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Barbarian (2022)
6/10
The curse of the final act
26 January 2023
Warning: Spoilers
Horror movies, especially in the 21st century, seem to consistently get stuck on the final act. An hour of solid build-up, and then a final half hour running through cliches. Barbarian is the next in line to suffer from this.

There are a lot of positives about this film. Zach Cregger has a lot of talent, and it's all on display in the first 40mins of this film. Tension between two characters who know as much about each other as we do. Is Keith up to something sinister or is it just Bill Skasgard's legacy in movies creeping us out? It's slow and builds gradually and naturally, with excellent use of negative space constantly making you look behind the two characters. The set design is also incredible, the neighbourhood looking post apocalyptic, and you can see influences from Twin Peaks to Psycho to Hereditary. There's also a clever subtext on the tension between men and women in a post MeToo world.

It truly is a great movie, until it isn't. The final act rushes through moments, as if they had a max limit on runtime. The slow creeping tension is gone, characters making unrealistic decisions which aren't explained through their character. Because we really don't know who these people are, AJ getting by far the most background. Even side characters have massive question marks left behind by the movie (why is there a single homeless man hiding out in the neighbourhood yet fully aware of what's going on). There's some commentary on police not believing female victims which just appears and disappears. The Mother becomes just another superhuman creature which chases everyone around. The real villain shows up (side note: his backstory scene is shot brilliantly) and then kills himself with no real explanation on why (if he can't reach his gun how's he been surviving down there). It just seems there was another third act that was 30/40mins longer that they threw out because then the movie would be too long. But The Empty Man proved that being too long isn't always a bad thing if there's still plot to explore.

Overall, Cregger is definitely someone to watch. He shows a lot of promise, and I can't give this film a negative score because of how successful his ambitious moments are. If only he kept his ambition through to the final shot, and we'd be looking at a modern horror classic. Instead, we have another modern horror which can't escape the cliche ending curse..
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5/10
Flanagan still can't finish a series
20 October 2022
Flanagan's fourth show stumbles the same as his previous. Starts off well, builds decently and then just drops off into a mess. The Midnight Club is definitely the weakest all round though. The story never really finds its feet, the acting is decent at its best and unbearable at its worst, and the pacing is all over the place. The worst part for me though is that it's a show about dying kids, yet it's really hard to care for them. There isn't any depth to them and even when they try to explore a character the actors can't properly dig into the emotions of the character. I just think Flanagan would be better sticking to movies, since Doctor Sleep and Gerald's Game were really good and creative films. But in the tv series realm, he just can never stick the landing.
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Malcolm in the Middle: Water Park (2000)
Season 1, Episode 16
6/10
Good episode ruined by one line
15 October 2022
They just had to slip a little racism in there. I suppose it was 2000 but still, no need for it and it was outdated then as well. Shouldn't have to say this, but there's nothing wrong with being Indigenous and Aboriginal, and using it as an insult for inappropriate behaviour is poor writing.

Other than that the episode is pretty funny. The b story is brilliant and shows some great interactions with Francis, also showing how he can be great if he puts his mind to something. A-story wasn't as strong, mainly since Malcolm's and Reese's war isn't as creative as it could be. Dewey has a pretty wholesome side plot as well with his nanny.

All up, solid episode with some outdated and racist dialogue which really wasn't needed.
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5/10
Wasted potential
25 August 2022
Warning: Spoilers
After watching this film I was genuinely confused. Not because the film is full of twists or ambiguity but because, for all the setup and potential, it ends up being really straightforward and basic.

Firstly, Ethan Hawke is very good. He definitely gives a lot of depth to his character and makes a formidable horror villain. The problem is though, the writing gives none of that to the character. It's just Hawke doing more than what's given. Do we have motivation? No. Do we have depth? No. Do we have anything to actually connect him to the phone? No.

The phone itself being a plot device only is also a massive problem. There's just a magical phone that only he can use (because his mum was schizophrenic or something {also can we stop using schizophrenia as a horror movie trope, it's getting repetitive} and those "powers" were given to her kids because reasons), and the villain can hear use it as well but just leaves it there for fun (who knows, it's never given any background). The way the different kid's advice builds together at the end is great, but it's still just a way the protagonist can escape and nothing else.

Acting is decent, some of the kids struggle but they're kids so I never really rest too much of my opinion on it. There's some nice cinematography, although some shots feel like they come straight from Sinister.

Overall the movie just suffers from a lack of depth. It's not about giving the audience the answers, but about giving the audience enough to care about the characters, to invest in the story, and to fear the villain and the supernatural side. When you see the poster you see two subjects, the title and the grabber. Yet at the end of the film, those two subjects remain exactly the same as when you see it on the poster. So I'm giving it a 5, out of respect to the actors and the technical side. It's just nothing else than a really basic, by the numbers movie.
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Identity (2003)
4/10
Was doing so well
10 July 2022
Identity has a strong premise. . . Until it unravels on itself. First and second act are brilliant, building tension in an isolated motel. It's dark and gritty and builds tension around its mystery so well. And then it feels like the writers were only focused on trying to trick the audience. The third act is embarrassing. Using an overused trope, and badly misrepresenting an often misrepresented illness, it tries way too hard to be clever, ending up being ridiculously stupid. Hard to get into without spoiling the "twist" but seriously, the "twist" is weak and ruins a great build up. Not to mention they end the film on another "twist", which despite being well set up through hints it still feels predictable from a writing standpoint.

It was so close to being great. . . Just needed a third act which was smart, instead of trying to be smart.
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Hustle (2022)
7/10
Perfect for basketball fans
9 June 2022
Watching this as a basketball and NBA fan, it was really enjoyable. It's a bit cliche with the story, but this movie was definitely made as a love letter to basketball, which Sandler has always been very open about his love for.

Juancho Hermangomez does a solid job and puts a lot of heart in the film, Anthony Edwards is fun as the 'villain', Sandler continues his low key comeback to making good movies, Kenny is a great addition. But it's just the cameos and seeing how much fun their having, especially the 6ers crew of Tobias Harris, Seth Curry, Matisse Thybulle and Tyrese Maxey. I had a laugh every time another name would just show up, how many names did Sandler pull into this? Brad Stevens even has a nice cameo at the end.

Overall as a movie, it's a good, enjoyable comfort film. Nothing spectacular but still one id recommend to someone who just wants to enjoy a movie for a couple hours. As a basketball fan though, this was great. And dropping right in the middle of the NBA Finals. What a treat.
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Ms. Marvel (2022)
7/10
A tween comedy based on a tween comic
8 June 2022
I don't know what people expected from this. The MCU might have a wide appeal, but it's still aimed at younger people. This is the universe focusing directly on a younger audience, with a character that is more relatable for a younger audience. And honestly it's enjoyable as that. Reminds me of a lot of the Disney shows I grew up with, just with the MCU references tied in closely. Does it seem like essential viewing for the wider universe? No. But it doesn't have to be. If you're not the audience that's okay, you don't have to be for it to still be good. I enjoyed it for what it is, I'm not in the audience it's aimed for but not everything has to cater to me. It's a solid teen, Disney comedy and that's exactly what it aims to be.
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The Simpsons: Grampy Can Ya Hear Me (2017)
Season 29, Episode 5
6/10
Decent episode
31 May 2022
Although the Abe main plot is very average and doesn't develop into anything interesting, the Skinner is actually pretty interesting. Also that random Willie Trainspotting scene, although out of place, is the hardest I've laughed at simpsons in a while.
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