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8/10
Impressive performance by Albert Finney
2 October 2006
To each his own taste, but I have to disagree with the other review of this movie. I love Albert Finney's performance as a psychopath who has the gift of perceiving the innermost needs of those he meets and then molding his own personality to take advantage of those needs. (I don't know anyone from Wales, nor do I know what a stereotypical "mad Welshman" is.) He and Mona Washbourne play off each other superbly. I do agree with the other review's assessment of the cinematography, and especially love the lighting. To see Finney in TOM JONES (previous) or TWO FOR THE ROAD (following), although he is young, his face does have character and expression lines - he is human. The lighting in this movie smooths his face to make it seem devoid of affect; you feel that his reactions to the people and the world around him spring not from human emotion but from insanity. If you're an Albert Finney fan I definitely recommend viewing this movie and making your own judgment.
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Kill Cruise (1990)
5/10
Better than expected
28 September 2006
I expected this to be a "good bad" movie - the kind that's so bad it's entertaining. However, in terms of performance and script I was surprised to find that it was much better than expected. Jurgen Prochnow is always good, no matter how bad the material he is given. But even Patsy Kensit and Elizabeth Hurley did well portraying two self-absorbed, air-headed, and talent-free bimbos who hitch a boat ride with him, expecting a relaxing pleasure cruise. I've been on a one-week cruise with two other people on a similar vessel, sailing off the coast of Maine, and can tell you that the movie accurately portrays the claustrophobic conditions on board which can lead to personality clashes. If some of the personalities are psychotic, as in this movie, the tension would become unbearable to the point of explosion. And anyone who thinks that personalities like those portrayed in the movie don't actually exist has led a very sheltered life.

The sailing scenes are realistic - the motion of the boat, the feeling of vulnerability in the open ocean, how danger or an emergency can appear suddenly, the necessity for even the inexperienced to pitch in and help. Jurgen, who I have heard is a sailor in real life, moves naturally through all the duties of a captain.

The twist ending came out of the blue and did not work for me. However, till then the movie was involving and I enjoyed it.
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