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Sotto il cielo di Roma (2010 TV Movie)
3/10
Completely ahistorical movie
10 March 2014
I give this film 3 stars only because it has a fairly well-dramatized screenplay, even though the story is utterly wrong in the way it portrays what Pius actually DID. There's lots of good (and recent) historical research that exposes Pius's unpious approach to dealing with Hitler. The director and writers of this film should have done some homework.

Or maybe that's what they did NOT want to do? Maybe this film is a conscious propaganda effort seeking to whitewash the church's failure to oppose fascism. Pius not only did not oppose Hitler, he was in league with Mussolini! There's new research documenting that, too.

All in all, I would say that this film is little more than a feel-good P.R. film for the Catholic Church. Take it for what it is.
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7/10
Great cinematography, awful treatment of an important subject
4 November 2009
Warning: Spoilers
I was greatly impressed by the film's cinematography and direction, especially so under what must have been intensely difficult location shooting conditions. Beautiful scenes of migrating caribou, wolves running at top speed through the snowy forest, bears, and even a wolverine, elevate the diverse wildlife species represented in "The Silent Enemy" to par with the human actors. This Paramount production has an immediacy and a crisp air of authenticity rarely seen in films of the era.

The story line and acting are a different story, and together serve nearly to destroy the viewing experience. Anyone familiar with American Indian history and culture will wince at the one-dimensional stereotypes that almost uniformly obscure any chance of "The Silent Enemy's" helping to inform and enlighten the mass culture and broader audience that Paramount was able to reach. Sadly, the studio took the easy way out, playing to prejudice and racist attitudes of white audiences toward Indians. Some scenes of animal abuse may shock sensitive viewers.

Those glaring faux pas aside, though, this film is not to be missed. Few other titles come to mind that convey the drama and energy of wild nature as this does. The score is well done, and the visuals are full of life.
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6/10
Great fun! Another rarity from Columbia Pictures.
9 October 2009
Once again, Turner Classic Movies has rescued another rough-cut gem from obscurity in the musty vaults of Hollywood! TCM has changed my life by showing the classics that most of us never even knew existed. And "Girls of the Road" is definitely in that category.

Okay, so it's not "Gone With the Wind," but it's a classic even so. I've never seen anything quite like it. It's about female hobos from the Depression, running from the cops, fighting each other, living the vida loca al camino! Only in this subculture, all the women are young, beautiful and "good on the inside." Closest thing to this story I've seen is the "women in prison" movie genre of the period. There's a social-reform angle to it, as there was in many of the women in prison films. Remember, this was 1940--the Production Code ruled Hollywood. It was not possible to depict any vagrants or criminals in a positive light, at least not until they received a moral makeover.

Watch it for entertainment, though, not for any particular message. Such as it was, the message was about as substantive as a mouthful of cotton candy. The stars had some funny lines, almost all were good looking, and life didn't look so bad at the end. What more can you ask for?
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9/10
Highest recommendation
14 July 2009
Burt Lancaster and Tony Curtis are outstanding in their roles in this dark classic film. It's one of my Top 10 from the 50s because it is so successful in making the characters come alive. Lancaster's cold, even sadistic nature is shocking yet entirely believable, while Curtis' sycophantic, amoral performance as the groveling p.r. flack begging crumbs from Burt's gossip columnist's table is one of his best.

From the opening scene to the end, the noirish music, the stark, gritty exterior shots and the unsparingly lit interiors, the sharp-pointed dialogue, and the powerful acting, this one lives with me and leaves me looking forward to the next viewing!
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