Reviews

What i see is Cem Yilmaz has matured and surpassed the reasoning and understanding of his comedy-time audience, which is one of the reasons people started to dislike his makings. That he created this Comidark series is another indicator of his maturity but this also causes loss of his fan mass which mostly enjoyed his not-so-memorable stand-up shows and light comedy movies.

Maybe cine-tech advanced enough or adopters realized it would not be enough to have a 2-hr movie even from a single book, this one is definitely the best adoption for me.

One crucial criticism would be if this movie will be comprehensible for the ones who haven't read the book(s). That the whole movie jumped into action as soon as it started will be something hard to catch up for the ones not familiar with the first book or the Dune saga.

I would really recommend a read at least of a synopsis of Dune before watching, to understand the background, the Houses of Corrino, Attreides, Harkonnen, Bene Gesserit, Space Guild, and what spice melange is.

I am not sure why this series has this low rating here. Possibly due to the subject and the unfortunate objects of the crime in it. Decor, casting, personalities top notch. One issue might be lack of deep characterization of the cast. Well, 1 point gone due to that. I say you give it a chance.

Recently viewed the movie on Dubai International Film Festival (DIFF). It was a great movie and impeccable act by James Franco.

Frankly, i would not have had the chance, unless my spouse picked it among many others.

You can see on the net people suggest you watch the Room, Citizen Kane of the worst movies ever filmed, as a prerequisite; believe me, it is not a suggestion. Please watch the Room (2003) before going to Disaster Artist. You will have so much more if you do.

An excellent catch for me after suffering a lot of crappy stuff in the years following cancellation of FireFly. You know, there are some books after which you finish, you feel like you are in a total emptiness, with a big hole in your heart and mind, feel like you will never ever experience such a reading frenzy. Yep, The Expanse did the same. And now i have to wait till 2018.

First of all the genre sequence should change to Drama-Drama-Bad Drama; drama that I always try to keep my self away especially in a sci-fi environment; please make your drama for your mama. I don't want to see baby-like crying admirals, or full-time crying admiral-sons and president wannabes. Why isn't there more fight with the cylon robots - not the humanoid hybrids giving birth, feel pain, and losers of the robotic empire? The first season was prima, I liked it very much. We are in the 4th season, and look at what is going on? The best character was Dr. Gaius Baltar (thanks to James Callis), but now he seems to be more and more out of picture. Hey, directors, scenarists, producers; you can not go with Starbuck as the lead character, nor Adama-the-cry-babe family. You know, the current episodes of Galactica remind me low-budget time travel movies, in which you always go to the past, since the movie has no money to spend for future stuff. In stead, make the guys play their roles, make the robots in shape of human so you spare your money. I don't like Galactica any more.

The movie starts on the days of military government, which started Sep.12th, 1980, and lasted 3 years (Effects of this action against democracy lasted more than 15 years). A young socialist newspaper writer (Fikret Kuskan) loses his wife on birth of his only son on the very first day of the military action, because he can not find any help for delivery of the child. After 6 years past, the father was desperate to find any jobs on the papers, which are now supporters of the new order, and decides to return his father (Çetin Tekindor)'s home in a small village near Izmir: A house that he has left years ago fighting his father's wills to make him a person that his father would like him to be.

I can not even summarize the rest of the movie, since one should see the movie himself/herself to understand the encounters of two strangers, father and son. One should notice the mother (Humeyra)'s role on the relationship (or non-relationship) of these two different men, and the grandson (Ege Tanman).

If you have a Mediterrenean blood, Greek, Italian, whatever, you will find many things in this movie. You don't have to be Turk to understand the emotional rivers in this movie. It really touches hearts of the Turkish people.