Reviews

3 Reviews
Sort by:
Filter by Rating:
Ike: Countdown to D-Day (2004 TV Movie)
This drama would be better without its depiction of DeGaulle
16 October 2006
Warning: Spoilers
This movie couldn't afford to focus on certain particular views, concerns or attitudes some historical characters could momentarily have expressed or shown, while omitting to reveal many explanatory facts, without a risk of distorting general perspectives on World War II and treating unfairly contemporary historical figures. This drama depict DeGaulle, the leader of the Fighting France, very badly.

1 After a meeting with his staff on the weather in and around the English Channel, Ike (Tom Selleck) meets Churchill.

Churchill (Ian Mune) complains : " DeGaulle hates me. He ignores that France is collaborating with the enemy. Pretends Vichy doesn't exist and Jews aren't being rounded up. He's an horrid man. But he guards the French prerogatives jealously. "

This scene is a Churchillian brandy-champagne side-show rather than a relevant scene in the purpose of providing a fair overview on the main concerns during the war.

The tirade shows the British Premier momentarily extremely unfair verbally to France and DeGaulle, when actually Churchill was fair in his behavior and his policy toward France and DeGaulle throughout the war. Perhaps as late as May 1944 in his conversations with Ike, Churchill could privately show bitterness about DeGaulle's occasional bouts of suspicion towards Britain after the British Forces had destroyed the French Fleet on July 3rd, 1940. However, the same Churchill, or rather the true Churchill, will argue against Roosevelt and Stalin, in the Yalta Conference in February 1945, to have France, then led by DeGaulle, among the occupying forces in Germany.

And what about Churchill's only conversation partner in that scene, Ike ?

Before and after they landed in North Africa in November 1942, Ike and American officials attempted for several months to deal with various Vichy's figures, instead of working with DeGaulle. After Ike tried to appoint a notorious French fascist as Governor of Algeria in January 1943, he was near losing Churchill's confidence. Despite petitions from London, from Moscow, from former French Premier Léon Blum writing to F.D.R. from his Vichy jail, Washington didn't recognize the French government led by DeGaulle before June 3rd, 1944. It was late for the Free Frenchmen to make any addition, criticism or comment on Ike's plan for the Normandy Landing, an opportunity given earlier to various "select" people, including King George's wife, obviously a great authority on warfare.

How relevant is a line where Churchill, contrary to his own known belief, unfairly says "France is collaborating" instead of "several Frenchmen are collaborating" ? The string of selected words said by actor Ian Mune about a DeGaulle who " pretends Vichy doesn't exist and Jews aren't being rounded up " sounds much like an efficient tactic to suggest DeGaulle denied any Frenchmen were involved in the persecution of the Jews.

Living in 2006, I believe the persecution of the Jews was a sufficient reason for the Allies to fight against Nazi Germany. Every humanist should stop it. I'm also admiring of what the Western Allies, and especially the Americans, did with their Victory against Germany, Italy and Japan : no claims of lands, no reparation payments required, the Marshall-Dodge Plans to financially help Europe and Japan to rebuild, etc. However, when I spoke to some 1939-45's Canadian veterans, although they were legitimately proud of their collective achievement, they didn't claim they were fighting with the concern of freeing the Jews from Vichy's police. Before May 1945, there was information available about many awful things that were happening under the Nazi rule in Germany and elsewhere. It is a fact. However, war is a process that involves masses of people. We cannot either imagine most fighters then shared our 21st century main concern about the purpose of World War II. The destiny of the Jews was far to be the main concern of DeGaulle and Churchill. That dull fact about Churchill doesn't exempt the spectator from hearing General Bradley (James Remar) privately revealing to Ike his "admiration" for Churchill. But there is no character in Ike : Countdown to D-Day who has a line fair to the French guys who fought against the Germans after 1940.

2 Characters in this movie always refers to the Enemy as "Jerry". The Germans are an impersonal hazard like a storm on the Channel. The drama needs an Evil guy. It could be Laval (France), Quisling (Norway), Mussert (The Netherlands). It will be in this case DeGaulle, the leader of the Free French. Ike (Selleck) complains sincerely about a lack of help from God with DeGaulle. Churchill (Mune) says that God couldn't move DeGaulle. General Smith (Timothy Bottoms) refers to DeGaulle as a dragon to slay.

At the end of the movie, DeGaulle (George Shevtsov) arrives at the Eisenhower Headquarters, where he obviously has never previously entered. Before that scene, the viewers have been warned about the absence of protocol in the Headquarters, by a dialog between a young soldier and the receptionist. In the entire scene, the French leader is a perfect "pain in the a..." for our conscientious Eisenhower.

In the comments added as a special feature on the DVD, Lionel Chetwynd, the scriptwriter, claims he had read DeGaulle's Memoirs before inserting in the screenplay DeGaulle's visit to Eisenhower's Headquarters. What a comforting comment ! Among one thousand pages from DeGaulle, Chetwynd couldn't also find facts he could use, somewhere in the movie, to explain how DeGaulle's task in the war was arduous, and how this French general also deserves our admiration, not our disdain.

A tribute to Ike in the World War II didn't need to settle scores.
2 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink
A ride into a sleepwalker's dream, and more.
30 January 2005
Behind his front of overflowing bitterness and cynicism, private eye Louis Beauvoir (Serrault), nicknamed L'Oeil, is deeply missing of a child to protect and cheer, while he is tracking down a serial killer, Catherine Leiris (The iris)(Adjani).

The followed young woman will be just half-real, she'll be rather like the private eye dreams her.

Like a picture of innocence in his memory, she should stay untouched and untouchable, so he will involve himself in her flight. Through his eyes and ears, she is a mythomaniac orphan, she has misbehaved, she considers herself as garbage, but she wants fondness, getting a substitutive father's attention by murdering men and women who get too close to her.

The dream can last as long as the soliloquizing self-designated father can stay in tune with his substitute daughter, despite awakening bodies on their road, every bodies that did not have sleepwalker's stare and beat.

We, as viewers, wish the great encounter and the forgiveness. We dream. We are willing to roam.

A long time after we are supposed to be awake and down to earth, we are still humming the main musical theme, or La Paloma, or Schubert's lieder, who all played in the movie.

Mortelle randonnée is an ambiguous and dark fairy tale for adults, sprinkled with bridges and winks. After many viewing, there is still to explore and enjoy in Mortelle randonnée, at least in the version I saw (118 min.).

Mortelle randonnée is only a movie, not somebody. A movie does not think it is good. Only people can think Mortelle randonnée is good, or think it is not. It is a matter of taste. Critics who attribute thoughts or claims to movies, instead of ascribing them to film-makers or critics, should perhaps visit a psychiatrist.
22 out of 35 found this helpful. Was this review helpful? Sign in to vote.
Permalink
The Grilling (1981)
Vanished children, sad adults.
14 December 2003
At the beginning of this movie, while credit titles are still running, you are immersed in an atmosphere that mix your feelings, with dark winter night, clapping rain on windows and a marvelous music (composed by Georges Delerue) which evoke merry-go-round, barrel organ and festive childhood.

And then the music stops and you enter in an austere police office for a questioning on the murder of two children.

No show off. No special effects. Dialogue.

And you discover how sad and lonesome adults can be sometimes in their games or duties.

Excellent movie.
32 out of 34 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed