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sethdevita
Reviews
Coup de chance (2023)
Do us a favor: stop directing movies!
Outdated, old in concept, unlikely. Poor Allen continues to make films in his alternative reality, made up of bohemian writers, snobs who read paper books and live modernist adventures, listen to vintage jazz, etc. This bland and boring film lacks anything that could make it interesting. Absolutely irrelevant in the overall scheme of things. Mere exercise in style without any particular style other than luxury furniture. Awkward as a geriatric dream machine. But the most hateful thing is to see characters who do not act like ordinary mortals, in a perpetual exaltation of the ruling class. I swear this is the last time I'll waste time with an author who should seriously step aside and stop trying to involve us with his nostalgia.
Kotoko (2011)
Idiotic
Here I am reviewing a film by the highly overrated Tsukamoto. Few times i've seen a director do so badly and make fun of the viewer. The story tells of this disturbed woman, who enjoys skewering the hands with a fork to those who try to have a date with her. And to cut herself to take away the stress. Then she meets a writer, played by our dear director, who wants to get together with her at all costs. And in order to succeed he even allows himself to be tied up and tortured. If this is humor, I don't get it. If they wanted to show what it takes to love, I still think differently. It's not love, it's mental illness. Idiot
movie, avoid like the plague.
Apocalypse Clown (2023)
Clowns are still not fun
Excellent remedy for wasting an hour and forty-two. Given the initial premises, it seemed interesting. Then it turns out to be a product without ideas, without a precise audience, a lot of improvisation, English humor - poor, even for its Englishness - poorly characterized characters, gratuitous violence, empty or non-existent plot development, characters who continually scream, without reason, (why?). The director confuses intelligent satire with post-modern nonsense and pastiche. He almost seems to beg the audience to be indulgent, exactly like the protagonists of the story. It's as if they tried to manipulate material that they were absolutely incapable of manipulating. And it shows.
Tulsa King (2022)
Embarrassing
Stallone goes Pulp. Stallone goes Tarantino. Stallone, the capitalist Superman, at 75 simply can't stop thinking fashionably. There's something pathetic about someone who doesn't understand when they should stop to make roles as if they were still in the 90s or early 2000s. Samaritan puzzled me, but overall I enjoyed it. Here, however, we see him playing a role that is impossible to be more stupid and unbearable. Badly written, worse acted. No suspense, no atmosphere, only physical violence, psychological violence, verbal violence. Tell me what's interesting about worshiping the Mafia style. Personally I removed the show after about a quarter of an hour of tthe very first episode, to the scene of the threat in the marijuana shop, a nonsense that has incredible arrogance.