, about the lives of extraordinary women ages 64-94. Next in the company's lineup is the documentary Fighting Gravity (2010), about women ski jumpers' ongoing battle for the right to compete in the 2010 Winter Olympics. Title IX will team up with "Empire 8 Productions" and Vancouver-based "Screen Siren" on the project. The duo also has several projects in development that they're shopping around for financing including screenwriters Sebastian Gutierrez's screen adaptation of Martha O'Connor's novel "The Bitch Posse" and a remake of the 1984 film Electric Dreams (1984), in which Virginia appeared.264 points- Actress
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Luise Rainer, the first thespian to win back-to-back Oscars, was born on January 12, 1910 in Dusseldorf, Germany, into a prosperous Jewish family. Her parents were Emilie (Königsberger) and Heinrich Rainer, a businessman. She took to the stage, and plied her craft on the boards in Germany. As a young actress, she was discovered by the legendary theater director Max Reinhardt and became part of his company in Vienna, Austria. "I was supposed to be very gifted, and he heard about me. He wanted me to be part of his theater," Rainer recounted in a 1997 interview. She joined Reinhardt's theatrical company in Vienna and spent years developing as an actress under his tutelage. As part of Reinhardt's company, Rainer became a popular stage actress in Berlin and Vienna in the early 1930s. Rainer was a natural talent for Reinhardt's type of staging, which required an impressionistic acting style.
Rainer, who made her screen debut as a teenager and appeared in three other German-language films in the early 1930s, terminated her European career when the Austrian Adolf Hitler consolidated his power in Germany. With his vicious anti-Semitism bringing about the Draconian Nuremberg Laws severely curtailing the rights of Germany's Jews, and efforts to expand that regime into the Sudetenland and Austria, Hitler and his Nazi government was proving a looming threat to European Jewry. Rainer had been spotted by a talent scout, who offered her a seven-year contract with the American studio Metro-Goldwyn-Mayer. The 25-year-old Rainer took the deal and emigrated to the United States.
She made her American debut in the movie Escapade (1935), replacing Myrna Loy, who was originally slated for the part. It was her luck to have William Powell as her co-star in her first Hollywood film, as he mentored her, teaching her how to act in front of the camera. Powell, whom Rainer remembers as "a dear man" and "a very fine person," lobbied MGM. boss Louis B. Mayer, reportedly telling him, "You've got to star this girl, or I'll look like an idiot."
During the making of "Escapade", Rainer met, and fell in love with, the left-wing playwright Clifford Odets, then at the height of his fame. They were married in 1937. It was not a happy union. MGM cast Rainer in support of Powell in the title role of the The Great Ziegfeld (1936), its spectacular bio-epic featuring musical numbers that recreated his "Follies" shows on Broadway. As Anna Held, Ziegfeld's common-law wife, Rainer excelled in the musical numbers, but it is for her telephone scene that she is most remembered. "The Great Ziegfeld" was a big hit and went on to win the Academy Award as Best Picture of 1936. Rainer received her first of two successive Best Actress Oscars for playing Held. The award was highly controversial at the time as she was a relative unknown and it was only her first nomination, but also because her role was so short and relatively minor that it better qualified for a supporting nomination. (While 1936 was the first year that the Academy of Motion Picture Arts & Sciences honored supporting players, her studio, Metro-Goldwyn-Mayer, listed her as a lead player, then got out its block vote for her.) Compounding the controversy was the fact that Rainer beat out such better known and more respected actresses as Carole Lombard (her sole Oscar nomination) in My Man Godfrey (1936), previous Best Actress winner Norma Shearer (her fifth nomination) in Romeo and Juliet (1936), and Irene Dunne (her second of five unsuccessful nominations) in Theodora Goes Wild (1936). Some of the bitchery was directed toward Louis B. Mayer, whom non-MGM Academy members resented for his ability to manipulate Academy votes. Other critics of her first Oscar win claimed it was the result of voters being unduly impressed with the great budget ($2 million) of "The Great Ziegfeld" rather than great acting. Most observers agree that Rainer won her Oscar as the result of her moving and poignant performance in just one single scene in the picture, the famous telephone scene in which the broken-hearted Held congratulates Ziegfeld over the telephone on his upcoming marriage to Billie Burke while trying to retain her composure and her dignity. During the scene, the camera is entirely focused on Rainer, and she delivers a tour-de-force performance. Seventy years later, it remains one of the most famous scenes in movie history. With another actress playing Held, the scene could have been mawkish, but Rainer brought the pathos of the scene out and onto film. She based her interpretation of the scene on Jean Cocteau's play "La Voix Humaine". "Cocteau's play is just a telephone conversation about a woman who has lost her beloved to another woman", Rainer remembered. "That is the comparison. As it fit into the Ziegfeld story, that's how I wrote it. It's a daily happening, not just in Cocteau." In an interview held 60 years after the film's release, Rainer was dismissive of the performance. "I was never proud of anything", she said. "I just did it like everything else. To do a film - let me explain to you - it's like having a baby. You labor, you labor, you labor, and then you have it. And then it grows up and it grows away from you. But to be proud of giving birth to a baby? Proud? No, every cow can do that."
Rainer would allay any back-biting from Hollywood's bovines over her first Oscar with her performance as O-Lan in MGM producer Irving Thalberg's spectacular adaptation of Pearl S. Buck's "The Good Earth", the former Boy Wonder's final picture before his untimely death. The role won Rainer her second Best Actress Award. The success of The Good Earth (1937) was rooted in its realism, and its realism was enhanced by Rainer's acting opposite the legendary Paul Muni as her husband. When Thalberg cast Muni in the role of Wang Lung, he had to abandon any thought of casting the Chinese-American actress Anna May Wong as O-Lan as the Hays Office would not allow the hint of miscegenation, even between an actual Chinese woman and a Caucuasian actor in yellow-face drag. So, Thalberg gave Rainer the part, and she made O-Lan her own. She refused to wear a heavy makeup, and her elfin look helped her to assay a Chinese woman with results far superior to those of Myrna Loy in her Oriental vamp phase or Katharine Hepburn in Dragon Seed (1944). In the late 1990s, Rainer praised her director, Sidney Franklin, as "wonderful", and explained that she used an acting technique similar to "The Method" being pioneered by her husband's Group Theatre comrades back in New York. "I worked from inside out", she said. "It's not for me, putting on a face, or putting on makeup, or making masquerade. It has to come from inside out. I knew what I wanted to do and he let me do it." The win made Rainer the first two-time Oscar winner in an acting category and the first to win consecutive acting awards (Spencer Tracy, her distaff honoree for Captains Courageous (1937) would follow her as a consecutive acting Oscar winner the next year, and Walter Brennan, Best Supporting Actor Oscar winner for Come and Get It (1936) the year Rainer won her first, would tie them both in 1937 with his win for Kentucky (1938) and trump them with his third win for The Westerner (1940), a record subsequently tied by Ingrid Bergman, Jack Nicholson, Meryl Streep, Daniel Day-Lewis, and surpassed by Katharine Hepburn.)
Rainer's career soon went into free-fall and collapsed, as she became the first notable victim of the "Oscar curse", the phenomenon that has seem many a performer's career take a nose-dive after winning an Academy Award. "For my second and third pictures I won Academy Awards. Nothing worse could have happened to me", Rainer said. A non-conformist, Rainer rejected Hollywood's values of Hollywood. In the late 1990s, she said, "I came from Europe where I was with a wonderful theater group, and I worked. The only thing on my mind was to do good work. I didn't know what an Academy Award was." MGM boss Mayer, the founding force behind the Academy of Motion Picture Arts and Sciences, had to force her to attend the Awards banquet to receive her Oscar. She rebelled against the studio due to the movies that MGM forced her into after "The Good Earth".
In one case, director Dorothy Arzner had been assigned by MGM producer Joseph M. Mankiewicz (whose wife, Rose Stradner had been Rainer's understudy in the Vienna State Theater) in 1937 to direct Rainer in "The Girl from Trieste", an unproduced Ferenc Molnár play about a prostitute trying to go reform herself who discovers the hypocrisies of the respectable class which she aspires to. After Thalberg's death in 1936, Mayer's lighter aesthetic began to rule the roost at MGM. Mayer genuinely believed in the goodness of women and motherhood and put women on a pedestal; he once told screenwriter Frances Marion that he never wanted to see anything produced by MGM that would embarrass his wife and two daughters.
Without the more sophisticated Thalberg at the studio to run interference, Molnar's play was rewritten so that it was no longer about a prostitute, but a slightly bitter Cinderella story with a happy ending. Retitled by Mankiewicz as The Bride Wore Red (1937), Rainer withdrew and was replaced by Joan Crawford. In a 1976 interview in "The New York Times", Arzner claimed that Rainer "had been suspended for marrying a Communist" (Clifford Odets). This is unlikely as MGM, like all Hollywood studios, had known or suspected communists on its payroll, most of whose affiliations were known by MGM vice president E.J. Mannix. (Mannix, one of whose functions was responsibility for security at the studio, once said it would have been impossible to fire them all, as "the communists" were the studio's best writers.) The studio never took action against alleged communists until an industry-wide agreement to do so was sealed at the Waldorf Conference of 1947, which was held in reaction to the House of Un-American Activities Committee (HUAC) launching a Hollywood witch hunt.
It was more likely that Rainer, fussy over her projects and wanting to use her Academy Award prominence to ensure herself better roles, withdrew on her own due to her lack of enthusiasm for the reformulated product. In the late 1990s, Rainer recalled the satisfaction of being a European stage actress. "One day we were on a big tour", she told an interviewer in the late 1990s. "We did a play by Pirandello, and Reinhardt was in the theater. I shall never forget, it was the greatest compliment I ever got, better than any Academy Award. He came to me, looked at me and said - we were never called by first names - 'Rainer, how did you do this?' It was so wonderful. 'How did you create this?' I was so startled and happy. That was my Academy Award." Rainer still is dismissive of the Academy Awards. "I can't watch the Oscars," she said. "Everybody thanking their mother, their father, their grandparents, their nurse - it's a crazy, horrible." She blames the studio and Mayer for the rapid decline in her career. "What they did with me upset me very much", she said in a 1997 interview. "I was dreaming naturally like anyone to do something very good, but after I got the two Academy Awards the studio thought, it doesn't matter what she gets. They threw all kinds of stuff on me, and I thought, no, I didn't want to be an actress."
Mayer pulled his famous emotional routines when Rainer, whom he wanted to turn into a glamorous star, would demand meatier roles. "He would cry phony tears", she recalled. Mayer had opposed her being cast as O-Lan in "The Good Earth", but Thalberg, who had a connection with MGM capo di tutti capi Nicholas Schenck, the president of MGM corporate parent Loew's, Inc., appealed to Schenck, who overrode Mayer's veto. (Mayer, who was involved in a power struggle with Thalberg before the latter's death, had opposed his filming Pearl Buck's novel. Mayer's reasoning was that American audiences wouldn't patronize movies about American farmers, so what made anyone think they'd flock to see a film about Chinese farmers, especially one with such a big budget, estimated at $2.8 million. (Upon release, the film barely broke even.) Thalberg died during the filming of "The Good Earth" (the only film of his released by MGM whose title credits bore his name, in the form of a posthumous tribute).
Rainer felt lost without her protector. She recalled that Mayer "didn't know what to do with me, and that made me so unhappy. I was on the stage with great artists, and everything was so wonderful. I was in a repertory theater, and every night I played something else." Rainer asked to play Nora in a film of Ibsen's "A Doll's House" or portray Madame Curie, but instead, Mayer - now in complete control of the studio - had her cast in The Toy Wife (1938), a movie she actually wound up liking, as she was charmed by her co-star, the urbane, intellectually and politically enlightened Melvyn Douglas. She recalls Douglas, ultimately a double-Oscar winner like herself, as her favorite leading man. "He was intelligent, and he was interested also in other things than acting."
Her problems with the culture of Hollywood, or the lack thereof, were worsening. The lack of intellectual conversation or concern with ideas by the denizens of the movie colony she was forced to work with was depressing. Hollywood was an unsophisticated place where materialism, such as the stars' preoccupation with clothes, was paramount. As she tells it, "Soon after I was there in Hollywood, for some reason I was at a luncheon with Robert Taylor sitting next to me, and I asked him, 'Now, what are your ideas or what do you want to do', and his answer was that he wanted to have 10 good suits to wear, elegant suits of all kinds, that was his idea. I practically fell under the table."
MGM teamed her with fellow Oscar-winner Tracy in Big City (1937), a movie about conflict between rival taxi drivers. The memory of the movie disgusted her. "Supposedly it wasn't a bad film, but I thought it was a bad film!" She was also cast in The Emperor's Candlesticks (1937), reteaming her with "Ziegfeld" co-star Powell, a movie she didn't like, as she couldn't understand its story. A detective tale, the script thoroughly confused Rainer, who was expected to soldier on like a good employee. Instead, she resisted.
After appearing in The Great Waltz (1938) and Dramatic School (1938), her career was virtually over by 1938. She never made another film for MGM. "I just had to get away", she said about Hollywood. "I couldn't bear this total concentration and interviews on oneself, oneself, oneself. I wanted to learn, and to live, to go all over the world, to learn by seeing things and experiencing things, and Hollywood seemed very narrow." When World War II broke out in Europe, Rainer was joined by her family, as her German-born father was also an American citizen, allowing them all to escape Hitler and the Holocaust. Even before the outbreak of war, Rainer had been very worried about the state of affairs of the world, and she could not abide the escapist trifles that MGM wanted to cast her in. When she protested, Mayer told Rainer that if she defied him, he would blackball her in Hollywood.
Disturbed by Hollywood's apathy over fascism in Europe and Asia and by labor unrest and poverty in the U.S., she decided to walk out on her contract. She and Odets returned to New York. They were divorced in 1940. "Hollywood was a very strange place", she remembered. "To me, it was like a huge hotel with a huge door, one of those rotunda doors. On one side people went in, heads high, and very soon they came out on the other side, heads hanging." Her frustration with Hollywood was so complete, she abandoned movie acting in the early 1940s, after making the World War II drama Hostages (1943) for Paramount.
She made her Broadway debut in the play "A Kiss for Cinderella", which was staged by Lee Strasberg, which opened at the Music Box Theatre on March 10, 1942 and closed April 18th after 48 performances. Rainer then worked for the war effort during World War II, appearing at war bond rallies. She went on a tour of North Africa and Italy for the Army Special Service, socializing with soldiers to build their morale, and supplying them with books. The experience changed her life, allowing her to get over the shyness she'd had all her life. It also broadened her experience, forcing her to deal with the obvious fact that there were more important things than movie acting, which had proven unfulfilling to her.
Fortunately, Rainer found happiness in a long-lived marriage with the publisher Robert Knittel, a wealthy man whom she married in 1945. The couple had a daughter and made their home mostly in Switzerland and England as Rainer essentially left acting behind, although she did do some television in the 1940s, '50s, and '60s. Her retirement from the movies lasted for 53 years, until her brief comeback in The Gambler (1997), a movie based on Fyodor Dostoevsky's eponymous story. In the film, Rainer played the role of the matriarch of an aristocratic Russian family in the 1860s who is in hock due to the family members' obsession with gambling.
Toward the end of her life, Rainer lived in a luxurious flat in Eaton Square in London's Belgravia district, in a building where Vivien Leigh once lived. Blessed with a good memory, she claimed she could not remember the 1937 Academy Awards ceremony, when she won her first Oscar. She says the glamour of the event was out of sync with her life at the time, which was one of great sadness. "I married Clifford Odets. The marriage was for both of us a failure. He wanted me to be his little wife and a great actress at the same time. Somehow I could not live up to all of that."
She had intriguing offers during her long retirement. Federico Fellini had wanted Rainer for a role in La Dolce Vita (1960), but though she admired the director, she didn't like the script and turned it down. Rainer occasionally plied her craft as an actress on the stage. She made one more stab at Broadway, appearing in a 1950 production of Ibsen's "The Lady from the Sea", which was staged by Sam Wanamaker and Terese Hayden and co-starred Steven Hill, one of the founding members of Lee Strasberg's Actor's Studio. The play was a flop, running just 16 performances. "I was living in America and was on the stage there - sporadically. I always lived more than I worked. Which doesn't mean that I do not love my profession, and every moment I was in it gave me great satisfaction and happiness."
Rainer had no regrets over not becoming the star she might have been. She outlived all of the legendary stars of her era, which likely is the best revenge for the loss of her career after bidding adieu to a company town she could not abide.258 points- Actress
- Soundtrack
A sunny singer, dancer and comic actress, Betty Garrett starred in several Hollywood musicals and stage roles. She was at the top of her game when the Communist scare in the 1950s brought her career to a screeching, ugly halt. She and her husband Larry Parks, an Oscar-nominated actor, were summoned by the House UnAmerican Activities Committee and questioned about their involvement.
As the drama played out, a very pregnant Garrett was never called to testify, but her husband was. With his admission of Communist Party membership from 1941-1945 and refusal to name names, he made it to the Hollywood Blacklist. After the incident, Garrett and Parks worked up nightclub singing/comedy acts along with appearing in legit plays. Although Parks never quite shook off the blacklist incident, he did win a role in John Huston's film, Freud (1962). Garrett went on to appear in roles in many television series.257 points- Actress
- Producer
- Production Manager
Magdalena Boczarska is a Polish film and television actress. She was born in Krakow on the 12th of December 1978. Her debut was at the New Theatre in Lodzi, she was playing the title role in the arts Moorhen directed by Lukasz Kos. Since 2003 she works on the boards of the National Theatre in Warsaw, Carrousel Theater in Berlin and Teatro Tatro Slovakia. Since 2005 Magdalena plays in popular television series in Polish and German. Later she acted in the lead roles in popular films in Europe.256 points- Actress
- Writer
- Soundtrack
An English actress of stage, screen and television, sister to Hayley Mills and daughter of Sir John Mills, Juliet first came to notice in films, actually after her sister Hayley started her career. Juliet, however, was first plucked onto the screen and signing a contract with Warner Brothers and taking small roles in comedies like Nurse on Wheels (1963) and Carry on Jack (1964). It wasn't until 1966, when Juliet Mills started getting attention in her role opposite James Stewart and Maureen O'Hara in the western film The Rare Breed (1966). She continued in television in the seventies as a recurring guest star on The Love Boat (1977), Wonder Woman (1975) and Fantasy Island (1977). She got her first starring television series, Nanny and the Professor (1970), in 1970, co-starring Richard Long, the series was top-rated, but was shortly canceled after two seasons by ABC. She hit the screen again in 1974, playing the possessed "Jessica Barrett" in the Italian horror film Beyond the Door (1974) ("Beyond the Door") for Film Ventures International, but it was pulled from theaters because it resembled The Exorcist (1973), even though it was becoming a box office hit. She didn't get very many roles after that and continued in television through the eighties. She did a small part in Waxwork II: Lost in Time (1992) and then played Juliette Lewis's friendly maid in the 1999 major motion picture The Other Sister (1999), co-starring Diane Keaton and Tom Skerritt. Juliet Mills has recently been in the daytime drama (soap opera) Passions (1999), playing "Tabitha", the witch. She is married to actor Maxwell Caulfield.254 points- Journalist Adela Rogers St. Johns once dubbed Lina Basquette "The Screen Tragedy Girl." In retrospect, Lina's private life bore a similar description. While six of her eight marriages ended up "I Don'ts" (she was widowed twice), she would also have to contend with a flurry of legal confrontations, stormy affairs and suicide attempts. Once she gave a fond farewell to her entertainment career in the late 1930s, her life literally went to the dogs.
The full-faced, raven-haired California-born actress was christened Lena Baskette, the daughter of Frank Baskette, a drug store owner. Lina trained in dance while very young and at the San Francisco World's Fair of 1915, the eight-year-old was featured as a baby ballerina for the Victor Talking Machine Company's exhibition. Movie maker Carl Laemmle saw her perform and signed her to a long-term contract with his Universal Pictures company at $50 a week. Lina headlined her very own short programs, the "Lena Baskette Featurettes," between 1916-1917, and also garnered young leads in a number of full-length features including What Love Can Do (1916), Shoes (1916), A Prince for a Day (1917), The Weaker Vessel (1919) and, more notably, Penrod (1922).
In 1916, Lena's father died and mother Gladys remarried. Gladys and her new husband, dance director Ernest Belcher, had a daughter together who became Lena's half-sister and future dancing star Marge Champion. Lena's mother was an avid stage mother and eventually, with Belcher's help, managed to prod Lena into the Ziegfeld Follies of 1923. She stayed with the Follies for a couple of years. Billed third as "America's Prima Ballerina," Lena's marquee name was changed to the more exotic spelling of "Lina Basquette." Her act was caught by the legendary Russian ballerina Anna Pavlova, who offered to take on Lina as her protégée. Lina's mother nixed the offer, wishing to make bigger bucks for her daughter with the Follies and other shows, Texas Guinan's notorious speakeasies notwithstanding.
At age 18, Lina married 38-year-old Warner Bros. mogul Sam Warner. Lina greatly influenced Warner to pursue sound pictures and even encouraged him to star Al Jolson in The Jazz Singer (1927). Sam died unexpectedly at age 40 of a brain hemorrhage the night before the film's premiere. This heartbreak jump-started an avalanche of problems for Lina. She not only became embroiled in a series of legal battles with her in-laws over her husband's estate, she lost custody of her daughter Lita in the process. She would not see her daughter for another 30 years. This crisis led to Lina's first attempt at suicide.
Lina valiantly returned to films and made such silents as Ranger of the North (1927), The Noose (1928) and Wheel of Chance (1928), while scoring two noteworthy roles in Frank Capra's The Younger Generation (1929) and Cecil B. DeMille's The Godless Girl (1928). In the latter she played an avowed atheist. This powerful film should have made Lina a sultry star had it not been released as a silent film right at the advent of talkies.
Within a very short time Lina married twice more -- a quickie union to cameraman J. Peverell Marley, and in 1931 the widow (once again) of third husband, actor Ray Hallam, who suddenly died at the age of 26 after only a few months of wedded bliss. Lina subsequently started up a highly publicized affair with famed boxer Jack Dempsey. Their stormy breakup led to her second suicide try and a rebound marriage to his personal trainer Theodore Hayes in December of 1931. This fourth marriage was not valid as it was discovered that Hayes was already married. The couple remarried in 1933 and had a son, Edward Alvin, in 1934 before divorcing the following year.
At this juncture Lina's private life received more interest from the public than her films. Her career had down-sized to "B" westerns opposite such stars as Buck Jones and Hoot Gibson and a few mellers here and there. After touring the stages of Australia, New Zealand and various South African cities in the plays "Private Lives," "Black Limelight" and "Idiot's Delight" in 1938 and 1939, and after appearing in the films Rose of the Rio Grande (1938), Four Men and a Prayer (1938) and A Night for Crime (1943), she called it quits.
Misfortune, however, continued to follow her. In August of 1943 she brought up assault and rape charges against a 22-year-old Army GI. The soldier was found guilty and sentenced to 20 years in the brig. Completely retired, she found emotional solace with her new post-war profession -- the breeding and handling of Great Danes. In 1949, she became the owner of Honey Hollow Kennels, a 25 acre estate in Bucks County, Pennsylvania. There she bred and raised champion dogs for best-in-shows and also became a respected judge. More marriages came and fell by the wasteside and at least one of her later unions lost out to an either/or ultimatum with her Great Danes. Lina also wrote the non-fiction book "Your Great Dane" in 1972. She moved to Wheeling, West Virginia, in 1975 and lived there until her death of lymphoma at age 87 on September 30, 1994.
Out of nowhere, the octogenarian grandmother had one last chance to bask in the limelight when she was touchingly cast as Nada in Daniel Boyd's independent feature Paradise Park (1992) playing an Appalachian trailer park granny who dreams that God is coming and granting a wish on all its residents. The film also featured country music stars Porter Wagoner and Johnny PayCheck. Boyd had met the actress at a West Virginia film festival.251 points - Actress
- Soundtrack
Petite, seductive French leading lady who underwent several early career changes before settling on the acting profession. Corinne Calvet first studied criminal law at France's renowned Sorbonne, but then turned her attention to interior decoration specializing in fine arts and antiques. After studying at the L'Ecole du Cinema in Paris, she made her debut on the stage and also worked as a radio hostess. Small film roles followed. From the time Corinne was 'discovered' by famous producer Hal B. Wallis, brought to America, and signed to a contract with Paramount in 1947, her life developed into a decade-long roller-coaster of feuds, lawsuits, publicity stunts and even an attempted suicide by sleeping pills.
Corinne's Hollywood career got off to a turbulent start, the fiery actress heatedly challenging Wallis over the size of her salary. In spite of growing animosity between her and the producer, she was eventually cast in her first Paramount picture, Rope of Sand (1949) , a film noir set in South Africa and co-starring Burt Lancaster and Paul Henreid. The film emphasized Corinne's sultry appeal and her sexy, somewhat husky voice. She played a nightclub singer, which worked well since she could actually sing (and did so at the famed Manhattan night club Le Cupidon in 1952). The New York Times review (August 4th, 1949) remarked that the cast, though playing somewhat shady characters, were "all products of good acting, and therefore are strangely interesting".
"Rope of Sand" garnered mostly good reviews and was certainly one of the better roles Corinne was to find in Hollywood. Though she featured opposite a number of big-name stars, such as Danny Kaye and James Cagney, she was largely consigned to be the ornamental French dessert. Of her part in On the Riviera (1951), Bosley Crowther commented that she was "pretty, but neglected" (NY Times May 24th, 1951). Corinne (Miss Golden Globe 1952), later gave vent to her frustration at having never been given a proper chance to display her acting range in her 1983 memoir 'Has Corinne Been a Good Girl?'.
The headlines made in her private life often overshadowed her screen career. One highly publicized (and apparently staged) incident had her suing actress Zsa Zsa Gabor over a statement made to, among others, a newspaper columnist, claiming that Corinne's French background was a studio invention. In another, more bizarre, instance in 1967, her then-boyfriend claimed in court that she had 'used voodoo on him' in order to gain control of his finances. There were also two acrimonious and very public divorces from actors John Bromfield and Jeffrey Stone.
From the mid 1950's, Corinne began to appear in international co-productions, dividing her time between Los Angeles and her lavishly furnished top floor apartment at the Avenue MacMahon, near the Arc de Triomphe, in Paris. After the publication of her memoir in 1983, Corinne retired from acting and re-invented herself as a therapist, specializing in hypnosis. She settled down in Santa Monica, California, where she died in June 2001.237 points- Actress
- Writer
- Producer
Lisa Eichhorn was born on 4 February 1952 in Glens Falls, New York, USA. She is an actress and writer, known for The Vanishing (1993), Cutter's Way (1981) and The Europeans (1979). She has been married to Richard Moxon since 31 August 2005. She was previously married to Ben Nye III and John Curless.187 points- Actress
- Director
- Soundtrack
Carole Bouquet is a French actress and fashion model. She is best known for played Bond girl Melina Havelock in the James Bond film For Your Eyes Only (1981).
She also starred in That Obscure Object of Desire (1977), Nemo (1984), The Bridge (1999) and Do Not Disturb (2014).
In 2017 she starred in the Mini-Series The Mantis.
In the 1980s and 1990s she was a model for Chanel.
That Obscure Object of Desire was her film debut.185 points- Actress
- Producer
- Soundtrack
A New York stage actress in the 1950s, McClanahan was plucked from the stage by Norman Lear for roles on All in the Family (1971) and later Maude (1972). For two years (1982 - 1984), she played "Aunt Fran" on Mama's Family (1983) until her character was killed off and she joined the cast of The Golden Girls (1985), in which she hit her comedic stride as a sharp tongued oversexed Southern belle.February 21, 1934
June 3, 2010- Actress
- Producer
- Soundtrack
Dixie is the middle of three children. Her father owned several small retail stores. Early on, she dreamed of being an opera singer, but a botched tonsillectomy at age 7 spoiled any chances for that dream. Still, she sang regularly and studied classical music. She can play the piano, trumpet, and the harmonica. She graduated from Memphis State with an English degree. In 1960, she made her professional debut in a local production of "Carousel". Three year's later, she moved to New York and landed a role in Joseph Papp's production of Shakespeare's "A Winter's Tale". When she married businessman, Arthur Carter, she left the stage for eight years to raise two daughters, Ginna Carter - now an actress and Mary Dixie Carter, a screenwriter. At age 35, she returned to acting, but found that no agent wanted to give her a chance. A second marriage to Broadway actor, George Hearn, quickly ended.May 25, 1939
April 10, 2010- Actress
- Soundtrack
An honest-to-goodness Southern Belle, similar to her most famous character role, "Elly May Clampett" on The Beverly Hillbillies (1962), Donna Douglas grew up in the Baton Rouge, Louisiana area, loving "critters". She got married soon after high school, had a son, divorced and won a couple of beauty contests, all within the span of a few years. She moved to New York and soon appeared on television series, including a well-remembered guest-star shot on The Twilight Zone (1959) in one of the series' most famous episodes, Eye of the Beholder (1960), in which she plays a woman who tries to undergo a series of experimental treatments to make her beautiful, only for the treatments to fail. The twist was she was beautiful, at least to the viewers, but considered hideous to the pig people of the planet, she was on. She immediately won the character role of "Elly May Clampett" on one of the greatest situation comedies of all time, The Beverly Hillbillies (1962). This extremely comical series debuted with The Clampetts Strike Oil (1962), on her 30th birthday, Wednesday, September 26th, 1962, which is among the narrowest & sheerest coincidences, that are hardest to believe.September 26, 1933
January 1, 2015- Peggy McCay was born on 3 November 1927 in New York City, New York, USA. She was an actress, known for Days of Our Lives (1965), The Trials of Rosie O'Neill (1990) and Hawaiian Eye (1959). She died on 7 October 2018 in Los Angeles, California, USA.November 3, 1927
October 7, 2018 - Actress
- Producer
- Writer
Florence Henderson was considered by protocol executive Jerold Franks, CSA to be "...one of the most generous stars I have ever worked with." Los Angeles, New York and all parts of the country, Florence has helped raise millions of dollars for various charitable organizations.
Jerold Franks, friend and confidante to actress Mary Martin as well as producer of Ms. Martin's Celebration of Life moved the date of the tribute at the Majestic Theatre in New York out of respect to Mary and Florence's personal friendship as well as having played the role of "Maria" for hundreds of performances. Any Mary Martin tribute can never not include Florence Henderson. I love her as a performer and very proud to call her a friend. Franks was introduced to her late and second husband, John Kappas. Franks' credits his friend Florence for introducing him to certified hypnotist John Kappas to deal with the death of Franks' only son.February 14, 1934
November 23, 2016- Actress
- Soundtrack
She was truly one mother of a mom...on stage, on film and on TV. A favorite firecracker on 80s and 90s television, tiny character player Estelle Getty became best known for her carping, meddlesome moms -- complete with bemused, cynical looks, irreverent digs and dead-pan Henny Youngman-like one-liners. Blunt and down-to-earth off-stage as she was on-, she scored big points with both the young and the old...and all those who fell in between. The middle-class masses and society's underdogs deemed Estelle one of their own. The star who had a hard time playing the star card also taught an earnest lesson to the millions of actor wannabes that it was never too late to get into the big leagues, pursue your dream and come out a winner. After nearly five decades of stage work, she achieved "overnight" stardom at age 62. Ill health forced her retirement in 2000 after only a decade and a half of celebrity. Yet even something as sinister as Lewy body dementia, a degenerative brain disease, couldn't take away her indomitable spirit and feistiness. The affliction, which slowly clouds then erases the memory banks, should have claimed her a couple of years after its detection, but she proved the doctors wrong and lived nearly eight years from its onset, dying peacefully in her Hollywood home on July 22, 2008.
Getty was born Estelle Scher on July 25, 1923, on the Lower East Side of Manhattan in New York City, the daughter of Sarah (Lacher) and Charles Scher, Polish Jewish immigrants who worked in the glass business. Starry-eyed as a very young child when her father first took her to see a vaudeville show at the New York Academy of Music, Estelle already had a mindset about her future. She almost immediately started taking singing, dancing and acting lessons and, following her graduation from Seward Park High School, she began building up experience in the Yiddish theater. She even attempted the stand-up comedy stage on the Catskills "borscht belt" circuit in upstate New York, but it was a time of rampant sexism and women comics were a rarity and seldom successful. She wasn't. Her young life took an abrupt, post-World War II turn when she married New York businessman Arthur Gettleman at age 24 in December of 1947 (she went on to use a derivative of her married last name for the stage). Not your typical domesticated wife by any stretch of the imagination, Estelle nevertheless raised two children, sons Barry and Carl, and worked as a secretary for various companies.
Determined as ever to be an actress, she found moderate compensation performing in community theatre plays. Adept at playing abrasive, insinuating types, she had an innate gift for comedy and stole many scenes in such light-hearted plays as "Arsenic and Old Lace," "Blithe Spirit," "6 Rms Riv Vu," "Light Up the Sky" and "Lovers and Other Strangers". On the flip side, Estelle demonstrated surprising dramatic stamina in such classics as "All My Sons," "The Glass Menaqerie" and "Death of a Salesman." Following decades of obscurity, it was her connection to the actor/playwright Harvey Fierstein that turned the tide and started the ball rolling. Forging a deep friendship in the late 70s after appearing in small New York theaters together, and after considerable prodding by Estelle, Harvey wrote a part for his diminutive friend in the ground-breaking, autobiographical "Torch Song Trilogy". Playing Harvey's recalcitrant mother, the show eventually made it to Broadway and Estelle's big debut was a resounding success. Winning the Helen Hayes Award for her performance, she played the feisty foil to Fierstein's raspy-voiced drag queen for five years.
While on tour with the play in Los Angeles, Estelle secured an audition for and won the role of viper-tongued Sicilian mama Sophia Petrillo on The Golden Girls (1985). She nearly lost out on the part when it was thought that she appeared too young to play Bea Arthur's mother. In truth, Estelle was 14 months younger than Bea. Given another go-around, and this time donning a grey wig, age makeup and frumpy apparel, Estelle fully convinced the powers-that-be that she WAS Sophia and the rest is history. The role was a breath of fresh air during an era of strong political correctness. A seven-time consecutive Emmy Award nominee for "Best Supporting Actress Award," she took home the trophy in 1988. In both 1991 and 1992 Estelle won the American Comedy Award for "Best Supporting Actress" in a series. The Sophia character was so popular she even went on to play the impish octogenarian in several other shows, including two "Golden Girls" spin-offs -- the short-lived The Golden Palace (1992) and "Empty Nest". Estelle went on to mother other stars on the big screen as well, including Cher in Mask (1985) and Sylvester Stallone in Stop! Or My Mom Will Shoot (1992), in the latter of which she received second billing. The one maternal film role she wanted more than anything did not come her way. When Torch Song Trilogy (1988) was made into a film, actor Fierstein needed star power surrounding him. Anne Bancroft replaced Estelle in the part and she was heartbroken. The movie itself lost much of its impact in its transition from the stage. At the peak of her TV fame, Estelle wrote a 1988 autobiography entitled "If I Knew Then, What I Know Now... So What?" with Steve Delsohn.
The diminutive dynamo (4'10") with a big heart was an outspoken activist for gay rights and she regularly involved herself in AIDS causes, part of it propelled by a nephew who was diagnosed and later succumbed to the disease. She also became a spokesperson for Alternative Living for the Aging, a nonprofit organization that locates cooperative housing for senior citizens. In 2000, Getty stopped making public appearances after her health and mind began its slow decline. One of her last sightings was in the L.A. audience of "The Vagina Monologues," which starred "Golden Girls" co-star Rue McClanahan. Misdiagnosed as having both Parkinson's and Alzheimer's diseases, it was later learned she was suffering from advanced dementia. Estelle died of complications from her disease just three days before her 85th birthday. Long-time husband Arthur, who was only 5'3" tall himself, never adjusted to Estelle's meteoric rise and the media attention that had accompanied it. He quietly maintained her parents' glass business far from the Hollywood glitz...in Florida. He died in 2004. Lifetime television hosted a "Golden Girls" reunion, but by this time Estelle was too ill to appear. Shortly after her death on July 22, 2008, and in tribute to Ms. Getty, Lifetime, which shows reruns of "The Golden Girls" almost on a daily basis, announced that it would air ten episodes of the series featuring the "best of Sophia". A simple, unadorned service was conducted, as she would have wanted, and she was interred at Hollywood Forever Memorial Park in Los Angeles.July 25, 1923
July 22, 2008- Actress
- Soundtrack
Charlotte Rae was born Charlotte Rae Lubotsky in 1926, in Milwaukee, Wisconsin, the middle daughter of three sisters, between Beverly and Mimi. Her parents, Esther (nee Ottenstein) and Meyer Lubotsky, were Russian Jewish immigrants. Her father owned an automobile tire business. Her mother had been a childhood friend of Milwaukee-reared Golda Meir, future Prime Minister of Israel.
Rae wanted to be a dramatic actress, but eventually wound up being a comedienne, all because of her stand-up comedy routines. Her family moved to the village of Shorewood, Wisconsin (Milwaukee County) in 1936. After graduating from Shorewood High School, she attended Northwestern University, where she met future actress Cloris Leachman; the two would be lifelong friends. She dropped out of college and moved to New York City, and began a career as a stage actress, performing in such plays as "Pickwick", for which she was nominated in 1966 for Best Featured Actress in a Musical, and, in 1969, for Best Actress in a Play for "Morning, Noon and Night". She co-starred with Fred Gwynne and Al Lewis in Car 54, Where Are You? (1961). She would live there until 1974 when she moved to Southern California.
She was nominated for an Emmy Award for her supporting role in Queen of the Stardust Ballroom (1975). After guest-starring on numerous shows, including Norman Lear's All in the Family (1971) and Good Times (1974), Lear hired her old friend to co-star on Diff'rent Strokes (1978) as Gary Coleman's housekeeper, "Edna Garrett". Within a year, she gained popularity with her character, which eventually led her to having her own series, The Facts of Life (1979). Between Norman Lear and NBC, they gave her the green-light to star in her own show, which focused primarily on the housekeeper of an all-girls school. The spinoff series featured newcomers including Kim Fields as "Tootie" and Lisa Whelchel as rich spoiled brat "Blair Warner".
Before then, she approached young Mindy Cohn at Westlake School in Los Angeles, and suggested that she take the role of smart "Natalie Green", a character Rae created for her and named after one of her best friends from high school. Cohn stayed on the show for eight seasons. Rae left the show in 1986 reportedly owing to a health issue. She reportedly created the role of "Beverly" for her old friend, Cloris Leachman, to play on The Facts of Life (1979) after she left the show.
She returned to the stage. In 1992, she was the voice of "Aunt Christine Figg" in Tom and Jerry: The Movie (1992) and appeared in "The Vagina Monologues" in New York. In 2000, she starred as "Berthe" in the Paper Mill Playhouse production of "Pippin". In 2007, she appeared in a cabaret show at the Plush Room in San Francisco for several performances. In the 2008 movie, You Don't Mess with the Zohan (2008), she played a mature woman who has a fling with Adam Sandler's character. On February 18, 2009, she appeared in a small role as "Mrs. Ford" on the "I Heart Mom" episode.
Rae's older sister, Beverly, died from pancreatic cancer in 1998, while Rae's ex-husband of 35 years, John Strauss, died in 2011, following a long battle with Parkinson's disease. A pancreatic cancer survivor, Rae continued to act while making guest appearances everywhere, especially TV Land, where her show, The Facts of Life (1979), won the 2011 award for Pop Culture Icon.
Charlotte Rae died on August 5, 2018 at her home in Los Angeles, aged 92, from bone cancer, which had been diagnosed a year earlier. She also suffered from asthma and scoliosis, and had been fitted with a pacemaker.April 22, 1926
August 5, 2018- Lois Hamilton (Areno) personified a new wave of actresses who built careers on both beauty and brains. Lois attend Temple University in Philadelphia, Pennslyvannia, and the University of Florence in Florence, Italy, where she received degrees in Psychology and Fine Arts. As a top Ford model in the late 1970s, Lois graced the covers and pages of countless magazines, such as "Cosmopolitan", "Fortune", "Mademoiselle", "Italian Vogue", "Prevue", "Neue Revue Illustrierte", "Newsweek", "Paris Match", "Hello", "Redbook", "Ladies' Home Journal", "Glamour", "Time", and many others. Some of her ad campaigns included Chanel, Clarol, Halston, Pucci and Hermes, and she appeared in over 150 commercials worldwide. She was one of the pioneers who made the successful transition from model to actress. When she came to Los Angeles her career immediately took off and she found herself splashed all over the television and movie screens. Within a year she landed more TV stints than any other actress at ICM. She worked with such luminaries as Ivan Reitman, Neil Simon, Sydney Pollack, Robert Redford, Ned Beatty, Burt Reynolds, John Candy, John Larroquette, Dom DeLuise, Roger Moore, Bill Murray, Jane Fonda, Dean Martin, Carl Reiner, David Carradine, Sammy Davis Jr., Steve Guttenberg, Howard W. Koch, Albert S. Ruddy, Hal Needham, and Thomas R. Bond II to name a few. She was one of the privileged few to be photographed by George Hurrell Sr. before his death. When she wasn't involved in a feature film or television project, she took to the skies--she was a licensed private pilot. She logged over 600 hours and was an accomplished aerobatic pilot flying her 1936 German biplane. In addition, Lois was also a titled Italian baroness with a family that lays claim to the most noble of ancestries dating back to 11th-century Naples. Not one to be typecast as just another pretty face, and in keeping with her artistic talents, she was also an accomplished sculptress, painter and writer. She exhibited her bronze sculptures and oil paintings in many one-woman shows in Los Angeles. An author as well, she penned her first novel, "Move Over Tarzan," a woman's guide on how to be as assertive as the most aggressive, successful man using a woman's femininity. Lois Hamilton was definitely a woman ahead of her time.October 14, 1943
December 23, 1999 - Actress
- Director
- Soundtrack
Kasey Rogers was born Josie Imogene Rogers in Morehouse, Missouri, to Ina Mae (Mocabee) and Eben Elijah Rogers. She moved with her family to California at age two and a half. She got the nickname "Casey" when her neighborhood playmates discovered how well she handled a baseball bat ("I could hit a baseball farther than anybody in grammar school except Robert Lewis - he and I were always the opposing captains of the sixth grade baseball teams!"); she later changed the "C" in "Casey" to a "K". Paramount changed her name to Laura Elliott during her late 1940s-early '50s stint there, but she went back to Kasey Rogers soon after leaving that studio. Twice-married and the mother of four (and a grandmother), Rogers turned her talents to writing and development, including the proposed new TV series Son of a Witch.December 15, 1925
July 6, 2006- Actress
- Additional Crew
- Producer
Lupe Ontiveros was born on 17 September 1942 in El Paso, Texas, USA. She was an actress and producer, known for As Good as It Gets (1997), Selena (1997) and Chuck & Buck (2000). She was married to Elias P. Ontiveros. She died on 26 July 2012 in Whittier, California, USA.September 17, 1942
July 26, 2012- Born and brought up in Scotland, Adrienne Corri attended the Royal Academy of Dramatic Art (RADA) in London as a teenager and then appeared on both the English and American stage. While still a teenager, she made her film debut in Naughty Arlette (1949). One of her most memorable film performances was in Stanley Kubrick's A Clockwork Orange (1971) as the victim of the bizarre gang-rape by Alex and his Droogs. In addition to film, she also frequently worked in television and continued in theater, specializing in fiery, flamboyant characters throughout her career.November 13, 1930
March 13, 2016 - Actress
- Soundtrack
Jan Hooks is better remembered for her five-year run on Saturday Night Live (1975) (1986-91) on the series she impersonated actress ranging from Bette Davis, to Ann-Margret, to Sally Kellerman, to Jodie Foster. After she left the show, she was proposed by Linda Bloodworth-Thomason to replace Jean Smart on CBS's Designing Women (1986). She accepted. She played the role of Carlene Dobber for the final two seasons. She has also played memorable characters in feature-films including, Tina (the Alamo girl) in Pee-wee's Big Adventure (1985), and Dixie Glick in Jiminy Glick in Lalawood (2004).April 23, 1957
October 9, 2014- Actress
- Soundtrack
Vaudeville comedienne Billie Bird Sellen was discovered at an orphanage at the age of eight years and hired to tour theater circuits with a vaudeville troupe. During the Vietnam War she accompanied 12 USO tours entertaining the troops in the war zone in the 1960s and 1970s. She had worked as recently as 1995 when she appeared in Jury Duty (1995), starring Pauly Shore. Other notable performances were in Dennis the Menace (1993) and Home Alone (1990).
One of her best-known film appearances was in the 1968 movie The Odd Couple (1968). Her last appearance was a cameo in 1997 in the short-lived television comedy George & Leo (1997) with Judd Hirsch and Bob Newhart. She had also been a regular from 1988-1992 in the sitcom Dear John (1988), and in a series of performances as a cheerful and sassy senior citizen in such productions as Ernest Saves Christmas (1988) and Police Academy 4: Citizens on Patrol (1987).February 28, 1908
November 27, 2002- Actress
- Additional Crew
- Soundtrack
Una Merkel began her movie career as stand-in for Lillian Gish in the movie The Wind (1928). After that, she performed on Broadway before she returned to movies for the D.W. Griffith film Abraham Lincoln (1930). In her early years, before gaining a few pounds, she looked like Lillian Gish, but after Abraham Lincoln (1930) her comic potential was discovered. She mostly played supporting roles as the heroine's no-nonsense friend, but with her broad Southern accent and her peroxide blond hair, she gave one of her best performances as a wisecracking but not-so-bright chorus girl in 42nd Street (1933). Perhaps she is best remembered for her hair-pulling fight with Marlene Dietrich in Destry Rides Again (1939). In 1962, she was nominated for the Academy Award as best supporting actress in Summer and Smoke (1961).December 10, 1903
January 12, 1986- Actress
- Soundtrack
Darla Hood was born in the small town of Leedey, Oklahoma on November 8, 1931. Hood began her association with "Our Gang" at the tender age of 2 1/2, as she stated on the The Jack Benny Program (1950). Her father, James Claude Hood Jr., a banker, and especially her mother, Elizabeth Davner Hood, prodded their daughter's musical talents with singing and dancing lessons in Oklahoma City. She made an unscheduled, impromptu singing debut at Edison Hotel in Times Square when the band-leader invited her onto the stage, and the crowd roared in appreciation. By sheerest coincidence, Joe Rivkin, (an agent of Hal Roach) spotted the four year old scene stealer, screen tested her & signed her to a long-term (7 year) contract at $75 weekly.
Darla went on to perform as the leading "Rascals" actress in 51 of the popular short films plus a television movie. She recalled finding her off-camera time on set as lonely as the boys tended to group together and play such "boys" games as baseball and football. At the beginning of her association with the "Little Rascals", she appeared opposite Stan Laurel and Oliver Hardy in one of their handful of feature films, The Bohemian Girl (1936). Darla Hood's tenure as most popular "Little Rascals" actress, began in 1935's Our Gang Follies of 1936 (1935) and her finale, Wedding Worries (1941). Then, almost 40 years later, during the last four months of her life, she voiced her "Little Rascals" character with the animated off-screen special, The Little Rascals' Christmas Special (1979). She did not live to see it televised.
While very few of the "Our Gang" shorts were made during World War II due to the scarcity of film (a majority of them were saved for feature-length wartime propaganda films), by the time the series was to be finally revived in 1945, she had already outgrown her role. She had some trouble dealing with the inevitable transition into a teen actor and her career faltered badly. She graduated with honors from Fairfax High School (Hollywood). She found some work with Ken Murray's popular "Blackbirds" variety show on the Los Angeles stage as well as some behind-the-scenes work in the post-war years.
With her first husband, Robert W. Decker (whom she married when she was 17 years old), she formed the vocal group "Darla Hood and the Enchanters", which provided incidental background music for such classic films as A Letter to Three Wives (1949). She also made appearances in nightclubs and on television variety shows, The Ken Murray Show (1950), The Paul Whiteman's Goodyear Revue (1949), and she was also performed & or sang songs, on a few Merv Griffin's radio programs. Another successful outlet for her was in the field of voice-over work in cartoons and commercials "Chicken of the Sea" was her longest lasting commercial tenure, as the mermaid. She also did some "Campbell's Soup" commercials, at the same time, but fewer. In time, she became a well-oiled impressionist and trick voice artist.
In June of 1957, at the age of 25, she divorced her first husband after eight years of marriage and by whom she had her first two children (one son, Brett, and one daughter, Darla Jo). She promptly married her former manager, Jose Granson, a musical publisher. She and Granson had three children together. Hood remained small in show business until her untimely end, which came on Wednesday, June 13, 1979, when she died of congestive heart failure. She had recently had an appendectomy at Canoga Park Hospital, during which she received a blood transfusion. The transfusion caused her to contract acute hepatitis, which led to her heart failure. She passed away at a Hollywood hospital. Following her funeral, she was buried at Hollywood Memorial Park Cemetery, later renamed Hollywood Forever.November 8, 1931
June 13, 1979