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Reviews
Òran na h-Eala (2022)
Don't miss this
This brief film is a rich tapestry of emotions and complexity, remarkably capturing a wide range of feelings within its short run time. The director has skillfully woven this nuanced yet clear story. The opening scene is particularly striking, drawing inspiration from "The Red Shoes" and laying the groundwork for a riveting and emotionally resonant experience. Shannon Davidson's portrayal of Moire Shearer is a standout, infusing the character with elegance and realism. It's a demanding role, but her execution is so authentic that it feels like watching the events happen in real time. Congratulations to Steve Exeter and the entire crew for their exceptional work. As someone who deeply appreciates "The Red Shoes," I found this film thoroughly enjoyable. It's highly recommended for everyone, even those not familiar with the original, particularly for fans of Òran na h-Eala.
Effigie - Das Gift und die Stadt (2019)
Bravo
In this true story, two formidable women deliver impactful performances at the forefront. The narrative, if fabricated, would seem implausively exaggerated. It's unsettling to realize that the seemingly benign yet cunning woman who poisoned about 15 people over years in Bremen actually existed. I viewed this film in a German city close to Bremen, where locals are familiar with this historical incident.
In the movie, the murderess is depicted as jealous of the talents and status of her adversary, the young legal assistant Cato Böhmer. While there are some plausible theories about the murderer's motives and mindset, her actions largely remain an enigma, leaving viewers with lingering questions. What drove her to commit numerous murders while maintaining a facade of benevolence?
The film's dialogue stands out for its clarity, a refreshing change from modern movies that often feature mumbled lines or overpowering background sounds.
The score, created by a 40-member orchestra, beautifully enhances the film's mood.
The plot weaves in the technological and economic progress of the 1830s, educating viewers on railway development in Northern Germany against a backdrop of historical scenery. An intriguing aspect is the depiction of an early mechanical copier, a device I was unfamiliar with.
This movie is a must-see, transcending appeal beyond historical dialogue enthusiasts. I eagerly anticipate Udo Flohr's next creation and hope he continues to cast such compelling actors.
Bezos (2023)
Would love a part 2
Engaging and inspiring in many ways, this film is definitely worth your time. The scriptwriters have impressively captured the early days of Amazon, highlighting Mackenzie's significant and often overlooked contributions to the company. Although there are some jumps in the timeline, a deeper exploration into how Bezos validated his initial idea of selling books, especially when this business model wasn't considered thrilling at the time, would have added more depth. This film offers a sincere and serious portrayal, but I'm eager for a follow-up that delves into the more challenging aspects of Bezos's journey. It's just the start of a larger story, and I highly recommend watching it for both entertainment and inspiration.
Open (2023)
Lots of passion
Recently, I stumbled upon a lesser-known film on Tubi that was thoroughly enjoyable. The film features 1980's style music videos, complete with catchy tunes and clever lyrics. Some are even uproariously funny, like the song "Vomiting Sucks". This independent film really hits the mark with its bold creativity. Jeremy London delivers a memorable performance as a has-been TV celebrity. The screenplay by Miles Doleac and Lindsay Williams, who play a couple grappling with personal loss and the challenges of a long-term relationship, is notably strong. However, the highlight of the film is the music that reflects the inner thoughts of Williams' character, "Kristina". Her journey explores the complexities of being a wife, mother, and woman in modern America. The film is a commendable effort from all involved.