I love this movie more every time I see it. Sure, there are little gaffes (they get original Invisible Man Jack Griffin's name wrong, and Jon Hall's teeth show up when only his skin is supposed to be visible with cold cream) and there's a regrettable, dated crack about how "Japs all look alike" (especially ironic since Hungarian Peter Lorre looks nothing like Keye Luke (who was Chinese) nor any Japanese you ever met) but in the main, it's one of Universal's best wartime efforts, with some terrific John P. Fulton invisibility tricks.
Curtis (Curt) Siodmak's script is surprising, funny and even scary (Lorre and that guillotine paper cutter!) and it moves like lightning. Betrayal is a constant theme, with witty commentary on the treacherous relationship of the Axis "partners" and the mutual backstabbing by the two Nazis played by Cedric Hardwicke and J. Edward Bromberg. ("I pity the Devil when you boys start showing up in bunches," cracks the hero.)
The invisibility drug still seems to lead to some kind of madness (its users often have to be "liquidated", per Hardwicke) but apparently the insanity is not as severe as that suffered by Claude Rains or Vincent Price in the previous entries. It makes hero Frank Raymond (née Griffin) both manic and reckless, as well as extremely suspicious of Ilona Massey, an irresistible Mata Hari-type in that negligee...!
Siodmak pulls out all the stops for the remarkably violent climax, with a prison break, a nasty fish-hook trap, a Nazi-Japanese brawl, all the villains getting machine-gunned or stabbed or self-disemboweled, a car chase, an air field set ablaze and then bombed, and that parachute escape from the crashing plane...man, wartime audiences must have cheered this thing!
Curtis (Curt) Siodmak's script is surprising, funny and even scary (Lorre and that guillotine paper cutter!) and it moves like lightning. Betrayal is a constant theme, with witty commentary on the treacherous relationship of the Axis "partners" and the mutual backstabbing by the two Nazis played by Cedric Hardwicke and J. Edward Bromberg. ("I pity the Devil when you boys start showing up in bunches," cracks the hero.)
The invisibility drug still seems to lead to some kind of madness (its users often have to be "liquidated", per Hardwicke) but apparently the insanity is not as severe as that suffered by Claude Rains or Vincent Price in the previous entries. It makes hero Frank Raymond (née Griffin) both manic and reckless, as well as extremely suspicious of Ilona Massey, an irresistible Mata Hari-type in that negligee...!
Siodmak pulls out all the stops for the remarkably violent climax, with a prison break, a nasty fish-hook trap, a Nazi-Japanese brawl, all the villains getting machine-gunned or stabbed or self-disemboweled, a car chase, an air field set ablaze and then bombed, and that parachute escape from the crashing plane...man, wartime audiences must have cheered this thing!
Tell Your Friends