I had been told prior to the Toronto Film Festival that vast quantities of Kleenex were necessary for this movie and by the end, was proved that the warning was 100 percent correct by the long lines of mascara running down my face. (I wasn't the only one scrubbing my face dry in the bathroom. I had PLENTY of company.)
The movie. It was tender heartwrenching angsty cinema that you'll never forget if you see it. From the big eyed orphan waif in India to the Danish billionaire and his family, every cast member was perfect for their part.
Mads was alternately driven, grieving, heartsore and furious and then committed to helping a person he'd never expected to have to. He was lured from India by promises of money to fund an orphanage. While most women are going to be thrilled by the beginning sequences and scenes (flashes of sensual dreams and a barechested Mads wandering the night, worrying), by the end they will be entirely caught up in other characters altogether. Yes, you NEED those Kleenex.
Rolf Lassgard who plays the billionaire Jorgen has a fine deep booming voice with a persuasive quality that has you agreeing that yep, here is a man who WOULD be a billionaire. He's decisive and forceful, motivating people with every means at his disposal.
I particularly liked the way the director framed the events and depicted the mood in the movie with the use of stark visuals. Pay attention to the director's use of eyes. It's all linked in a meaningful way.
Though the movie is slow moving, it is like a deep river. Underneath the top lazy current, the force is flowing through the riverbed until it reaches a smaller place and has to force itself out in a torrent. Be patient.
I will drag anyone I have to into the theater to see this. By the end of this movie, you appreciate that life is finite and family is the center pivot point of everyone's universe.
So we got up at the crack of dawn to get tickets to see it again the next day. And cried again.
It was even better the second time around.
The movie. It was tender heartwrenching angsty cinema that you'll never forget if you see it. From the big eyed orphan waif in India to the Danish billionaire and his family, every cast member was perfect for their part.
Mads was alternately driven, grieving, heartsore and furious and then committed to helping a person he'd never expected to have to. He was lured from India by promises of money to fund an orphanage. While most women are going to be thrilled by the beginning sequences and scenes (flashes of sensual dreams and a barechested Mads wandering the night, worrying), by the end they will be entirely caught up in other characters altogether. Yes, you NEED those Kleenex.
Rolf Lassgard who plays the billionaire Jorgen has a fine deep booming voice with a persuasive quality that has you agreeing that yep, here is a man who WOULD be a billionaire. He's decisive and forceful, motivating people with every means at his disposal.
I particularly liked the way the director framed the events and depicted the mood in the movie with the use of stark visuals. Pay attention to the director's use of eyes. It's all linked in a meaningful way.
Though the movie is slow moving, it is like a deep river. Underneath the top lazy current, the force is flowing through the riverbed until it reaches a smaller place and has to force itself out in a torrent. Be patient.
I will drag anyone I have to into the theater to see this. By the end of this movie, you appreciate that life is finite and family is the center pivot point of everyone's universe.
So we got up at the crack of dawn to get tickets to see it again the next day. And cried again.
It was even better the second time around.
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