Favourite Film Actresses
My top 50 favourite ever actresses of the silver screen from any era. A work in progress - not yet definitive...
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Katharine Houghton Hepburn was born on May 12, 1907 in Hartford, Connecticut to a suffragist, Katharine Martha (Houghton), and a doctor, Thomas Norval Hepburn, who both always encouraged her to speak her mind, develop it fully, and exercise her body to its full potential. An athletic tomboy as a child, she was very close to her brother Tom; at 14 she was devastated to find him dead, the apparent result of accidentally hanging himself while practicing a hanging trick their father had taught them. For many years afterward, she used his November 8 birth date as her own. She became shy around girls her age and was largely schooled at home. She did attend Bryn Mawr College, where she decided to become an actress, appearing in many of their productions.
After graduating, she began getting small roles in plays on Broadway and elsewhere. She always attracted attention, especially for her role in "Art and Mrs. Bottle" (1931). She finally broke into stardom when she took the starring role of the Amazon princess Antiope in "A Warrior's Husband" (1932). The inevitable film offers followed; after making a few screen tests, she was cast in A Bill of Divorcement (1932), opposite John Barrymore. The film was a hit, and after agreeing to her salary demands, RKO signed her to a contract. She made five films between 1932 and 1934. For her third, Morning Glory (1933), she won her first Academy Award. Her fourth, Little Women (1933), was the most successful picture of its day.
But stories were beginning to leak out, of her haughty behavior off- screen and her refusal to play the Hollywood Game, always wearing slacks and no makeup, never posing for pictures or giving interviews. Audiences were shocked at her unconventional behavior instead of applauding it, and so when she returned to Broadway in 1934 to star in "The Lake", the critics panned her, and the audiences, who at first bought up tickets, soon deserted her. When she returned to Hollywood, things didn't get much better. From 1935-1938, she had only two hits: Alice Adams (1935), which brought her her second Oscar nomination, and Stage Door (1937); the many flops included Break of Hearts (1935), Sylvia Scarlett (1935), Mary of Scotland (1936), Quality Street (1937), and the now-classic Bringing Up Baby (1938).
With so many flops, she came to be labeled "box-office poison". She decided to go back to Broadway to star in "The Philadelphia Story" (1938) and was rewarded with a smash. She quickly bought the film rights and so was able to negotiate her way back to Hollywood on her own terms, including her choice of director and co-stars. The Philadelphia Story (1940) was a box-office hit, and Hepburn, who won her third Oscar nomination for the film, was bankable again. For her next film, Woman of the Year (1942), she was paired with Spencer Tracy, and the chemistry between them lasted for eight more films, spanning the course of 25 years, and a romance that lasted that long off-screen. (She received her fourth Oscar nomination for the film.) Their films included the very successful Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957).
With The African Queen (1951), Hepburn moved into middle-aged spinster roles, receiving her fifth Oscar nomination for the film. She played more of these types of roles throughout the 1950s, and won more Oscar nominations for many of them, including her roles in Summertime (1955), The Rainmaker (1956), and Suddenly, Last Summer (1959). Her film roles became fewer and farther between in the 1960s, as she devoted her time to the ailing Tracy. For one of her film appearances in this decade, in Long Day's Journey Into Night (1962), she received her ninth Oscar nomination. After a five-year absence from films, she then made Guess Who's Coming to Dinner (1967), her last film with Tracy and the last film Tracy ever made; he died just weeks after finishing it. It garnered Hepburn her tenth Oscar nomination and her second win. The next year, she did The Lion in Winter (1968), which brought her her eleventh Oscar nomination and third win.
In the 1970s, she turned to making made-for-TV films, with The Glass Menagerie (1973), Love Among the Ruins (1975), and The Corn Is Green (1979). She still continued to make an occasional appearance in feature films, such as Rooster Cogburn (1975) with John Wayne and On Golden Pond (1981) with Henry Fonda. This last brought her her twelfth Oscar nomination and fourth win - the latter still the record.
She made more TV-films in the 1980s and wrote her autobiography, 'Me', in 1991. Her last feature film was Love Affair (1994), with Warren Beatty and Annette Bening, and her last TV- film was One Christmas (1994). With her health declining, she retired from public life in the mid-1990s. She died at 96 at her home in Old Saybrook, Connecticut.Fav Performance: On Golden Pond- Actress
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- Music Department
Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. She became one of the world's most enduring iconic figures and is remembered both for her winsome embodiment of the Hollywood sex symbol and her tragic personal and professional struggles within the film industry. Her life and death are still the subjects of much controversy and speculation.
She was born Norma Jeane Mortenson at the Los Angeles County Hospital on June 1, 1926. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Because Gladys was mentally and financially unable to care for young Marilyn, Gladys placed her in the care of a foster family, The Bolenders. Although the Bolender family wanted to adopt Marilyn, Gladys was eventually able to stabilize her lifestyle and took Marilyn back in her care when Marilyn was 7 years old. However, shortly after regaining custody of Marilyn, Gladys had a complete mental breakdown and was diagnosed as a paranoid schizophrenic and was committed to a state mental hospital. Gladys spent the rest of her life going in and out of hospitals and rarely had contact with young Marilyn. Once Marilyn became an adult and celebrated as a film star, she paid a woman by the name of Inez Melson to look in on the institutionalized Gladys and give detailed reports of her progress. Gladys outlived her daughter, dying in 1984.
Marilyn was then taken in by Gladys' best friend Grace Goddard, who, after a series of foster homes, placed Marilyn into the Los Angeles Orphan's Home in 1935. Marilyn was traumatized by her experience there despite the Orphan's Home being an adequate living facility. Grace Goddard eventually took Marilyn back to live with her in 1937 although this stay did not last long as Grace's husband began molesting Marilyn. Marilyn went to live with Grace's Aunt Ana after this incident, although due to Aunt Ana's advanced age she could not care properly for Marilyn. Marilyn once again for the third time had to return to live with the Goddards. The Goddards planned to relocated and according to law, could not take Marilyn with them. She only had two choices: return to the orphanage or get married. Marilyn was only 16 years old.
She decided to marry a neighborhood friend named James Dougherty; he went into the military, she modeled, they divorced in 1946. She owned 400 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors' lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later. In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang three numbers : "Every Baby Needs a Da Da Daddy", "Anyone Can Tell I Love You" and "The Ladies of the Chorus" with Adele Jergens (dubbed by Virginia Rees) and others. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950) , resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar.
When she went to a supper honoring her in the The Seven Year Itch (1955) , she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). That same year, she married and divorced baseball great Joe DiMaggio (their wedding night was spent in Paso Robles, California). After The Seven Year Itch (1955) , she wanted serious acting to replace the sexpot image and went to New York's Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself. Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller . True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier , fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So had an affair with Yves Montand . Work on her last picture The Misfits (1961) , written for her by departing husband Miller, was interrupted by exhaustion. She was dropped from the unfinished Something's Got to Give (1962) due to chronic lateness and drug dependency.
On August 4, 1962, Marilyn Monroe's day began with threatening phone calls. Dr. Ralph Greenson, Marilyn's physician, came over the following day and quoted later in a document "Felt it was possible that Marilyn had felt rejected by some of the people she had been close to." Apart from being upset that her publicist slept too long, she seemed fine. Pat Newcombe, who had stayed the previous night at Marilyn's house, left in the early evening as did Greenson who had a dinner date. Marilyn was upset he couldn't stay, and around 7:30pm she telephoned him to say that her second husband's son had called her. Peter Lawford also called Marilyn, inviting her to dinner, but she declined. Lawford later said her speech was slurred. As the evening went on there were other phone calls, including one from Jose Belanos, who said he thought she sounded fine. According to the funeral directors, Marilyn died sometime between 9:30pm and 11:30pm. Her maid unable to raise her but seeing a light under her locked door, called the police shortly after midnight. She also phoned Ralph Greenson who, on arrival, could not break down the bedroom door. He eventually broke in through French windows and found Marilyn dead in bed. The coroner stated she had died from acute barbiturate poisoning, and it was a 'probable suicide' though many conspiracies would follow in the years after her death.Fav Performance: Some Like it Hot- Actress
- Soundtrack
Audrey Hepburn was born as Audrey Kathleen Ruston on May 4, 1929 in Ixelles, Brussels, Belgium. Her mother, Baroness Ella Van Heemstra, was a Dutch noblewoman, while her father, Joseph Victor Anthony Ruston, was born in Úzice, Bohemia, to English and Austrian parents.
After her parents' divorce, Audrey went to London with her mother where she went to a private girls school. Later, when her mother moved back to the Netherlands, she attended private schools as well. While she vacationed with her mother in Arnhem, Netherlands, Hitler's army took over the town. It was here that she fell on hard times during the Nazi occupation. Audrey suffered from depression and malnutrition.
After the liberation, she went to a ballet school in London on a scholarship and later began a modeling career. As a model, she was graceful and, it seemed, she had found her niche in life--until the film producers came calling. In 1948, after being spotted modeling by a producer, she was signed to a bit part in the European film Nederlands in zeven lessen (1948). Later, she had a speaking role in the 1951 film, Young Wives' Tale (1951) as Eve Lester. The part still wasn't much, so she headed to America to try her luck there. Audrey gained immediate prominence in the US with her role in Roman Holiday (1953). This film turned out to be a smashing success, and she won an Oscar as Best Actress.
On September 25, 1954, she married actor Mel Ferrer. She also starred in Sabrina (1954), for which she received another Academy Award nomination. She starred in the films Funny Face (1957) and Love in the Afternoon (1957). She received yet another Academy Award nomination for her role in The Nun's Story (1959). On July 17, 1960, she gave birth to her first son, Sean Hepburn Ferrer.
Audrey reached the pinnacle of her career when she played Holly Golightly in Breakfast at Tiffany's (1961), for which she received another Oscar nomination. She scored commercial success again playing Regina Lampert in the espionage caper Charade (1963). One of Audrey's most radiant roles was in the fine production of My Fair Lady (1964). After a couple of other movies, most notably Two for the Road (1967), she hit pay dirt and another nomination in Wait Until Dark (1967).
In 1967, Audrey decided to retire from acting while she was on top. She divorced from Mel Ferrer in 1968. On January 19, 1969, she married Dr. Andrea Dotti. On February 8, 1970, she gave birth to her second son, Luca Dotti in Lausanne, Vaud, Switzerland. From time to time, she would appear on the silver screen.
In 1988, she became a special ambassador to the United Nations UNICEF fund helping children in Latin America and Africa, a position she retained until 1993. She was named to People's magazine as one of the 50 most beautiful people in the world. Her last film was Always (1989).
Audrey Hepburn died, aged 63, on January 20, 1993 in Tolochnaz, Vaud, Switzerland, from appendicular cancer. She had made a total of 31 high quality movies. Her elegance and style will always be remembered in film history as evidenced by her being named in Empire magazine's "The Top 100 Movie Stars of All Time".Fav Performance: Roman Holiday- Actress
- Producer
- Soundtrack
On November 12, 1929, Grace Patricia Kelly was born in Philadelphia, Pennsylvania to wealthy parents. Her girlhood was uneventful for the most part, but one of the things she desired was to become an actress which she had decided on at an early age. After her high school graduation in 1947, Grace struck out on her own, heading to New York's bright lights to try her luck there. Grace worked some as a model and made her debut on Broadway in 1949. She also made a brief foray into the infant medium of television. Not content with the work in New York, Grace moved to Southern California for the more prestigious part of acting -- motion pictures. In 1951, she appeared in her first film entitled Fourteen Hours (1951) when she was 22. It was a small part, but a start nonetheless. The following year she landed the role of Amy Kane in High Noon (1952), a western starring Gary Cooper and Lloyd Bridges which turned out to be very popular. In 1953, Grace appeared in only one film, but it was another popular one. The film was Mogambo (1953) where Grace played Linda Nordley. The film was a jungle drama in which fellow cast members, Clark Gable and Ava Gardner turned in masterful performances. It was also one of the best films ever released by MGM. Although she got noticed with High Noon, her work with director Alfred Hitchcock, which began with Dial M for Murder (1954) made her a star. Her standout performance in Rear Window (1954) brought her to prominence. As Lisa Fremont, she was cast opposite James Stewart, who played a crippled photographer who witnesses a murder in the next apartment from his wheelchair. Grace stayed busy in 1954 appearing in five films. Grace would forever be immortalized by winning the Academy Award for Best Actress for her portrayal of Georgie Elgin opposite Bing Crosby in The Country Girl (1954). In 1955, Grace once again teamed with Hitchcock in To Catch a Thief (1955) co-starring Cary Grant. In 1956, she played Tracy Lord in the musical comedy High Society (1956) which also starred Frank Sinatra and Bing Crosby. The whimsical tale ended with her re-marrying her former husband, played by Crosby. The film was well received. It also turned out to be her final acting performance. Grace had recently met and married Prince Rainier of the little principality of Monaco. By becoming a princess, she gave up her career. For the rest of her life, she was to remain in the news with her marriage and her three children. On September 14, 1982, Grace was killed in an automobile accident in her adoptive home country. She was just 52 years old.Fav Performance: Rear Window- Actress
- Additional Crew
- Writer
Virginia Cathryn "Gena" Rowlands is an American film, stage, and television actress, whose career in the entertainment industry has spanned over six decades. A four-time Emmy and two-time Golden Globe winner, she is known for her collaborations with her late actor-director husband John Cassavetes in 10 films, including A Woman Under the Influence (1974) and Gloria (1980), which earned her nominations for the Academy Award for Best Actress. She also won the Silver Bear for Best Actress for Opening Night (1977). In November 2015, Rowlands received an Honorary Academy Award in recognition of her unique screen performances.Fav Performance: A Woman Under the Influence- Actress
- Producer
- Soundtrack
Elizabeth Rosemond Taylor was considered one of the last, if not the last, major star to have come out of the old Hollywood studio system. She was known internationally for her beauty, especially for her violet eyes, with which she captured audiences early in her youth and kept the world hooked with ever after.
Taylor was born on February 27, 1932 in London, England. Although she was born an English subject, her parents, Sara Taylor (née Sara Viola Warmbrodt) and Francis Taylor, were Americans, art dealers from St. Louis, Missouri. Her father had moved to London to set up a gallery prior to Elizabeth's birth. Her mother had been an actress on the stage, but gave up that vocation when she married. Elizabeth lived in London until the age of seven, when the family left for the US when the clouds of war began brewing in Europe in 1939. They sailed without her father, who stayed behind to wrap up the loose ends of the art business.
The family relocated to Los Angeles, where Mrs. Taylor's own family had moved. Mr. Taylor followed not long afterward. A family friend noticed the strikingly beautiful little Elizabeth and suggested that she be taken for a screen test. Her test impressed executives at Universal Pictures enough to sign her to a contract. Her first foray onto the screen was in There's One Born Every Minute (1942), released when she was ten. Universal dropped her contract after that one film, but Elizabeth was soon picked up by MGM.
The first production she made with that studio was Lassie Come Home (1943), and on the strength of that one film, MGM signed her for a full year. She had minuscule parts in her next two films, The White Cliffs of Dover (1944) and Jane Eyre (1943) (the former made while she was on loan to 20th Century-Fox). Then came the picture that made Elizabeth a star: MGM's National Velvet (1944). She played Velvet Brown opposite Mickey Rooney. The film was a smash hit, grossing over $4 million. Elizabeth now had a long-term contract with MGM and was its top child star. She made no films in 1945, but returned in 1946 in Courage of Lassie (1946), another success. In 1947, when she was 15, she starred in Life with Father (1947) with such heavyweights as William Powell, Irene Dunne and Zasu Pitts, which was one of the biggest box office hits of the year. She also co-starred in the ensemble film Little Women (1949), which was also a box office huge success.
Throughout the 1950s, Elizabeth appeared in film after film with mostly good results, starting with her role in the George Stevens film A Place in the Sun (1951), co-starring her good friend Montgomery Clift. The following year, she co-starred in Ivanhoe (1952), one of the biggest box office hits of the year. Her busiest year was 1954. She had a supporting role in the box office flop Beau Brummell (1954), but later that year starred in the hits The Last Time I Saw Paris (1954) and Elephant Walk (1954). She was 22 now, and even at that young age was considered one of the world's great beauties. In 1955 she appeared in the hit Giant (1956) with James Dean.
Sadly, Dean never saw the release of the film, as he died in a car accident in 1955. The next year saw Elizabeth co-star with Montgomery Clift in Raintree County (1957), an overblown epic made, partially, in Kentucky. Critics called it dry as dust. In addition, Clift was seriously injured during the film, with Taylor helping save his life. Despite the film's shortcomings and off-camera tragedy, Elizabeth was nominated for an Academy Award for her portrayal of Southern belle Susanna Drake. However, on Oscar night the honor went to Joanne Woodward for The Three Faces of Eve (1957).
In 1958 Elizabeth starred as Maggie Pollitt in Cat on a Hot Tin Roof (1958). The film received rave reviews from the critics and Elizabeth was nominated again for an Academy Award for best actress, but this time she lost to Susan Hayward in I Want to Live! (1958). She was still a hot commodity in the film world, though. In 1959 she appeared in another mega-hit and received yet another Oscar nomination for Suddenly, Last Summer (1959). Once again, however, she lost out, this time to Simone Signoret for Room at the Top (1958). Her Oscar drought ended in 1960 when she brought home the coveted statue for her performance in BUtterfield 8 (1960) as Gloria Wandrous, a call girl who is involved with a married man. Some critics blasted the movie but they couldn't ignore her performance. There were no more films for Elizabeth for three years. She left MGM after her contract ran out, but would do projects for the studio later down the road. In 1963 she starred in Cleopatra (1963), which was one of the most expensive productions up to that time--as was her salary, a whopping $1,000,000. The film took years to complete, due in part to a serious illness during which she nearly died.
This was the film where she met her future and fifth husband, Richard Burton (the previous four were Conrad Hilton, Michael Wilding, Mike Todd--who died in a plane crash--and Eddie Fisher). Her next films, The V.I.P.s (1963) and The Sandpiper (1965), were lackluster at best. Elizabeth was to return to fine form, however, with the role of Martha in Who's Afraid of Virginia Woolf? (1966). Her performance as the loudmouthed, shrewish, unkempt, yet still alluring Martha was easily her finest to date. For this she would win her second Oscar and one that was more than well-deserved. The following year, she and Burton co-starred in The Taming of The Shrew (1967), again giving winning performances. However, her films afterward were box office failures, including Reflections in a Golden Eye (1967), The Comedians (1967), Boom! (1968) (again co-starring with Burton), Secret Ceremony (1968), The Only Game in Town (1970), X, Y & Zee (1972), Hammersmith Is Out (1972) (with Burton again), Ash Wednesday (1973), Night Watch (1973), The Driver's Seat (1974), The Blue Bird (1976) (considered by many to be her worst), A Little Night Music (1977), and Winter Kills (1979) (a controversial film which was never given a full release and in which she only had a small role). She later appeared in some movies, both theatrical and made-for-television, and a number of television programs. In February 1997, Elizabeth entered the hospital for the removal of a brain tumor. The operation was successful. As for her private life, she divorced Burton in 1974, only to remarry him in 1975 and divorce him, permanently, in 1976. She had two more husbands, U.S. Senator John Warner and construction worker Larry Fortensky, whom she met in rehab.
In 1959, Taylor converted to Judaism, and continued to identify herself as Jewish throughout her life, being active in Jewish causes. Upon the death of her friend, actor Rock Hudson, in 1985, she began her crusade on behalf of AIDS sufferers. In the 1990s, she also developed a successful series of scents. In her later years, her acting career was relegated to the occasional TV-movie or TV guest appearance.
Elizabeth Taylor died on March 23, 2011 in Los Angeles, from congestive heart failure. Her final resting place is Forest Lawn Memorial Park, in Glendale, California.Fav Performance: Who's Afraid of Virginia Woolf?- Actress
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- Producer
Shirley MacLaine was born Shirley MacLean Beaty in Richmond, Virginia. Her mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and her father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. Her brother, Warren Beatty, was born on March 30, 1937. Her ancestry includes English and Scottish.
Shirley was the tallest in her ballet classes at the Washington School of Ballet. Just after she graduated from Washington-Lee High School, she packed her bags and headed for New York. While auditioning for Richard Rodgers and Oscar Hammerstein II's "Me and Juliet", the producer kept mispronouncing her name. She then changed her name from Shirley MacLean Beaty to Shirley MacLaine. She later had a role in "The Pajama Game", as a member of the chorus and understudy to Carol Haney. A few months into the run, Shirley was going to leave the show for the lead role in "Can-Can" but ended up filling in for Haney, who had broken her ankle and could not perform. She would fill in for Carol, again, three months later, following another injury, the very night that movie producer Hal B. Wallis was in the audience. Wallis signed MacLaine to a five-year contract to Paramount Pictures. Three months later, she was off to shoot The Trouble with Harry (1955). She then took roles in Hot Spell (1958) and Around the World in 80 Days (1956), completed not too long before her daughter, Sachi Parker (born Stephanie), was born. With Shirley's career on track, she played one of her most challenging roles: "Ginny Moorhead" in Some Came Running (1958), for which she received her first Academy Award nomination for Best Actress. She went on to do The Sheepman (1958) and The Matchmaker (1958). In 1960, she got her second Academy Award nomination for The Apartment (1960). Three years later, she received a third nomination for Irma la Douce (1963). In 1969, she brought her friend Bob Fosse from Broadway to direct her in Sweet Charity (1969), from which she got her "signature" song, "If My Friends Could See Me Now". After a five-year hiatus, Shirley made a documentary on China called The Other Half of the Sky: A China Memoir (1975), for which she received an Oscar nomination for best documentary.
In 1977, she got her fourth Best Actress Oscar nomination for The Turning Point (1977). In 1979, she worked with Peter Sellers in Being There (1979), made shortly before his death. After 20 years in the film industry, she finally took home the Best Actress Oscar for Terms of Endearment (1983). After a five-year hiatus, Shirley made Madame Sousatzka (1988), a critical and financial hit that took top prize at the Venice Film Festival. In 1989, she starred with Dolly Parton, Sally Field and Julia Roberts in Steel Magnolias (1989). She received rave reviews playing Meryl Streep's mother in Postcards from the Edge (1990) and for Guarding Tess (1994). In 1996, she reprised her role from "Terms of Endearment" as "Aurora Greenway" in The Evening Star (1996), which didn't repeat its predecessor's success at the box office. In mid-1998, she directed Bruno (2000), which starred Alex D. Linz. In February 2001, Shirley worked with close friends once again in These Old Broads (2001), and co-starred with Julia Stiles in Carolina (2003) and with Kirstie Alley in Salem Witch Trials (2002).
MacLaine as her own website which includes her own radio show and interviews, the Encounter Board, and Independent Expression, a members-only section of the site. In the past few years, Shirley starred in a CBS miniseries based on the life of cosmetics queen Mary Kay Ash--Hell on Heels: The Battle of Mary Kay (2002), and wrote two more books, "The Camino" in 2001, and "Out On A Leash" in 2003. After taking a slight hiatus from motion pictures, Shirley returned with roles in the movies that were small, but wonderfully scene-stealing: Bewitched (2005) with Nicole Kidman and Will Ferrell, In Her Shoes (2005) with Cameron Diaz and Toni Collette, in which Shirley was nominated for a Golden Globe in the best supporting actress category, and Rumor Has It... (2005) with Jennifer Aniston and Kevin Costner. Shirley completed filming of Closing the Ring (2007), directed by Sir Richard Attenborough, in 2007. Her latest book is entitled "Sage-ing While Ag-ing"; Shirley's latest film is Valentine's Day (2010), which debuted in theaters on February 12, 2010.Fav Performance: The Apartment- Actress
- Producer
- Additional Crew
Born in New York City to legendary screen star Henry Fonda and Ontario-born New York socialite Frances Seymour Brokaw, Jane Seymour Fonda was destined early to an uncommon and influential life in the limelight. Although she initially showed little inclination to follow her father's trade, she was prompted by Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of "The Country Girl". Her interest in acting grew after meeting Lee Strasberg in 1958 and joining the Actors Studio. Her screen debut in Tall Story (1960) (directed by Logan) marked the beginning of a highly successful and respected acting career highlighted by two Academy Awards for her performances in Klute (1971) and Coming Home (1978), and five Oscar nominations for Best Actress in They Shoot Horses, Don't They? (1969), Julia (1977), The China Syndrome (1979), The Morning After (1986) and On Golden Pond (1981), which was the only film she made with her father. Her professional success contrasted with her personal life, which was often laden with scandal and controversy. Her appearance in several risqué movies (including Barbarella (1968)) by then-husband Roger Vadim was followed by what was to become her most debated and controversial period: her espousal of anti-establishment causes and especially her anti-war activities during the Vietnam War. Her political involvement continued with fellow activist and husband Tom Hayden in the late 1970s and early 1980s. In the 1980s she started the aerobic exercise craze with the publication of the "Jane Fonda's Workout Book". She and Hayden divorced, and she married broadcasting mogul Ted Turner in 1991.Fav Performance: Klute- Actress
- Producer
- Director
An icy, elegant blonde with a knack for playing complex and strong-willed female leads, enormously popular actress Faye Dunaway starred in several films which defined what many would come to call Hollywood's "second Golden Age." During her tenure at the top of the box office, she was a more than capable match for some of the biggest macho stars of the 1970s. Then an overwrought turn in the disastrous biopic Mommie Dearest (1981) effectively derailed her career - but, at the same time, made her a bit of a camp favorite in the gay community - though she's been afforded infrequent opportunities worthy of her talent since that unfortunate halt.
Born prematurely on Jan. 14, 1941 in Bascom, FL, Dorothy Faye Dunaway was the daughter of MacDowell Dunaway, Jr., a career Army officer, and his wife, Grace April Smith. After a stint as a teenaged beauty queen in Florida, she intended to pursue education at the University of Florida, but switched to acting, earning her degree from Boston University in 1962. She was given the enviable task of choosing between a Fulbright Scholarship to the London Academy of Music and Dramatic Arts or a role in the Broadway production of "A Man For All Seasons" as a member of the American National Theatre and Academy. She picked the latter, enjoying a fruitful stage career for the next two years, which was capped by appearances in "After the Fall" and "Hogan's Goat." The latter - an off-Broadway production in 1967 - required Dunaway to tumble down a flight of steps in every performance, earning her a screen debut in the wan counterculture comedy The Happening (1967). Just five months after its release, however, she was wowing audiences across the country as Depression-era bank robber Bonnie Parker in Arthur Penn's controversial Bonnie and Clyde (1967). Her turn as the naïve but trigger-happy and sexually aggressive Parker earned her Academy Award and Golden Globe nominations, and provided a direct route to the front of the line for Hollywood leading ladies in an unbelievably short amount of time.
Dunaway followed this success with another hit, The Thomas Crown Affair (1968), in which her coolly sensual insurance investigator generated considerable sparks with playboy and jewel thief Steve McQueen. She then bounced between arthouse efforts like Puzzle of a Downfall Child (1970), directed by her ex-boyfriend, photographer Jerry Schatzberg, and the revisionist Western 'Doc' (1971), as well as big-budget efforts like Little Big Man (1970), which cast her as a predatory preacher's wife with designs on Dustin Hoffman's reluctant Native American hero. Dunaway also balanced these projects with several well-regarded theatrical productions, including a 1972-73 stint as Blanche Du Bois in "A Streetcar Named Desire," and notable TV-movies like The Woman I Love (1972), which cast her as the Duchess of Windsor, and TV broadcasts of Hogan's Goat (1971) and After the Fall (1974). But her turn as the duplicitous Lady De Winter in Richard Lester's splashy, slapstick take on The Three Musketeers (1973) and its sequel The Four Musketeers: Milady's Revenge (1974) preceded a long period of critical and box office hits, starting with her masterful performance in Chinatown (1974).
Dunaway's turn as Evelyn Mulwray, the mysterious woman who draws detective Jake Gittes (Jack Nicholson) into a dark and complicated web of murder, incest, and catastrophic business deals, seemed the epitome of every femme fatale to ever stride across a chiaroscuro-lit scene in classic noir. But Dunaway also found the horribly wounded core of her character as well, and turned Evelyn from a pastiche to a full-blown and emotionally resonant human being. Critics and award groups rushed to nominate Dunaway for the role, and she netted her second Academy Award nod, as well as Golden Globe and BAFTA nominations. Dunaway had fought hard for her performance - her battles with director Roman Polanski were no secret - but sadly, she lost the Oscar to Ellen Burstyn for Alice Doesn't Live Here Anymore (1974). However, it would be Dunaway's performance which stood the test of time.
High-gloss turns in The Towering Inferno (1974) and Sydney Pollack's political thriller Three Days of the Condor (1975) preceded one of her best television performances; that of Depression-era radio preacher Aimee Semple MacPherson in The Disappearance of Aimee (1976). Even more startling was her sterling role in Network (1976), Paddy Chayefsky's blistering take on the television industry. Dunaway pulled out all the stops as an executive on the rise who stops at nothing to advance her career - even bedding veteran producer William Holden. Critics again rose in unison to praise Dunaway, and she finally netted an Oscar for the role, as well as a Golden Globe.
Surprisingly, Dunaway's career began to falter after her Oscar win. She was effective as a fashion photographer who experiences disturbing visions in Eyes of Laura Mars (1978), but was wasted in thankless roles as the dissatisfied ex of washed-up boxer Jon Voight in The Champ (1979) and wife to Frank Sinatra's detective in The First Deadly Sin (1980). And then came Mommie Dearest (1981), director Frank Perry's biopic of actress Joan Crawford based on the tell-all book by her daughter Christina Crawford. Crawford herself had praised Dunaway in the early stages of her career, and while some critics gave positive reviews to her performance - in particular, the extent to which she physically transformed herself into Crawford - most fixated on the hysterical dialogue and garish scenes of child abuse. Clips of Dunaway as Crawford bellowing "No more wire hangers!" became immediate laugh-getters on late-night television, and a substantial gay following rose up in response to the film's high camp value. Dunaway, however, found none of the response amusing, and later admitted her regret in taking the role. Whether laughable or pure genius, no one could deny that Dunaway threw her everything into the role. The film's continued cult success proved she had succeeded in becoming Crawford.
The fallout from "Mommie Dearest" obscured Dunaway's follow-up projects, which included the title role in the TV-movie Evita Peron (1981) and a return to Broadway in 1982's "The Curse of an Aching Heart". Discouraged, she moved to London with her second husband, photographer Terry O'Neill, who had also served as a producer on "Mommie Dearest." For the next few years, Dunaway appeared sporadically in films, most of which underscored her newly minted status as a camp icon. The Wicked Lady (1983) was an absurd, near-softcore period drama by Michael Winner, with Dunaway as an 18th-century highway robber. Fans of her early dramatic work were similarly aghast by her turn as a shrieking witch battling Helen Slater's Girl of Steel in Supergirl (1984). Only a Golden Globe-winning appearance in the cumbersome miniseries Ellis Island (1984) offered any respite from the negative press which now continued to follow her.
Dunaway returned to the United States in 1987 following her divorce from O'Neill, and attempted to rebuild her career and reputation by appearing in several independent dramas. She was widely praised for her performance as a once-glamorous woman felled by alcohol in Barbet Schroeder's Barfly (1987), and served as executive producer and star of Cold Sassy Tree (1989), a TV adaptation of the popular novel by Olive Ann Burns about an independent-minded woman who romances a recently widowed store owner (Richard Widmark). Dunaway was exceptionally busy for the remainder of the decade in both major Hollywood features and independent fare, though her strong women now occasionally sported an unfortunate shrill side. She was Robert Duvall's frosty wife in the dystopian thriller The Handmaid's Tale (1990) and contributed a vocal cameo as Evelyn Mulwray in The Two Jakes (1990), the ill-fated sequel to "Chinatown". Other notable performances came as the unhappy wife of psychiatrist Marlon Brando in Don Juan DeMarco (1994), as the daughter of imprisoned Klansman Gene Hackman in The Chamber (1996), and as a bartender caught in the middle of a hostage standoff in Kevin Spacey's Albino Alligator (1996). She later received Screen Actors Guild and Golden Globe nominations as the matron of a wealthy Jewish family in turmoil in The Twilight of the Golds (1996). Perhaps her best turn of the decade was as a seductive murderess who attempts to sway the unflappable Lt. Columbo (Peter Falk) in It's All in the Game (1993), which earned her a 1994 Emmy. She won her third Golden Globe as modeling agency head Wilhelmina Cooper in the biopic Gia (1998), starring Angelina Jolie as doomed model Gia Carangi.
The 1990s were also not without incident for Dunaway. She was embroiled in an ugly lawsuit against Andrew Lloyd Webber after he closed a Los Angeles production of his musical version of "Sunset Blvd." with claims that she was unable to sing to his standards. The suit was later settled out of court for an undisclosed sum. A national tour of Terrence McNally's "Master Class", about the legendary opera diva Maria Callas, ended with her involvement in a suit over legal rights to the play. The project was expected to become her next great film role but remained uncompleted more than a decade after the 1996 tour. Her attempt at sitcom stardom in It Had to Be You (1993), co-starring Robert Urich, was met with universal disinterest, and the project was announced as being retooled without Dunaway prior to its cancellation.
Dunaway's schedule remained busy from 2000 onward, mostly in television and small independent features. She co-starred with Mark Wahlberg and Joaquin Phoenix as the wife of career criminal James Caan in The Yards (2000), then made her directorial debut with the short The Yellow Bird (2001), based on the play by Tennessee Williams. Younger audiences had their first taste of Dunaway's particular star power as Ian Somerhalder's mother in The Rules of Attraction (2002), Roger Avary's amped-up adaptation of the Bret Easton Ellis novel, before Dunaway turned up the heat as a merciless celebrity judge on the reality series The Starlet (2005).
Dunaway penned her memoirs, Looking For Gatsby, in 1995, one year before receiving her star on the Hollywood Walk of Fame. Attached throughout her professional career to intriguing men ranging from Lenny Bruce to Marcello Mastroianni, she was twice married; her first husband was singer Peter Wolf of the popular seventies rock group, The J. Geils Band. Liam O'Neill, her son by second husband Terry, followed in her footsteps with minor acting roles beginning in 2004. His father later dropped a bombshell in 2003 by revealing that Liam was not their biological son, but was adopted - a claim that Dunaway had previously denied.
A series of occasional roles in little-seen films followed, but Dunaway was unexpectedly thrust back into the public eye at the 2017 Academy Awards. Reunited with Warren Beatty on the occasion of the 50th anniversary of "Bonnie and Clyde," the pair were tapped to present the Best Picture award to close the night. Before proceeding onstage, Beatty was mistakenly handed a backup envelope for Best Actress in a Leading Role, which had already been won by Emma Stone for La La Land (2016). Unsure what to do when he opened the envelope and discovered the error, Beatty stalled for time and showed the card to Dunaway; misunderstanding his intent, the actress announced that the Best Picture Oscar went to "La La Land." During producer Jordan Horowitz's acceptance speech, he was informed that the actual Best Picture winner was Moonlight (2016). During the onstage chaos that ensued, Beatty delivered a heartfelt explanation and apology for the snafu while undergoing good-natured ribbing from host Jimmy Kimmel.
After her break from acting and the memorable Oscars moment, Dunaway is now back in the saddle as an actress working more frequently in her 70s. Over the past year, she has appeared in three films, starring in The Bye Bye Man (2017), The Case for Christ (2017), and Inconceivable (2017), with more projects expected to be on the way. The icon also fronts Gucci's summer 2018 ad campaign for their Sylvie handbag and has a Broadway show scheduled for 2019.Fav Performance: Chinatown- Actress
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Goldie Jeanne Hawn was born November 21, 1945 in Washington, D.C. to Laura Hawn, who owned a dance school, and Rut Hawn, a band musician. She has one sister, entertainment publicist Patti Hawn; a brother, Edward, died in infancy before her birth. She was raised in the Jewish religion. Her mother was Jewish and the daughter of Hungarian immigrants. Her father was Presbyterian. At the age of three, Goldie began taking ballet and tap dance lessons, and at the age of ten she danced in the chorus of the Ballet Russe de Monte Carlo production of "The Nutcracker". At the age of 19 she ran and instructed a ballet school, having dropped out of college where she was majoring in drama. Before going into the film business she worked as a professional dancer.
Hawn made her feature film debut in The One and Only, Genuine, Original Family Band (1968), with a small role as a giggling dancer. Her first big role came in 1969, where she played opposite Walter Matthau and Ingrid Bergman in Cactus Flower (1969), a role which earned her an Academy Award for Best Supporting Actress. After the Oscar win her career took off and she followed with roles in successful comedies such as There's a Girl in My Soup (1970) and Shampoo (1975), and more dramatic roles in The Girl from Petrovka (1974) and The Sugarland Express (1974). In 1978, she starred alongside Chevy Chase in the box office hit, Foul Play (1978). In 1980 she starred in another box office hit, Private Benjamin (1980), where she also served as producer. During the 1980s she starred in hit movies such as Best Friends (1982), Protocol (1984) and Wildcats (1986). In 1987, she appeared with her boyfriend Kurt Russell in Overboard (1987), which became both a critical and box office disappointment. Her career slowed down after that until 1990 when she starred alongside Mel Gibson in Bird on a Wire (1990). In 1992 she starred in the successful film, Death Becomes Her (1992), with Meryl Streep and Bruce Willis, which was followed by another successful film HouseSitter (1992), which co-starred Steve Martin. In 1996 she played the role of an aging alcoholic actress in the comedy, The First Wives Club (1996), with Diane Keaton and Bette Midler; it became a critical and financial success. She also starred in the Woody Allen film Everyone Says I Love You (1996) and The Out-of-Towners (1999), which reunited her with Martin. In 2001 and 2002 she starred in Town & Country (2001) with Warren Beatty, and The Banger Sisters (2002) with Susan Sarandon.
Goldie has been married twice. First to dancer/director Gus Trikonis from 1969 to 1973. In 1976 she married musician Bill Hudson and became a mother for the first time that year, when she gave birth to their son Oliver Hudson. In 1979, she had her second child with Hudson, daughter Kate Hudson. The marriage ended in divorce in 1980. Since 1983, she has been having a relationship with actor Kurt Russell. Their son Wyatt Russell was born in 1986. Goldie is also a de-facto stepmother to Kurt's son Boston Russell. She has eight grandchildren.Fav Performance: The Sugarland Express- Actress
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Diane Keaton was born Diane Hall in Los Angeles, California, to Dorothy Deanne (Keaton), an amateur photographer, and John Newton Ignatius "Jack" Hall, a civil engineer and real estate broker. She studied Drama at Santa Ana College, before dropping out in favor of the Neighborhood Playhouse in New York. After appearing in summer stock for several months, she got her first major stage role in the Broadway rock musical "Hair". As understudy to the lead, she gained attention by not removing any of her clothing. In 1968, Woody Allen cast her in his Broadway play "Play It Again, Sam," which had a successful run. It was during this time that she became involved with Allen and appeared in a number of his films. The first one was Play It Again, Sam (1972), the screen adaptation of the stage play. That same year Francis Ford Coppola cast her as Kay in the Oscar-winning The Godfather (1972), and she was on her way to stardom. She reprized that role in the film's first sequel, The Godfather Part II (1974). She then appeared with Allen again in Sleeper (1973) and Love and Death (1975).
In 1977, she broke away from her comedy image to appear in the chilling Looking for Mr. Goodbar (1977), which won her a Golden Globe nomination. It was the same year that she appeared in what many regard as her best performance, in the title role of Annie Hall (1977), which Allen wrote specifically for her (her real last name is Hall, and her nickname is Annie), and what an impact she made. She won the Oscar and the British Award for Best Actress, and Allen won the Directors Award from the DGA. She started a fashion trend with her unisex clothes and was the poster girl for a lot of young males. Her mannerisms and awkward speech became almost a national craze. The question being asked, though, was, "Is she just a lightweight playing herself, or is there more depth to her personality?" For whatever reason, she appeared in but one film a year for the next two years and those films were by Allen. When they broke up she was next involved with Warren Beatty and appeared in his film Reds (1981), as the bohemian female journalist Louise Bryant. For her performance, she received nominations for the Academy Award and the Golden Globe. For the rest of the 1980s she appeared infrequently in films but won nominations in three of them. Attempting to break the typecasting she had fallen into, she took on the role of a confused, somewhat naive woman who becomes involved with Middle Eastern terrorists in The Little Drummer Girl (1984). To offset her lack of movie work, Diane began directing. She directed the documentary Heaven (1987), as well as some music videos. For television she directed an episode of the popular, but strange, Twin Peaks (1990).
In the 1990s, she began to get more mature roles, though she reprized the role of Kay Corleone in the third "Godfather" epic, The Godfather Part III (1990). She appeared as the wife of Steve Martin in the hit Father of the Bride (1991) and again in Father of the Bride Part II (1995). In 1993 she once again teamed with Woody Allen in Manhattan Murder Mystery (1993), which was well received. In 1995 she received high marks for Unstrung Heroes (1995), her first major feature as a director.Fav Performance: Annie Hall- Actress
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It was after the 1968 Democratic convention and there was a casting call for a film with several roles for the kind of young people who had disrupted the convention. Two recent graduates of Catholic University in Washington DC, went to the audition in New York for Joe (1970). Chris Sarandon, who had studied to be an actor, was passed over. His wife Susan got a major role.
That role was as Susan Compton, the daughter of ad executive Bill Compton (Dennis Patrick). In the movie Dad Bill kills Susan's drug dealer boyfriend and next befriends Joe (Peter Boyle)-- a bigot who works on an assembly line and who collects guns.
Five years later, Sarandon made the film where fans of cult classics have come to know her as Janet, who gets entangled with transvestite Dr. Frank n Furter in The The Rocky Horror Picture Show (1975). More than 15 years after beginning her career Sarandon at last actively campaigned for a great role, Annie in Bull Durham (1988), flying at her own expense from Rome to Los Angeles. "It was such a wonderful script ... and did away with a lot of myths and challenged the American definition of success", she said. "When I got there, I spent some time with Kevin Costner, kissed some ass at the studio and got back on a plane". Her romance with the Bull Durham (1988)) supporting actor, Tim Robbins, had produced two sons by 1992 and put Sarandon in the position of leaving her domestic paradise only to accept roles that really challenged her. The result was four Academy Award nominations in the 1990s and best actress for Dead Man Walking (1995). Her first Academy Award nomination was for Louis Malle's Atlantic City (1980).Fav Performance: Thelma & Louise- Actress
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Considered by many critics to be the greatest living actress, Meryl Streep has been nominated for the Academy Award an astonishing 21 times, and has won it three times. Meryl was born Mary Louise Streep in 1949 in Summit, New Jersey, to Mary Wolf (Wilkinson), a commercial artist, and Harry William Streep, Jr., a pharmaceutical executive. Her father was of German and Swiss-German descent, and her mother had English, Irish, and German ancestry.
Meryl's early performing ambitions leaned toward the opera. She became interested in acting while a student at Vassar and upon graduation she enrolled in the Yale School of Drama. She gave an outstanding performance in her first film role, Julia (1977), and the next year she was nominated for her first Oscar for her role in The Deer Hunter (1978). She went on to win the Academy Award for her performances in Kramer vs. Kramer (1979) and Sophie's Choice (1982), in which she gave a heart-wrenching portrayal of an inmate mother in a Nazi death camp.
A perfectionist in her craft and meticulous and painstaking in her preparation for her roles, Meryl turned out a string of highly acclaimed performances over the next decade in great films like Silkwood (1983); Out of Africa (1985); Ironweed (1987); and A Cry in the Dark (1988). Her career declined slightly in the early 1990s as a result of her inability to find suitable parts, but she shot back to the top in 1995 with her performance as Clint Eastwood's married lover in The Bridges of Madison County (1995) and as the prodigal daughter in Marvin's Room (1996). In 1998 she made her first venture into the area of producing, and was the executive producer for the moving ...First Do No Harm (1997). A realist when she talks about her future years in film, she remarked that "...no matter what happens, my work will stand..."Fav Performance: Kramer Vs. Kramer- Actress
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Sigourney Weaver has created a host of memorable characters, both dramatic and comic, ranging from Ripley in Alien to Dian Fossey in Gorillas in the Mist to Gwen/Tawny in Galaxy Quest and most recently, 14-year-old Kiri in Avatar: The Way of Water. With a career spanning over 50 years, Weaver has captivated audiences and won acclaim as one of the most gifted and versatile actresses on stage and screen.
Born and educated in New York City, Weaver graduated from Stanford University and went on to receive a master's degree from the Yale School of Drama. Her first professional job was in Sir John Gielgud's production of The Constant Wife working with Ingrid Bergman.
After a walk-on in Woody Allen's Annie Hall, Weaver made her motion picture debut in Ridley Scott's 1979 blockbuster Alien. She later reprised the role of Warrant Officer Ripley in James Cameron's 1986 Aliens; her performance earned her Academy Award and Golden Globe nominations for Best Actress. In 1992, she again brought Ripley back to life in David Fincher's Alien 3, which she co-produced, and in 1997 she starred in and co-produced Alien: Resurrection for director Jean-Pierre Jeunet. In 1985, Weaver starred in Ivan Reitman's Ghostbusters alongside Bill Murray and Dan Aykroyd playing Dana Barrett and her possessed counterpart Zuul.
In 1988 Weaver portrayed primatologist Dian Fossey in Gorillas in the Mist and Katharine Parker in the Mike Nichols comedy Working Girl. Both performances earned her Academy Award Nominations, and she was awarded two Golden Globes for Best Actress and Best Supporting Actress in a Motion Picture. Other films include Peter Weir's The Year of Living Dangerously (1983) with Linda Hunt and Mel Gibson, Eyewitness (1981) with William Hurt, Half Moon Street (1986) with Michael Caine, Ridley Scott's 1492: Conquest of Paradise (1992) with Gerard Depardieu, Roman Polanski's gripping film adaptation of Death and the Maiden (1994), the thriller Copycat (1995) and Paul Rudnick's comedy Jeffery (1995). Weaver also starred in Showtime's live-action film Snow White (1997) based on the original Grimm's fairy tale, which earned her an Emmy nomination and a Screen Actors Guild nomination.
In 1997 Weaver joined the ensemble of Ang Lee's critically acclaimed film The Ice Storm alongside Kevin Kline, Joan Allen, Elijah Wood and Christina Ricci. Her performance garnered her a BAFTA Award, a Golden Globe nomination and a Screen Actors Guild nomination for Best Supporting Actress. She later gave a galvanizing performance in A Map of the World (1999), Scott Elliott's powerful drama based on the novel by Jane Hamilton, which earned her universal critical praise and a Golden Globe nomination for best actress. Also in 1999, Weaver appeared in the science fiction comedy Galaxy Quest directed by Dean Parisot alongside Tim Allen and Alan Rickman. She delighted audiences with her flair for comedy, and the film proved to be a hit of the 1999 holiday season. She followed this with the popular comedies Company Man (2000) written and directed by Douglas McGrath and David Mirkin's Heartbreakers (2001) opposite Gene Hackman, Jennifer Love-Hewitt and the late Ray Liotta.
In 2002 Weaver starred in the film version of The Guys, with Anthony LaPaglia, directed by Jim Simpson, and in 2003 she portrayed the cold-blooded, red-headed warden in the hit comedy Holes directed by Andy Davis. The next year, Weaver appeared in M. Night Shyamalan's The Village and received rave reviews for her performance in Imaginery Heroes written and directed by Dan Harris.
In 2006 she appeared in three films - as Babe Paley in Douglas McGrath's Infamous, in Jake Kasdan's The TV Set, and in Snow Cake opposite Alan Rickman. In the following years, Weaver lent her voice to Pixar's 2008 box office smash WALL-E as well as The Tale of Despereaux (2008) with Matthew Broderick, Dustin Hoffman and Emma Watson. She also starred in the Tina Fey/Amy Poehler comedy Baby Mama (2008) and Andy Fickman's comedy You Again (2010) with Jamie Lee Curtis. In December 2009 Weaver starred as Dr. Grace Augustine in Jim Cameron's groundbreaking film Avatar, which went on to be the highest grossing film of all time. The film won a Golden Globe for Best Picture and an Academy Award nomination for Best Picture.
Other credits include Drew Goddard's The Cabin in the Woods (2012), Miguel Arteta's Cedar Rapids (2011), Paul (2011), Amy Heckerling's Vamps (2012), and Neil Blomkamp's Chappie (2015). In December 2016 she starred in Focus Features' A Monster Calls alongside Liam Neeson, Felicity Jones and newcomer, Lewis MacDougall, followed by Lionsgate's The Assignment (2017) with Michelle Rodriguez directed by Walter Hill.
After coming to New York in the fall of 1975, Weaver performed Off-Off Broadway in Christopher Durang's The Nature and Purpose of the Universe (1974), Titanic (1976) and Das Lusitania Songspiel (1980). She and Durang co-wrote Das Lusitania which earned them both Drama Desk nominations. She has appeared in numerous Off-Broadway productions in New York, working with writers such as John Guare, Albert Innaurato, Richard Nelson and Len Jenkin. In regional repertory she has performed works by Pinter, Williams, Feydeau and Shakespeare. Weaver also appeared in the PBS mini-series "The Best of Families" (1977) and John Cheever's The Sorrows of Gin (1979), adapted by Wendy Wasserstein for PBS.
Weaver received a Tony Award nomination for her starring role in Hurlyburly (1984) on Broadway, directed by Mike Nichols. She played Portia in the Classic Stage Company of New York's production of The Merchant of Venice (1986). In 1996 Weaver returned to Broadway in the Lincoln Center production of Sex and Longing, written by Christopher Durang. In the Fall of 2012, she starred in the Lincoln Center production of Christopher Durang's Vanya and Sonia and Masha and Spike which moved to Broadway in 2013. That year Vanya and Sonia and Masha and Spike took home the Tony award for Best Play.
Weaver originated the female lead in Anne Nelson's The Guys (2001) at The Flea where it was commissioned and directed by Jim Simpson. The Guys tells the story of a fire captain played by Bill Murray dealing with the aftermath of 9/11. In 2002 she starred in Neil LaBute's play The Mercy Seat opposite Liev Schreiber - which John Lahr of The New Yorker described as offering "performances of a depth and concentration that haven't been seen in New York for many seasons." Weaver also originated roles in two A.R. Gurney world premieres, Mrs. Farnsworth (2004) at the Flea Theater (New York Times 10 Best Plays for 2004), and Crazy Mary (2007) at Playwrights Horizons.
In television Weaver received Emmy, Screen Actors' Guild and Golden Globe nominations for her role as Mary Griffith in Lifetime's "Prayers for Bobby," which was also Emmy nominated for Outstanding Made for Television Movie. In 2012 she was seen in USA Network's miniseries "Political Animals," for which she received SAG, Golden Globe, and Emmy nominations. Weaver also appeared in the Marvel series "The Defenders," released globally on Netflix in August 2017.
Ms. Weaver was honored to receive the GLAAD Media Award for her work in "Prayers for Bobby" as well as the Trevor Life Award in 2011. She has been the Honorary Chair of the Dian Fossey Gorilla Fund for the last 33 years. She currently serves on the Board of Trustees of the New York Botanical Garden in the Bronx, and she also served on the Board of Human Rights First for 25 years. Weaver was proud to receive the National Audubon Society's Rachel Carson Award in 2009 for her environmental work. She was also a co-founder of the original Flea Theater on White Street which championed young artists and new work.
Weaver appeared in season 4 of the French television series "Call My Agent!" which was released globally on Netflix in 2021 and won the International Emmy for Comedy Series. Additionally, she starred in Philippe Falardeau's My Salinger Year which opened the 2020 Berlin International Film Festival. In April 2021 Weaver narrated James Cameron's "Secrets of the Whales," which debuted on Disney+ and garnered an Emmy nomination for Outstanding Narrator. The series also won the Emmy for Outstanding Documentary or Nonfiction Series.
Weaver's recent film work includes Phyllis Nagy's drama Call Jane alongside Elizabeth Banks, Maya Forbes and Wallace Wolodarsky's The Goos House alongside Kevin Kline. James Cameron's Avatar: The Way of Water premiered at the end of 2022 with Weaver playing Kiri, Grace Augustine's Na'vi daughter. A2 received "Best Picture" nominations for the Oscars, Golden Globe, and Critics Choice awards and has grossed almost 2.5 billion dollars. Upcoming projects include Amazon Studios' drama series, "The Lost Flowers of Alice Hart," which she also executive produced, and Paul Schrader's Master Gardener, opposite Joel Edgerton, which premiered at the 2022 Venice Film Festival.Fav Performance: Alien- Actress
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As a kid, Sissy Spacek climbed trees, rode horses, swam, and played in the woods. She was born Mary Elizabeth Spacek on December 25, 1949, in Quitman, Texas, to Virginia Frances (Spilman) and Edwin Arnold Spacek, Sr., a county agricultural agent. Her father's family was of Czech and German origin.
Sissy attended Quitman High School and was homecoming queen. After graduating, she embarked on an acting career, gaining interest in the profession through her cousin, actor Rip Torn. Sissy relocated to New York, and through him, enrolled in the New York branch of the Actors Studio. She studied acting at the Lee Strasberg Institute while also pursuing work as a model and singer, appearing in West Village showcases such as the Bitter End for $10 a night. Sissy eventually broke into film and one of her first roles was as Holly in the classic Badlands (1973). The art director on that film was Jack Fisk, with whom she would marry in 1974 and ultimately collaborate on eight films. Sissy followed this landmark film with a star-making and Oscar nominated performance in Carrie (1976), in which she played a humiliated prom queen who goes postal with her telekinesis. Sissy has had an enduring and award winning career in movies and television, which includes an Oscar as Best Actress for Coal Miner's Daughter (1980). The parents of two grown daughters, Sissy and Jack live on a large horse ranch in the foothills of Virginia's Blue Ridge Mountains. Even though she continued to appear in film and television during the late 1980s and 1990s, Sissy devoted most of those years to her family. Then, in 2001, Sissy returned to the big screen in a major way with a powerful performance in In the Bedroom (2001), which not only earned her a sixth Best Actress Oscar nomination, but a win for Best Actress at the Golden Globes, Independent Spirit Awards, and numerous critics association awards. Sissy continues to work steadily as an actress, but in 2012, her credits expanded even further to include a memoir, My Extraordinary Ordinary Life.Fav Performance: 3 Women- Actress
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Kathleen Turner was born June 19, 1954 in Springfield, Missouri, to Patsy (Magee) and Allen Richard Turner, a U.S. Foreign Service officer. She graduated from American School in London in 1972. After the death of her father, the Turner family moved back to the United States where Kathleen later enrolled at Missouri State University for two years, and earned her Bachelor of Fine Arts degree from the University of Maryland Baltimore County (UMBC) in 1977. Kathleen made her film debut in Body Heat (1981), her role as the relentless Matty Waker brought her astronomical success, and is remembered as one of the sexiest roles in film history. After her initial success, Kathleen continued to flourish with performances in The Man with Two Brains (1983), Romancing the Stone (1984), The Jewel of the Nile (1985), Prizzi's Honor (1985), Peggy Sue Got Married (1986), The War of the Roses (1989), and Serial Mom (1994).The War of the Roses- Actress
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Michelle Pfeiffer was born in Santa Ana, California to Dick and Donna Pfeiffer. She has an older brother and two younger sisters - Dedee Pfeiffer, and Lori Pfeiffer, who both dabbled in acting and modeling but decided against making it their lives' work. She graduated from Fountain Valley High School in 1976, and attended one year at the Golden West College, where she studied to become a court reporter. But it was while working as a supermarket checker at Vons, a large Southern California grocery chain, that she realized her true calling. She was married to actor/director Peter Horton ("Gary" of Thirtysomething (1987)) in 1981. They were later divorced, and she then had a three year relationship with actor Fisher Stevens. When that didn't work out, Pfeiffer decided she didn't want to wait any longer before having her own family, and in March of 1993, she adopted a baby girl, Claudia Rose. On November 13th of the same year, she married lawyer-turned-writer/producer David E. Kelley, creator of Picket Fences (1992), Chicago Hope (1994), The Practice (1997), and Boston Public (2000). On August 5, 1994 their son, John Henry was born.Fav Performance: Dangerous Liasons- Actress
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Annette Bening was born on May 29, 1958 in Topeka, Kansas, the youngest of four children. Her family moved to California when she was young, and she grew up there. She graduated from San Francisco State University and began her acting career with the American Conservatory Theatre in San Francisco, eventually moving to New York where she acted on the stage (including a Tony-award nomination in 1987 for her work in the Broadway play "Coastal Disturbances") and got her first film roles, in a few TV movies.
As is so often the case, her first big-screen role was in a forgettable movie, this one The Great Outdoors (1988), in which she had little screen time. However, her next work onscreen was in Milos Forman's Valmont (1989), a film adaptation of Choderlos de Laclos' "Les Liaisons Dangereuses". Unfortunately, de Laclos' story had also just served as the source of a more Hollywoodized and successful movie version, Dangerous Liaisons (1988), which had been released the previous year, and Foreman's treatment went little noticed. Bening's career turned an important corner the following year when she co-starred with Anjelica Huston and John Cusack in Stephen Frears's powerful, entertaining screen adaptation of Jim Thompson's novel The Grifters (1990), and her artful turn as a con artist gained her the first of several Academy award nominations. On the strength of this performance Warren Beatty cast Bening as Virginia Hill, Bugsy Siegel's fiery actress moll, in his Bugsy (1991), the story of Siegel's founding of Las Vegas. Although the movie itself did not fare well, it resulted in a relationship with Beatty which led to Bening's pregnancy and then her marriage to Beatty in 1992 - it was the second marriage for Bening, who had been separated from her first husband since 1986 but did not finalize her divorce until 1991. The couple then collaborated on the extravagant flop Love Affair (1994), though the next year her career rebounded with her turn as Queen Elizabeth in the highly-regarded 1995 production of Richard III (1995). Notable performances have since included an obsessive, pushy real estate agent in American Beauty (1999), and as the eponymous character in István Szabó's screen adaptation of the W. Somerset Maugham novel Being Julia (2004) - both were duly noted by the Academy, with Oscar nominations.
Bening has great poise and screen presence and, at her best, can turn in a very strong performance. Although her resume often features long stretches of mediocre productions before the next good part turns up, when it does, it proves worth the wait. Bening has four children with Beatty.Fav Performance: American Beauty- Actress
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Marcia Gay Harden was born on August 14, 1959, in La Jolla, California, the third of five children. Her mother, Beverly (Bushfield), was a homemaker, and her father, Thad Harold Harden, was in the military. The family relocated often -- she first became interested in the theatre when the family was living in Greece, and she had attended plays in Athens. Harden began her college education at American universities in Europe and returned to the US to complete her studies at the University of Texas in 1983; went on to earn an MFA at NYU, and, thereafter, embarked on her acting career.
Although she had acted in a movie as early as 1986, in the little-known The Imagemaker (1986), her first mainstream role, coming alongside some TV movie work, was as a sultry femme fatale in the Coen Brothers' cleverly offbeat homage to the gangster movie, Miller's Crossing (1990). Harden received good reviews for her sultry performance as Verna, a seductive, trouble-making moll. Harden thereafter worked steadily in supporting roles, including the portrayal of Ava Gardner in Sinatra (1992), a television biopic about Frank Sinatra. Harden also worked in the theater and, in 1993, was part of the Broadway cast of Tony Kushner's "Angels in America", playing Harper, the alienated wife of a closeted gay man. It was a demanding dramatic role, and Harden won acclaim for her work, including a Tony award nomination. She returned to movie making in the mid-1990s, continuing to turn in superb supporting performances in films and television.
Harden's road to success was a long one, her work generally being overlooked because the productions were either critically panned or ignored by audiences. However, it was just a matter of time before Harden got a chance to truly show her quality on-screen, and that time came in 2000, with Ed Harris's Pollock (2000), in which she played Lee Krasner, artist and long-suffering wife of Jackson Pollock. Harden's performance was deeply moving and unforgettable and earned her the Oscar and New York Film Critic's Circle awards for best supporting actress. Continuing to work prolifically in features and television, she earned another Oscar nomination in 2003 for her supporting role in Clint Eastwood's Mystic River (2003), Harden having earlier worked with Eastwood in 2000's Space Cowboys (2000).
Harden's work often makes otherwise mediocre productions worth watching, fully inhabiting any character she portrays. She was married to Thaddaeus Scheel, with whom she worked on The Spitfire Grill (1996), from 1996 to 2012. The couple have three children, a daughter Eulala Scheel, and twins Julitta and Hudson.Fav Performance: Miller's Crossing- Actress
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The acclaimed Cornish actress Dame Kristin Scott Thomas was born in Redruth, Cornwall, to Deborah (Hurlbatt) and Lieutenant Commander Simon Scott Thomas. Her father was a pilot for the British Royal Navy and died in a flying accident in 1964. Her stepfather, Lt. Cdr Simon Idiens, was also a pilot, and died six years later under similar circumstances. Her childhood home was Dorset, England. She left at the age of 19 to work as an au pair in Paris. She was married to French doctor François Oliviennes, with whom she had three children; Hannah, Joseph, and George.Fav Performance: The English Patient- Actress
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The iconoclastic gifts of the highly striking and ferociously talented actress Tilda Swinton have been appreciated by art house crowds and international audiences alike. After her stunning Oscar-winning turn as a high-powered corporate attorney in the George Clooney starring and critically-lauded legal thriller Michael Clayton (2007), however, her androgynous looks and often bizarre appeal have been embraced by more mainstream crowds as well.
She was born Katherine Mathilda Swinton into a patrician Scottish military family on November 5, 1960, in London, England. Her mother, Judith Balfour, Lady Swinton (née Killen), was Australian, and her father, Major-General Sir John Swinton, an army officer, was English-born. Her ancestry is Scottish, Northern Irish, and English, including a long tapestry of prominent Scottish ancestors. Educated at an English and a Scottish boarding school, Tilda subsequently studied Social and Political Science at Cambridge University and graduated in 1983 with a degree in English Literature.
During her tenure as a student, she performed countless stage productions and proceeded to work for a season with the Royal Shakespeare Company where she appeared in such productions as "Measure for Measure." The rebel insider her, however, was strong and she left the company after a year as her approach and interests began to shift dramatically. With a pungent taste for the unique and seldom tried, Tilda found some gender-bending stage roles come her way. She portrayed Mozart in Pushkin's "Mozart and Salieri", and as a working class woman impersonating her dead husband during World War II, in Manfred Karge's "Man to Man," a role she later committed to film (Man to Man (1992)).
In 1985, the tall, slender performer with alabaster skin and carrot-topped hair began a professional association with gay experimental director Derek Jarman. She continued to live and work with the groundbreaking writer/director/cinematographer for the next nine years, involving herself in seven of his often notorious films. This quirky, highly fascinating alliance would produce such stark and radical turns as the Berlin International Film Festival winners Caravaggio (1986), The Last of England (1987), The Garden (1990) and Edward II (1991) (playing Isabella, in which she won "Best Actress" at the Venice Film Festival) and Wittgenstein (1993), as well as the films Soursweet (1988) (a movie with no spoken dialogue) and the Stockholm Film Festival Award winner Blue (1993).
Jarman succumbed to complications from AIDS in 1994. His untimely demise left a devastating void in Tilda's life for quite some time. Her most notable performance of her Jarman period, however, came from a non-Jarman film. For the vivid title role in Orlando (1992), her nobleman character lives for 400 years while changing sex from man to woman. The film, which Swinton spent years helping writer/director Sally Potter develop and finance, continues to this day to have a worldwide devoted fan following.
Over the years, Tilda has preferred art to celebrity, opening herself to experimental projects with new and untried directors and mediums, delving into the worlds of installation art and cutting-edge fashion. Consistently off-centered roles in Female Perversions (1996), Love Is the Devil: Study for a Portrait of Francis Bacon (1998), Teknolust (2002), Young Adam (2003), Broken Flowers (2005) and Béla Tarr's The Man from London (2007) have added to her mystique. Back in 1995, she delved into a performance art piece in the Serpentine Gallery, London, where she was put on display to the public for a week, asleep (or apparently so), in a glass case.
Following the birth of her twins in 1997, Tilda would leave lean for a time towards Hollywood mainstream filming. The thriller The Deep End (2001), earned her a number of critic's awards and her first Golden Globe nomination. Other visible U.S. pictures included The Beach (2000) with Leonardo DiCaprio, fantasy epic Constantine (2005) with Keanu Reeves, her Oscar-decorated performance in Michael Clayton (2007) and, of course, her iconic White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
Into the millennium, Tilda continued to amaze starring in the crime drama Julia (2008) and in David Fincher's The Curious Case of Benjamin Button (2008). She learned Italian and Russian for Luca Guadagnino's I Am Love (2009), starred in the psychological thriller We Need to Talk About Kevin (2011), Wes Anderson's Moonrise Kingdom (2012) and Bong Joon Ho's Snowpiercer (2013), and earned fine notice in Terry Gilliam's The Zero Theorem (2013). She also starred in the dark romantic fantasy drama Only Lovers Left Alive (2013) directed by Jim Jarmusch, had a small role in Wes Anderson's The Grand Budapest Hotel (2014), starred in Judd Apatow's comedy Trainwreck (2015), and played a rock star in Luca Guadagnino's A Bigger Splash (2015).
Showing no signs of slowing up, Tilda continues to make creative, visual impressions in such films as the Coen Brothers' Hail, Caesar! (2016) where she reunited with Clooney and had a dual role playing twin journalists, and as the wise Asian teacher of Dr. Strange (Benedict Cumberbatch) in the Marvel Comics action film Doctor Strange (2016), while repeating the part of The Ancient One in Avengers: Endgame (2019). She gave another eccentric, unhinged performance in the action adventure message movie Okja (2017), played Betsy Trotwood in a contemporary telling of The Personal History of David Copperfield (2019) and teamed up again with writer/director Jim Jarmusch in the thoroughly offbeat fantasy horror comedy The Dead Don't Die (2019).Fav Performance: The Grand Budapest Hotel- Actress
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Julianne Moore was born Julie Anne Smith in Fort Bragg, North Carolina on December 3, 1960, the daughter of Anne (Love), a social worker, and Peter Moore Smith, a paratrooper, colonel, and later military judge. Her mother moved to the U.S. in 1951, from Greenock, Scotland. Her father, from Burlington, New Jersey, has German, Irish, Welsh, German-Jewish, and English ancestry.
Moore spent the early years of her life in over two dozen locations around the world with her parents, during her father's military career. She finally found her place at Boston University, where she earned her Bachelor of Fine Arts (B.F.A.) degree in acting from the School of the Performing Arts. After graduation (in 1983), She took the stage name "Julianne Moore" because there was another actress named "Julie Anne Smith". Julianne moved to New York and worked extensively in theater, including appearances off-Broadway in two Caryl Churchill plays, Serious Money and Ice Cream With Hot Fudge and as Ophelia in Hamlet at The Guthrie Theatre. But despite her formal training, Julianne fell into the attractive actress' trap of the mid-1980's: TV soaps and miniseries. She appeared briefly in the daytime serial The Edge of Night (1956) and from 1985 to 1988 she played two half-sisters Frannie and Sabrina on the soap As the World Turns (1956). This performance later led to an Outstanding Ingénue Daytime Emmy Award in 1988. Her subsequent appearances were in mostly forgettable TV-movies, such as Money, Power, Murder. (1989), The Last to Go (1991) and Cast a Deadly Spell (1991).
She made her entrance into the big screen with 1990's Tales from the Darkside: The Movie (1990), where she played the victim of a mummy. Two years later, Julianne appeared in feature films with supporting parts in The Hand That Rocks the Cradle (1992) and the comedy The Gun in Betty Lou's Handbag (1992). She kept winning better and more powerful roles as time went on, including a small but memorable role as a doctor who spots Kimble Harrison Ford and attempts to thwart his escape in The Fugitive (1993). (A role that made such an impression on Steven Spielberg that he cast her in the Jurassic Park (1993) sequel without an audition in 1997). In one of Moore's most distinguished performances, she recapitulated her "beguiling Yelena" from Andre Gregory's workshop version of Chekhov's Uncle Vanya in Louis Malle's critically acclaimed Vanya on 42nd Street (1994). Director Todd Haynes gave Julianne her first opportunity to take on a lead role in Safe (1995). Her portrayal of Carol White, an affluent L.A. housewife who develops an inexplicable allergic reaction to her environment, won critical praise as well as an Independent Spirit Award nomination.
Later that year she found her way into romantic comedy, co-starring as Hugh Grant's pregnant girlfriend in Nine Months (1995). Following films included Assassins (1995), where she played an electronics security expert targeted for death (next to Sylvester Stallone and Antonio Banderas) and Surviving Picasso (1996), where she played Dora Maar, one of the numerous lovers of Picasso (portrayed by her hero, Anthony Hopkins). A year later, after co-starring in Spielberg's The Lost World: Jurassic Park (1997), opposite Jeff Goldblum, a young and unknown director, Paul Thomas Anderson asked Julianne to appear in his movie, Boogie Nights (1997). Despite her misgivings, she finally was won over by the script and her decision to play the role of Amber Waves, a loving porn star who acts as a mother figure to a ragtag crew, proved to be a wise one, since she received both Golden Globe and Academy Award nominations. Julianne started 1998 by playing an erotic artist in The Big Lebowski (1998), continued with a small role in the social comedy Chicago Cab (1997) and ended with a subtle performance in Gus Van Sant's remake of Psycho (1960). 1999 had Moore as busy as an actress can be.
As the century closed, Julianne starred in a number of high-profile projects, beginning with Robert Altman's Cookie's Fortune (1999) , in which she was cast as the mentally challenged but adorable sister of a decidedly unhinged Glenn Close. A portrayal of the scheming Mrs. Cheveley followed in Oliver Parker's An Ideal Husband (1999) with a number of critics asserting that Moore was the best part of the movie. She then enjoyed another collaboration with director Anderson in Magnolia (1999) and continued with an outstanding performance in The End of the Affair (1999), for which she garnered another Oscar nomination. She ended 1999 with another great performance, that of a grieving mother in A Map of the World (1999), opposite Sigourney Weaver.Fav Performance: Magnolia- Actress
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Emmanuelle Béart was born August 14, 1963, in Gassin, France. She lived with her mother, brothers, and sister on a farm not far from Saint-Tropez in Provence (southern France), because her father, singer and poet Guy Béart, did not want his children to be affected by the glamour world of Paris. When Emmanuelle was thirteen, she saw Romy Schneider in the movie Mado (1976). From that time on, she wanted to be an actress. In Emmanuelle's teens, her parents sent her to Montreal, Quebec, Canada, for four years, so she could learn English. There, she was engaged for a Robert Altman movie that was never made. After returning to France, she took drama classes and got her first TV role, in Raison perdue (1984). David Hamilton, the photographer/director, was impressed by her beauty and gave her a role in First Desires (1983). She met her spouse-to-be, Daniel Auteuil, while making Love on the Quiet (1985). The film that made her famous in France was Manon of the Spring (1986), in which she played the role of a blonde shepherd dancing nude in the fields. Director Tom McLoughlin chose her out of 5,000 candidates for her first Hollywood picture, Date with an Angel (1987). Emmanuelle is a very sensitive and a perfectionist. For the part of Camille in the film A Heart in Winter (1992), she took violin lessons for a whole year. Her biggest success was as a nude model in the art film La Belle Noiseuse (1991), which starred Michel Piccoli and was directed by Jacques Rivette.Fav Performance: Un Coeur En Hiver- Actress
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Juliette Binoche was born in Paris, France, to Monique Yvette Stalens, a director, teacher, and actress, and Jean-Marie Binoche, a sculptor, director, and actor. Her mother was born in Czestochowa, Poland, of French, Walloon Belgian, and Polish descent, while her father is French. Juliette was only 23 when she first attracted the attention of international film critics with The Unbearable Lightness of Being (1988). Roger Ebert, Chicago Sun-Times film critic with an international following of his books on film and TV reviews, wrote that she was "almost ethereal in her beauty and innocence". That innocence was gone by the time Binoche completed Louis Malle's Damage (1992) (aka "Fatale"). In an interview after the film was released, Binoche said: "Malle was trying direct and wanted something more sophisticated". A year later, Krzysztof Kieslowski's Three Colors: Blue (1993) was added to her film credits. After a sabbatical from film-making to become a mother in 1994, Binoche was selected as the heroine of France's most expensive ($35 million) movie ever: The Horseman on the Roof (1995). More recently, she has made The English Patient (1996), for which she won an Oscar for 'Best supporting actress' and Chocolat (2000).Fav Performance: The English Patient- Actress
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Viola Davis is a critically revered actress of film, television, and theater and has won rave reviews for her multitude of substantial and intriguingly diverse roles. Audiences across the United States and internationally have admired her for her work- including her celebrated, Oscar-nominated performances in The Help (2011), Doubt (2008), and her Oscar winning performance in Fences (2016). In 2015, Davis won the Emmy Award for Outstanding Performance by a Female Actor in a Drama Series for her work in ABC's How To Get Away With Murder, making her the first black woman in history to take home the award. In addition to acting, Viola currently produces alongside her husband and producing partner, Julius Tennon, through their JuVee Productions banner. Together they have produced award-garnering productions across theater, television, and film.Fav Performance: Ma Rainey's Black Bottom