This is the third film this year dealing with a child being protected by a monster (after The BFG and Pete's Dragon) and it's probably the one that will leave a bigger impact. My first thought was that I could've easily seen this becoming a hit and probable contender if they'd kept the original October release (as they did here). Now it's going to struggle a bit more but could still surprise. It's really well-made, very carefully put together visually speaking (the two animated sequences are huge highlights). It also has a baity and appealing narrative, but it's not a full-on melodrama, since the monster brings the necessary touches of humor, without feeling out of place. In fact, this was a tricky story to handle as far as tone is concerned, and Bayona definitely delivered in that regard, keeping the mess at bay. In this sense, I don't think he went too far to try to emotionally manipulate the audience as some have claimed: personally I don't have a problem crying at movies and didn't feel the urge to here.
But that's probably also the one big flaw: it's all a lot of style and little substance in my eyes, despite the supposedly devastating and traumatic core. It feels like a story more fit for a short film than a feature film, seeing as there is little character development if you think about it, considering the ending is pretty much spoiled from the beginning, and the relationships grow via small conversations dealing with past events rather than new actions introducing new motivations. In any case, the performances are strong across the board and manage to make you care for these characters. Buzz is set on Felicity Jones, but I thought Sigourney Weaver had almost as much to work with and was almost as memorable. Jones' character is in line with the virtue/criticism mentioned above: you don't know much about her because you get to know her only in small doses, thus preventing her pain from becoming too overwhelming, until two scenes towards the end where she gets to show more. It has a somewhat bigger impact precisely because you haven't gotten tired of seeing her suffer beforehand, but there's also not enough connection to the character. Anyway, I still think she has a shot since the role is baity, the movie is adequate and she as a clear Oscar clip. I hope it's not the only nomination this film gets (it should also contend for a few techs at least), even though I was rather mixed on it in the end.
But that's probably also the one big flaw: it's all a lot of style and little substance in my eyes, despite the supposedly devastating and traumatic core. It feels like a story more fit for a short film than a feature film, seeing as there is little character development if you think about it, considering the ending is pretty much spoiled from the beginning, and the relationships grow via small conversations dealing with past events rather than new actions introducing new motivations. In any case, the performances are strong across the board and manage to make you care for these characters. Buzz is set on Felicity Jones, but I thought Sigourney Weaver had almost as much to work with and was almost as memorable. Jones' character is in line with the virtue/criticism mentioned above: you don't know much about her because you get to know her only in small doses, thus preventing her pain from becoming too overwhelming, until two scenes towards the end where she gets to show more. It has a somewhat bigger impact precisely because you haven't gotten tired of seeing her suffer beforehand, but there's also not enough connection to the character. Anyway, I still think she has a shot since the role is baity, the movie is adequate and she as a clear Oscar clip. I hope it's not the only nomination this film gets (it should also contend for a few techs at least), even though I was rather mixed on it in the end.
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