Change Your Image
glenn-720-143801
Born and raised in Australia, Hanns began his career as a camera operator before working his way up to becoming a cinematographer. He quickly established himself as a talented and versatile artist, known for his ability to create stunning visuals that perfectly captured the mood and tone of a scene.
Completing his Masters at the Australian Film Television and Radio School in 2008 with the prestigious 'High Achievement in Cinematography' award his 35mm film "Bleeders" was selected by an esteemed panel at Camerimage in Poland to represent Australia in the short film category for the Golden Tadpole.
Throughout his career, Hanns has worked on a wide variety of projects, from independent feature films and television shows. His work has been recognized with numerous awards and nominations, including several Gold ACS (Australian Cinematographers Awards) and AACTA nominations for Best Cinematography.
Hanns is known for his ability to collaborate closely with directors and other members of the film crew to create a cohesive and visually stunning final product. He often uses a combination of traditional and digital techniques to achieve the perfect look for a scene, and is always looking for new and innovative ways to push the boundaries of what is possible in filmmaking.
A true master of his craft, his work endeavours to inspire and captivate audiences around the world.
"There's no denying the passion I feel for the moving image. The magic generated when all the elements of film-making come together, creating an engaging cohesive story that transports the audiences reality, dramatically changing their world; that is what I live for." Glenn Hanns
Reviews
Moon Rock for Monday (2020)
Great indi Australian film.
Great little film, a blend of 'The tree of life' and 'little miss sunshine.' A story about how
we fit within our world and the legacy we leave.
Moonrock is about what it means to have quality of life, we're here for such a short period and it's only until most of us become elderly that the thoughts about mortality and time really come into play.
Tyler and Monday are wicks that burn bright but way too quickly. Monday struggles with the tight rein her father has on her for fear of losing her after the death of his wife. Tyler lives in the shadow of his mothers death and his longing to reconnect and make sense of his loss. Tyler has had to provide for himself and answer to no one. Monday lives in a cotton ball that slowly suffocates her.
As a father, how do you respond to the thought that you could lose your child to an illness or accident? What does it mean to be alive and to live life, Monday is in her fathers prison, Tyler is headed for prison. Both will search for answers to their future, need each other not to survive but to live and learn.