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9/10
A Wild Wild West episode that speaks the truth about politics
4 February 2012
Warning: Spoilers
This is another great episode from Season 3 of The Wild, Wild West which is by far the greatest season of the show. It was a season that threw out clichés of the first two seasons of West continuously being held captured by the enemy and involving some far out plot. Season 3 of the show is where stories were the most important aspect of the show and the Legion of Death is one of those episodes of Season 3 with a great story. The episodes title is misleading, because the Legion of Death which is a militia run military group isn't the focus of this episode. The episodes primary focus is about politics. The episode speaks the truth on how politics work, especially in this day and age. The episode deals with a dictatorial governor who runs a territory in the USA, that wants to declare statehood and also this governor wants to run for President of the United States. The governor played by Kent Smith is the shining face that the people love and respect. One problem though, their shining face isn't the great leader they think he is. He's a puppet who's run by someone else who stays in shadow's because he doesn't have that great face or charisma like the governor. This man is nerdy, ugly, and has a scarred face and he is the one that runs the show and the Legion. This man in the shadows is played with perfection by a very young Anthony Zerbe.

The episode ends with a surprising climax of not action, but of the truth about politics. A rally is being held for the governor by it's people, but the governor has finally broken down and can't play the part anymore of their shining face, so the man in the shadows steps out of the shadows and reveals himself as the man who's really runs this territory. As soon as the townsfolk's realize this they leave the rally and it completely dies while Zerbe's character goes mad and loses his mind that the people won't rally for him. While he breaks down all West and Gordon can do is look at the man with pity and remorse. One interesting aspect of this episode is when Zerbe's character is pleading for people to unite with him, a picture of the governor with his smooth face is hung in the background. In this instant you can see that the people don't care for the ugliness and the political ambition of this man, but prefer the smooth shining face of the fraudulent governor who knows nothing about politics. This is very true today in our world of politics in the United States.

In all this is a terrific episode of The Wild, Wild West and I can say that the first two seasons wouldn't come close to writing something this realistic or great. This episode also features many great fights and stunts and Robert Conrad looks like he's having lots of fun in this episode. I too, was having lots of fun watching this episode and it was sure one hell of a wild, wild ride.
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Miami Vice: Tale of the Goat (1985)
Season 2, Episode 7
1/10
A Tale of Crap
28 January 2012
A very bizarre, twisted, and goofy episode of Miami Vice. This episode continues the trend of very weak stories throughout Season 2. The whole story of this episode is very silly and unrealistic. Since when did vice cops deal with voodoo. This is one of the worst episodes of Vice ever and for those who like it there probably on what Tubbs was drugged with by the voodoo master Legba. Don Johnson plays this episode for laughs. So would I. Most of the episode Johnson sits in a car, constantly laughing and making faces at something so RIDICULOUSLY STUPID. This episode has really no idea where to go, EXCEPT DOWNHILL. If you want to See a thrilling, fun episode about voodoo watch THE WILD, WILD WEST from episode SEASON 3 OF THE NIGHT OF THE UNDEAD. No show can make bizarre, twisted episodes better than THE WILD, WILD WEST. VICE needs to stick with realism,not this bizarre CRAP.
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Miami Vice: Lend Me an Ear (1987)
Season 3, Episode 18
10/10
Miami Vice Meets Fistful of Dollars
22 October 2008
There are many aspects of 3 that are related to the western genre. The other seasons don't present that, unless you talk about Season 4 pitiful, parody of the western Cows of October. I don't even want to talk about that episode or season, because it's not the Miami Vice that I love. Only 3 I love. Forget the rest. As I was saying before about 3, there are many references of western films and the culture. For a few examples.

Let's start with the phenomenal episode of El Viejo. That episode was one perfect blend of Vice meets the Wild West. With it's terrific mixture of western music, showdowns, and the man in the middle who represented the Wild West. The western 80's vibe themes of Jan Hammer and the two perfectly mixed western songs of 80's artists added a perfect western feel. Especially Cactus World News, "State of Emergency" that highlighted the sensational western showdown climax in the cemetery that had a The Good, the Bad and the Ugly feel to it. Let's also not forget about the western dude of Willie Nelson playing a Texas Ranger of the past added the perfect touch to this amazingly, outstanding classic episode. I love it in every way.

Another episode that was featured in 3 that had western shades was The Afternoon Plane, which in contrast was a modern day version of High Noon. Most of the scenes featured in this episode were from that classic film. The small town, the villains, the women, and the whole arch of the story. Of course the writers changed a few things here and there. It's a great episode, but in my opinion the least greatest episode of 3.

Now we come to the episode Lend Me An Ear which this review is supposed to be about. Lend Me An Ear in my honest opinion is a modern day version of Fistful of Dollars. Of course the story is extremely different from that classic film. There are though a lot of similarities that remind me of Fistful of Dollars. First of course the Man with No Name in this episode is Duddy played with such charisma and perfection by the great John Glover. One of the most underrated actors. Duddy is the man who milks for the green. He wants it and will do anything to get it. Even playing both sides in the episode of the good and the bad. In this case the good are Crockett and Tubbs and the bad is Dykstra played by Yorgo Yarvis. A unknown Greek actor who does an marvelous job in his role. In Fistful the Man with the No Name played both sides for the green and at the end realized he was wrong in doing what he was doing.

In this episode Duddy plays Crockett and Tubbs for the money and then in turn plays Dykstra for the same thing. Duddy knows what he is doing as did the Man with No Name. Duddy is sly and slick. He's a smooth one. So is his counterpart Dkystra. Who fits the bill of Rojas from Fistful. Rojas was a cold blooded, psycho who relished in the thrill of killing people. Take for instance the massacre of the solders with the Gatling gun. Dkystra is the exact same. Only when he kills he gives his victims an insanely, evil smile and then points a gun at them and fires away. Take for instance the way he did his super hot girlfriend Trace and his client McGregor. Both went out with a smile.

Those are the similarities of Lend Me An Ear that represent Fistful in some way or the other. The episode itself is completely engaging, fun, and thrilling. Another classic great from 3. Everything about the episode clicks perfectly. Also just like Fistful, Lend Me An Ear has a thrilling, exciting, and stylish climax. The episode also has the second best opening of 3 with the speedboat chase and an absolute moody and very cool scene of Crockett, Tubbs, and Switek bugging their opponents house accompanied in the background of the dreary but great song "Climb" by Peter Himmelman that adds a dreamy feel to the scene.

This is another episode that is not to be missed. More great cinematography of Oliver Wood and top notch directing from James Quinn. Quinn in my opinion was the best director of Miami Vice. He was outstanding in shooting action sequences and had a deadly eye for the camera to capture style and grittiness. It's a shame the guy never got anywhere in movies. He's a hell of a lot better than any filmmaker in this day and age we live in now that is supposed to be called film-making. In reality it's called garbage. See Lend Me An ear. You'll love it!
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Miami Vice: Everybody's in Show Biz (1987)
Season 3, Episode 23
10/10
An Inspired Piece of Art Which Will Leave You Breathless
11 October 2008
Everybody's in Showbiz is truly an unbelievably, realistic and gritty episode that focuses on a talented stage actor and writer who has jeopardized his life because of stealing a briefcase from a powerful drug dealer that contained vital information. Now the dealer is played by Paul Calderon who does a magnificent job in his role, wants it back and will do anything to get it back even if it means killing those who stand between him. The known suspect named Mikey is a very talented individual, but who just seems that he can't break out of his habit of breaking the law and being the junkie that he is. Mikey is played by the late Michael Carmine who does an outstanding job in his role. The character is full of real emotion and misunderstanding.

I think the writers of the episode were loosely basing the character of Mikey at the real life and late poet/actor Miguel Pinero. Pinero who is best known to many Vice fans as Calderone the ruthless drug dealer who capped Tubbs brother in the Pilot episode. Pinero also starred in two other episodes of Vice and wrote the story of the Season 1 episode Smuggler's Blues. Pinero was a talented poet/writer, but a complete junkie in reality who lived a very short life at the age of 38. Carmine however, was also a very talented stage actor and his performance of Mikey is of true greatness in the Vice world. The guy has a sincere, complex, but sensitive way with his role that Carmine takes great pride in developing. The episode is one of a kind and only 3 can make an episode this powerful and great.

I don't think there is an episode of Vice that digs so deep into a character like Mikey. 3 was the only time Vice identified the characters and antagonists as more than one dimensional. The other four weak seasons always had on a daily basis very weak one dimensional characters. We learn everything from the character of Mikey. His way of life, his talent, his moods. The whole character is astonishing brought to life in an episode that is only 49 minutes long. There are films that would take 90 to 120 minutes to develop a character like Mikey. It's an absolute masterpiece watching this episode. True art! Michael Carmine who's life was cut short at an early age of 30 back in 1989, could of probably made himself a name later on in his life. I think Carmine in real life was probably a lot like Mikey. A man who lived life on the edge. Who had all the talent in the world, but yet he wasn't satisfied and had to go to extremes to really get the pleasures of life. Carmine's performance is haunting and completely mesmerizing. Take two scenes in the episode that will blow your mind.

First: Mikey's monologue of his poem which is full of rage and emotion while he is tied to a pole. While Crockett and Tubbs check his place out for the missing briefcase. Jan Hammer's music makes the scene even more stronger and intense.

Second: Mikey's authentic and realistic impersonation of Elvis. Not the "nickel and dime" performance as Mikey describes it, but the real conflicted Elvis full of emotion and depression. Once again Hammer's music adds more dramatic tension.

In all it's hard to believe that this is an actual episode of Miami Vice. Only 3 can turn out stories and episodes that were artistic and of pure greatness. Everything about this episode is perfect. Also once again Oliver Wood's cinematography is absolute stunning and gritty. Especially the way the guy shoots the headlights of cars in one sequence that will leave you amazed, stunned, and blind sighted. This is one episode that can't be missed. Truly, an inspired piece of art which will leave you breathless.
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Miami Vice: Red Tape (1987)
Season 3, Episode 19
10/10
Has Tubbs Gone Over the Other Side...
20 September 2008
After a perfect, superior, and gritty opening where a young Vice cop is bleeding to death in the arms of Tubbs after an explosion of a rigged hotel room, accompanied in the background of an awesome and striking tune of Thinkman's Best Adventures. The episode then focuses on a Tubbs that we haven't seen before. Tubbs who shocks the audience, quits the force and tosses his badge away and gives Crockett, Castillo, and Switek the cold shoulder and teams up with the bad guys. Is Tubbs really now going over to the other side or is this a game he is playing to snuff out the leak of this major problem?

This is the riveting story that is told in yet another perfect episode from 3 and is thrilling and exciting than any episode from the first two seasons or last two. Nothing beats 3. NOTHING! Another gem! Red Tape tells another great story, with superb characters, sizzling music, perfect and slick action set pieces, along with beautiful and moody cinematic cinematography from the master Oliver Wood. The episode has many first's of Miami Vice, that include the character Tubbs. It's usually Crockett who gets most of the spotlight, but in 3 it was the only time where Tubbs was included in many juicy story lines. The other seasons of Vice which were very weak, had many thin and uninteresting stories that involved Tubbs. Not 3! This story really showcases Tubbs, I mean Philip Michael Thomas talent as an actor.

There are so many great scenes in this episode that involve Tubbs that you don't see the other characters ever perform in the show. Memorable scenes such as:

1. Tubbs throwing his badge on the ground in rage in front of Castillo and walking away with satisfaction. The line he tells him is classic, "I rather play the lottery in New York City, than Russian Rollutte in Miami. I quit."

2. Tubbs going insane at a loan business office and throwing a chair against a glass panel and breaking it in pieces and screaming, "I want my damn money and I want it now!!! CLASSIC!

3. Another memorable scene of Crockett and Tubbs having a discussion in the interrogation room about Tubbs mishap. A great moment in the scene is when Tubbs pushes Crockett's arm away and yells out, "I don't have a partner anymore". Then Crockett says to him, "Let me tell you something pal. You start dealing with loan sharks and Castillo will do more than suspend you. Tubbs replies, "Who's Castillo."

All these great moments tells us one thing. Has Tubbs really gone over the edge? Are the Producers intention is to kill off Tubbs? Has Philip Michael Thomas had enough of this show? That was hotter than ever. What's happening here? All these questions would be answered as the episode progressed with an all out thrilling and emotional climax. The climax that is highlighted by the Alan Parson's Project's gripping and great song "Closer to Heaven" which is used to pace the climax and editing together so perfectly and emotionally. What a climax! Pure Vice! Pure classic. You won't be able to take your eyes off this episode. A lot of surprises and another reason why 3 is the greatest of Vice!
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Miami Vice: Knock, Knock... Who's There? (1987)
Season 3, Episode 21
10/10
A Dark, Very Powerful Episode that is Unbelievably Great
10 September 2008
This is one episode of many of 3 that features a story that is so realistic and powerful. The previous two seasons and the last two seasons which were very weak in storytelling and characters, were into nothing but style and almost very little to nothing in substance. Not 3 and certainly not this unbelievable very gritty episode Knock Knock Who's There. The episode touches on the subject, "What a mother would go through to save her child from dying". Even if it meant to break the law or sell her soul to the devil. In this case the devil is played by Ian McShane as a drug dealer who indeed has a very devilish grin. The loving caring mother is played by Elizabeth Ashley who does a sensational job and puts so much realistic emotion into her character.

The episode is absolutely perfect. Superb storytelling, character relationships, action, music, cinematography and an incredible sense of realism. The episode sets it's gritty tone in the beginning all the way to the end and never once stops. The man though that steals the show is Internal Affairs Investigator Strohl played with such conviction by James Dybas. Strohl who is seen only in 2 scenes, but those 2 scenes capitalize him as one of the many unforgettable characters of Miami Vice. Strohl in his scenes drives Crockett up the wall and is so threatening towards him. Strohl has two of the best lines in this episode that is aimed at Crockett, but the first one really nails it that this guy might be even way more ruthless than McShane's character.

The line aimed at Crockett: "After all the clothes, cars, and boats are washed away your nothing more than a 32,500 year flatfoot just like the rest of us. If I even think your the lease bit dirty, I'll hold your head underwater until you float". That is just one of many, many great moments of this classic, unbelievable great episode of 3 and of Miami Vice!
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3/10
The Good it isn't only bad and ugly
17 August 2008
Warning: Spoilers
The Good the Bad and the Ugly is one of the most overrated movies ever made. It's considered a classic because of Ennio Morricone iconic theme and because it has Clint Eastwood in it. The plot what plot. There is not consistent plot. Only action scenes upon action scenes pieced together to create a three hour long bore fest. I think I would rather take the three hour tour in Gillian's Island and get shipwrecked on a island then watch this turd again. It's as if Sergio Leone who made a masterpiece with Once Upon a Time in the West and another great film in Fistful of Dollars went to his screenwriter and said lets make a film with many showcased action sequences and piece them together with our twenty page screenplay. The result a paper thin, very thin story with no solid characterization or development.

The movie is more like the adventures of the man with no name and his annoying nerdy partner Tuco who can't shut the hell up. The pair play one another in con games, shootouts, duels, and other antics. They both happen to fall upon a deserted stage wagon full of dead men where they learn the secret to ones fate of hidden gold. They both end up in a Civil War prison camp, right in the middle of a Civil War battle and other clueless adventures in a story that might have been written by a couple of adolescents. Just one adventure after another that has nothing to do with telling a strong story. This film is like a clumsy, sloppy serial with no motivation by any of the characters involved.

The one thing that make Sergio Leone films so great is the style and action. The action sequences in the film are dull and not the least bit engaging. The Civil War battles look way too much like a World War battle. The duels and showdowns that were so thrilling and fun to watch in the previous two films I mentioned are drawn out here in very long and tiresome sequences. Especially the duel climax which is almost laughable which consists of endless and endless shots of eyes, guns, expressions. The whole thing last for a total of 5 minutes and after it ends the viewer like me is not excited, but more relieved that it's over. Any longer I would of fast forwarded it. Other sequences such as showdowns in western towns are mere cartoonish and over the top.

Even Leone's style of film-making isn't impressive. There are some shots that amuse me, especially the desert sequence which had artistic look to it. However, because of so many drawn out long boring sequences I really start losing focus on the art of film-making and really don't care anymore about this shot or that shot. That's not the case in Once Upon a Time in the West or Fistful of Dollars.

As for the characters in the film. Clint Eastwood's portrayal of the man with no name is no longer mysterious or cool like he was in Fistful of Dollars. I've never seen the second man with no name film. In this film he's more of a spoof. Talks very little, but he's way to silly and not serious enough. As for Elliah Wallach his role of Tuco is way too comic and not the least bit intimating. He's also extremely annoying and he's also ugly. As for Lee Van Cliff his turn as Angel Eyes is the only character that I somewhat enjoyed. He played the part well with his narrow eyes, but he was in far too little of the film.

Too sum it all up I'm extremely disappointed at the final result of this film. So many people love it. I don't know why. My theory is that the ones who love it are too dumb to realize why they like it and don't know what a great film is. Once Upon a Time in the West is a great film and so is Fistful of Dollars. I've seen The Good the Bad and the Ugly three times now and every time I watch it I hate more and more. A masterpiece I think not. More like a turdpiece!
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Miami Vice: Streetwise (1986)
Season 3, Episode 10
10/10
The Very First Episode I Ever Saw of Miami VICE
29 June 2008
Another gem from 3. The greatest year of Vice. 3 is perfect in every way. Skip the rest of the other crappy seasons and go straight to 3. You will be amazed. Streetwise is an episode that features everything you want in a Vice episode. Great, great story that features realistic plot lines and characters that have human qualities in them. Everybody featured in this episode does their part worthy. Especially the Vice team. Don Johnson, Philip Michael Thomas, Sandra Santiago, and Olivia Brown are all perfect in this episode. The two women play hookers, and they don't miss a beat in their performance or structure of character. Especially if your talking about their style of clothing. Gina in that undeniably extremely sexy green skirt is enough to make any guy go crazy for this women. Crockett also in my opinion is wearing his best blazer of the entire show. That dark teal blazer is exceptionally cool and slick.

The story of the episode features many, many aspects. However, everything comes together perfectly for the action packed thrilling climax that doesn't miss a beat! The music by Jan Hammer is also top notch. He provides the perfect themes such as the hooker theme, the club theme, and one of my favorites the Carla/Ramono theme that gives me goosebumps. A note to mention. This was the first episode I ever saw of Miami Vice back in 1997 on FX. The episode blew me away and I became hooked on this that very day, especially of 3 which as never left me since.

One clip in this episode that grabbed me the first time I saw it was after the beginning credits, the Testarossa pulls to a stop and the dialog goes like this:

Crockett: Ahh, sweeping a hot sheet motel with a bunch of rookies is got to be my favorite way to spent the evening.

Tubbs: Want more can you ask for. $8.50 an hour after taxes with tropical skies all around you. (Something like that)

Crockett: I can think of a lot more.

Cut to: A couple kissing. With Hammer's mesmerizing score playing in the background. The Carla/Ramono theme.

That's STREETWISE. That's Miami VICE! WOW!
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1/10
19 Years in the making and this is what we get...WHAT A WASTE
29 May 2008
Warning: Spoilers
My expectations going into this movie were very low after reading so many harsh reviews that I had thought were total BS. Was this film really that bad? Well, after seeing it last Saturday, most of the reviews on this film were right. This is film is downright awful. It makes Temple of Doom (TOD) look like a great and realistic film. That's saying an awful lot! The film was conceived by Liberal Liar Spielberg (LLS) and I-like-to-pull-scripts-out-of-my a*s George Lucas (GL). The film is full of political BS: The Red Scare and The Cold War. All exaggerated by LLS. The 1950's were a great time to be alive. A fun and swinging decade. Sadly this film is anything but fun or exciting.

The first 40 minutes of the film I rather enjoyed. The race of the teen's vs Russians introduced the story to a 1950's setting. The first shot of Indy and the warehouse searching for the mummified remains of the alien was also interesting. It gave the whole thing a mysterious feeling. I think it would have been wiser to keep the alien mythology a mystery throughout the film and never reveal anything. The poor action is what dragged this thing down and down.

The recreation of the neighborhood done 1950's like for or A-Bomb testing was neat. The set was done so accurately and had a 50's feel to it right down to the interior design to props decorated all around it. Seeing Indy walk around the set was weird, but at the same time gave the audience a glimpse that Indy isn't in the 1930's anymore. However, Indy surviving the nuclear explosion while hidden in a refrigerator was a YOU-GOT-TO-BE-KIDDING moment. Now I knew this wasn't Indy anymore but James Bond and a scene pulled right out of GL's a*s. I didn't think another scene in the movie would top that awful scene, but it did—many of them.

All the archeology junk of scavenging temples and places that are very, old was exciting as hell in the 3 real Indy films. In this film they are nothing more than tired clichés taken right out of the The Mummy and National Treasure films. The beauty of the 3 real Indy films is when Indy is exploring the Well of the Souls, or the Temple of Doom or the catacombs underneath the library, the audience along with Indy was in for an incredible adventure of discovery and wondering just like him if he going to get out alive. That was Indiana Jones! The whole alien crap and the temple exploring in Indy 4 was boring and wasn't the least bit thrilling. It would have been better if they made this whole alien concept as scary as hell. No can't GL would probably wet his pants.

As for the action, I'll keep it short. SUCKS BADLY. LLS with the help of some great Assistant Directors did a fantastic job in the 3 real Indy films shooting fun and exciting action sequences. In this film it's obvious that LLS shot the scenes himself. LLS statement prior to the movie's release that there would be "little CGI" was a flat-out lie. Spielberg couldn't even direct an action scene all by himself that is great even if he took the Michael Curtiz school of Action Directing. Action is the biggest strength of the 3 real Indy films. Here there nothing more than scenes to wear out the viewer and to fill in running time.

Another (YOU GOT TO BE KIDDING moment) is when Indy and company dive off 3 very enormous waterfalls and come out without a scratch. Hey, Indy already survived a nuclear explosion, what's a little water and current going to do to him? NOTHING! The guy is no longer Indy, but Bond... James Bond. That scene had LLS BS written all over it.

The downright shi*ty climax has GL turd scattered all about. The climax is definitely pulled straight of Lucas a*s. It's the Howard the Duck of climaxes where Indy and Co are in yet another lifeless temple search right out of The Mummy films looking for the who-gives-a-damn secret passage to find the final resting place for the alien skull and come face to face with a dozen other crystal heads. Once the head is placed the whole damn thing comes alive, the temple falls apart, and the alien figures come together to form an ALIEN a real one and then a SPACESHIP flies off into the sky and disappears. The whole thing screams The X-Files and even takes the whole spaceship thing right out of the climax of The X-Files film.

To sum it all up, I knew this film was going to be a mess especially after 19 years in the making. However, I didn't know it was going to be sequels to The Mummy and National Treasure. There is no Indiana Jones feel or fun in this film. It's like George Lucas saw these other Indy rejects and thought I can make this but let's have it star Harrison Ford, call it Indiana Jones 4 and have aliens in it and other far-out garbage. Yeah, I'll show them I can make it better. Truly, a bad end to an otherwise great trilogy now forever diminished by a film that never should have been made.
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6/10
3 years later and this is the best they could come up with...
28 May 2007
Thank God I didn't see this garbagepiece at the theater and waste $25.00 on tickets and snacks. HA! A lot of fools wasted their money on this. 435 million box office receipts! What the hell is wrong with this country. Only a brainless fool would like this mess. I can't understand moviegoers would go see this. From the previews I knew this was going to be bad. I hated the first film, so there was no way in hell was going to see this pile of dung. So after all the chaos died out, I just rented it this weekend while many more fools were flocking to see the third film of this overrated trilogy. Everything I expected, plus more garbage. This makes the first film look pretty decent. If I saw this at the theater I would've been swearing to myself for weeks on why I wasted my money, gas, and time on such crap. Well, after renting it I don't feel the same way. Four dollars down the drain nothing more, nothing less.

The movie itself now is a complete washout. It's awful, pathetic, and just bad, very, very bad. Same plot. Looking for some stupid treasure, fighting the baddies, and once again the baddies are from the depths of the sea. Decomposed bodies that aren't the least bit scary. The whole movie consists of endless, painful comedy and very far out action sequences that aren't the least bit entertaining. I found myself laughing at two jokes and both came from the parrot. The movie's running time of 2hrs and 21 minutes, not counting the 9 minutes of end credits is a complete waste of money and time. About two hours of the movie feature scenes of running and chasing from the natives and ships being brought down by the kraken and none of it tells any part of the story. The movie also features way too much gross moments of make-up and special effects. Especially the scene that features Noami Harris. YUCK! That face with that make-up is ultimately gross. Now Harris also was in the crappy Miami Vice movie, and that film sucked badly. But compared to this it's a pretty damn good film. The whole movie consisted of endless parody from other films. Especially from The Mummy Returns, the Indiana Jones films, Captain Blood and other pirate movies. However, the movie that it was highly influenced by was 20,000 Leauges Under the Sea.

20,000 Leagues Under the Sea, now that's a terrific film and a classic. Great special effects, breathtaking underwater photography, and a wonderful cast featured in a action packed pirate movie. Dead Man's Chest was a remake of that film. In fact Davey Jones reminded me of a mutinied Captain Nemo with his ship and men and his organ. But Nemo had a motive and was a genius. Jones is a buffoon and an idiot, along with Jack Sparrow and the rest of the cast is this awful, soon to be forgotten piece of garbage. One of the worst films I've ever seen. You want a great pirate movie. I recommend these classics: Captain Blood and The Sea Hawk. Nobody beats Errol Flynn the king of all swashbucklers. Also take a look at: The Black Swan and of course 20,000 Leagues Under the Sea. The classic one with James Mason and Kirk Douglas.
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7/10
Sherlock Holmes meets his mate?
10 March 2007
This was the Basil Rathbone/Nigel Bruce Sherlock Holmes movies swan song. It's another excellent adventure in this great Holmes series that featured 14 films in all. After the excellent murder mystery on a train in the previous adventure Terror By Night, our hero's are back where they belong. In London on 221 B Baker Street solving complicated crimes against another assortment of cleaver criminals. This time Holmes and Watson, well actually Holmes with a little help from the blunder Watson, look into cheap music boxes that people are getting killed for that contain some secret code from the tune that plays in the box. The whole plot of figuring out what the tune is trying to say and the criminals engaging in a cat and mouse chase with Holmes for the boxes is deliciously cleaver and a pure Holmes mystery. The biggest surprise in this films though, is Patricia Morrison's role as Hilda Courtney. Her role is excellently written and she is a female Sherlock Holmes who is as cleaver and cunning. She dons disguises, to fool people, just like Holmes, and even fools him. She toys with people, flirts with them, and sees every detail just like Holmes. She even uses a cigarette bud as a way to lure Holmes into a trap. The master himself also falls for it. She's just too damn cleaver. Even Holmes throughout the film, complements her on her skills of cleverness and see's her more than a worthy adversary. If Holmes was attracted to woman sexually, such as that you don't see in the movies or stories, Hilda Courtney would of made a perfect mate for Holmes. She's also a very attractive woman who deceives people with her looks. She also makes a fool out of Watson. But then again who doesn't. I thought this was an excellent film and a nice, but sad way to go out in style. These Sherlock Holmes films are too good, and I wish they made more with Rathbone/Bruce. Don't miss this film, you won't be disappointed. *** out of ****
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5/10
Lestrade brings this one down
11 February 2007
I caught this Sherlock Holmes feature on TCM and it was only 48 minutes long. I noticed that the original is 60 minutes on DVD and everywhere else. So maybe it was a good thing that TCM edited 12 minutes of this movie or maybe it was a bad thing. The 12 minutes left out maybe could of told the story a bit better. Any how this is the first Universal Holmes film that I found disappointing. I've only seen four of them and the other three I liked a lot. Especially, The Woman in Green. This film is suffocated by Lestrade and his annoying ass. I was hoping somebody would've pushed this guy off this train. He is downright annoying, childish, and his voice is terrible. He makes Watson in this film a savior. This film also lacks the cleverness, mystery intrigue that was in the other three Holmes features I saw. The plot is very thin and the characters aren't creative. This film also looks very cheap and the low budget shows. In the other Holmes films I've seen the low budget never shows. Also for the first time Basil Rathbone turns in a sub par performance. I think the reason is because of Lestrade and is annoyance who is in almost the entire picture and of the low budget that shows considerably. His commanding performance of Holmes is back in Dressed To Kill and so is the Sherlock Holmes mystery style too. It's also the last Holmes movie of the Rathbone/Nigel Bruce/Universal/1940's era. It's a nice way to go out.
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8/10
Fun, Cleaver Holmes Mystery
9 February 2007
This Sherlock Holmes film has it all. Murder, index fingers being sewn off, hypnotism, Professor Moriaty, a beautiful mysterious woman in green, and cleverness all throughout the picture. The atompshere is thrilling and the foggy London streets work well to serve up an enticing mystery. The movie's plot is thick and the characters are intriguing, especially Holmes, Moriaty, and Lydia the mysterious woman in green. The movie also benefits nicely with a few comic scenes that Watson provides that isn't over the top, but funny and makes you say "Oh that Watson". Basil Rathbone's performance is splendid just like always and Henry Daniel does a fine job as the third actor to play Holmes main nemesis Professor Moriaty. Hilary Brooke also does a worthy job as Lydia the main accomplice of Moriaty. The movie's tag line of gruesome murder's with fore fingers missing from the hands of the victims gives the movie a creepy, darker tone. I have only seen four Holmes mysterious from Universal. The others are The Secret Weapon, Dressed to Kill, and Terror By Night and this one is by far the best and darkest one. It's pure fun of mystery, intrigue, and cleverness done Sherlock Holmes style. The conclusion of the film dealing with Holmes and hypnotism is also thrilling. Don't miss this one, you will definitely enjoy it. *** out of ****
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4/10
Nothing great , the Universal films are much better
19 January 2007
I just saw this movie for the first time, and I will say I'am very disappointed. I just became a Sherlock Holmes fan of the classic movies with the great Basil Rathbone and Nigel Bruce. This was only my third Holmes film I've seen. The other two are The Secret Weapon which is an excellent film and the other is Dressed To Kill which is a pretty good film. Both are better than this overrated classic. I also just recently bought all the Sherlock Holmes novels and short stories. I can't wait to read those, including the novel of The Hound of the Baskervilles which is got to be better than this movie. The problem I had with the movie is that it didn't have that Holmes like mystery, intrigue, cleverness like the first two Holmes movies I've seen. The antagonists were also very weak, unlike Professor Moriaty in Secret Weapon and Mrs. Hilda Courtney in Dressed To Kill. These two movies were mysteries, while Baskervilles was more like a horror movie. The whole legend of the hound was just corny. It wasn't very convincing and I don't think Holmes was very convinced. The big problem with the movie was the absence of the great Basil Rathbone as a perfect Sherlock Holmes for an half-hour. He exited 22 minutes into the movie and didn't reappear until 52 minutes into the movie. The whole half-hour he was gone a very subdued Watson took over and the whole film slowed down and began to lag. Also the supporting cast surrounding Watson was very weak, including the always great Lionel Atwill who for once was playing a good guy. The whole moor setting of fog and a chill in the air also slowed down the action and I was hoping desperately that the story would go back to London. Where the first 20 minutes of the movie was very entertaining in and around London. When Sherlock does come back on screen with about 25 minutes left of the movie, the film seems to come back to life, but the climax of the film is extremely unsatisfying and predictable. I have never read the book before, but I had the right guess in what was going to happen. Don't want to give away from those who haven't seen it. Like I said before though, Basil Rathbone is terrific as Sherlock Holmes, but his absence for a long period of time throughout the film hurts it tremendously. I somewhat didn't like Nigel Bruce's Watson in this film. His character is too dry and I prefer the humorous Watson in the later and fun Universal Sherlock Holmes films. Maybe in repeating viewings I will start liking the film more, but this Sherlock Holmes film is nothing great or is as good as the Universal films. *1/2 out of ****
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Rising Sun (1993)
2/10
Insults Go Both Ways
14 November 2006
Warning: Spoilers
I've never understood the comments that "Rising Sun" is so derogatory to the Japanese, because if you pay attention to it, you'll see that Americans in the film come out much worse.

Every American man in the film is either a sell-out or a sleaze bucket-- as is the murderer--and every American woman is basically a sex slave serving some old Japanese man (not to mention their breakthrough roles as Eddie Sakamura's sushi plate and sake straw).

When I first saw this movie in 1993, I came out of the theater with a much more negative view of my own compatriots than I did the Japanese.

Do you think it's a coincidence that the film's wise hero is a Scot, not an American?

So the question I ask is, Do the Americans come out any better?
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Aliens (1986)
9/10
Great sci-fi fun...
20 August 2006
I'm not a fan of the other Alien films, but I'm fan of Aliens. A excellent piece of cinema magic. Great story, surrounded by great characters, along with some terrific and exciting action sequences. Aliens is the greatest sci-fi film ever made. Forget the Star Wars films, those films aren't serious enough and too goofy. This is a serious film, even though one of the characters is so damn funny. His character however, is not supposed to be funny. It just naturally comes out. What I love about this film is the Vietnam type feel. Marines with weapons raised, walking carefully through one corridor after another in search of some type of alien life form. It's reminiscent of Vietnam movies, of solders trudging through the dense jungles of Vietnam in search of the enemy. It's thrilling stuff. I love how the Marines are so bad ass. High tech weaponry, attitudes, but yet feelings of panic. Just like the jungles of Vietnam. The movie written by James Cameron, shells out some really memorable characters, who aren't just for background. Ripley (Sigourney Weaver), Hudson (Bill Paxton), and Hicks (Micheal Biehn) are very sincere characters who are the heart and soul of this film. Also the other characters are well written. Nobody bores you in this movie, and there isn't a cardboard character in this film. The Predator films are typically Alien films that take place during present day and films that are horribly written to. I recommend this film to anybody. You don't have to be a sci-fi fan to enjoy this. Just a fan of cinema. I'm going to buy the DVD of this film right now. Aliens kicks ass!
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Predator (1987)
7/10
Nothing special about this...
17 August 2006
Warning: Spoilers
The first time I saw this movie was way back in 91. I was a little kid then, and I loved it. Now as an adult, I just watched this film for the first time in 5 years yesterday and I must say there is nothing special or great about this goofy film. It's a stupid kids film. Only immature people would find this film entertaining or great. And there are a lot of immature people who praised that this film was great. This film is just another remake of Alien or Aliens: This time it takes place in a jungle. Stupid one-liners, paper thin story, no characterization, and no sense of direction. After a huge shootout, the macho man solders trudge through the jungle with each soldier getting picked off one by one, until the last one left is Arnie. Of course at the end, he and the predator have a face off until there's one man left standing. This movie has aged terribly. The special effects are cheesy as the situations that endure throughout the entire picture. The only thing that I still like about this film, just like I did 15 years ago is the cool soundtrack by Alan Silvestri. The sequel Predator 2 is better and is more fun to watch. Though Danny Glover ain't no Schawarnegger.

Did you know: Four of the macho men worked on my favorite show of all time Miami Vice!! Can you guess who?
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Miami Vice (2006)
3/10
A Mann's Mess...
28 July 2006
Warning: Spoilers
This film like many other reviews, is NOTHING like the greatest show ever made. It's not Miami VICE of the 80's. It's titled Miami vice, and by coincidence the names of the main character's happen to be the same from the show. This movie was a wreck from the opening scene in a dance club. I had no idea what the hell was going on for the first half-hour. A little conversation here, driving down the Miami freeway, blowing up two boats, and then a little more conversation on the cell phone protecting an informant. What the hell is going on? The whole movie was like this from beginning to end. Michael Mann, you should be damn ashamed of yourself. Even the worst episode of Miami Vice ever Missing Hours had a plot. This is an over-blown, money wasted movie that has no PLOT. No characterization, no fun, crappy music,a low-key wardrobe throughout, and only one damn action scene that is more than a minute long. Which was a shootout, that was once again just as insane as Mann's Heat shootout. Also no car chase. You can't make a Miami Vice movie and not have an car chase. The worst thing about this movie was the hand held camera shaking and sloppy, rough cut editing that was confusing through the whole picture. Who edited this movie? Mann or a monkey. Does Mann also have a shaking problem? The camera focused in and out constantly, panned left and right very amateurish, and the film had a very cheap student film look to it. A lot of grainy shots, that made this film feel like it was being documented and at the same time filmed as a movie. An utter mess throughout. The characters of Crockett and Tubbs were dull, as were the bad guys. I'm going to end this now. I don't want to waste anymore time with this GARBAGE. Movies are coming to an end. This movie doesn't ruin Miami Vice THE SHOW. It's not the show, it just uses the title. There's only one Miami Vice and it stars Don Johnson and Philip Michael Thomas and it was made in the 80's! This movie should really be called the shield.
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