Reviews

I was very pleased to finally see this film again after many years. I can never understand why other people complain about the storyline or some of the individual actors in the film or any other irrelevant aspect of the film without properly recognizing its significance. This film was released in 1941 at a time when world peace was being seriously threatened by some of the most evil forces then known to mankind. It was a means of conveying to as many as possible the evils of Nazism at a time when people in America were arguing, loudly by the way, that the country should remain neutral as far as the rest of the world was concerned. How people can, today, quibble about the acting abilities or weaknesses of the story line is beyond me. This was 1941 and films such as this were designed, first and foremost, to make the then-current world situation a reality for those people who didn't seem to know, or even care, about what was happening around them. In that respect, it succeeds magnificently. And how ironic that it should star John Garfield who was so hounded by the treacherous McCarthy era that he died at the unforgivable age of 39!!! Nancy Coleman, who later became the mother of twins, lived across the street from me for many years. One might, perhaps, want to think about just where our world would be today if not for the efforts of all those responsible for this unappreciated film from 1941.

I, too, first saw this film at the Classic Cinema in Hammersmith. And to me, it was hilarious. But for so many of us growing up in England, the Old Mother Riley films were always a definite treat so that it's not surprising that so many of them were made. And at the time, I'd never even heard of Bela Lugosi. There is no question that the humour in this film is understood best by those of us born and raised in England. And having lived in New York for many years, it's only in recent months that I finally saw, once again, the original version of the film. It's also remarkable for its fine cast of British character actors which includes the now legendary Dora Bryan who, after many years, remains unknown to Americans. I just don't think that Americans could ever truly appreciate or understand the full significance of this film and its importance as the final screen appearance of a British cinema legend. And yes, in the scene where a trolley bus is standing at a traffic light, it does, indeed, appear to be a 660 which I would have used to get home from the cinema after the film was over.

Like other reviewers, I, too, have not seen this remarkable film in many, many years since . The fact that I still remember it demonstrates what a truly terrific film this is. How unfortunate that it seems to have been forgotten over the years. However, two days ago, on February 24, a DVD edition of the film was released in the U.S. and I'm now about to finally see this great film again after so many years. The loyalty that can develop between man and dog is surely put to the test by events that take place in this story which was originally written by Graham Greene. No one should pass up an opportunity to see this film which, unfortunately, has never been given the recognition it deserves.

I first saw this film in 1961. Many years later, it turned up on Turner Classic Movies and, like a fool, I sat here watching it without making a tape of it. What a mistake that was. Although this film is well worth watching and has a clever twist ending, all indications are that it is unavailable anywhere on video or DVD. Don't miss it if it comes up on TV again.

Perhaps somewhat dated by today's standards, but, nevertheless, an interesting tale about a girl from Wales who ends up in London and then begins what she perceives to be her climb up the ladder of success. Each time she meets a new person, the viewer learns a little bit more about her personality. Where will it all end?

Filmed in color, this film, which is concerned with the hunt for a baby snatched from its pram in a London street, is replete with well-known British character actors of the 1950's including Joan Sims, Eleanor Summerfield, Joan Hickson, Thora Hird and Marjorie Rhodes. It represents a marvelous look at London and its people as they were in the 1950's and is sure to evoke many memories for those who lived there at that time. Highly recommended.