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- In 1993, 16-year-old Brandon Lee enrolled at Bearsden Academy, a secondary school in a well-to-do suburb of Glasgow, Scotland. What followed over the next two years became the stuff of legend.
- A comprehensive history of the medium and art of motion pictures.
- A moving portrait of social documentary photographer and trailblazer Tish Murtha, who dedicated her life to documenting the lives of working-class communities in North East England.
- When the question is to be or not to be, there is only one answer.
- A fictional Alfred Hitchcock narrates an explanation of some of the lesser known cinematic techniques he used in his movies, richly illustrated with clips from his entire 50-year career.
- Terror lurks in the old orphanage, beneath a disused London hospital - a Seventeeth Century malevolence, the Plague Doctor, has returned to complete his evil masterpiece...
- Mark Cousins offers hope and optimism while he explores different movies and talks about how technology is changing the course of cinema in a new century and how Covid continues the process.
- From the earliest days of movie-making to the present day, through rare and unseen footage, we see the changing relationship the British have with their land. From images of local celebrations and festivals to agricultural practices through the seasons, village life and lost crafts.
- A documentary that spans 13 decades and five continents to give a guided tour of the art and craft of movies as told by female filmmakers.
- What is the meaning of life, death and all the rest? Max Kestner gives an energetic and imaginative answer in his adventurous film, which begins with the killing of a young giraffe from Copenhagen.
- Based on Jane Rogers' acclaimed novel, "Island" is a tale of yearning and retribution. Consumed by thoughts of revenge, Nikki Black goes to a remote island to seek out the mother (Janet McTeer,) who abandoned her at birth.
- The hunters of the Scottish folklore creature camped out on the shores of the loch throughout the 1970s and 1980s, chasing but never finding the dinosaur-like creature.
- A visual, poetic depiction of Belfast and its citizens, told with love and passion of someone, who has left the city many years ago but is still fascinated by it. Themes brought up in the film range from the landscapes surrounding the city, its changing architecture and social structure to the political and personal repercussions of the Northern Irish conflict.
- Mark Vonnegut leads his friends out of Nixon's broken America to Eden, where they can build something good. His friends are in paradise but Mark begins to hear strange voices. Becoming more threatening, Mark must battle to keep Eden alive.
- When a young showman visits a new town he struggles to fit in. Seagulls follows Ryan as he attempts to bond with a group of local boys. The film explores the subtle differences in the lives of these teenage boys and how cultural bonds are deeply ingrained and are never far from the surface.
- A bizarre journey to Africa with a vegan filmmaker and a big game hunter. Committed vegan, David Graham Scott, follows old colonial relic Guy Wallace as he prepares to go on his last big game hunt and fulfil his ambition to bag the fearsome cape buffalo. It's Guy's last chance to relive his glory days in the African bush and finally lay down his guns. The oddball relationship of Scott and Wallace is the central drive of the film as the director explores the ethics of big game hunting and even questions his own animal rights stance when lured in by the thrill of the hunt. The End of the Game has at its core a great character in a great location going on an epic journey to an equally marvellous setting. Guy Wallace lives in a ramshackle caravan on a barren moor in the northern highlands of Scotland. He sits surrounded by memories of the past: a past that includes going patrols with the King's African Rifles, periods as a mercenary in the turbulent post-colonial phase and as a tracker for big game hunters in Kenya and Tanzania. Filmmaker David Graham Scott lives near the old eccentric in the Caithness moors. He's built a solid relationship with the man he often refers to as 'Sir' Guy and that is fully explored within both the badlands of Caithness and the South African bush. The belligerent old colonial is cut from the same mould as Molly Dineen's central character in Home from the Hill: a man out of time and out of place. The End of the Game is a POV director led narrative questioning the ethics of game hunting and built around the oddball coupling of a vegan and hunter.
- A young boy braves the mean marvelous streets of North Glasgow to shepherd his drunken father home safely.
- Comedy drama about a group of city dwellers who arrive on the island of Skerra to view the local lighthouse, little knowing that all who set foot in it are cursed.
- Excluded from being Warrior Queen in her Highland village's battle re-enactment, a middle-aged woman must rediscover her courage and answer the battle-cry in order to retrieve her family's honour.
- Experimental documentary that looks at the Hiroshima nuclear bomb and its legacy.
- Created with Sundance Collab, for forty days, filmmaker and writer Mark Cousins takes audiences on a journey through cinema.
- The story of the extraordinary friendship between Scottish film maker Bill Douglas and his lifelong companion and collaborator Peter Jewell.
- When a stuffy retired Judge is forced to spend time with his 10 year-old Nephew, the boy unexpectedly reignites his imagination, changing his life forever. This heart-warming story coincidentally popped into my head just as Screen South launched their fantastic Innovation Shorts Scheme. I never thought I'd have the chance to make another short film as ambitious as The Happiness Thief. This time however I am venturing into state of the art 3D technology and CGI animation to tell an enchanting children's story inspired by my recent fatherhood. The film celebrates our ability to imagine and reminds us that: imagination can be forgotten, but never lost.