The second I saw the trailer on Netflix and realized that Mads Mikkelsen was a retired assassin, I was instantly on board. Mikkelsen is a treasure, and I'll watch anything that has him in a starring role (thus promising that he won't be disgustingly underused like he was TWICE in 2017, in Rogue One and Dr. Strange).
Watching this movie is like watching Mads Mikkelsen on the home set of the Hannibal series as he slices ideas and dices genre cliches and blends them all in a juicer into a colourful, blood-tinged cocktail with the delicate finesse of a chef. Unsurprisingly, Mikkelsen is the best thing about this movie.
The assassins goof around, yell, do drugs, have sex, and act like entitled rich kids who I guess we're supposed to find funny. And then there's Mikkelsen--he's the straight man in this weird yet basic film that constantly shifts tones between colourful and trendy to muted and gritty. The irony here is that the funniest moments are all from him.
Sometimes, the cinematography is gorgeous to look at. Other times, it looks like an unpleasant, rainbow-y candy-coloured glob of chewed bubblegum. The assassins and the big boss man are all obnoxious, snarky, and in serious need of a new fashion trend--they all looked like they stepped out of a sex shop with anything and everything that was bright yellow, pink, orange, or purple.
The villain himself is a disappointment--they say an action hero is only as good as the villain he's at odds against. Here, Mikkelsen, a calm, regretful, reserved old man battles a cartoonish egomaniac and his army of loudmouthed decadent fools. Somewhere in this clash of two very different worlds, there is a good joke to be told. Sometimes, yes, the joke was funny, and most of the time, the film overall was pretty entertaining despite its out-of-place juvenile humour.
Ex-Disney Princess Vanessa Hudgens surprised me, though. She made a very convincing performance as Mikkelsen's troubled, depressed neighbour, although in the final half of the film she doesn't get much to work with.
The action scenes are stylish, gory, brutal as hell. A couple of times I laughed at the absurd, creative deaths Mikkelsen's character dished out. THey're filmed and edited well, and like the film itself, they're not bad, though not great, either.
There is no other way for me to describe Polar except to crack a bad pun and say that it is a polarizing film. It lives up to its title. I can't say I can be disappointed by that. Well played.
Watching this movie is like watching Mads Mikkelsen on the home set of the Hannibal series as he slices ideas and dices genre cliches and blends them all in a juicer into a colourful, blood-tinged cocktail with the delicate finesse of a chef. Unsurprisingly, Mikkelsen is the best thing about this movie.
The assassins goof around, yell, do drugs, have sex, and act like entitled rich kids who I guess we're supposed to find funny. And then there's Mikkelsen--he's the straight man in this weird yet basic film that constantly shifts tones between colourful and trendy to muted and gritty. The irony here is that the funniest moments are all from him.
Sometimes, the cinematography is gorgeous to look at. Other times, it looks like an unpleasant, rainbow-y candy-coloured glob of chewed bubblegum. The assassins and the big boss man are all obnoxious, snarky, and in serious need of a new fashion trend--they all looked like they stepped out of a sex shop with anything and everything that was bright yellow, pink, orange, or purple.
The villain himself is a disappointment--they say an action hero is only as good as the villain he's at odds against. Here, Mikkelsen, a calm, regretful, reserved old man battles a cartoonish egomaniac and his army of loudmouthed decadent fools. Somewhere in this clash of two very different worlds, there is a good joke to be told. Sometimes, yes, the joke was funny, and most of the time, the film overall was pretty entertaining despite its out-of-place juvenile humour.
Ex-Disney Princess Vanessa Hudgens surprised me, though. She made a very convincing performance as Mikkelsen's troubled, depressed neighbour, although in the final half of the film she doesn't get much to work with.
The action scenes are stylish, gory, brutal as hell. A couple of times I laughed at the absurd, creative deaths Mikkelsen's character dished out. THey're filmed and edited well, and like the film itself, they're not bad, though not great, either.
There is no other way for me to describe Polar except to crack a bad pun and say that it is a polarizing film. It lives up to its title. I can't say I can be disappointed by that. Well played.
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