In a single word- Money! I first saw this film in 1998 as a buddy of mine brought it home from the video store when I was trying to get over a girl. It worked! Five years later, finding myself in the same predicament, I go to the video store- it worked again!
What could be justly labeled a step-by-step video on social aptitude in the new millenium, "Swingers" lays out the guidelines for today's single man. How long do you wait before calling a girl whose digits you just got? How do you wing your boy? What are the perils of decending to "teddy bear and ice cream" discussions with a girl? Why do you want to be the guy from the R-rated movie instead of the guy from the PG-13-rated movie guy? How do you succeed in showing a girl how money you really are? Favreau's script provides these and many other useful tips for the modern male hoping to survive life in the dating scene.
Favreau's character, Mike Peters, is an aspiring actor who works an open-mike night at a local comedy club. Moving to L.A. from Queens to help himself get over his girlfriend of five years and seeking fame, Mike is down--really down--by his inability to shake her from his system. The melancholy romantic is consoled by his friend from back home in Queens, Rob (played by "Office Space" star Ron Livingston); but it is the antics of his savvy and street-wise sidekick Trent "Tee" Walker (masterfully played by Vince Vaughn).
With T-bone's coaxing and pushing, Mikey is forced back into the dating scene. Rusty at first, he eventually learns to cope and the film culminates in an impressive dénouement and an ending that has me on the edge of my seat, my eyes a-glow and my fists clenched in victory.
This film is full of cinematic treats as well. From Scorcese and Tarantino parodies that follow discussion of the two directors to a cruise down the Vegas strip to walking shots through Hollywood clubs, Swingers has the feel of a late night at a club or an evening at home with the boys playing hockey on Sega Genesis. Other interesting and original eye-candy is to be found in the repetition of "the Club" in everyone's car, in the way each key player drives his own car in an almost funeral procession way and in the form of a communicable answering machine. Although often--erroneously--labeled asrealistic or retro, the formalistic traits of this film are quite amusing and worth looking out for.
In the end of the day, Swingers is an exceptional film--entertaining from start to finish, smart, classy and all a man needs to succeed in today's dating world. The film leads you--or at least me--to re-evaluate things and realize how money you really were all along. And the hope is rejuvenated: somewhere in some smoky, swing club is a beautiful baby--my Heather Graham--waiting for me at the end of the bar.
What could be justly labeled a step-by-step video on social aptitude in the new millenium, "Swingers" lays out the guidelines for today's single man. How long do you wait before calling a girl whose digits you just got? How do you wing your boy? What are the perils of decending to "teddy bear and ice cream" discussions with a girl? Why do you want to be the guy from the R-rated movie instead of the guy from the PG-13-rated movie guy? How do you succeed in showing a girl how money you really are? Favreau's script provides these and many other useful tips for the modern male hoping to survive life in the dating scene.
Favreau's character, Mike Peters, is an aspiring actor who works an open-mike night at a local comedy club. Moving to L.A. from Queens to help himself get over his girlfriend of five years and seeking fame, Mike is down--really down--by his inability to shake her from his system. The melancholy romantic is consoled by his friend from back home in Queens, Rob (played by "Office Space" star Ron Livingston); but it is the antics of his savvy and street-wise sidekick Trent "Tee" Walker (masterfully played by Vince Vaughn).
With T-bone's coaxing and pushing, Mikey is forced back into the dating scene. Rusty at first, he eventually learns to cope and the film culminates in an impressive dénouement and an ending that has me on the edge of my seat, my eyes a-glow and my fists clenched in victory.
This film is full of cinematic treats as well. From Scorcese and Tarantino parodies that follow discussion of the two directors to a cruise down the Vegas strip to walking shots through Hollywood clubs, Swingers has the feel of a late night at a club or an evening at home with the boys playing hockey on Sega Genesis. Other interesting and original eye-candy is to be found in the repetition of "the Club" in everyone's car, in the way each key player drives his own car in an almost funeral procession way and in the form of a communicable answering machine. Although often--erroneously--labeled asrealistic or retro, the formalistic traits of this film are quite amusing and worth looking out for.
In the end of the day, Swingers is an exceptional film--entertaining from start to finish, smart, classy and all a man needs to succeed in today's dating world. The film leads you--or at least me--to re-evaluate things and realize how money you really were all along. And the hope is rejuvenated: somewhere in some smoky, swing club is a beautiful baby--my Heather Graham--waiting for me at the end of the bar.
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