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Reviews
Night Train (2023)
Mis-Mashed Cheese
Night Train feels like Hallmark trying to break into F&F territory. But, it's kinda awkward.
I think Night Train is a strange mash-up of: F&F, Motocrossed (90s kids, you're welcome - and they could have developed this a lot. Like why is this the one thing she and her dad see eye-to-eye on?), The Cleaning Lady, Will Trent, and Lethal Weapon (I'm sorry, but Riggs but without Murtaugh. You'll see). I enjoy all of those movies or shows individually, but it's like there are small elements of each scattered in this movie that don't quite make sense.
I think I could have liked this movie if there were character and plot development, continuity, etc. It may have better as a series to allow the writers to back up and show us more of the characters' potential. Only because I made it through to the end, I wouldn't mind seeing a much better sequel or prequel.
The Bear (2022)
Dysfunctional AF
.... and I'm here for it. And, who doesn't love Porthos/Dr Charles? Sydney is scrappy and I love that her stressed out journey brought her here - to more stress, but talent meets talent. Carmy is a quiet genius, and Marcus is getting his footing. Earning Tina's trust - OMG. After getting burned out from Gordon Ramsay binge-watching, I was a little hesitant. Episode 8 made it worth it. I can't wait to see what happens next.
Fantasy Island (2021)
Beautiful and Mystical
It's easy to get lost in the pivotal moments on the island. I appreciate Roselyn Sanchez's acting and personality. Everything she does feels so intentional, purposeful. I did watch reruns of the original as a kid, but aside from small clips, I'm not really able to compare this to that. I have to say, if this sequel has a long run, and superior writing (fingers crossed), I'm hooked.
Rowdy Rathore (2012)
Classic
As off the wall as it is, and for the last time I watched this being sooo long ago, it's a classic. "Don't angry me" has continued in my discourse with my husband since.
Blithe Spirit (2020)
Charming!
Firstly, I absolutely love this era of cinema and setting. Everything from the music, decor and wardrobe, to the font styles. The first time I saw Dan Stevens was on Downton Abbey. I adored him as the Beast (Beauty & The Beast, 2017). His comedic skill is witty, disarming, and inviting in this film. Judi Dench is absolute cinema royalty in my eyes and she is a delightfully well-meaning medium. Leslie Mann is such a funny gem and I love the kooky twist to the plot. Ruth (Isla Fisher) grew on me as she tried to rein it all in but got sucked into the drama. Definitely "Death Becomes Her" circa the '20s (both).