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Reviews
Pane e cioccolata (1974)
a good film
A Film Review of Pane e Cioccolata Written By Jeremy Lawrence
The film "Pane e Cioccolata", also known as bread and chocolate (1973) directed by Franco Brusati is one of the remarkable films that installs the perception of both lifter and of sorrow. Brusati takes the audience through the life of an illiterate southern Italian immigrant as he tries to find refuge in the economic system of Switzerland in order to earn enough money to support him self and that of his so called families back home in Italia. As he progresses through the story unusual problems arise that involve differences in culture as well as a specific stereotype problems created by the society and even by himself. Threw out the film Nino (Nino Manfredi) is thrown into situations that arise because of his lack of a formal education and of his difference in cultural practices. For instance in a spectacular scene ware Nino is confronted by a Swiss police inspector (Giorgio Cerioni) who presents Nino with a photograph of himself urinating in public, his cultural differences are evident. But at first the inspector tells Nino that he has committed an obscene act in public. Nino is appalled by the accusation, but when the inspector tells him that the act was of him taking a pepe in public Nino is Lost and can not see why the act was so offensive that he should be fired for the act alone. What is missing is that in Nino's culture of uneducated southern Italians (hicks) the act is a trivial one and an obscene act is much more sever, infect Neno rebuttals that he has not done an obscene act in private for some time. This and a plethora go to show the distance that Nino was from the members of his surrounding communities. Finally after trying to assimilate into the Swiss culture Nino gives up and decides to change his physical appearance to better resemble the traditional blond hair. When he travels into a pup for a drink he does not know how to answer the water. When a soccer game between the Italian team and the Swedish team appears on the television Nino tries to hide his indignation of the Swiss towards himself and root for the Swiss team. To all that are in the pup the fact that Nino is not a Native German speaker is in explicitly evident. He is ultimately rejected from the society and is imprisoned ware when he is released his blond hair was cut off. This further goes to illustrate his lack of acceptance from the members of the Swedish society. But when her tries to return to Italy, he abandons the train and returns to Switzerland. Throughout his struggle Nino is constantly rejected and a pone boarding the train that will take him back to Italy he is reminded of the stereotypical cultural influence of the fellow train occupancy as they brake out into song. This further goes to demonstrate his unwillingness to return to the foreboding family back home and reaffirms his belief that wail he may not be educated he is at least trying to make ends meet. But one must wonder if he were smarter why did he not go to the Italian speaking part of Switzerland or after a few years why he could not speak more German than the hand full of words he admitted to know. But all in all the stories goes to show that racism and prodigies are not always the solution and that wail one may be illiterate that the circumstances that perspired against that person may or may not lead that individual full circle. This film has much more to say and I, the writer do not have the space to elaborate. For example there is the social implications of the forged friendship of the Italian Industrialist and Nino. But for all purposes this film encourages those who take the time to watch the film to engulfed ourselves in Nino's struggles and to relate to Nino's desperation and a lack of social mannerism and lack of cultural adaptability.
Johnny Stecchino (1991)
what a good film
Johnny Stecchino review by Jeremy Lawrence
Johnny Stecchino is a delightfully funny piece of Italian film history, with flamboyant characters and American influences derived from such roots as Charlie Chaplin, Buster Keatan and Woodie Allen. Although the jokes, for the most part are derived from Italian culture, their routes display common beliefs and experiences of all cultures. They play on the stereotypes of Italian culture perceived by the rest of the world. The main character Dante, played by Benigni, has a comedic and arrogant personality. He miraculously finds himself repeatedly in life threatening situations. However, he some how manages to get himself out unscathed, and due to his character the audience cannot help but laugh at his arrogance. This film displays master comedic work and the work of a brilliant framer using every inch of his presidium arch to set up and deliver the plethora of gags. Throughout the film each gag is set up primarily by setting a visual mood that allows the viewer to not only feel the joke at hand but also to live the joke. This allows the joke to run deeper into the viewer's knowledge and belief system. For instance, in the film Dante is preparing to snort a line of cocaine. Almost everyone on earth, who has watched films or television, knows what the white powder is and how the drug is used. In the stories, when Dante does not know what the powder is his uncle tells him that the powder is a drug to cure his diabetes. Through the film this knowledge is tested and the main character tries to pass the drug off as a cure for diabetes. Another of the new techniques used was that of editing as well as visuals to develop the 4 D's (Desire, Deception, Discovery, and destiny) of a traditional comedic structure to develop the comedic persona of all the gags and to tie all them together. In doing this Benigni used many traditional techniques of cross cutting and of cutting to show the action, not cutting to develop the act. Actually Benigni uses the long take, which, according to Charlie Chaplin are the way comedies are suppose to be shot, for example a shot that would normally be inter cut with close ups, such as the car in reverse gag. In the frame, Dante enters his bus and the audience is led to think that he will back up. As he turns to look at the camera in order to back up, the foliage can be scene through the window pressed closer to the camera. This makes it obvious that he is actually driving forward and not backing out and in the same shot Dante's expression draws us to his gaze without rack focusing (rabidly changing focus from one object to another). All of the visual and dialectical techniques demonstrate the comedic genius of Benigni. Although the jokes are not universal to all cultures, Benigni creates a mood of light comedy and intellectual triumph which in part explains the success of Johnny Stecchino.