I came across The Killing of a Sacred Deer again, recently, and decided to give it another viewing and a review. The first time I saw it I was really put off by the stilted performances and the odd, often times illogical plot (one of the key plot premises in particular). At that time I was fully aware that these aspects of it were really its strength and not a fault. A completely logical plot premise has NOTHING to do with making this movie effective, while the stilted acting was deliberately done to highlight the story's true premises... the hollowness of many people's lives... the lies they built their existence and reputations on... the facade of honor and respectability adopted by certain people (etc).
Even at that time I liked the concept, and I appreciated the strange delivery as a directorial choice, but it still left me cold. On the second viewing I even noticed subtle camera use and setting choices that indicated story teling mastery and artistic vision, and I became somewhat more engrossed in the dilemmas of the family members quivering beneath their flat and dead fish exteriors, but it still left me cold.
But that is still the point. The characters are generally cold--cold and dead, and it is hard to get drawn into what should be their emotionally charged conflicts. Their true human reactions are strangled and stillborn in most cases... more going though the motions than genuine most of the time. If they can manage any emotion at all it is generally impotent rage. Their crisis in the story is horrific in a way and should solicit empathy and sympathy, but they themselves, are even more horrific albeit in a pathetic and innocuous way. So when I find the story leaves me hollow and unfulfilled... that the drama which unfolds on the screen at best makes me feel angry and frustrated, well, then, kudos. The movie has done its job. Some stories just are not heroic, pleasant, or even really human., even if they are about a family in the most difficult situation they could ever have to confront. Some stories show sides of humanity most directors don't want to look at... and so it is with The Killing of a Sacred Deer.
Even at that time I liked the concept, and I appreciated the strange delivery as a directorial choice, but it still left me cold. On the second viewing I even noticed subtle camera use and setting choices that indicated story teling mastery and artistic vision, and I became somewhat more engrossed in the dilemmas of the family members quivering beneath their flat and dead fish exteriors, but it still left me cold.
But that is still the point. The characters are generally cold--cold and dead, and it is hard to get drawn into what should be their emotionally charged conflicts. Their true human reactions are strangled and stillborn in most cases... more going though the motions than genuine most of the time. If they can manage any emotion at all it is generally impotent rage. Their crisis in the story is horrific in a way and should solicit empathy and sympathy, but they themselves, are even more horrific albeit in a pathetic and innocuous way. So when I find the story leaves me hollow and unfulfilled... that the drama which unfolds on the screen at best makes me feel angry and frustrated, well, then, kudos. The movie has done its job. Some stories just are not heroic, pleasant, or even really human., even if they are about a family in the most difficult situation they could ever have to confront. Some stories show sides of humanity most directors don't want to look at... and so it is with The Killing of a Sacred Deer.
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