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Hudson Hawk (1991)
9/10
A brilliant and crazy adventure/caper comedy for the ages
2 June 2008
Take one part Three Stooges, one part Indiana Jones, one part...I dunno...The Time Machine? Baron Munchausen? The Fifth Element? The DaVinci Code? Then make all of your characters 25% or more insane, eat a bag of psychedelic mushrooms, and shoot for the stars. Voila! You have the Adventures of Hudson Hawk - the most underrated movie on IMDb.

The insanity level of this movie cannot be overstated. From about 5 minutes in, the film begins to careen into a world of zany improbability. This is embraced rather wholeheartedly by all involved, from Sandra Bernhard and Richard E. Grant, to James Coburn and Andie MacDowell, to David Caruso (in a non-speaking role) as Kit Kat, and the rest of the candy bar crew.

But don't write it off for its madness. What action adventure tale isn't far-fetched? So why not go for it, with the pedal to the metal in terms of wildness? Why wouldn't master cat-burglars use popular songs as a way to time out their burglaries? Sure they would! (Or, as Danny Aiello's character says, "Fucking airbags! Would you believe it?!") There are so many ways to end the sentence "Hudson Hawk is worth watching just for...". Here are a few: Hudson Hawk is worth watching just for...

...Sandra Bernhard at her something-est.

...James Coburn and the candy bar CIA crew.

...the outrageous adventure.

...the wise-cracking comedy.

..."Hey mister -- are you gonna die?"

...Bruce Willis channeling David Addison.

...Andie MacDowell's "speaking with the dolphins", and other delirious exclamations ("You must pay the rent! But I can't pay the rent!")

...and so on.

There's nothing like Hudson Hawk. It should've inspired a franchise, if you ask me. (Which you implicitly did.)

Tommy: "So what do you say Eddie...2 and a half minutes to save Anna, 3 and a half minutes to save the world...?"

Eddie: "6-0-0. 'Side by Side'?"

Together: "Oh, we ain't got a barrel of money/We may be ragged and funny/But we'll travel along ('Hit it Eddie!')/Singing a song {missile launch}/Side by side..."
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Bulworth (1998)
8/10
A brilliantly unbalanced masterpiece
11 May 2008
Bulworth is a rolling nervous breakdown, and we're invited to the last 48 hours of his until-now pointless life as a U.S. Senator. And C-Span is along for the ride as well, doing a "24 Hours on the Campaign Trail" feature, following Senator Jay Billington Bulworth as he spouts (and then raps) uncommonly frank (and decreasingly lucid) truths to his local supporters, and a nationwide audience. Oh, and he dabbles in flirtation with from-the-streets Nina, through her finding perhaps a reason to stay alive after all...

The result is: some of the most laugh-out-loud funny scenes in the history of political satire; some very brash statements about American political reality ("If you don't put down that malt liquor and chicken wings, and get behind someone other than a running back who stabs his wife, you're NEVER gonna get rid of somebody like me!"); an intensely compelling (and very funny) performance by Warren Beatty; and an uneven but extremely worthwhile experience. At the very least, Bulworth (the man) is one of cinemas great characters, exploring a very unique arc--and that alone is reason to take a chance on Bulworth (the movie).
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Twister (I) (1996)
6/10
It's Not About Tornadoes - It's About Fear
1 March 2008
What do you do when faced with what you fear? Death, defeat, the unknown, commitment, danger, the gaping maw of nature's wrath, Cary Elwes and his corporate sponsors...and sure, tornadoes, if you want to be all surface about it. But really, "Twister" is about fear, and how people choose to deal with it. The uptight girlfriend flees, while the weatherman can't resist his past life as tornado chaser, and lover of the heroine, tornado-obsessed Helen Hunt, who has formed her life around trying to make sure that no other little girls will have to live in fear of their father getting sucked away while he tries to hold the storm cellar door closed.

To do this, she forms a motley crew of character actors (Twister does for the motley tech crew what Die Hard did for the action hero) who are as crazy and thrill-obsessed as her, drives away her dirt-smelling Bill Paxton husband and then steals him back from panicky reproductive therapist Jamie Gertz, drives multiple trucks into the heart of a tornado, and relives the formative experience of her life repeatedly in the quest to finally kick nature in the cojones.

The scientific accuracy of the tornadoes is completely irrelevant - they aren't real-life tornadoes, they are a symbol for the ultimate threat, the unknowable void. Do tornadoes work just like they do in the movie? I don't know - most of the tornadoes I've seen up close are in my imagination, or as portrayed by someone else's. And that's the point of tornadoes in Twister, or the disaster in any natural disaster movie. These are the ultimate in devastation - "the finger of God", as said in the movie - and as such they represent our fear of being at our weakest and most vulnerable state. (Case in point: Helen' Hunt's character, young version.)

I think this theme is executed fairly well considering that it's in the context of a big-budget effects thriller. Audiences may not be thinking all this stuff over - and certainly the movie doesn't say much if any of this stuff explicitly - but I think they feel it, and that's why people feel drawn to watch this movie repeatedly, despite its essentially basic and predictable nature. Would you dive into the thrashing pit in order to help save others from future devastation? How would it feel to have Mother Nature literally rip your father from your life...and then continue to stalk those you know and love with the same threat? Would you fight back? Would you give your life to fight back?

If you did, you'd be well-put to get yourself a classic nutty motley tech crew headed up by Philip "Dusty" "Barnburner" Seymour Hoffman. Though he probably fetches a slightly higher wage these days.

The movie has imperfections - the movie's own physics seems cheated to the point of distraction a couple times, and there's at least one action from our heroes which seemed reckless toward others (I like to knock before I drive through someone's house.) But "Twister" manages to create an effectively threatening villain in an ambitious visual rendering of the classic man vs. nature story. I'm not sure what more we should hope to expect from a movie about tornadoes.
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Galaxy Quest (1999)
10/10
An outstanding, very funny sci-fi romp that takes you on a journey
26 August 2006
Warning: Spoilers
I give Galaxy Quest a "10", but not because it's perfect. This movie aims for success on so many levels that if it was perfect it would deserve at least a "12". As it stands, it will likely find a place in movie history as one of the great comedies, one of the great sci-fi movies, and probably the greatest sci-fi spoof. (Not to mention possibly the best thing Tim Allen has done with his talent so far!) The more levels you can appreciate the movie on, the more rewarded you will be as a viewer.

You don't need to be into sci-fi...as long as you can live with it, imagination-wise, there will be plenty of humor for you. Every main character is funny, and so much of the humor is universal--based on tensions between characters, or the fish-out-of-water premise, or the naivete of the Thermians--that any comedy lover should enjoy this movie. And with outstanding performances by terrific actors in what amounts to about 10 main characters (once you include the nearly-perfect Thermian leads, and Brandon) there is plenty of humor for anyone who likes to laugh.

If you *are* into sci-fi, you will be served up delights in layer upon layer. It doesn't just spoof Star Trek...it produces a fantastic ricocheting of spoofiness and loving, laughing tribute. With the original Galaxy Quest show being the Star Trek spoof, the lives of its stars 18 years later is a spoof in itself, as they re-live their sci-fi personas on stage at conventions and at opening ceremonies for high-tech stores. ("By Grabthar's Hammer...what a savings.") Meanwhile, the world of the Thermians is yet another spoof of the original spoof--a real-world, functional version of the show's fictional environment. (A great laugh on that level comes when Daryl Mitchell's Laredo sees his control board on the real version of the Protector. "Look -- this thingie!") And before you know it, the movie's plot has become yet another spoof--and by this time it's a spoof of both Star Trek and Galaxy Quest at the same time. And the actors whose lives had become spoofs of the fictional show which is a spoof of our "real" show start end up living out dramas that appear to be pulled straight from episodes of their old show (which seem heavily inspired by classic Star Trek episode models). (A great laugh on this level is when Sam Rockwell's "crewman #6" Guy starts freaking out when he realizes they are living out the episode where his expendable character died.)

Then, once this movie has wrapped itself around itself like a hilarious, inventive rope, it takes a deep breath and a giant bounce, grabs its own tail, and attempts to bring the whole package home in a super-satisfying ending sequence that works on every level. Which it does.

And before you come away from this review thinking that with all that spoofing, the movie must be farcically ridiculous...well, that's the truly amazing part. With all the layers of absurdity that make up the movie, it's remarkably realistic (considering the premise) and heartwarming.

This is not Spaceballs- or Scary Movie-style spoofery. This is some sort of amazing magic spoofery which manages to interlace itself seamlessly into a real story about characters we care about. It spoofs the Star Trek body of work while simultaneously matching or exceeding the best of it. It mocks the wholesomeness and false camaraderie while also embracing it. It takes utterly cynical characters and brings them on a transformative voyage that is as preposterous as it is hilarious as it is real and rewarding.

At the same time, you could scrape all that out of the way and just watch this movie for the funny moments, and you'd still have something that's more satisfying than 9 out of 10 comedies.

"Let's get out of here before one of those things kills Guy!"
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7/10
Sometimes there isn't a happy ending
5 September 2004
This is a well-done man vs. himself movie, with a downward spiral that is more moderated and even than most of those sorts of stories. This isn't a party people, drug-addled downward spiral, or a thug life, violence-addled downward spiral -- it's just a normal life, unfortunate circumstances, rut-addled downward spiral.

I liked the comedy routine gimmick most of the time, and it provided an off-beat break from the otherwise bleak and mostly mundane storyline -- that being the life of Jimmy, who has become trapped in a sour, unfulfilled plane of his own existence, partly due to circumstance and partly due to a poisoned outlook on life.

Those who have said "don't watch this for a pick-me-up" are absolutely correct -- this is a painful movie that is likely to leave you with a grimace, or at least a furrowed brow. It's a sad but not unrealistic testament to the kind of unsatisfying, confounded lives that are lived by plenty of people every day. Lonely, uncomfortable with the results of one's life, yearning for something more but chained down by the shackles of life (imagined or real, or both).

Another reviewer here asked what value there is to be had from this movie. The answer is that it serves as a reminder of lives that have neither a happy ending, nor an over-done, trite, or bizarre bad ending. It's the photo negative of "Falling Down", in a way, where the Michael Douglas character doesn't clench his jaw and go on a beeline ass-kicking spree across town -- he just clenches his jaw and keeps trudging along as dark turns to black. (And does an equally-grim stand-up comedy act, which gets better as it goes along, without ever getting funny.)

It definitely deserves a better rating than the 4.4 it has now. I gave it a 7. There's nothing wrong with it aside from the fact that it portrays a pretty ordinary, unfortunate life story. It does that well, and the comedy routine thing is a nice quirk.
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King Ralph (1991)
6/10
predictable fun with heart
24 July 2004
Warning: Spoilers
I don't know what the harsh critics of this movie were expecting. It's a predictable movie with a familiar theme, as others have mentioned, but I don't know what folks found so disappointing. If you can handle the first 5-10 minutes of silliness, you will enjoy the rest of the movie. If you're looking for a groundbreaking cinematic masterpiece...well, first of all, you might want to stay away from John Goodman movies. ;-)

This movie is good family fun, has some funny lines and nice character interaction, and the conflict/romance plot, while completely predictable like the rest of the movie, does the job it's supposed to do. The bad guy gets stuffed, the good guy gets the girl, the hero is redeemed, etc. Those aren't spoilers, since anyone who watches movies enough to be reading this site can see it all coming by the second commercial break. Still, I wasn't disappointed by that, since unlike others, I didn't think a movie called "King Ralph" was going to reach new peaks of comedic genius.

I gave it a 6/10. Worth watching for some chuckles and classic theme vibes. I also don't think the British greats were wasted in it...I think it made for decent corny fun, and having O'Toole et al be part of it was a big part of that.

They could have picked a better tune than "Good Golly Miss Molly" for King Ralph's big performance though. :-)
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