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Skyline (2010)
2/10
Sorry Skyline, room 101.
13 October 2013
First the positives - Cinematography pretty good in places. CGI and special effects the same. That's it for me.

And the negatives - It really is a good idea for film makers to try to encourage an audience to develop some kind of emotion with at least one of the characters in a film, be it positive or negative. I just couldn't develop any connection with anybody in this at all. I really didn't care if anybody lived or died. The dialogue was generally very poor, with long tired overused phrases like 'holy sheet' (whatever that is), and the main protagonists just couldn't resist standing out in the open on top of a building watching loads of enormous alien space ships appear out of clouds. Oh look, they're so big and scary, 'oh my god!'. The interaction between the cast was flat and nondescript. The plot was completely predictable, no twists or interesting turns.

Hollywood really has to face up to trying new ideas for it's bigger films, otherwise the audiences are simply going to end up completely numb, vaguely engaging only in non-stop action and blood and guts.

Sorry Skyline, room 101.
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Amélie (2001)
5/10
Another display of French quirk!
18 January 2013
Warning: Spoilers
I feel the point of this film, is that none of the characters would be considered 'normal' in the real world. It's a cartoon with humans. To name just a few - An artist totally obsessed with Renoir to the exclusion of everything else in life. A shouty greengrocer with an idiot sidekick. A porn shop assistant who hangs around train stations scraping under photo booths for torn up pictures of strangers. A hypochondriac tobacco saleswoman, and her beau-to-be obsessed with recording his entire day on a portable dictaphone. And then the central character, Amelie, a strange young woman with a little-girl pearlescent complexion which seems to be what catches the high ratings of this film.

I watched the French language version, and have to admit that I did chuckle at a few of the humorous lines in the first half. But the two hours could easily be cut to a forty five minute snapshot of French oddity, and one would come out with a greater sense of satisfaction having seen it.

I'll give a middle-of-the-road vote for its colour, tone, cinematography, and Audrey Tautuo's on screen appeal.
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Prometheus (I) (2012)
8/10
The classic Ridley Scott signature.
2 December 2012
I have recently watched this twice in quick succession, and the second viewing was far more enlightening than the first. It may have a number of perceived gaps in the script, and many of the crew of Prometheus appear insignificant and wasted for their appearance, but of all the new-ish films I have seen in the past twelve months, this is the one that I would most want to see again.

It appears that the makers deliberately wanted to leave a fair amount of ambiguity in this instalment of what is expected to have at least one sequel. This is no bad thing, as it leaves plenty of headroom for plot alteration and development in the next production.

As many have pointed out, Prometheus has fantastic visual impact. The cinematography, the lighting, tone, and impressive CGI. Ridley Scott's eye for visual detail is evident yet again. I am confident that once the negative reviewers have taken a second sitting, many might consider revisiting their lowly vote mark.
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Dune (1984)
1/10
Oh dear!
3 November 2012
Bought the DVD the other day from a well known auction site, watched this for the first time yesterday. After about twenty minutes, I paused the DVD machine just to double check I was watching Dune (1984).

The special effects would have struggled for any credit even in the 1960s. I am staggered at the wooden acting bearing in mind the high credibility of some of the cast. The story line jumpy and unclear, a mishmash of to-ing and fro-ing. The lighting and cinematography were dreadful in more than half of it. The script sounded so contrived that it could so easily be mistaken for a spoof.

One has to be a seriously devoted and forgiving fan of this title to appreciate it in any form at all. I took my new DVD today down the road to the charity shop.
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Cabin Fever (2002)
1/10
Biggest bunch of bananas this side of c.1890
8 July 2007
Was it trying to be funny? Was it trying to emulate the classic '80s idiot-student horror film? How much was Peter Jackson paid to say it was great? The general scene, set deep in a conifer forest lends itself well to a potentially spooky film. A tired theme none the less !!!! Add a group of fresh university graduates with absolutely no common sense, a stereotypical script, loads of red grape juice thickened up with mono-sodium glutamate flowing out of every orifice, the local hermits, social outcasts with rotting teeth and weird children, a mad German shepherd dog, and the statutory single sex scene with no-show camera angles, and you have an instant turn-off-and-never-watch-again film. Oh and it wasn't funny either.

Don't bother watching it, don't even think about it. This goes instantly into Room 101.
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Elizabethtown (2005)
1/10
Dull as a cloudy day at the beach !!
15 December 2006
Warning: Spoilers
With OB playing the lead role, I was hoping to get a glimpse of his acting prowess in a film that doesn't involve swords, arrows, ugly creatures and fast action camera-work. The first ten minutes started quite well, with possible undertones of some ironic black humour coming up. He gets fired for losing his employer the best part of USD 1 billion. Fair do's ! Then he's on a jumbo jet heading for Kentucky, the only passenger, and the stewardess (KD) tells him with a straight face that he saved all their jobs for being on that flight. Oh Oh ! The alarm bells start ringing. Was that supposed to be serious, or an attempt at humour !! The film then switches to Elizabethtown, and dies completely........

The relationship development between OB and KD is completely nauseating, and so endlessly boring with clichéd dialogue. It goes on and on and on, with no meaningful or interesting word from either of them. I pity both these actors for having to spout the most monotonous and diabolical script I have heard in years.

After an hour and a quarter, I couldn't stand anymore, and switched it off.

A few nights later I returned to the rest of the 2-hour film hoping that it would get going. It just got worse. Susan Sarandon at a sickly American-style funeral party doing a daft little jig on stage, and finally OB's road trip which made me want to tear out teeth.

The bit that bugged me the most, we never find out how OB lost his employer a large wad of cash !! If anybody wants a free DVD, you can have my copy with pleasure, otherwise it's going for a flying lesson out the window !
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