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Women's Murder Club (2007–2008)
Subtley sexist
2 November 2007
Warning: Spoilers
Unsurprisingly, this is a fairly mediocre show. The writing is less than brilliant, the acting is serviceable but otherwise unremarkable, the plots are not terribly original, and it's difficult to summon up much interest in the characters. However it's not so terrible that you can't watch it, so if you're looking for a basic crime drama then this will do in a pinch.

But what bothers me about this show is that though all the main characters are women, and so far most of the crimes have centered on women and their lives, is that all the plots about these women's lives center around their relationship to men. The Medical Examiner has to deal with her husband being in a wheelchair; the Lawyer has to deal with her (female) boss' jealousy after she sleeps with her (the boss') ex-boyfriend (while Lawyer is herself in a committed relationship with someone else, I might add); the Detective is trying to deal with having her ex-husband as her new boss and her devotion to her job getting in the way of domestic bliss. All these women talk about in an episode, apart from the details of the crime, is their relationship problems. "Detective, you have to have a boyfriend!" "I can't believe you slept with him, Lawyer!" "How are you and your husband dealing with the wheelchair thing, Medical Examiner?" It never ends. Mercifully, the Reporter is still devoid of a personal life, but I expect that soon the writers will start in on her and her need for a good man.

Don't get me wrong, men are great. But in a show that seems to be aiming at celebrating professional women who fight crime and make the world a safer place, the writers seem fairly determined to make their lives hinge on their relationships with men and, in the case of Detective, insisting that she needs a man to make her happy. It's a subtle sort of sexism that bothers me deeply.
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6/10
exit pursued by a bear
24 April 2005
This is the story, told by voice-over by an old, wise Native American, of a family of three sons whose lives really suck. Anthony Hopkins is the old army captain who brought his family into the frontier to protect them from the corruption of the outside world. So his sons, Alfred (Aiden Quinn) the serious one, Tristan (Brad Pitt) the virile one, and Samuel (Henry Thomas) the nice one, grow up in a wild and beautiful country full of critters and lacking in womenfolk. So when Samuel's fiancée Susanna (Ormond) shows up, she causes quite a stir, and this is the beginning of the story. War, peace, marriage, big game hunting, nude scenes, death and bears ensue -- though not necessarily in that order.

The story spans a period from roughly 1914 to the mid 20s, so it's a long movie. As a mini-family saga we get to know the characters very well, but as a series of unfortunate events I found myself getting a little bored at times. None of the actors (at least of the ones I'm familiar with) gave the best performance of their careers, but there's really nothing to complain about. A young Brad Pitt, looking like he stepped off the cover of a Harlequin novel provides plenty of eye candy, as does Julia Ormond and the beautiful, beautiful Montana scenery. It is well-filmed, with great sets and costumes, and the score is unremarkable, but not bad. It is very gory, and contains nudity (mostly Brad Pitt -- not that I'm complaining) and a bit of cussin'.

It's less substantial that it thinks it is, and it's essential to keep this in mind when watching it. But it is fun, pretty and very diverting.
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aged and slightly weird, but fun.
30 November 2004
"Lady Genie", before anything else, is a fun movie. It's sort of a cross between Gene Kelly and Bollywood. The acting is good, and the singing and dancing are excellent. The plot is very silly indeed, and I found it extremely diverting, despite the flaws which I shall now list.

The first is not a flaw so much as a disclaimer: those not familiar with the Arabic culture may be baffled for most of the duration. This is an Arabic movie made for an Arab audience, and there are no explanations for outsiders.

Second: I have compared "Lady Genie" to a Gene Kelly movie, and the similarities are in that the music numbers are long and don't further the plot. Especially the finale with the demons and the girls in the cages -- long and random.

Finally: it's old, and cheap. The film quality in particular suffers from this.

But, as I said in the beginning, it's a wild romp, quite funny and featuring some world-class belly-dancing.
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